The Geomancer

Showing posts with label ebook. Show all posts
Showing posts with label ebook. Show all posts

6/24/11

Free on Kindle: Joel Shepherd's Sasha (A Trial of Blood & Steel)

Sasha: A Trial of Blood and Steel Book One
Reminder that the first book in Joel Shepherd's A Trial of Blood & Steel quartet, Sasha, is now Free on Kinde. Shepherd's series, which is complete now with the publication of Haven, is a complex, gritty, realistic fantasy that drawns numerous comparisons to a certain other series. Here's what they're saying:

"...quite engrossing... this heroic fantasy should please fans of, say, George R. R. Martin’s Song of Ice and Fire novels." Booklist

"Shepherd has created a court fantasy similar to George R. R. Martin’s A Song of Ice and Fire....a good epic fantasy that focuses more on the epic than the fantasy. Sasha is excellent reading for fans of character driven stories. I recommend it." Grasping for the Wind

"Sasha was excellent, especially given that this is Joel Shepherd’s first fantasy novel. It offers a huge fantasy world, a fascinating heroine, heart-pounding descriptions of both small-scale sword fights and full-on warfare, several characters that genuinely grow and change, and — maybe most importantly — the hint that this is just the start of what could become a great series. While I wouldn't rank it quite as high as George R.R. Martin's A Song of Ice and Fire, I think Sasha will go down very well with fans of that series because it shares some of its characteristics, including its huge scope and cast, its focus on politics and noble intrigue, and (at least in the early novels of ASoIaF) the almost complete absence of magic and mystical creatures. " Fantasy Literature

“I liked [Sasha]. She’s fierce, strong and courageous. She’s also a bit tempermental and stubborn, but in my opinion these qualities make her even more likeable… This book could have some profound and lasting effects on a female reader by instilling within her a fighter’s spirit and the idea that one can accomplish anything regardless of one’s gender. Think about this: how many female sword fighters so we see in such books like Shepherd’s Sasha? I am willing to guess not many… In this book, a woman is the warrior who leads others in a large battle. The cover alone is telling.”  -Femspec, Volume 11, Issue 1, 2010 

6/3/11

For a limited time!

The Dervish HouseFor a very limited time, Ian McDonald's Hugo-nominated novel The Dervish House is available on Kindle for just $1.99 and Clay & Susan Griffith's acclaimed The Greyfriar (Vampire Empire Book One) is $2.99. Get 'em while the sale last. Sorry but this is US only.

12/6/10

Free ePub Novelette Celebrates Milestone: Enjoy James Enge's "Travellers' Rest"

FOR IMMEDIATE RELEASE
December 6, 2010
CONTACT: Jill Maxick, 800-853-7545
jmaxick@prometheusbooks.com


Pyr Publishes Its 100th Title and Offers
Free Exclusive ePub Novelette in Celebration

Milestone Reached with James Enge’s The Wolf Age

Click here to download "Travellers' Rest" in epub
Amherst, New York – In March of this year, Pyr, the science fiction and fantasy imprint of Prometheus Books, celebrated its fifth anniversary. In November, Pyr reached another milestone: publishing its one-hundredth title, The Wolf Age, by James Enge.

The Wolf Age is the third novel to feature Enge’s character Morlock Ambrosius, a wandering swordsman, an exile, and a drunk. Blood of Ambrose, Enge’s first Morlock novel, was on the Locus Recommended Reading list and a World Fantasy Award nominee for Best Novel.

“I'm honored to be Pyr’s centenarian (or centurion?),” Enge says. “Between that distinction and the World Fantasy Award nomination for Blood of Ambrose, it's been a pretty cool fall. Both the WFA nominees and the authors on the Pyr list are pretty impressive company; it's a privilege to be counted among them.”

Publishers Weekly gave The Wolf Age a starred review, calling it “harrowing and beautiful” and noting that “Enge's elegant prose perfectly captures Morlock's terse and morbid nature, which thrives in the vicious, honorable werewolf nation. Numerous intimate, complicated, and contentious relationships provide depth and gravity to the grim tale, which will enthrall fans of the dark and sinister.”

All of Enge’s Morlock Ambrosius novels and stories can be read independently, but—as Tim Pratt recently pointed out in his Locus review of The Wolf Age—reading one will make you want to seek out the others. Calling The Wolf Age “inventive and delightful,” Pratt “promptly tracked down the earlier titles, Blood of Ambrose and This Crooked Way, because I enjoyed this one so much.” He added, “Enge is one of the most engaging of the new sword and sorcery authors, and I hope we get to follow Morlock's exploits for a long time to come.”

In honor of this burgeoning Morlock fan base, and to commemorate The Wolf Age’s status as Pyr’s one-hundredth title, Pyr is issuing a free, exclusive, ePub novelette called "Travellers' Rest." Featuring a cover by artist Chuck Lukacs, “Travellers' Rest” is an 8,500 word original novelette, written for Pyr, which takes place before the events of Blood of Ambrose. It is available on the Pyr website, http://www.pyrsf.com, as a free download in ePub format and will also be available via Kindle. (Two previously published Morlock short stories that take place many decades after the events of The Wolf Age—“A Book of Silences” and “Fire and Sleet” —are available on the Sample Chapters section of the Pyr website.)

Enge describes “Traveller's Rest” as “a story that's been trying to chew its way out of my head for a while now, and this seemed like a good time to release it as an introduction to Morlock. Also, Morlock’s apprentice Wyrth has a small but discerning fan base, and ‘Traveller's Rest’ gives them a chance to encounter him again.”

Enge's highly imaginative sword and sorcery mixes humor and darkness in equal measures. His writing has been compared favorably to Fritz Leiber, Jack Vance, David Eddings, and, interestingly, Raymond Chandler. Lev Grossman, the New York Times bestselling author of The Magicians, finds Enge “thrilling, funny, and mysteriously moving. . . I could read him forever and never get bored.”

Pyr has been called “one of the most exciting publishers in the business” by Black Gate magazine. It was launched in March of 2005 by Prometheus Books, an independent publisher of quality nonfiction based in Amherst, New York.

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6/29/10

Pyr Comes to the Nook (and B&N eReader)

The first Pyr ebooks are starting to show up at B&N.com for reading on the Nook and their B&N eReader software. In all, there are some 800 Pyr & Prometheus titles that will be up shortly (about 60 of them Pyr - the parent company has been around a lot longer). But for now, you can get Ian McDonald's Cyberabad Days, Mike Resnick's Stalking the Dragon, and Mark Chadbourn's Always Forever (yes, I know that's book three. Books one and two up soon).

5/28/10

Further Thoughts on eReader apps for the iPad

Yesterday, Barnes and Noble released their much-anticipated, long-awaiting B&N eReader app specifically for the iPad. With its arrival, there are now three excellent eReading options, and as a user of all three, I though a follow up to my "My Life in eBooks" post might be due. (I haven't downloaded the Kobo app yet, due to early reports of bugs, so that one isn't addressed but may follow in later report).

I've been reading for the two plus months on the iPad, mostly in iBooks but also in the Kindle for iPad app. But before the iPad I had read a whole novel - Fritz Leiber's Swords & Deviltry - in the B&N iPhone app, which was my favorite of the iPhone reading apps for commercially published books. I say "commercially published" because before the iPad I read all manuscript submissions in Stanza for iPhone.

I've got about twenty ebooks now on each of the three apps, and while the majority of my ebooks were free, I have paid for books from all three. Swords & Deviltry was my only purchase on B&N, The Graveyard Book and Return of the Sword, along with a few low-cost pulps (Doc Savage and Fu Manchu), were my Kindle purchases, and I've purchased six books so far via iBooks, including Neil Gaiman's Fragile Things, The House on Pooh Corner, The Mouse and the Motorcycle, Runaway Ralph, and the Beneath Ceaseless Skies anthology.

But I've been itching for B&N to get onboard iPad and downloaded it first thing yesterday morning. So...

The B&N eReader app does a lot of things very, very well.  With its plain white background on the home page and simple page swiping, it's not as sexy as iBooks, whose virtual bookshelf and realistic page turning emulation are really, really gorgeous. But what B&N lacks in style it more than makes up for in functionality, and its iPad version is far more user friendly than its iPhone app. It now opens its dictionary inside the page of the book, rather than pulling you out of the read as the iPhone version of the app did, allows for note taking and highlighting, has an assortment of font choices and sizes etc... Of course, some version of these tools are pretty much de rigueur now for any eReader. But B&N adds two features that are very, very nice. In addition to customizing the fonts, you can alter the width of the page's margins and you can alter the spacing between lines. Between changing the margins and changing the spacing, you can really, really create a perfectly tailored, comfortable reading experience. And then you can save that as a theme to apply later! This is brilliant, and may be the nicest feature on any of the three major apps. Against this, both iBooks and the Kindle app suddenly look very limited in what they allow.


B&N's eReader also opens up the Table of Contents in a pop-up window, without pulling you out of your place in the book, along with tabs to bring up lists of your highlights and bookmarks. Which is another very nice feature. I also appreciate the fact that they have chosen to go with page numbers, rather than percentages or the perplexing Kindle location system. Yes, page count changes when you change font sizes and spacing, but then, it does the same thing when we raise the point size of a font in printing a physical book. It's still very nice aesthetically and psychologically to use actual page numbers.

I was also delighted to discover, when perusing Bram Stoker's Dracula,  that the end notes were hyperlinked. Clicking on them took me to a list of notes at the end of the chapter, with a convenient "Back" button to return me to my place in the text. Nice.

I did have a few problems with the eReader. It crashed on me twice when I was trying to highlight a chapter title in Swords & Deviltry, I have two copies of the same edition of Dracula displayed in my shelf and can't seem to get it to just show just one, and when you delete a book on your shelf, it still shows the cover with a "Download" label across it. To actually get rid of my complimentary copy of Little Women -- (no disrespect to Louisa May Alcott) -- I had to go to B&N.com in the Safari browser and remove it permanently from My Library. This is a minor inconvenience but it will probably have the effect of preventing me from sampling as many titles as I otherwise would. I haven't tried the LendMe feature yet, but it is obviously a plus. I did make notes and highlights in a book and was disappointed to see that they didn't carry across to my iPhone edition.

Overall, it's a very good app, with a lot to recommend it, and a few key features that score higher than its competitors. And, of course, I'm sure it will only get better as updates are issued.

Meanwhile, last month I read Gaiman's The Graveyard Book on the Kindle app, which, thanks to Whispersync, was read on both my iPhone and iPad.

Kindle's aforementioned perplexing locations are augmented with page numbers for the iPad version, and I also find the actual layout of text more attractive on the iPad than on the iPhone. Visually, the home page is prettier than the B&N eReader app, and the Whispersync technology can't be beat. Its amazing how many occasions every day you find yourself with a minute or three where you can pull your phone out and read a few paragraphs, where you might not have easy access to the larger iPad.  Currently neither B&N nor Apple's iBooks has a syncing feature, though both promise that in the next iteration of their iPhone app software updates. And, of course, Kindle has by far the best selection of titles.

Where iBooks scores over both of them is in presentation and in the ability to easily load ePub format ebooks acquired from other sources into iBooks with just one click. Because of this, iBooks has been my default reader for amassing a library, in the same way all my music, whether purchased digitally or ripped from CDs, goes into iTunes. I also use Stanza Desktop's "Save as ePub" feature to convert Word Docs into ePub format files, so now I'm doing all my manuscript reading on the iPad. And it's amazing how helpful it is, when thinking about how a particularly manuscript would be if you acquired it and turned it into a book, to actually see it looking like a book, with actual pages. It's really intuitively helpful to me, when judging a book's pacing, to be able to see how far into the book I am, and the feature that tells you how many pages remain in a chapter is fantastic!

Currently you can't take notes in iBooks, though I can't imagine that will be long in coming, and while you can copy sections of text from non DRM's ePub files, you can't cut and past lines into email from the books purchased from the iBookstore (at least the ones I've purchased). So the annotation features in Kindle and B&N score over iBooks in that respect. The iBooks reader needs to do more than it does, but its too strongest selling points - its beauty and its ability to accept ePub files into iTunes - are extremely attractive features that will probably keep it in the top slot for my primary reader. On the downside, the selection at iBooks isn't what it needs to be, though that is something that will be changing fast. But given there is no way to browse through the iBookstore, unless an author/book is listed in the promotional displays in a genre's category, there is no way to know if the book is there except by running a search, which right now will return no results more often than not.

Sadly, none of the eReaders allow you to bring up a full-page view of the cover, which is a shame given how good the iPad is at displaying art. Since this is a complaint with all three apps, I'm wondering if it is somehow a limitation of ePub. Either way, it seems like an essential element of book reading that needs to be addressed and thus, presumably, will be.

In summary, B&N's eReader app is a welcome addition to the iPad eReader space and offers enough that I won't be penalizing it too much for being late to the party. iBooks versatility will make it my default manuscript reading app, and probably my first choice for an eReader, but I anticipate continuing to buy some books from the Kindle (due, if nothing else, to their wide selection) and some from B&N (most notably, the rest of the Fafhrd and Gray Mouser series). Instead of having one reading app and one online library, it looks like I'm going to have one device (or family of devices) and multiple apps. For now, I can live with that. Of course, all the competition between apps and devices can only be good for the overall evolution of the eReader, so who knows where things will be next year? Personally, I'm eager to find out.

B&N eReader:
Pros:
  • Customizable fonts, colors, margins, spacing
  • Annotations
  • Wide Selection
  • Dictionary opens inside page. 
Cons:
  • Visually boring interface.
  • Currently no sync with iPhone version.
  • Can only take B&N books despite ePub format.

Kindle for iPad:
Pros:
  • Whispersync
  • Enormous selection
  • Visually attractive
Cons:
  • Proprietary Format.

iBooks
Pros:
  • Visually stunning.
  • Can import any non DRM ePub files.
  • Dictionary opens inside page.
Cons:
  • Currently no iPhone version.
  • Currently no annotation. 
  • Currently small selection, poor inventory browsing. 
  • No dictionary.

5/24/10

Pyr on the Kindle

We're up to 50 Pyr books on the Kindle now (more formats coming).


9/11/09

This is Mutiny, Mr Christian!!

Mike Resnick's Starship: Mutiny, the first book in his Starship series, has just appeared for the Kindle. This is good, given that books 2 and 4 have been up a while. Also, before you say it, other ebook formats are coming soon!

7/27/09

8 More Pyr Titles Arrive on the Kindle

A batch of eight more Pyr books has been Kindle-ized (though one is only listed as pre-order. Didn't know they'd do that with ebooks.)

They are:

Justina Robson's Chasing the Dragon (Quantum Gravity, Book 4)(Preorder)

Sean Williams' The Crooked Letter: Books of the Cataclysm: One

Chris Roberson's End of the Century

Gardner Dozois' Galileo's Children: Tales Of Science VS. Superstition

Sean Williams' The Hanging Mountains

Alexis Glynn Latner's Hurricane Moon

Theodore Judson's The Martian General's Daughter

Matthew Sturges' Midwinter

Again, no control of the order in which Amazon puts these things up. It is apparently based at least partially on demand, as logged by their "I'd like to read this book on Kindle" button. Click often.

6/22/09

Blood of Ambrose & Stalking the Vampire: Now in Kindle Format

James Enge's Blood of Ambrose and Mike Resnick's Stalking the Vampireare the latest Pyr books to appear in the Amazon Kindle Store.

(The Fictionwise version of the first book in the John Justin Mallory series, Stalking the Unicorn, is also in the Kindle store for those who haven't read book one.)

6/16/09

Three More Kindle Releases Materialize

Three more Pyr books have appeared for the Kindle.

Ian McDonald's River of Gods

Justina Robson's Mappa Mundi

David Louis Edelman's MultiReal (Volume II of the Jump 225 Trilogy)

That was fast!

6/15/09

Pyr Arrives on the Kindle

That's right. After what for me has been an interminably long period of "hurry up and wait," I woke up this morning to discover that our very first Pyr Kindle books have miraculously appeared. Five titles are available for download in the Kindle store. Oddly, it contains a second book in a series and a third book in a series, but I think these are just the first few to appear. There are a lot more coming in back of this, and the conversion process is on Amazon's end, so I expect we'll see more pop up in the near future as they get to them (and I'll report here as I see them.) Meanwhile, many will be happy to learn that the often-requested Infoquake is in this first list of offerings.

The books:

Silver Screen

Starship: Pirate

Going Under (Quantum Gravity, Book 3)

Infoquake (Volume I of the Jump 225 trilogy)

Fast Forward 1: Future Fiction from the Cutting Edge

2/28/09

Free Ebook: Sean Williams' The Crooked Letter

As you've probably already heard on Boing Boing or SF Signal or Bookspot Central, and as I've already Tweeted and Facebooked:

For the first time ever, Pyr Books is making one of our novels available for free as an eBook. Sean Williams' The Crooked Letter: Books of the Cataclysm: One is available now, in its entirety, as a PDF.

When mirror twins Seth and Hadrian Castillo travel to Europe on holidays, they don’t expect the end of the world to follow them. Seth’s murder, however, puts exactly that into motion.

From opposite sides of death, the Castillo twins grapple with a reality neither of them suspected, although it has been encoded in myths and legends for millennia. The Earth we know is just one of many “realms”, three of which are inhabited by humans during various stages of their lives. And their afterlives...

In the tradition of Philip Pullman and Ursula K. Le Guin and inspired by numerous arcane sources, the Books of the Cataclysm begin in the present world but soon propel the reader to a landscape that is simultaneously familiar and fantastic.

See why SFFWorld said:

"[E]xplores the nature of life, death, and reality. Big subjects, but with the precision of an archaeological expert, Williams is more than up to the task. There is a lot to admire in Williams' epic fantasy, the wide range of global religions and myths of which his afterlife is comprised, to the characterization of the protagonists. The story has the mythic resonance of Neil Gaiman’s Sandman and American Gods, the dark fantasy/horror one might associate with something like Stephen King’s Dark Tower saga, the multiple universes/realities of Moorcock’s Eternal Champion mythos, and the strange, weird creatures one might associate with China Miéville’s Bas-lag novels. Williams imagined world is equal part those novels which preceded his, but fortunately, there is enough newness to both the approach and vision to make this the work of a singular vision...." [R]eading many of the other titles Lou Anders has published with Pyr, I shouldn’t have been surprised with both the quality of the writing and the breadth of Williams’ imagination. Like a lot of the other books published by Pyr, Williams captures what makes a tried and true genre like Epic Fantasy so popular and enjoyable of a genre and spins a tale with his unique voice. This is the type of book you finish and can’t wait to read the sequel."

Download your copy here, and thanks for helping us spread the word!