We're intrigued by red-and-blue color schemes. What makes these colors work together? Red and blue are neither complementary nor analogous colors, yet they can be beautiful together... but only if the right hues and shades are carefully chosen. For example, here is a stunning mariner's star quilt by Judy Mathieson. Do you like this color scheme ?
Scarlet and Indigo, 16 x 16, by
Judy Mathieson, for the
Alzheimer's Art Quilt Initiative
The names "Scarlet and Indigo" have an almost mystical connotation. The deep shades of red and blue remind us of the famous Rothko painting called "Number 207", below:
Number 207, aka
Red over Dark Blue on Dark Grey, 1961, 92.8 x 81.2, by Mark Rothko, as seen at the
Berkeley Art Museum/Pacific Film Archive
Is this "scarlet" is a true red, or more of an orange-red, or a blue-red? The
online color thesaurus suggests that "scarlet" is equivalent to coral red and "indigo" is equivalent to blue-violet. To check it out further, we did an online color analysis of the "Scarlet and Indigo" quilt using a handy website called
Kuler* ("kuler" is pronounced like "color", not "cooler"). On Kuler, you can upload an image and obtain exact color values for different portions of the image. Here is the result for the "Scarlet and Indigo" quilt (click on the image to see the detail, including RGB, CMYK and hex values):
Comparing these RGB and CMYK values to the
Ultimate 3-in-1 Color Tool
by Joen Wolfrom, we can see that "indigo" is a very dark shade of true blue (blue plus black) while "scarlet" is a deep shade of
orange (orange plus black). These hues are
not complementary, but we think they are beautiful in these dark shades. The navy blue is so dark that it "reads" as a neutral; in the Rothko painting it looks black. Perhaps that's one key to the success of this scheme.
What about red,
white and blue... do you think they go together ? Many flags use this color scheme, such as in this striking vintage quilt top seen at auction (below). This quilt has plenty of white space, which was used to separate the blocks and avoid visual overload.
We like red, white and blue in flags, but we've seen examples where the blues and reds clash or where the pattern is too brilliant. What do you think of the combination of periwinkle with red in the fabric below?
And what about this cerulean blue and orange-red combination, below ?
The color combination above just doesn't work for us... cerulean blue's complement is yellow-orange, not red-orange, so this combination seems to clash. Also, you'd think that white would be neutral, but we just don't like white with orange-red. (It's not that we don't like orange-red per se; it looks stunning in combination with aqua blue, as shown in the fish quilt in our
complementary colors post).
As an alternative to white, we love blue and red with gray. For example, consider the combination of dark navy blue with scarlet in "Waves" (below) by Beth Carney at
Beth Carney Studio :
A combination of blue and red with cream, ivory, or beige is also an option, as in the
Celebration of Freedom quilt by Judy Laquidara, shown below. The center star is set on a white background, which makes it stand out, while the star blocks are surrounded by a warm beige.
Actually, the beige in the above quilt is a tone of golden-yellow (golden-yellow plus gray), which explains why this quilt is successful: it is really a three-color or "triadic" color scheme with tones of red, blue and yellow. For more examples of quilts with triadic color schemes, stay tuned for our next post.
Take-away points and notes to self:
- Consider using a dark (navy) blue as in "Indigo and Scarlet" and "Waves", or muted (grayed-down) blues and reds, as in many
civil war quilts.
- Remember the complementary pairings: blue-violet with golden yellow; blue with orange-yellow; cerulean blue with yellow-orange; turquoise with orange; and aqua blue with orange-red. Use the
ultimate 3-in-1 color tool as a guide to fabric selection.
- When using blue and red together, consider substituting ivory, beige or gray for some or all of the white, as in "Celebration of Freedom" and "Waves".
Finally, we'd love to know about any blue-and-red or red-white-and-blue quilts you've made, and why they were successful!
Image credits and links: Judy Mathieson's website can be found at
Judy's Place. "Celebration of Freedom" by Judy Laquidara was first shown in our
Celebration of Freedom post; you can find Judy Laquidara at the
Patchwork Times. "Waves" by Beth Carney was first shown in
Quilters Remember September 11.
*Note that the Kuler website uses a
traditional color wheel, for example, where
red is opposite or complementary to
cyan. In our
complementary colors post we discussed why it is better to use the Ives color wheel. As mentioned above, we first assess CMYK values using color extraction tools like Kuler, then use the
ultimate 3-in-1 color tool to find the best complement.
