After Easter we decided we were missing being in our motor home so on Tuesday we threw some clothes and food in the van and headed north for a few days away, which, despite the rather wet drizzle was still wonderful! When we got back on Friday I knew with May just round the corner I needed to make a decision on what colours to choose for Aprils part of the Mystery sew a long 'A Peacocks Garden' And as you can see I went for soft mauve's (after all who says it has to look like a swan!) So for some slow Sunday stitching today I will aim to finish them off, which means I should be ready for May!
Pop over to Kathys blog so you can see what other people have been working on this week.
On our travels we visited a National Trust property, Montacute House in Wiltshire. They had a beautiful display of 17th and 18th Century samplers. Here are a some (only in part some of them).
Hester Sissons - 1659
Algerian-eye stitch, buttonhole bars, long-armed and Spanish cross, dove's eyes and four-sided border stitching. The open work comprises cloth stitch with picots and needle-weaving, whipped buttonholed and needle-woven bars.
Coloured silk on linen 102cm x 21cm
Ealse Swinson - 1662.
It has stump work and is coloured silk worked on linen and measures 52cm x 21cm
Alice Jennings - 1692.
24 bands of embroidery including chain cross, long-armed cross, Spanish cross, needle-weaving, eyelet, raised plaited band, rococo satin, spiders' web, whipped and buttonhole bars
Coloured silk and white linen on linen 81cm x 21cm
Anna Peryn - 1681
An inscription divides this ampler which has cut and drawn work, incorporating 'S' motifs and Fleur de lys. By the late 1600s it was popular to work needle-weaving and satin stitch in opposite directions for a cheeseboard effect.
Coloured silk and white linen on linen, 56cm x 20cm
It was a beautiful collection of embroidery and hopefully will give inspiration!