Welcome to the Houston International Quilt Festival, everyone !
The Toad Collector by Deborah Quinn Hensel
Quilt Inspiration is thrilled to be in Houston, Texas for the biggest and best known quilt show in the entire world. As part of the doll display here, "The Toad Collector" by Deborah Quinn Hensel from the Material Girls Cloth Doll Club wishes everyone a very Happy Halloween ! ( Check out the little frog that she's cuddling on her lap)
Let's get right down to business ! We know you're waiting to see the award winners !
Chihuly's Gondola by Melissa Sobotka, Richardson, Texas
$10,000.00 Best of Show Award goes to Melissa Sobotka for this resplendent, stunning quilt depicting the glass art of Dale Chihuly. Melissa says, "Art reflecting art. This is my interpretation of a photograph I took as the sun set on a reflecting pond at the Dallas Arboretum." The gondola of glass balls was part of the installation exhibit Garden and Glass by Dale Chihuly, sponsored by Cirro Energy.
Close-up, Chihuly's Gondola by Melissa Sobotka
We were delighted to meet and chat with Melissa, who has a degree in Fine Arts and who enjoyed a successful career as a graphic designer. Her extraordinary work is an original design, done in batik fabrics and Tsukineko inks, with raw edge applique and machine quilting.
We'll be adding more photos soon ! Stay tuned.
Thursday, October 31, 2013
Monday, October 28, 2013
Free pattern day! Shoo Fly and Churn Dash quilts
Here are free patterns for Shoo Fly and Churn Dash quilts! It's also called "Monkey Wrench" and "Hole in the Barn Door". Dozens of variations are possible with this simple Amish pattern! NOTE: This post has been UPDATED. For the latest patterns, please visit our Free Pattern Day for Churn Dash quilts (CLICK HERE!)
p.s. Check out our E-Bay shop for great bargains on jewelry, clothing, and collectibles! For continuous free quilt patterns, please visit us on Twitter !
Image credits: This post was updated on February 14, 2026. Individual images are copyrighted by their owners. Please respect their generosity in sharing their free patterns, and the restrictions they have placed on the use of these designs; complete information can be found at the designers' websites provided in the links. The images shown on this page are derivative works that are the property of Quilt Inspiration; please do not copy them without permission. If any links are broken, we'd love to know; email us at QuiltInspiration {at} gmail {dot} com.
p.s. Check out our E-Bay shop for great bargains on jewelry, clothing, and collectibles! For continuous free quilt patterns, please visit us on Twitter !
Image credits: This post was updated on February 14, 2026. Individual images are copyrighted by their owners. Please respect their generosity in sharing their free patterns, and the restrictions they have placed on the use of these designs; complete information can be found at the designers' websites provided in the links. The images shown on this page are derivative works that are the property of Quilt Inspiration; please do not copy them without permission. If any links are broken, we'd love to know; email us at QuiltInspiration {at} gmail {dot} com.
Thursday, October 24, 2013
2013 Pacific International Quilt Festival: Part 3
Here's Day 3 of magnificent creations by the quilters at the Pacific International Quilt Festival in Santa Clara, California ! This year's theme is "Indie", short for the word "Independence."
Magnolia, 63 x 63", by Sylvia Gegaregian
Sylvia writes, "My independence allows me the freedom to reach out of the box with a new challenge or technique that is thrilling, yet daunting. This quilt was constructed with hand dyed cotton satin and hand dyed cottons and a few commercial fabrics."
We really like how the graceful shapes of the tree branches on the outer border are mirrored by the quilting pattern, as they convey an elegant sense of three dimensions.
Close-up, Magnolia by Sylvia Gegaregian
In this close-up, you can see the detail of the beautiful machine quilting. Sylvia notes, "[This quilt] has two layers of batting - the bottom layer is cotton and the top is wool. It was quilted with silk thread. The center flower and tree trunks were quilted with 30 weight rayon threads."
Shattered Face Quilt by Kathryn Harmer Fox, East London, South Africa
Kathryn states, "I needed to demonstrate some of the techniques I teach in my workshop entitled, 'Using Your Sewing Machine as a Creative Tool'. So, I sketched an eye onto a scrap of canvas and began teaching. My students offered me the pile of scraps left over from the workshop, and I completed "Shattered Face" on my return to my own studio. I used fiber embedment with scribble-stitch, free-motion machine embroidery, and quilting in this work."
Close- up, Shattered Face Quilt by Kathryn Harmer Fox
In this close-up, you can see the single teardrop with outline stitch on the face, which is an important part of this very moving and intriguing work.
The Unicorn's Garden, 60 x 61", by Eileen Campbell , Kew, Australia
Eileen says: "[This is] one in a series of fantasy quilts designed around unicorns. The background fabric is subtly shaded Japanese kimono silk, and I wanted bright, happy colors on it. The three-dimensional birds were made separately with padded bodies and some of the wings left free. Appliqued, embroidered, and quilted on a domestic machine. "
Close up, The Unicorn's Garden by Eileen Campbell
Look at the excellent background quilting done on a domestic, stationary sewing machine! It really helps the unicorns with their metallic gold manes and tails to stand out in the foreground of this enchanting work.
Naturally Crazy, 67 x 67", by Linda Steele, Park Orchards, Australia
Blue ribbon winner for Best in Country- Australia, Linda Steele has created a dynamic show-stopper in this hand-appliqued and hand-embroidered quilt. On her website, Linda Steele Quilts, she explains, "[This is a] hand-embroidered crazy quilt featuring Australia in the centre, surrounded by 12 other countries or continents, including North America, South America, South Africa, China, Japan, India, Egypt, New Zealand, England, Scotland, and Spain. I was asked to teach Quilting All Over the World, but I thought it too large and the circle setting too difficult, so I designed a new quilt with a simpler setting and smaller size."
Close up, Naturally Crazy by Linda Steele
Cactus Flower, 30 x 32", by Darlynn Evans
Darlynn notes, "My independence as a woman enables me to freely express myself artistically. I believe this is exemplified by the creativity, originality, and flare of my art. This piece is constructed by using fusible applique." We love the color-saturated "ice cream sherbet" look of the raspberry, tangerine, and lemon yellow hues of the flower.
Close-up, Cactus Flower by Darlynn Evans
In this pretty machine quilted work, Darlynn has a created a perfect satin stitch around each petal of the cactus flower to provide texture and realism. The thread ties represent the spines on the cactus and provide interesting visual detail.
Image credits: Photos were taken by Quilt Inspiration.
Magnolia, 63 x 63", by Sylvia Gegaregian
Sylvia writes, "My independence allows me the freedom to reach out of the box with a new challenge or technique that is thrilling, yet daunting. This quilt was constructed with hand dyed cotton satin and hand dyed cottons and a few commercial fabrics."
We really like how the graceful shapes of the tree branches on the outer border are mirrored by the quilting pattern, as they convey an elegant sense of three dimensions.
Close-up, Magnolia by Sylvia Gegaregian
In this close-up, you can see the detail of the beautiful machine quilting. Sylvia notes, "[This quilt] has two layers of batting - the bottom layer is cotton and the top is wool. It was quilted with silk thread. The center flower and tree trunks were quilted with 30 weight rayon threads."
Shattered Face Quilt by Kathryn Harmer Fox, East London, South Africa
Kathryn states, "I needed to demonstrate some of the techniques I teach in my workshop entitled, 'Using Your Sewing Machine as a Creative Tool'. So, I sketched an eye onto a scrap of canvas and began teaching. My students offered me the pile of scraps left over from the workshop, and I completed "Shattered Face" on my return to my own studio. I used fiber embedment with scribble-stitch, free-motion machine embroidery, and quilting in this work."
Close- up, Shattered Face Quilt by Kathryn Harmer Fox
In this close-up, you can see the single teardrop with outline stitch on the face, which is an important part of this very moving and intriguing work.
The Unicorn's Garden, 60 x 61", by Eileen Campbell , Kew, Australia
Eileen says: "[This is] one in a series of fantasy quilts designed around unicorns. The background fabric is subtly shaded Japanese kimono silk, and I wanted bright, happy colors on it. The three-dimensional birds were made separately with padded bodies and some of the wings left free. Appliqued, embroidered, and quilted on a domestic machine. "
Close up, The Unicorn's Garden by Eileen Campbell
Look at the excellent background quilting done on a domestic, stationary sewing machine! It really helps the unicorns with their metallic gold manes and tails to stand out in the foreground of this enchanting work.
Naturally Crazy, 67 x 67", by Linda Steele, Park Orchards, Australia
Blue ribbon winner for Best in Country- Australia, Linda Steele has created a dynamic show-stopper in this hand-appliqued and hand-embroidered quilt. On her website, Linda Steele Quilts, she explains, "[This is a] hand-embroidered crazy quilt featuring Australia in the centre, surrounded by 12 other countries or continents, including North America, South America, South Africa, China, Japan, India, Egypt, New Zealand, England, Scotland, and Spain. I was asked to teach Quilting All Over the World, but I thought it too large and the circle setting too difficult, so I designed a new quilt with a simpler setting and smaller size."
Close up, Naturally Crazy by Linda Steele
In this close-up of the center medallion, you can see some of the fabulous, embellishment, as well as a tribute to the wildlife of Australia. We love the delicate flowers and butterflies, plus the little green frog who is so full of personality.
Cactus Flower, 30 x 32", by Darlynn Evans
Darlynn notes, "My independence as a woman enables me to freely express myself artistically. I believe this is exemplified by the creativity, originality, and flare of my art. This piece is constructed by using fusible applique." We love the color-saturated "ice cream sherbet" look of the raspberry, tangerine, and lemon yellow hues of the flower.
Close-up, Cactus Flower by Darlynn Evans
In this pretty machine quilted work, Darlynn has a created a perfect satin stitch around each petal of the cactus flower to provide texture and realism. The thread ties represent the spines on the cactus and provide interesting visual detail.
Image credits: Photos were taken by Quilt Inspiration.
Labels:
crazy quilt,
Eileen Campbell,
floral quilts,
flower,
Linda Steele,
portrait,
quilt
Monday, October 21, 2013
2013 Pacific International Quilt Festival: Part 2
Welcome to Day 2 of the 2013 Pacific International Quilt Festival! This year's theme is "Indie". The quilt artists were asked to explain what the concept of independence meant to them and the ways that they demonstrated independence in their work.
Venetian Menagerie, 60 x 66", by Melissa Sobotka
Blue ribbon winner for "Best in World" at the 2013 World Quilt Competition, this quilt is a most impressive show-stopper. Melissa says, " [I was] inspired by a photo I took of a display window in Venice, Italy. The dramatic still life was a menagerie or masks, art, and oddities. [This technique is] raw edge fused applique constructed from cotton batiks and enhanced with Tsukineko inks."
Close up, Venetian Menagerie by Melissa Sobotka
Ulu, or A Tribute to the Longevity of Marriage, 43 x 40", by Pamela E. Foster
Life at the Water's Edge by Ann Horton
Blue ribbon winner in the Wall Quilt category, Ann writes, "Looking down through the branches, life by the edge of a stream is viewed with all of its activity. Digitized embroidery that has been shaped in software has been enhanced with free motion thread play. The animal tracks were stenciled and then quilted for the highlights. I used my felting machine for the next and embellishments on the rocks and logs. Adding a few bird feathers was the final bit of glory. "
Close up, Life at the Water's Edge by Ann Horton
Intricately embroidered bluebirds perch amidst the white blossoms, peering intently down at a lively woodside setting. Their vibrant color and realistic appearance creates a perfect focal point for this very eye-catching machine appliqued and machine quilted work.
Kaleidoscopic Calamity, 35 x 35", by Margaret Solomon Gunn
Margaret states, "I wanted to make a quilt from exclusively solid fabrics. Some days, this experiment felt like a content comingling of color, while other [days] , it was a full-blown kaleidoscopic calamity."
Close-up, Kaleidoscopic Calamity by Margaret Solomon Gunn
Margaret adds, "The quilting is done in an "overlay" style using Filtec's Glide threads." The soft pink inner diamond really helps the stars "pop" on this very pretty solid color quilt.
The Favorite Place, 61 x 66", by Kayoko Fukui, Japan
Kayoko notes, "I grow herbs and flowers in my 2700 square foot garden. I tried to profile the flowers which always soothe my mind in this quilt. I used the Cathedral [Windows] technique, painting on the small flowers and a stitched outline."
Close up, The Favorite Place by Kayoko Fukui , Japan
Tiny white flowers in between each block add a delightful charm and delicacy to Kayoko's work, which is hand pieced and machine quilted.
Image credits: Photos were taken by Quilt Inspiration.
Venetian Menagerie, 60 x 66", by Melissa Sobotka
Blue ribbon winner for "Best in World" at the 2013 World Quilt Competition, this quilt is a most impressive show-stopper. Melissa says, " [I was] inspired by a photo I took of a display window in Venice, Italy. The dramatic still life was a menagerie or masks, art, and oddities. [This technique is] raw edge fused applique constructed from cotton batiks and enhanced with Tsukineko inks."
Close up, Venetian Menagerie by Melissa Sobotka
Innovative and elaborate machine quilting is part of Melissa's spectacular work.
Ulu, or A Tribute to the Longevity of Marriage, 43 x 40", by Pamela E. Foster
Pamela notes, "My pursuit of traditional, fully hand-sewn applique and quilting is in dramatic contrast to my high tech equipment that I use as a laparoscopic surgeon. I use cameras and log instruments to reach deep inside the abdomen to perform complex sewing tasks, pushing the limits of my abilities and imagination.....to help ailing patients. However, with quilting, I enjoy being in full contact with my project, working with whole cloth projects and seeing designs emerge from a blank slate. This juxtaposition between my personal and professional life epitomizes my independence.
The traditional "ulu" or breadfruit design was copied from a photograph of a 200 year old quilt from Kauai, Hawaii. The quilt is dedicated to my in-laws ad my parents, both celebrating 50 years of marriage." We really enjoyed Pamela's lovely creation, in shades of cream and tangerine orange, which was hand appliqued and hand quilted.
Life at the Water's Edge by Ann Horton
Blue ribbon winner in the Wall Quilt category, Ann writes, "Looking down through the branches, life by the edge of a stream is viewed with all of its activity. Digitized embroidery that has been shaped in software has been enhanced with free motion thread play. The animal tracks were stenciled and then quilted for the highlights. I used my felting machine for the next and embellishments on the rocks and logs. Adding a few bird feathers was the final bit of glory. "
Close up, Life at the Water's Edge by Ann Horton
Intricately embroidered bluebirds perch amidst the white blossoms, peering intently down at a lively woodside setting. Their vibrant color and realistic appearance creates a perfect focal point for this very eye-catching machine appliqued and machine quilted work.
Kaleidoscopic Calamity, 35 x 35", by Margaret Solomon Gunn
Margaret states, "I wanted to make a quilt from exclusively solid fabrics. Some days, this experiment felt like a content comingling of color, while other [days] , it was a full-blown kaleidoscopic calamity."
Close-up, Kaleidoscopic Calamity by Margaret Solomon Gunn
Margaret adds, "The quilting is done in an "overlay" style using Filtec's Glide threads." The soft pink inner diamond really helps the stars "pop" on this very pretty solid color quilt.
The Favorite Place, 61 x 66", by Kayoko Fukui, Japan
Kayoko notes, "I grow herbs and flowers in my 2700 square foot garden. I tried to profile the flowers which always soothe my mind in this quilt. I used the Cathedral [Windows] technique, painting on the small flowers and a stitched outline."
Close up, The Favorite Place by Kayoko Fukui , Japan
Tiny white flowers in between each block add a delightful charm and delicacy to Kayoko's work, which is hand pieced and machine quilted.
Image credits: Photos were taken by Quilt Inspiration.
Labels:
animal,
Ann Horton,
cathedral windows,
embroidery,
Hawaiian,
Melissa Sobotka,
portrait,
quilt,
quilt show
Saturday, October 19, 2013
Welcome to the 2013 Pacific International Quilt Festival
Want to see some of the prettiest quilts in the world? Well, you've come to the right place ! Here's a look at the spectacular creations from the 2013 Pacific International Quilt Festival in Santa Clara, California.
Restoration, 35 x 31", by Jan Reed
Blue ribbon winner in the Wall Quilts category, Jan writes, "Inspired by a Mountain Art Quilters challenge, this quilt is an attempt to blend the Art Nouveau styles of Maxfield Parrish and Alphonse Mucha. Over 180 pieces of fused fabric were used to depict an image of an angel absorbing rays from heaven to restore her spirit after helping troubled souls on earth. Prismacolor pencils were used to help with the values."
Close-up, Restoration by Jan Reed
Restoration is an original design, which is machine applique and machine quilted. Notice how the quilting changes from curved lines surrounding the angel to slanted horizontal lines directly above her face to reflect the rays from above.
Gearing Up for the Future, 34 x 61", by Marylee Drake
Marylee writes, "Most of the time I work alone on my fabric art. I am happiest and most creative this way. I get inspiration from so many places, but I am an "indie" at heart, and I like it that way. Gas Works Park in Seattle, Washington, was my inspiration for this piece using commercially printed and hand dyed fabric and thread and color. "
Contemplation, 42 x 44", by Darlynn Evans
Darlynn notes, 'My independence as a woman enables me to freely express myself artistically. I believe this is exemplified by the creativity, originality, and flair of my work. This is a whole cloth quilt created by using thread painting and quilting stiches......[except for] the "viewer" depicted in the forefront. The "viewer" is fusible applique. "
Close up, Contemplation by Darlynn Evans
Honorable Mention winner in the Wall Quilts category, Darlynn's lovely original design is machine quilted. We enjoyed the look of the sparkling metallic thread against the deep background color.
Delightful Spirals, 46 x 33", by Robbi J. Eklow
Giant flowers interspersed with gears decorate Robbi's vibrant quilt, which is done with fused applique and unmarked free motion quilting.
Close up, Delightful Spirals by Robbi J. Eklow
A split complementary color scheme of red-orange, tangerine, and yellow combined with violet and periwinkle blues creates a dynamic, high-energy impact to this fanciful pattern.
back of quilt, Delightful Spirals by Robbi J. Eklow
The back of "Delightful Spirals", above, shows the intricate, multi-colored quilting design of leaves, flowers and spirals.
Caribbean Splash by Kathy Miers
Kathy says, " A wonderful class by [quilt teacher] Christine Barnes. Uses lots of ombre fabric and color which I love and large blocks. " We think the polka dot background gives extra sparkle to these radiant fabrics.
Image credits: The photos of "Restoration" were provided by Jan Reed. All other photos were taken by Quilt Inspiration.
Restoration, 35 x 31", by Jan Reed
Blue ribbon winner in the Wall Quilts category, Jan writes, "Inspired by a Mountain Art Quilters challenge, this quilt is an attempt to blend the Art Nouveau styles of Maxfield Parrish and Alphonse Mucha. Over 180 pieces of fused fabric were used to depict an image of an angel absorbing rays from heaven to restore her spirit after helping troubled souls on earth. Prismacolor pencils were used to help with the values."
Close-up, Restoration by Jan Reed
Restoration is an original design, which is machine applique and machine quilted. Notice how the quilting changes from curved lines surrounding the angel to slanted horizontal lines directly above her face to reflect the rays from above.
Gearing Up for the Future, 34 x 61", by Marylee Drake
Marylee writes, "Most of the time I work alone on my fabric art. I am happiest and most creative this way. I get inspiration from so many places, but I am an "indie" at heart, and I like it that way. Gas Works Park in Seattle, Washington, was my inspiration for this piece using commercially printed and hand dyed fabric and thread and color. "
Contemplation, 42 x 44", by Darlynn Evans
Darlynn notes, 'My independence as a woman enables me to freely express myself artistically. I believe this is exemplified by the creativity, originality, and flair of my work. This is a whole cloth quilt created by using thread painting and quilting stiches......[except for] the "viewer" depicted in the forefront. The "viewer" is fusible applique. "
Close up, Contemplation by Darlynn Evans
Honorable Mention winner in the Wall Quilts category, Darlynn's lovely original design is machine quilted. We enjoyed the look of the sparkling metallic thread against the deep background color.
Delightful Spirals, 46 x 33", by Robbi J. Eklow
Giant flowers interspersed with gears decorate Robbi's vibrant quilt, which is done with fused applique and unmarked free motion quilting.
Close up, Delightful Spirals by Robbi J. Eklow
A split complementary color scheme of red-orange, tangerine, and yellow combined with violet and periwinkle blues creates a dynamic, high-energy impact to this fanciful pattern.
back of quilt, Delightful Spirals by Robbi J. Eklow
The back of "Delightful Spirals", above, shows the intricate, multi-colored quilting design of leaves, flowers and spirals.
Caribbean Splash by Kathy Miers
Kathy says, " A wonderful class by [quilt teacher] Christine Barnes. Uses lots of ombre fabric and color which I love and large blocks. " We think the polka dot background gives extra sparkle to these radiant fabrics.
Image credits: The photos of "Restoration" were provided by Jan Reed. All other photos were taken by Quilt Inspiration.
Labels:
Christine Barnes,
portrait,
quilt,
quilt show,
Robbi J. Eklow
Thursday, October 17, 2013
Best of Halloween 2013: Part 4
We love Amy Bradley's whimsical quilt designs, so we were excited to see this beautiful rendition of Happy Halloween at a recent quilt show.
Halloween Quilt by Maryann Maiorana
Maryann Maiorana said that this quilt was made for her daughter-in-law and son's annual Halloween party... “My daughter-in-law and son have an annual Halloween party with fabulous decorations, costumes and fun. When [she] saw this pattern she asked if I would make it. It was terrific fun choosing the fabrics and assembling the monsters. Now they and their guests can enjoy it.”
close up, Halloween, made and quilted by Maryann Maiorana
The close up photo above shows the clever way in which Maryann Maiorana echoed and enhanced the letters with her quilting
close up, Halloween, made and quilted by Maryann Maiorana
Each one of these monsters has a quirky personality. Just look at the smile on the mummy's face... even the grim reaper is not-so-grim after all!
Image credits: Photos were taken by Quilt Inspiration.The pattern for Happy Halloween can be found at Amy Bradley Designs.
Halloween Quilt by Maryann Maiorana
Maryann Maiorana said that this quilt was made for her daughter-in-law and son's annual Halloween party... “My daughter-in-law and son have an annual Halloween party with fabulous decorations, costumes and fun. When [she] saw this pattern she asked if I would make it. It was terrific fun choosing the fabrics and assembling the monsters. Now they and their guests can enjoy it.”
close up, Halloween, made and quilted by Maryann Maiorana
The close up photo above shows the clever way in which Maryann Maiorana echoed and enhanced the letters with her quilting
close up, Halloween, made and quilted by Maryann Maiorana
Each one of these monsters has a quirky personality. Just look at the smile on the mummy's face... even the grim reaper is not-so-grim after all!
Image credits: Photos were taken by Quilt Inspiration.The pattern for Happy Halloween can be found at Amy Bradley Designs.
Wednesday, October 16, 2013
Best of Halloween 2013: Part 3
For part 3 of our Best of Halloween series, here is a wonderful Autumn Harvest quilt featuring large and small pumpkins and, of course, a black cat.
Autumn Harvest, 36 x 36", by Susan Haase, 2013 DVQG
Susan Haase says: "I love to applique and I love Pearl (Pereira's) patterns*. I started this quilt to have it finished by December 2012 for my mini group's Christmas meeting. I had part of it finished but made the [September 2013] DVQ quilt show my final deadline. Raising a 4 year old doesn't give me much time to quilt"!
close up, Autumn Harvest by Susan Haase
There was some really lovely applique work on this piece, not to mention the cute embroidered face on the cat. You have to look closely to find all the critters in this fun wall hanging. Can you pick out the little gray mouse, the bumble bee and ladybug?
close up, Autumn Harvest by Susan Haase
Last but not least, here is a squirrel gathering acorns, while a crow perches on top of the pumpkin.
*The Autumn Harvest pattern by Pearl P. Pereira can be found at P3 Designs.
Image credits: Photos were taken by Quilt Inspiration.
Autumn Harvest, 36 x 36", by Susan Haase, 2013 DVQG
Susan Haase says: "I love to applique and I love Pearl (Pereira's) patterns*. I started this quilt to have it finished by December 2012 for my mini group's Christmas meeting. I had part of it finished but made the [September 2013] DVQ quilt show my final deadline. Raising a 4 year old doesn't give me much time to quilt"!
close up, Autumn Harvest by Susan Haase
There was some really lovely applique work on this piece, not to mention the cute embroidered face on the cat. You have to look closely to find all the critters in this fun wall hanging. Can you pick out the little gray mouse, the bumble bee and ladybug?
close up, Autumn Harvest by Susan Haase
Last but not least, here is a squirrel gathering acorns, while a crow perches on top of the pumpkin.
*The Autumn Harvest pattern by Pearl P. Pereira can be found at P3 Designs.
Image credits: Photos were taken by Quilt Inspiration.
Labels:
applique,
cat,
Pearl Pereira,
pumpkin,
quilt
Tuesday, October 15, 2013
Best of Halloween 2013: Part 2
We've always been intrigued by Meg Hawkey's Hocuspocusville quilt, with its twelve blackwork embroidered blocks. The images of a whimsical witch's village are simply perfect for Halloween. Here are two fun versions we spotted at California quilt shows!
close up, Halloween Quilt by Phyllis Day
Here is the "Black Cauldron" restaurant, featuring authentic witch cuisine (Spider Soup and Worms Alfredo)! It was beautifully embroidered and quilted by Phyllis Day for her daughter, who has an October 28 birthday. The full quilt is shown below.
Halloween Quilt, 57 x 62”, by Phyllis Day
Phyllis Day's quilt was exhibited at the 2012 River City Quilters' Guild show, where it was awarded Judge's Choice by Carolie Hensley. In laying out the Hocuspocusville blocks for this quilt, Phyllis incorporated pieced borders, a few wonky nine-patch blocks, and a purple witch with her broom.
close up, Halloween Quilt by Phyllis Day
The photo above shows the spooky "Witches Stitches" Quilt Shop, which advertises "four floors of black fabric".
Haunted Houses by Gail Russick, photo by Quilt Inspiration
For her Halloween quilt, Gail Russick incorporated some favorite Halloween fabrics and embroidered the blackwork blocks on a variety of neutral backgrounds, from ivory to gold. This fun, colorful quilt was exhibited at the 2013 Flying Needles Quilt Guild show. (Note: the quilt itself was perfectly straight, but it was hanging close to the floor, where it was difficult to photograph!)
close up, Haunted Houses by Gail Russick
At Le Witche boutique, above, the front window is filled with witch hats... they are also announcing a half-price sale on capes!
Image credits: Quilt show photos were taken by Quilt Inspiration. For more information on the patterns, see the Hocuspocusville page at Crabapple Hill Studio.
close up, Halloween Quilt by Phyllis Day
Here is the "Black Cauldron" restaurant, featuring authentic witch cuisine (Spider Soup and Worms Alfredo)! It was beautifully embroidered and quilted by Phyllis Day for her daughter, who has an October 28 birthday. The full quilt is shown below.
Halloween Quilt, 57 x 62”, by Phyllis Day
Phyllis Day's quilt was exhibited at the 2012 River City Quilters' Guild show, where it was awarded Judge's Choice by Carolie Hensley. In laying out the Hocuspocusville blocks for this quilt, Phyllis incorporated pieced borders, a few wonky nine-patch blocks, and a purple witch with her broom.
close up, Halloween Quilt by Phyllis Day
The photo above shows the spooky "Witches Stitches" Quilt Shop, which advertises "four floors of black fabric".
Haunted Houses by Gail Russick, photo by Quilt Inspiration
For her Halloween quilt, Gail Russick incorporated some favorite Halloween fabrics and embroidered the blackwork blocks on a variety of neutral backgrounds, from ivory to gold. This fun, colorful quilt was exhibited at the 2013 Flying Needles Quilt Guild show. (Note: the quilt itself was perfectly straight, but it was hanging close to the floor, where it was difficult to photograph!)
close up, Haunted Houses by Gail Russick
At Le Witche boutique, above, the front window is filled with witch hats... they are also announcing a half-price sale on capes!
Image credits: Quilt show photos were taken by Quilt Inspiration. For more information on the patterns, see the Hocuspocusville page at Crabapple Hill Studio.
Labels:
embroidery,
Halloween,
house,
Meg Hawkey,
quilt
Monday, October 14, 2013
Best of Halloween 2013: Part 1
According to polls, Christmas and Thanksgiving are the favorite holidays in the USA, while Halloween comes in third.* However, we've found that Halloween is THE favorite holiday for many people, inspiring scary and creative costumes and decorations. For quilters, Halloween provides a chance to create a fun, wacky or spooky quilt. This week we are sharing some Halloween quilts we love !
Henrietta Whiskers by Beverly Brown, quilted by Jan Carpenter
Henrietta Whiskers was a block-of-the-month quilt introduced in 2011 by Anne Sutton; the pattern can be found at Bunny Hill Designs. Beverly Brown says: "This was a fun quilt and I looked forward to each month’s pattern. I learned to do new embroidery stitches."
close up, Henrietta Whiskers by Beverly Brown
This closeup photo shows Henrietta, the squirrel, who is the star of the quilt.
close up, Henrietta Whiskers by Beverly Brown
Who doesn't love a house quilt? This adorable autumn home features two stories, a wood-grain door with a button door knob, a giant pumpkin, and maple leaves.
close up, Henrietta Whiskers by Beverly Brown
Pumpkins and crows make a great Halloween orange-and-black theme!
close up, Henrietta Whiskers by Beverly Brown
This photo shows the wonderful custom quilting by Jan Carpenter, whose designs include a leafy "V" design in the vertical green sashing (above, left).
* In the UK, Halloween is the second-favorite family celebration, just behind Christmas !
Image credits: Photos were taken by Quilt Inspiration at the 2013 Arizona Quilters Guild show.
Henrietta Whiskers by Beverly Brown, quilted by Jan Carpenter
Henrietta Whiskers was a block-of-the-month quilt introduced in 2011 by Anne Sutton; the pattern can be found at Bunny Hill Designs. Beverly Brown says: "This was a fun quilt and I looked forward to each month’s pattern. I learned to do new embroidery stitches."
close up, Henrietta Whiskers by Beverly Brown
This closeup photo shows Henrietta, the squirrel, who is the star of the quilt.
close up, Henrietta Whiskers by Beverly Brown
Who doesn't love a house quilt? This adorable autumn home features two stories, a wood-grain door with a button door knob, a giant pumpkin, and maple leaves.
close up, Henrietta Whiskers by Beverly Brown
Pumpkins and crows make a great Halloween orange-and-black theme!
close up, Henrietta Whiskers by Beverly Brown
This photo shows the wonderful custom quilting by Jan Carpenter, whose designs include a leafy "V" design in the vertical green sashing (above, left).
* In the UK, Halloween is the second-favorite family celebration, just behind Christmas !
Image credits: Photos were taken by Quilt Inspiration at the 2013 Arizona Quilters Guild show.
Labels:
animal,
Anne Sutton,
Halloween,
house,
pumpkin
Thursday, October 10, 2013
Sylvia's Bridal Sampler, Pearl's Pieces, The Farmer's Wife and Salinda W. Rupp quilts
At the recent quilt show we were excited to find sampler quilts representing some of the most popular designs around: Sylvia's Bridal Sampler, The Farmer's Wife, and the Salinda Rupp quilt (aka Nearly Insane). In addition there was a beautiful and unique sampler, exhibited as a memorial to a local quilter. Here are sampler quilts from the 2013 DVQG show.
Sylvia's Bridal Sampler, 98 x 98", by Christine Taylor
The design for this quilt is Sylvia’s Bridal Sampler. The story is in the book called The Master Quilter by Jennifer Chiaverini, in which the friends of Elm Creek Quilts founder Sylvia Compson plan to make her a special quilt to celebrate her wedding. For her version of the quilt, Christine Taylor changed the setting and added four more blocks (and modified some blocks) to total 144 different blocks.
close up, Sylvia's Bridal Sampler by Christine Taylor
The blocks are mostly pieced and paper-pieced with some applique, as shown above. We loved Christine's choice of colors, which matched the elegant floral fabric she used in the sashing and borders.
Pearl's Prized Pieces, 92 x 92", pieced by Pearl Denison, quilted by Elaine Beattie
Pearl Lillian Denison (1928-2012) was born in Vanguard, Saskatchewan and came to the United States in 1954. During her 20 year retirement she enjoyed traveling, gardening and quilting. Fran Schweitzer, who owns the quilt and entered it in the show, says: “[This quilt has] 112 totally different pieced blocks, many blocks with more than 50 pieces. Beautiful work by Pearl (RIP).” In this clever setting, the blocks are offset at three different levels around the quilt, such that the blocks appear to tumble around the border.
close up, Pearl's Prized Pieces
The use of ivory and cream provides a unifying background for the many-colored blocks; in this photo you can see an airplane, stars, pinwheels, shoo fly, a shamrock, a schoolhouse and hearts. The blocks surround large and small trees of life.
The Farmer's Wife, 84 x 95", by Carroll Stephens, quilted by Sharon Graves
First published in 2009, the Farmer's Wife Sampler Quilt is filled with letters from 1920s farm wives and the quilt blocks they inspired. The quilt was designed by Laurie Aaron Hird and consists of 111 classic 6" blocks. Carroll Stephens' classic version is true to the original; the blocks are set on point and topped with cornerstones.
close up, The Farmer's Wife quilt by Carroll Stephens
In this close up photo you can see Carroll's perfectly pieced blocks, rendered in a multitude of colors. This quilt is challenging to construct; for reviews and readers' tips see the book web page at Amazon.
Nearly Nearly Insane, 55 x 65", by Pam Creason
Pam Creason says: “Every once in a while I enjoy making a quilt that is really challenging. This was one of those quilts… The original quilt had [93] blocks and my quilt contains 40 for if I had made all of the blocks I would have gone Nearly Insane.” The 1870's-era Salinda W. Rupp quilt was brought to light by Liz Lois, who spent 3 years reproducing the blocks; she named the pattern Nearly Insane. The full quilt has over 5,500 pieces.
close up, Nearly Nearly Insane by Pam Creason
You can see some of the incredibly detailed blocks in this close up photo, with their tiny triangles, diamonds and squares. Pam Creason did a fabulous job piecing and quilting her masterpiece.
Image credits: Photos were taken by Quilt Inspiration.
Sylvia's Bridal Sampler, 98 x 98", by Christine Taylor
The design for this quilt is Sylvia’s Bridal Sampler. The story is in the book called The Master Quilter by Jennifer Chiaverini, in which the friends of Elm Creek Quilts founder Sylvia Compson plan to make her a special quilt to celebrate her wedding. For her version of the quilt, Christine Taylor changed the setting and added four more blocks (and modified some blocks) to total 144 different blocks.
close up, Sylvia's Bridal Sampler by Christine Taylor
The blocks are mostly pieced and paper-pieced with some applique, as shown above. We loved Christine's choice of colors, which matched the elegant floral fabric she used in the sashing and borders.
Pearl's Prized Pieces, 92 x 92", pieced by Pearl Denison, quilted by Elaine Beattie
Pearl Lillian Denison (1928-2012) was born in Vanguard, Saskatchewan and came to the United States in 1954. During her 20 year retirement she enjoyed traveling, gardening and quilting. Fran Schweitzer, who owns the quilt and entered it in the show, says: “[This quilt has] 112 totally different pieced blocks, many blocks with more than 50 pieces. Beautiful work by Pearl (RIP).” In this clever setting, the blocks are offset at three different levels around the quilt, such that the blocks appear to tumble around the border.
close up, Pearl's Prized Pieces
The use of ivory and cream provides a unifying background for the many-colored blocks; in this photo you can see an airplane, stars, pinwheels, shoo fly, a shamrock, a schoolhouse and hearts. The blocks surround large and small trees of life.
The Farmer's Wife, 84 x 95", by Carroll Stephens, quilted by Sharon Graves
First published in 2009, the Farmer's Wife Sampler Quilt is filled with letters from 1920s farm wives and the quilt blocks they inspired. The quilt was designed by Laurie Aaron Hird and consists of 111 classic 6" blocks. Carroll Stephens' classic version is true to the original; the blocks are set on point and topped with cornerstones.
close up, The Farmer's Wife quilt by Carroll Stephens
In this close up photo you can see Carroll's perfectly pieced blocks, rendered in a multitude of colors. This quilt is challenging to construct; for reviews and readers' tips see the book web page at Amazon.
Nearly Nearly Insane, 55 x 65", by Pam Creason
Pam Creason says: “Every once in a while I enjoy making a quilt that is really challenging. This was one of those quilts… The original quilt had [93] blocks and my quilt contains 40 for if I had made all of the blocks I would have gone Nearly Insane.” The 1870's-era Salinda W. Rupp quilt was brought to light by Liz Lois, who spent 3 years reproducing the blocks; she named the pattern Nearly Insane. The full quilt has over 5,500 pieces.
close up, Nearly Nearly Insane by Pam Creason
You can see some of the incredibly detailed blocks in this close up photo, with their tiny triangles, diamonds and squares. Pam Creason did a fabulous job piecing and quilting her masterpiece.
Image credits: Photos were taken by Quilt Inspiration.
Subscribe to:
Comments (Atom)





