Robert M Chapple, Archaeologist

I don’t know who first came up with the idea of canning worms – taking, say, 500g of worms and placing them securely inside a tin can. It’s clearly a terrible product, but it has given us a really useful phrase. The idea that you can start off trying to solve a problem only to discover that it’s a whole lot worse than you ever imagined. Well … I had what I thought was a simple problem. Andrew Bevan, a lecturer at University College London’s Institute of Archaeology, had published a paper that relied in part on work that I had done, but had chosen not to give that work appropriate credit in the resulting paper. I initially thought that talking to him about it would make him see that he had done wrong and that he could be persuaded to make amends. That proved fruitless, with Bevan insisting that my work didn’t deserve to be listed in the bibliography. I took my complaint to his university who, after prevaricating, ignoring, and general gaslighting, found that his actions didn’t meet the ...

First there were cross slabs (slabs of stone with crosses carved on them, like at Fahan Mura ) and eventually there were the great High Crosses (like at Kells, Co. Meath). But … somewhere between the two lies St Patrick’s Cross at Carndonagh, Co. Donegal. Although art historians still argue over the dating of the sequence, it is generally thought that the cross at Carndonagh dates to the middle of the 7 th century. The eastern face is decorated with ribbon interlace. The upper portion of the western face is filled with a Greek cross, in similar ribbon interlace while the lower stem bears a depiction of Christ in low relief. Flanking the cross are two pillar stones decorated with human figures. The pillar to the south of the cross had a carving of a figure with a bell that might be a bishop or pilgrim. Another face of the same stone bears an unusual figure, apparently bearing a fine set of horns. The northern pillar has depictions of a warrior (with shield) and King David (with harp). ...

Christmas is coming and I wanted to put together a blog post to highlight the work of archaeologists (including recovering archaeologists) and affiliated fellow travelers involved in various artistic and craft activities. In a world already overrun with mass-produced items that rely on increasingly extended and strained supply lines, I wanted to highlight some handcrafted items that will inspire joy this festive season. Over the course of the pandemic I’ve overcome the legacy of my Secondary School woodwork teacher who, on every available occasion for five years, told me I was rubbish and taken up woodturning. If you want to see some of my stuff, they’ll be at the end of the post, but I wanted to use whatever platform this blog allows me to share the work of others too … take a look at some of these gorgeous wares and consider purchasing from them …   TrowelMaiden Bryony Moss (@skjaldmaer) is an archaeologist and graduate student that produces all manner of archaeology-inspir...

How many days has it been since the Keeper of Irish Antiquities claimed that I was trying to defraud the Irish State when I was merely looking to be paid for work they directed me to undertake? My count up Countup Backstory: In a letter dated February 17 2019  Maeve Sikora , Keeper of Irish Antiquities said that  “It is completely unacceptable for you to attempt to extract public monies for discharging duties to which you signed up under the terms of the excavation licence.” She appears to believe that I am held in perpetual indentured servitude to her on the basis of a licence application I signed almost two decades ago and that I must carry out her orders on my own time and at my own expense, without expectation of payment for my services. I have repeatedly asked for a retraction of her egregious and wounding words and to offer a full, unconditional apology. To date, this has not been forthcoming. On November 27 2019 I published my account of m...

Regular readers of this blog may just have an inkling that I have a tendency towards the controversial and downright provocative. I realise that it’s hard to believe such notions from a blog that has published posts on both swastikas and cock rings (though not at the same time … yet). Still, it may come as a surprise that a little piece I published on February 6 2019 called ‘ Archaeological Archives for Sale! Buy it or bin it! ’ ruffled a few feathers. While I would urge you to go back and read this minor masterpiece, the TL;DR version is that under the guise of putting all the archaeological archives I still hold (but have never been funded to completion) up for sale, I wanted to highlight a real issue in Irish field archaeology. Simply put, this is the well-known fact that many excavation directors are forced to hold onto excavation archives in their own homes and at their own expense for many years, even past the point of any hope for their eventual publication. Some of wha...