| Perfectly Functional |
You can download the episode on iTunes or listen to it at the direct link.
| Perfectly Functional |
| art by Chris McGrath |
The genesis of Morlock was, I think, frustration with two of my favorite writers, Tolkien and H.G. Wells. I was annoyed that Tolkien so obviously favored elves over dwarves, and that Wells did the same with Eloi over Morlocks. Morlocks did stuff—they worked and learned and thought and created. They seemed to me more authentically human than the empty, shiny Eloi. So what if they lived underground and weren't so pretty? The cannibalism is a little harder to stomach, as it were—but I'm sure that's exactly why Wells put it in. That's his thumb on the scale, trying to tilt our judgment of his characters.Then over at The Agony Column, Rick Kleffel and I talk about Steampunk, Victoriana and Elizabethan SF, with a bit about Chris Roberson, George Mann, and old series Doctor Who. Here's a direct link.
...a book that any fantasy fan will get a lot out of. ...there is no denying the sense of urgency that leaps out off the page and drives the story along [at] a very fast pace. The constant plotting and scheming underneath the surface adds to this urgency as well as giving the reader the best possible reason to keep reading. There are loads of questions that all need answering and it’s all credit to Sturges that these are the kind of questions where you care enough about the answers to invest more time in reading the book. You also cannot deny the dangers that our travellers must face on their journey and these make for some great moments where anything could happen and spectacle is the order of the day!Hey, I'd be rushing out to get that now if I hadn't read it already. But if you need more convincing, Jessica Strider at Sci-Fan Letter interviews Matthew Sturges, about the book and the craft of writing in general.
I was doing a presentation about writing comic books for a group of fourth-graders, since I'm most known as a comic book writer. Most of the questions were what you'd expect from nine-year-olds: Who'd win in a fight between the Hulk and Superman, that kind of stuff. Just as the questions were dying down, a kid in the back raised his hand and asked, "How much do you make?" I paused for a second and said, "I do okay, I guess." He wasn't satisfied, "Can you give me a dollar amount?" "That's an inappropriate question," said the teacher, embarassed. "Why?" said the kid. "How can I tell if I want to do that job if I don't know what it pays?"
...one heck of a wild ride, with action, excitement, danger, violence and epic confrontations occurring left and right... I’m not certain I would say The Twilight Herald is an improvement over The StormcallerAnd that's enough news for one morning, right?but Lloyd at the least reveals an impressive level of verstatility in terms of style between the two novels. Furthermore he maintains an ability to include a subtle over-arching theme of revenge across the entirety of the novel that is never overwrought or glaring. Lloyd is keeping me guessing with the series and, criticisms asside, that is something I can definatley appreciate.
Meanwhile, James Enge, whose Blood of AmbroseIt wasn't until I was in college, when my friend Chris Roberson, who is now a novelist and is also the guy who's writing the new Cinderella: From Fabletown with Love mini-series this year, was the person who introduced me to comics. And the things he liked at the time were Legion of Super-Heroes and all the stuff that would become Vertigo. And because the Legion of Super-Heroes, at the time, made no sense to me, I sort of went for the Vertigo stuff.
Not that I didn't learn to love superheroes, but for a beginner, the Vertigo type stories were more self-contained. This was the late '80s, so this was when a lot of great stuff was happening in comics. One of the first things I read was Watchmen, followed by Sandman, then everything Grant Morrison was writing at the time. So those were the books that really formed my sensibilities about what comics could be and should be, and the potential of what you could do in a comic.
Both are very interesting guys, set to make a spalsh in fantasy when their respective novels debut in just a few short weeks. Hmmm. Maybe they should read & interview each other?I did a little fencing in high school, so I have some sense of how some parts of a sword fight might work. On a couple of occasions I’ve walked through part of a fight, just to have a sense of whether the footwork was possible. But I try not to over-identify with my viewpoint character: my job as the storyteller is very different from his.
Midwinter Matthew Sturges. Pyr, $15.98 paper (320p) ISBN 978-1-59102-734-8
Comic book writer Sturges (Jack of Fables) makes an impressive debut with this superb low fantasy. During the titular cold season, the imprisoned soldier Mauritane is offered the opportunity to earn his freedom if he undertakes a risky mission for Seelie Queen Titania. Mauritane brings along a motley crew from the prison, including a gorgeous foreign warrior elf, a disgraced guard and a human scientist trapped in their world. Their Dirty Dozen–style exploits are interwoven with political intrigues at both the Seelie and Unseelie Courts. Sturges deftly works in superb character development, solid action sequences and engaging heroes and villains, as well as an original and fascinating mythological backbone for the Fae world. Although there is certainly room for the planned sequel, this tale stands nicely on its own. (Mar.)