Highlights of Quilt Arizona! (4)

The 2025 Quilt Arizona show features hundreds of quilters, many of whom spend the winter months in this sunny locale.  Here are some highlights from the show.  We hope you enjoy our photos!

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Moving Parts, made and quilted by Claire Victor 

Winner of a blue ribbon for 1st place in the Modern-Solo category, plus a special award for Exemplary Professional Machine Quilting, Claire Victor says: "Moving Parts was designed using Procreate [design software]. I am trying to create dimension and motion without shading or painting.  The background quilting design is my modern tribute to crazy quilting.  This is English paper pieced and machine quilted on a domestic Bernina machine." 

 

 

Claire's exemplary machine quilting can be seen in the closeup photos, with different quilting designs applied to each of the "segments" of the design. 

Wonkydoodle, made and quilted by Geri Cavanagh  

Winner of a special award for Excellent Use of Color, Geri Cavanagh says: "This is way outside my box.  I usually make quilts with traditional blocks and civil war fabrics.  I stretched my creativity with this since I had no plan and no pattern. I just developed into this wild and crazy quilt which I love."

She continues, "I found a purple and green print, and a Caryl Bryer Fallert Gradations print, then matched them with colorful, upbeat and wonky fabrics. I started doodling with purple and green strips of various widths. Some were too short, so I cut them which left a hole to be covered with a circle... I had no idea how it was going to turn out. It was fun to use my creativity and let it develop."

Freedom, made and quilted by Frances Murphy

This original design was given the NACQJ Award of Merit  by the National Association of Certified Quilt Judges.  Frances Murphy says that she pondered how to tell a story about freedom. She used birds because they are icons of freedom (as reflected in the saying "free as a bird".) The theme is depicted in 4 panels, from the open door of a bird cage on the left, to birds flying over the city, to birds viewed in their natural habitat in the wild. She says, "I love working with graphic design and color to create emotion and depth in my quilts."

Peacock Patchwork, made and quilted by Linda Hopkins

It was so much fun to see this colorful and unique quilt with its many details. Linda Hopkins says, "When cleaning out my Crazy Quilt fabrics, I discovered a multitude of peacocks.  In this color-washed Crazy Quilt I have incorporated vintage doilies, beads, buttons, and many of the peacocks that I purchased over the years. Enjoy the journey." (And so we did!)  Winner of Honorable Mention at the show.

Bottle Vases, made and quilted by Merci Apodaca

Made with machine-embroidery appplique with organza overlay on vases, this lovely piece won 2nd place in the Machine Embroidery category.  Merci Apodaca says, "I chose to make this quilt because it reflects my love of flowers.  It's been challenging growing flowers in AZ.  The next best thing would be to embroider flowers.  Published design: Anita Goodesign Embroidery.

 Image credits: Photos were taken by Quilt Inspiration at the 2025 Arizona Quilters Guild show.

Outstanding Art Quilts: The International Quilt Festival

Art quilting involves the use of both modern and traditional quilting techniques to create art objects, which are often displayed on the wall like paintings. These pieces are typically based on the maker's experiences, imagery, and ideas, rather than traditional quilt patterns.  Here are some outstanding art quilts from leading practitioners of the art.

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Heights by Maya Chaimovich (Israel)

Israeli quilt artist Maya Chaimovich, who has exhibited in Quilt National, was first a woodworker and jeweler before she discovered fiber art and her passion for contemporary quilt art. This gorgeous collage-style piece features many different bright colors and contrasts. Her free-motion machine quilting recalls the contouring of topographic maps.

Deluge by Libby Lehman

Libby Lehman’s quilts are outstanding examples of contemporary artistry and original. Over the decades, she was recognized internationally for her intricate quilts and trend-setting techniques. Deluge is a three-piece whole cloth top. Machine appliqued shapes were added, which meander across the surface, creating movement and transparency.  Deluge is further embellished with yarn and thread.

Aquarium #1 - Fish Tails by Caryl Bryer Fallert-Gentry

Hand dyed and painted, with all the curves machine pieced, Aquarium #1 is one of Caryl Bryer Fallert’s enlarged semi-abstract studies of natural forms. She intertwines organic shapes, changing tonal values in the colors to bring bright elements forward and pull darker motifs into the background. This artist’s expertise in both design and stitching have won her numerous Best of Show awards and other honors. 

 Lichenometry by Betty Busby

In science, “lichenometry” is a technique that uses lichen growth to determine the age of exposed rock. The beauty of these living organisms is depicted in this stunning piece of the same name by Betty Busby. She is a graduate of the Rhode Island School of Design, where she majored in ceramics. She then founded a ceramic tile manufacturing studio and ran it for 18 years before moving to New Mexico. She has been working full-time making fiber art and teaching since 2003.

 Matchstick Moons #3 by Melody Johnson

A member of the Chicago School of Fusing self-named group of artists, Melody Johnson is best known for her powerful use of color in abstract design. Matchstick Moons #3 perfectly balances line and shape within a dynamic multi-colored surface.

Image credit:  Photos were taken by Quilt Inspiration at the 2022 International Quilt Festival in Salt Lake City, Utah. Lichenometry is from the Frank Klein Collection.  All other quilts shown here are from the International Quilt Festival Collection.

Welcome to the 2021 Pacific International Quilt Festival - part 4

Welcome to the Pacific International Quilt Festival! Due to time constraints, we could not view all the quilts this year! Therefore, we are showing a small sample of the quilts in this large show. Here is Part 4 of our photos with some outstanding creations.

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Northern Harrier 30 x 30, by Carol Bryer Fallert-Gentry, Washington

Carol says, "In the Spring of 2020, a northern harrier (the large bird depicted here) lit just outside our kitchen window. We managed to open the window and snap several photos before it flew away." This quilt impressed us with its very realistic colors of nature and the minute, lifelike details of the harrier in surrounding nature.

Carol continues about her original design,  "To create the design for this quilt, I combined a tree photo and two photos of the harrier, then added digital painting to integrate the photos and simplify the background. The composition was printed on cotton fabric and heavily quilted to the level of thread painting."

Kimi in a Dangerous World by Elsa Meyer,  California, quilted by Marian Drain

Elsa's stunning art quilt is made very effective by the use of the lime green background which looks as if it is lighted from behind, so the praying mantis appears to be hidden among the foliage. Embedded on the insect's body are some very pretty butterfly motifs. Outlining the foreground shape in black gives extra high contrast to Elsa's original design. 

This imagery, inspired by political events, was designed to symbolize the power of the minority (represented by the dragonfly) against the powerful (represented by the praying mantis.)

Folk Art Fun in Baltimore, 68 x 68, by Tami Graeber, Arizona

 This year's theme at the Pacific International Quilt Festival was "The New Normal", and Tami addressed this theme by writing, "The New Norm for me is creating a traditional looking quilt with an innovative style."  Tami has utilized the early American "Baltimore Album" pattern and re-created it to make an original design with a great deal of southwestern personality and flair. We really love the border of whimsical, very artistic and varied flowers. 

First Place Award winner for Best Use of Color in a Traditional Quilt, Tami's lovely work is machine pieced and longarm quilted. With artful use of fabric paint, she has added bright, vibrant touches, which really brings the birds, butterflies, and fruit of the trees to life. 

Sicilian Summer, 81 x 81,by Claudia C. Myers,  Minnesota

Winner of the Third Place Award for Best Traditional Quilt, Claudia notes, "The making and machine quilting of Sicilian Summer took all of the time we were quarantined from the Covid-19 virus, and them some. I am fortunate that I have a large stash of fabric and thread so I didn't have to make a trip to the quilt shop to pick up the supplies."

Claudia adds, "I designed this quilt on Electric Quilt (EQ) 7 and made it trying out a new way of applique construction, rather than curved piecing." Claudia longarm machine quilted her spectacular original design, which she also machine pieced, machine appliqued, and hand painted.

Image credits: Photos were taken by Quilt Inspiration at the 2021 Pacific International Quilt Festival.

Highlights of the 2017 Houston International Quilt Festival - part 1

We just returned from the Houston International Quilt Festival.  It's an awe-inspiring event with more than 1,600 quilts on display, and over 60,000 visitors!! It's hard to describe the scale and visual impact of this event.  Just weeks earlier, the Houston convention center served as shelter for more than 10,000 people displaced by Hurricane Harvey, yet the Quilt Festival was executed flawlessly! Here are some highlights of this fantastic show.

We're continually adding fun new items at very low prices to Quilt Inspiration's E-Bay site !

In the Mood for Love by Jing Chen (Beijing, China)

Created with machine piecing and machine applique, this quilt is inspired by a classic Chinese movie called In the Mood for Love (2000). The main colors in the quilt are red and black, which reflect the tone of the film and highlight the dramatic effect. Jing Chen says,  "The protagonist and background are dealt with in different tones, showing the nostalgia."  A closeup photo of the sepia-toned film strip image is shown below.

Ready by Danny Amazonas (Kaohsiung, Taiwan)

"Ready" depicts a cat with an intense stare, ready to pounce!  It was part of a special exhibit called Freehand Patchwork by Danny Amazonas. He does stunning fabric collages using scraps and slivers of fabrics that are stitched to a background using invisible thread.

Fans of Kaffe Fassett will recognize many of these colorful fabric prints.  Danny says, "Since I'm using fabric to create my artwork, I want to maintain the beauty of the original fabric designs on each piece of fabric used. I was also inspired by hundreds of people, some of them great artists, family members, friends, and especially fellow quilters, who gave me kind words of encouragement and praise." We took many photos of this exhibit, and will show more of his work in upcoming posts!

The End of the Drought by Jan Reed (California, USA)

In the Embellished Quilts category, this small quilt captivated viewers with its beadwork representing drops of rain, some of which dangle off the bottom edge of the quilt.  Jan Reed says, "After worrying for 5 years over our severe water needs due to California's drought, imagine our wonder at finally seeing it rain... and rain... and rain.  It felt miraculous."

Jan Reed used machine applique, fusing, and hand embellishment, along with colored pencils and Neo Color 11 watercolor crayons to create this photo-inspired piece. Strands of seed beads are coiled to resemble a puddle of water inside the hand.

White Knight by Patt Blair (California, USA)

White Knight won First Place in the Painted Surface category within the World of Beauty exhibit.  Patt Blair says, "I love painting powerful animals... I had anatomy drawings for this piece for 3 years before I threw caution to the wind and improvised his mane, which I felt must be massive and majestic."

Jacuzzi Jazz by Caryl Bryer Fallert-Gentry (Washington, USA)

The vortex in this quilt was inspired by the spiraling designs found in many fractals.  To create an eye-dazzling effect, Caryl used rainbow colors alternating with their complements, an arrangement she calls "intersecting color and value gradations."  The techniques used include machine piecing, hand dyeing, digital printing and painting with cotton fabric.

Slices of Opulence by Randa Mulford

Slices of Opulence won Best of Show in the special exhibit called  A Celebration of Color. The dazzling design was based on Tomoko Tohno's Orange Range quilt, published in the May 2008 issue of Quilter's Newsletter (free foundation piecing patterns can be downloaded here). While Tohno’s blocks had pieced centers, Randa redrafted the pattern so she could feature the radiating medallion designs and different colorways of Paula Nadelstern's beautiful (but out of print) Opulence fabric line.

Magic Towns of Mexico (Pueblos Magicos de Mexico), presented by Quilters de Mexico

Celebrating the 111 named “Magic Towns” of Mexico, more than 70 quilters worked to create this large, beautiful piece inspired by The Berne House Quilt. You can see a photo of the two quilts at the Quilters de Mexico Twitter page, @QuiltersMexico.  Quilters de Mexico representatives were on hand to discuss the upcoming 10th Quilt Expo in Mexico City in February, 2018.  It sounds like a fun show!

The richness of colors in the blocks bring to mind the unique look of these beautiful and historically-preserved cities.

Image credits:  Photos were taken by Quilt Inspiration.

Road to California 2014: Part 3

We saw quilts in so many different categories of styles, colors, and quilting patterns at the Road to California Quilt Show ! Here are some more highlights of the show which we thought you'd enjoy. 

Mother Earth, A Combination of Mother Mary, Quan Yin and Mom by Julie Duschack, Denmark, Wisconsin. Category: Human Image Art Quilts

Of her original design, Julie writes, "Mother Nature is a Mom. My Mom, to be exact. Geraldine Shelhamer lives in Sun Prairie, Wisconsin, when she's not creating more universes. She enjoys gardening, quilting, and her dog, Suki. You know, Mother Nature stuff."

Many components of Julie's quilt are symbols for revered feminine mythical or spiritual figures of the world.  For example, to symbolize Mother Nature, Julie has attired her mom in an apron and garden clogs, with plants and the earth at her feet. To symbolize Mother Mary, Julie has added a halo around her mom's head.  To symbolize Quan Yin, the Buddhist god of compassion, Julie has added a lotus blossom at the bottom of the quilt. She also depicts her mother as a juggler, because mothers are constantly multi-tasking and juggling their time, energy, and tasks.

Autumn Whirlpool by Bobbie Moon , Altadena, California. Category: Abstract Art

Bobbie says, "Using techniques learned from Carol Bryer-Fallert, this quilt is entirely appliqued. My mathematics background and the beautiful fabrics called to me to create this leafy spiral."

In our opinion, Bobbie has used a beautiful  split complementary color scheme of soft peach and coral pink shades, accented with blues, greens, and grape tones. The softly waving form create an interesting watercolor magical effect, borne out by the circular motifs coalescing into the spiral's center.

Day/Night, 48 x 46”, by Sandy Curran, Newport News, Virginia
Category: Art Naturescape

Sandy writes, "There exists in the world the phenomenon of opposing forces: good/evil;  love/hate; hot/cold; soft/hard; public/private; day and night. The flower blooms in the brilliance of day and the darkness of night. We live in a public day and hide in a private night."

Close up, Day/Night by Sandy Curran

Sandy's work is machine appliqued, hand-beaded, and quilted by the artist. In this close-up, you can see some of the pretty beads in the center of the flower and some of Sandy's very artistic quilting patterns.

Second Encounter by Shirley Gisi,  Colorado Springs, Colorado. Category: Art Abstract

Winner of $1000.00 for Best Use of Color, Shirley notes, "This is inspired by mid-century abstract paintings. I aimed for a look of transparency in layering geometric shapes. It is primarily pieced with some applique. "

Close up, Second Encounter by Shirley Gisi

This quilt is done in cloth, but Shirley makes it look like a painting with color overlays by cleverly using pieces of shaded fabric. The fabric seems to pick up the tones of the colors that would be underneath, if this work were a painting. We love the beautiful ice-cream sherbert pastel tints that Shirley has selected for her original design.

Blast from the Past by Kim Bruny, Apple Valley, California. Category:  Innovative Applique

First Place winner in the Innovative Applique category, Kim writes,  "I love how the focal fabric in this quilt reminds me of my childhood. [There are] bright colors, circular designs, and paisley prints. This quilt is machine appliqued with 34 different colors and over 3,500 crystal embellishments. My hope is the bright color pallete will remind everyone of the happy and enjoyable times they have had in their life.

Cheery oranges, sunny yellows, and lively purples give this quilt a dynamic, irrepressible personality. It's so much fun to look at, that we feel that the artist must have had a very fun time in creating it. Kim's design is based on the book, Tile Quilt Revival by Carol Gilham Jones and Bobbi Finley.

Ambrosia by Gina Perkes, Payson, Arizona. Category: Special Faculty

Gina notes, "This quilt was inspired by a duvet cover in a Pottery Barn catalog. I utilized many machine techniques including applique by bobbin, piping, foundation piecing, and many more."

Close up, Ambrosia by Gina Perkes

In this close-up, you can see the fabulous machine quilting which was done by the artist. We loved the fanciful, elegant detail on the butterflies in each corner of the quilt, which reminded us of a scene from an enchanted setting in nature. Also, can you see the quilted dragonfly in the white area?  Gina's original design incorporates hand dyed fabric, which was pieced and appliqued.

Image credits:  Photos were taken by Quilt Inspiration.