Highlights of the Pacific International Quilt Festival ! Day 4

The Pacific International Quilt Festival (PIQF) is the biggest quilt show on the West Coast of the US. We had a great time at the 25th annual show in Santa Clara, California. There were nearly 1000 quilts on display from around the globe. Here is Part 4 of our highlights of the show!

Please note: We're selling beautiful quilting and crafting books and fabrics at low introductory prices on e-Bay! Check out all our new listings!
Also, we're continuously posting free patterns on Twitter !

Beginning True, 36 x 36", by Sue de Vanny (Australia)

Sue notes, " In the harsh Australian outback, driving cattle under the sweltering sun....., they can't do it without man's best friend...a dog. It's official name is Australian Cattle Dog, commonly known as Australian Heeler, or Blue Heeler. This dog has been working Australian farms for generations. The breed developed in the 1840's from a Blue Smooth High Collie crossed with a native dingo."

Detail, Beginning True by Sue de Vanny

Sue continues about her original design, "As a dog lover, [I find] this is a perfect subject in its link with true Australian beginnings." We love the intricate way that Sue has constructed the sweet face of this dog, with its large, soulful eyes. Sue's fascinating work is machine pieced, machine appliqued, and sewing machine quilted.

The King of the Barnyard Meets The Big Apple, 72 x 72", by Joanne MacNevin (Massachusetts, U.S.A.)

Honorable Mention winner in the Traditional Quilts category, Joanne says, "The male peacock - such a beautiful and amazing bird ! And doesn't it seem that he himself is completely and totally convinced of his own magnificence - willing, almost compelled to display it to anyone, anything, anywhere? ..Surely New York City has never seen his like. Let's see how the "Big Apple" (New York) receives the "King of the Barnyard!"

Detail, The King of the Barnyard

Joanne's lovely original design is machine pieced and sewing machine quilted.  We really admire all the many hours of work that obviously went into the piecing and quilting of this dazzling work.

Le Chat de Mondrian, 59 x 64", by Connie Kincius Griner (North Carolina, U.S.A.)

Connie explains, "This quilt is a fantasy in the form of a cartoon. In it, I imagine the artist, Piet Mondrian, living in an attic room in Paris. His signature palette of primary colors brings life to his drab surroundings. Even his cat and mouse are transformed by his artistic genius. "

Detail, Le Chat de Mondrian

Connie's beautiful workmanship creates these very clean, geometric lines and edges which are so necessary to the depiction of this contemporary kitty. Her original design is machine pieced, machine appliqued, and sewing machine quilted.

Effervescent Textiles, 67 x 66", by Kathryn Sandner (California, U.S.A.)

Circles in a variety of patterns cover the surface of this Effervescent quilt. Kathryn says, "The premiere edition of Simply Moderne showcased a quilt by RachaelDaisy on the cover. Her [Bubbles] quilt inspired this piece."

Each circle was turned under and machine appliqued (giving an appearance of depth to the layers of circles), and longarm machine quilted.

Necktie Century Archeology, 99 x 80", by Cathy Perlmutter

Cathyl Perlmutter says, "This quilt incorporates 68 neckties, from 1950 to today. I arranged them chronologically, as if an archaeologist were digging them up. The earliest, a tie along the bottom, features a bathing-suit clad pinup girl. Above come the 1960s (paisley galore), the yuppy 70s, and so on. In the lower left are neckties related to love, sex, and childbirth – including a Viagra tie. This quilt encapsulates fashion trends and ideas of masculine interests and sexuality!" The ties shown below feature neon Volkswagens, a golf course, a Monopoly game, and young Elvis clutching a hound dog.

You can see more details of the ties and construction at Cathy Perlmutter's blog. Necktie Century Archeology was hand appliqued, hand quilted, and embellished with 100+ vintage buttons.

Not Forgotten, 80 x 78", by Janet Fogg (Oregon, USA)

Winner of a Judge's Choice award, Janet Fogg says, "Exactly twenty-five years ago I attended my first quilt show and was astounded by the beautiful work. Inspired to create quilts of my own, I couldn’t decide whether to focus on traditional or innovative designs. So, from the very beginning, I combined the two genres in my designs. Today, I present you with Not Forgotten, a well loved character juxtaposed somewhat transparently against a cliff of traditional baby blocks." beside the sea."

Not Forgotten was machine pieced, hand appliqued, and longarm quilted. The beautiful hand dyes are by Jeanette Viviano.

Image credits:  Photos were taken by Quilt Inspiration.

Hawaiian Quilts

Scented with the the fragrance of sugar cane and tropical flowers, the trade winds have blown in an exotic collection of Hawaiian quilts. Come along with us on an island adventure !

Long ago, the Hawaiians learned to make their own cloth, called "tapa" by pounding Mulberry tree bark and fibers tightly together. They colored it with natural dyes from their environment and sewed it into bed coverings, using thin, twisted vines and needles made from fish or bird bones.

When the 19th century missionaries brought cotton to the Hawaiians, they transferred their skills onto cloth, using large pieces of fabric, instead of small patchwork squares. Today, Hawaiian quilts are still made in the wholecloth style, with vibrant curved patterns painstakingly hand-appliqued with thousands of tiny stitches. The applique fabric is usually folded into fourths, then cut into intricate shapes, as one would cut snowflakes or conjoined dolls from paper.

Royal Symbols With Border, by Deborah Kakalia




Every June 11, Hawaii celebrates King Kamehameha Day, in commemoration of the esteemed 19th century monarch who united the islands under one government. Here is a quilt by famed artist Deborah Kakalia, which honors past Hawaiian Royalty. There are four crowns which pay tribute to the monarchy, along with four "kahili", the feathered scepters or staff carried by the kings and queens as they walked in procession. This is a regal and elegant quilt, which the artist presented as a gift to The Bishop Museum in Honolulu


Nanahonua (Angel's Trumpet Quilt), by Deborah Kakalia



Another magnificent work of art from Deborah Kakalia is her Nanahonua quilt, or Angel's Trumpet quilt. The Angel's Trumpet tree produces large, colorful, bell-shaped flowers, reminiscent of celestial trumpets. Nanahonua means "earth-gazing", an apt name since the Hawaiians learned to smoke the Angel's Trumpet leaves as hallucinogens. However, one would have to be perfectly sober to create a quilt this intricate and precise, which almost looks like a beautiful lace handkerchief.


For Kulaniakea, by Nalani Goard




Nalani Goard, who is the granddaughter of Deborah Kakalia, has designed and constructed many lovely quilts, so this fabulous talent obviously runs in the family. Here is a quilt that Nalani created for her brother, Kulaniakea. She writes that he wanted a design of pineapples and guava for hospitality and strength. Nalani's work is an excellent example of large, leafy quilt patterns which reflect the lush vegetation of Hawaii.  Nalani also offers design instruction, quilt kits, and finished quilts at her Hawaiian Quilting website.

Na Ulu O' Hawaii (Breadfruit Quilt), by Nancy Lee Chong, at Pacific Rim Quilt Company




From the Pacifc Rim Quilt Company website comes the pattern for the esteemed and venerable breadfruit. The breadfruit tree is a symbol of abundance and an ancient legend tells us that those who make Ulu their first quilt will always enjoy prosperity. Above, the round shapes of the breadfruit form a "ring of plenty" around the star created by the intersecting branches of the tree. PRQC offers a wide variety of Hawaiian quilt patterns, kits, fabrics, videos, and notions.


Breadfruit(Ulu), Wall Quilt, 18 x 18



Tiki Master, which sells all things Hawaiian, recently featured this arresting dark green and white wall hanging of the breadfruit pattern. The rounded breadfruit here are easily seen here at the base of the outer leaves of the tree. It is said that one day in the 19th century, some Hawaiian quilters were outside, working on pieced patchwork, when one of them noticed that the sun behind a breadfruit tree was casting a fascinating shadow on the grass. The shadow of the breadfruit tree interested them so much more than patchwork, that they immediately went to work on creating a wholecloth image of that shadow. Thus, the first truly Hawaiian quilt was born.


Hawaiian Applique 2008 by Kerry Marksbury



Here's a quilt which is as lushly green and refreshing as a Kauai rainforest. This four block quilt is a variation on the traditional Hawaiian wholecloth quilt. Kerry Marksbury has created a fabulous quilt with blocks depicting the auspicious Ulu, dignified sea turtles, pineapple plants, and tropical blossoms, possibly Hibiscus. The lighter green scalloped middle border provides eye-catching detail to the blue/green batik outer border and block motifs. Notice the innermost aqua border, which provides a fanciful grasslike fringe effect to complement the emphasis on flora and fauna. For more fascinating quilts, please see Kerry's Quilting.


Lava Flow by Cydney Brooks



Using custom dyed Ultra-Sateen fabric from Jeanette Viviano at Jeanette's Fabric to Dye For, Cydney Brooks creates a tribute to another of Hawaii's natural wonders, the volcanoes of the Big Island. Jeanette and Cydney collaborated on the fabric colors, and Janet Fogg quilted this vibrantly colorful work.  The orange and gold glowing embers and flickering flames of the center medallion give rise to the swirling, meandering trails of lava as they make their way down the mountainside to the ocean. This is an exquisite use of contrasting colors, as the orange applique seems to pulsate with movement against the serene aqua background.


Hibiscus Fire by Carol Kamaile



A gorgeous quilt inspired by the islands' beloved Hisbiscus flowers is Carol Kamaile's "Hibiscus Fire". Carol is a well known quilt artist, whose creations are current on display at the San Jose, California, Museum of Quilts and Textiles, through August 10, 2010. Native to Hawaii, the hibiscus plant comprises thousands of varieties, in all flower colors from delicate white, through bright pink, pastel pink, coral, yellow, and red. It is interesting that Carol has made the center of her medallion golden yellow, as the yellow Hibiscus is the State Flower of Hawaii.


Hawaiian Yams by Hawaiian Style Quilts




Allen and Ipo Camara are the owners of Hawaiian Style Quilts, which provides magnificent custom quilts, tailor made to the customer's request. On this elegant gray and white large bedspread, with its artful matching accent pillows, you can see a clear example of the traditional outline stitching done on Hawaiian quilts. The quilting pattern carefully follows the outline of the applique shapes, starting out as parallel lines and turning into concentric rings, until all the background is filled up. Also known as "echo quilting", outline stitching helps give Hawaiian quilts their lively sense of motion and energy.

Books:  For more fascinating patterns, ideas, and instructions, please see the following books: Hawaiian Applique by Vicky Fleming, or Hawaiian Quilting: Instructions and Full Size Patterns for 20 Blocks, by Elizabeth Root.