Showing posts with label synthpop. Show all posts
Showing posts with label synthpop. Show all posts

Monday, June 01, 2009

Can Anyone Recognize This Video?

Via Jan Jahsonic:


unknown music video, early 1980s

From YouTube: "A very obscure early 80's video in the vein of The Residents. Does anyone know who the artist is and the name of the song? It has been driving me crazy for years!"

Update:

thanks for the swift answer, Superjohan! So, the track is 'B' by Colin Newman (of Wire fame), released as a 7" and on his album A-Z (both on Beggars Banquet) in 1980.

  • Colin Newman: 'B' video @ YouTube
  • Colin Newman: 'B' 7" @ Discogs
  • Colin Newman: A-Z LP @ Discogs
  • Tuesday, May 26, 2009

    Matti Inkinen of SIG (1958 - 2009)


    SIG: 'Leijailen' (1985)


    SIG: 'Hyvää syntymäpäivää'


    SIG: 'Sadan vuoden yksinäisyys' (1984)

  • SIG: 'Vuosisadan rakkaustarina' (audio only)

    Matti Inkinen, the vocalist of Finnish electropop band SIG, was found drowned on Monday 25 May, after having disappeared from his home on 29 April 2009. Inkinen, 50, had been recovering from a brain surgery where a tumour was removed, and was allegedly suffering from depression. SIG was at the peak of its popularity in the early 1980s, known for such tunes as 'Tiina menee naimisiin' ("Tiina gets married"), 'Hyvää syntymäpäivää' ("Happy birthday"), 'Sadan vuoden yksinäisyys' ("One hundred years of solitude") and 'Vuosisadan rakkaustarina' ("The love story of the century").

    Links in Finnish:

  • SIG videos @ Yle Elävä Arkisto

  • Helsingin Sanomat
  • Ilta-Sanomat
  • YLE
  • Thursday, April 09, 2009

    Propaganda: A Secret Wish (1985)




    Propaganda: 'p:Machinery'


    Propaganda: 'Dr. Mabuse (Anton Corbijn)

    'Dr. Mabuse' (Version 2)


    Propaganda: 'Duel'


    Propaganda: 'Dream Within A Dream'

    Lately I've been re-listening to A Secret Wish by Propaganda, a German synthpop act, who released the album in 1985 on ZTT Records, the infamous UK "artpop" label of Frankie Goes To Hollywood, Art of Noise and Grace Jones fame.

    With the Cinemascope-size production by Stephen Lipson and Trevor Horn (THE producer guru of the era), the album is a perfect example of the 1980s megalomania as personified by ZTT (short for Zang Tumb Tumb, a name taken from Marinetti's Futurist poem): melodramatic, pseudo-arty, overproduced and quite enchanting.

    Friday, November 28, 2008

    Belaboris: 'Rakkauden jälkeen' (1985)


    Belaboris: 'Rakkauden jälkeen' (1985, off "Hittimittari" TV show)

    The haunting synthpop rendition by Belaboris of 'Rakkauden jälkeen' ("After love"), a song originally performed in 1968 by Finnish chanteuse Carola (1941 - 1997). The song is a Finnish translation of 'Was ich dir sagen will' by Udo Jürgens. Carola's original @ YouTube.

    From Minimal Wave:

    Belaboris was a Finnish all female group featuring Minna Soisalo on vocals, best known as the lead in Mika Kaurismäki's film Klaani ("The Clan - Tale of the Frogs"). The band moniker is taken from a combination of the names of the two famed horror film actors Bela Lugosi and Boris Karloff. Belaboris was produced by famed Finnish indie producer and punk journalist Miettinen and left behind only a couple of singles released between 1982-1984 featuring, among others, a cover version of the 60's Scandinavian pop hit 'Rakkauden jälkeen' and Serge Gainsbourg's 'Babypop'.

  • Belaboris @ FinnArctic
  • Belaboris @ Discogs

  • FinnScene - The Early Years: Synthpop @ pHinnWeb
  • Friday, October 03, 2008

    Sparks: The Number One Song In Heaven (1978)


    Sparks: 'The Number One Song In Heaven' (@ Top of the Pops) (1978)

  • Long version | And even more versions

    This one is for Cocó Cielo ("cielo" = "heaven").




    The Best of Sparks compilation has been in my heavy rotation lately, and I seemingly can't get enough of this duo of the Brothers Mael, who started in the age of glam-rock but later gloriously turned coat and paved the way (alongside Suicide) to the whole electronic duo format that proved popular from the 1980s onwards, with such diverse acts as Yello, Soft Cell, Pet Shop Boys, LFO, Orbital, Altern-8, Coil, Pan sonic... you name it.

    Actually this German collection covers only the years 1971 - 1984; their huge 1974 hit 'This Town Ain't Big Enough For Both of Us' is naturally included, but here the emphasis seems to be on their later electronic output (featuring some gems from Sparks' less known albums), including their excellent late 70s singles (such as 'Heaven...' above) they created together with legendary (oops, that word again, but I guess it can't be avoided here) Giorgio Moroder. Such albums as the wonderful Indiscreet (1975) are not covered here, nor is their latest output, so I think there's at least some potential for a more definitive "Best of" as a 2-CD (or a box set; with over 20 albums made in over 35 years, there's a lot to cover). Well, I guess I could rave on and on about them, but more perhaps later on...
  • Tuesday, July 22, 2008

    Neil Young: Trans (1982)



    The heroes of the late 70s/early 80s futu-pop: Kraftwerk, Ultravox, John Foxx, The Human League, Cabaret Voltaire, Gary Numan, Yellow Magic Orchestra, Soft Cell, Visage, Depeche Mode... and Neil Young? Yes, so it seemed when Young released in 1982 Trans, a synth and vocoder-laden (Moog 16-Channel MBVO Vocoder, to be exact) album featuring futuristic paeans to electronic age in general.

    This happened way before ZZ Top added synthetic sounds to their own boogie rock on albums like Afterburner (1985). Old Young fans more accustomed to his earthy singer-songwriter style were baffled, to say the least, the reviews were mixed and this remained Young's only foray into electronic pop. Young's interest to vocoder may have originated when he found out using this device it was easier for him to communicate with his son who had a cerebral palsy. Also hearing Kraftwerk's now-classic Computer World (1981) seems to have inspired Young to explore this sort of sound.

    Tracks such as 'Computer Cowboy' preceded the mid-80s cyberpunk craze: "Ride along computer cowboy / To the city just in time / To bring another system down / And leave your alias behind: Computer syscrusher". (I think some echoes of the part-utopian/part-dystopian songs of Trans can be found on the postrock band Trans Am's 1999 album Futureworld -- Young also has a track called 'Trans Am' on 1994's Sleeps With Angels.)

    Some commentators tell Neil Young later disowned this record, though a page at Human Highway dedicated to the album claims: "Contrary to most people's opinion, Neil Young says that this is the one of his best two albums. The other was Everybody's Rockin'". Anyway, something about the difficult reception to the album is revealed by the fact that Trans has never been re-released on CD in the US. Nevertheless, as an electronic curio diversion to its creator's usual output and representing the era of early home-computers and futuristic dreams still prevalent in pop those days, I find the album quite enjoyable: Neil Young, the original cyberpunk cowboy?

    Some fan-made videos of Trans songs at YouTube:

  • 'Computer Cowboy'
  • 'We R In Control'
  • 'Sample and Hold'
  • 'Computer Age'

    Links:

  • Trans @ Rolling Stone Reviews
  • Trans @ Shelf Life
  • Trans @ Line Out
  • 1983 reviews in Finnish by Markku Into and Pekka Koskivaara
  • Thursday, July 17, 2008

    Mad Lindell: 'Grandmaster Klaus' (1988)

    An addition to the 80s synthpop dept. of pHinnWeb... Tommi Lindell was one of Finnish electro pioneers with 'Grandmaster Klaus', a humorous electro-funk take on Klaus Järvinen, the über-critical musical educator member of TV's Levyraati (Finnish version of Jukebox Jury) in the 1980s, sampling the show's jazzy theme music to the comments of Mr. Järvinen on sundry musical performances seen at Levyraati. You can hear the track and see its video at YouTube.

    Mad Lindell: Grandmaster Klaus A
    Mad Lindell: Grandmaster Klaus B


    Mad Lindell
    Grandmaster Klaus (7")
    KRÄKS 138
    Kräk
    1988
    A. Grandmaster Klaus (3:32)
    B. Karjala (3:04)

    Written by Tommi Lindell.

    Links:

  • The official Tommi Lindell site
  • Tommi Lindell @ FinnArctic
  • Lindellandia @ YouTube
  • Tommi Lindell @ Discogs
  • Tommi Lindell interview @ Selvis 1/2001 (in Finnish)
  • Tommi Lindell @ Riffi 2/2002 (in Finnish)
  • Wednesday, March 05, 2008

    Finnish Futu-Pop & Goth-Rock Video Clips of the Early 80s




    Yle Elävä Arkisto has compiled some video clips of Finnish "futu" synthpop, goth-rock bands and clubs of the early 1980s, featuring such acts as Tyhjät Patterit ("Empty Batteries"; of which I've never heard before, I have to admit), Stressi, Jimi Sumén, Hefty Load, Musta Paraati and Helsinki's Bela Lugosi club:

    http://www.yle.fi/elavaarkisto/?s=s&g=4&ag=26&t=446

    More info @ pHinnWeb:

  • FinnScene: The Early Years - Synthpop
  • FinnScene: The Early Years
  • Friday, February 15, 2008

    Canada's Suction Records Cease Activities




    Toronto's Suction Records is one label I've been championing, with their sparkly neo-electro/synthpop sound. I conducted an interview for pHinnWeb on them in September 2003. The ceasing of their activities is marked by one final release, "Now We Are Dead" - Suction Records R.I.P. 12", featuring both Suction's mainmen, Lowfish (a.k.a. Gregory de Rocher) and Solvent (a.k.a. Jason Amm). Bye bye, Suction, and thanks for the memories. From Suction:


    N O W _ W E _ A R E _ D E A D

    Toronto-based electro artists Solvent and Lowfish have been closely linked since the beginning of their respective careers, due in large part to their co-owned Suction Records label, probably the first, and certainly the weirdest, electro/IDM label to come out of Canada. Both issued their first recordings (via a split Lowfish/Solvent 12" in 1997), and later, debut full-lengths on Suction Records.

    The label has remained inactive since 2003; "currently on indefinite hiatus," according to their website (suctionrecords.com). Well, that indefinite status has come to an end. NOW WE ARE DEAD. That's right, Suction Records is now officially done. But, just as they have continued to do since the label unofficially ceased operations in 2003, Solvent and Lowfish are forging ahead, with a slew of new and upcoming releases and activity.

    To mark the passing of Suction Records, Solvent and Lowfish embarked on a series of live shows, together with their friends from Detroit, DJ Team Dethlab. The "Now We Are Dead" tour, took place January 19 to February 2 2008, hitting Toronto, Chicago, Milwaukee, Detroit, Hamilton, and Cleveland.

    "Now We Are Dead" is also the name of a brand-new 4-track Solvent/Lowfish split 12", strictly limited to 400 copies with 2 exclusive tracks each. This will be the final Suction Records release and will be available to purchase directly from Suction Records.

    Please note: Suction Records' releases are currently unavailable to purchase anywhere besides directly from us, so please be sure to check out Suction Records' Buy Direct store if you want to purchase any of our releases: http://www.suctionrecords.com. The Suction Records website will remain open, and we will continue to sell Solvent & Lowfish related releases.

    S U C T I O N _ R E C O R D S

    We are Suction Records, from Canada. We have been releasing our unique brand of synthesizer pop for purists since 1997. We call it robot music.

    Suction Records was founded by like-minded robot music composers Lowfish (Gregory de Rocher) and Solvent (Jason Amm). Originally considered part of North America's first wave of intelligent dance music labels (as pioneered by UK labels Warp and Rephlex in the early 1990s), Suction Records has slowly but surely established itself as a strong, singular voice in the electronic music underground. Combining the best elements of vintage electropop and modern electronica, Suction Records has created a distinct musical and visual esthetic that is bold yet fuzzy, confrontational yet playful, robot yet human.

    Besides releasing the debut recordings by both Solvent and Lowfish, Suction Records has also put out releases by Skanfrom, GD Luxxe, and the Mitgang Audio. Other contributors to the label (comp tracks, remixes, etc) include: ADULT., Isan, David Kristian, Perspects, Lali Puna, D'Arcangelo, Pluxus, Orgue Electronique, and more.

    Underground electronica is currently witnessing a resurgence in '80s-influenced synthpop, but while Suction Records has clearly been at the forefront of synthpop's return to form, we are by no means a retro label. Acclaimed international DJ and Warp recording artist Andrew Weatherall concedes: "Suction, always a byword for quality, ransack the past and create a future that sets standards as far as electro's New Wave is concerned. In an Eighties overkill atmosphere these people are part of the elite commando division against which other units should be judged."


  • Suction Records @ MySpace
  • Wednesday, October 24, 2007

    Mauno Paajanen





    Mauno Paajanen
    Psyko - Kaikki levytykset 1977-1980 (2-CD)
    Rocket Records
    ROK-004
    24 Oct 2007

    1CD:
    Poste Restante (Titan 1978)
    01. Kasikympin lätkä
    02. Yamaha ja Havanna
    03. Siirry vähän James
    04. Kadun väärällä puolella
    05. He veivät lapset pois
    06. Kaikki kulkee niin hiljaa
    07. Poste restante
    08. Aito suomalainen ranskatar
    09. Patakuningatar
    10. Bonnie & Clyde
    11. Tyttö pieni (pelkäätkö mua?)
    12. Haavelintu

    2CD:
    Psyko (Silver Blue 1979)
    01. Omena
    02. Missä Liisa on?
    03. Mrs. Brook
    04. Yksin
    05. Kundi meikkaa
    06. Claudia Cardinale
    07. Billyn lähtö
    08. Nauruihminen
    09. Puuttuva rengas
    10. Alfa, Romeo
    11. Anne
    12. Vain tuskaako tein?
    13. Omena
    'Yläkerran psyko' 7" (JP-Musiikki 1980)
    14. Yläkerran psyko
    15. Hait tyttöjä syö
    Unreleased tracks (1980)
    16. Fahrenheit 451
    17. Sähköinen soturi
    18. Avoin ovi

    Mauno Paajanen (b. 1960), also known as Twiggy Oliver, is a Finnish artist known as the writer of the song 'Kundi meikkaa' ("A guy makes up") that was later famously covered by the synthpop act Organ (who will have their comeback gig at Avanto 2007 Festival). Now Tampere's Rocket Records has released a 30-track retrospective 2-CD of Paajanen, called Psyko - Kaikki levytykset 1977-1980, which includes in their entirety Paajanen's LPs Poste Restante (1978) and Psyko (1979), also the single 'Yläkerran Psyko' ("Upstairs psycho") and some previously unreleased tracks from 1979-80. Furthermore, Rocket Records is going to release the CD I Can't Sleep In Hell (ROK-005, late '07) of Paajanen/Twiggy Oliver's other project provocatively named The Voice of Mengele, who finished this debut LP of theirs in summer 1987, though the album was eventually shelved except for one promo single from it. Alongside Paajanen, the band's line-up featured among all Antti Reini, Jesu Hämäläinen, Måns Kullman, Ilkka Rantamäki, Frej Stenfors and Vesa Häkli. Also a Twiggy Oliver solo album is promised by Rocket Records for 2008.

    Finnish Wikipedia tells that Paajanen's recording career was started in 1976 when as a member of a band called Claudie three of their tracks were released on a various artists compilation Fireball. In 1977 Paajanen released his first solo single, '80 lätkä'/'Poste Restante', and his debut album Poste Restante was to follow on the Fonovox sublabel Titan in 1978. Paajanen's second album, the 1979 Psyko for Silver Blue label, gained a cult reputation, having 'Kundi meikkaa' as one of its tracks. 1980 saw the single 'Yläkerran psyko'/'Hait tyttöjä syö' ("Sharks eat girls") which received little attention, so it took years before Mauno Paajanen would record under his own name again. In 1986 Kaktus label released a compilation record Aito suomalainen ranskatar ("A genuine Finnish Frenchwoman") featuring tracks from his two albums and the 7" track 'Hait tyttöjä syö'. There were also some promo singles in 2003 and 2005, respectively called 'Musta kuu'("Black moon") and 'Sokea mies ruusun toi' ("A blind man brought a rose"). Paajanen has penned songs for such Finnish artists as Tulip, Maria Hänninen, Tarja Merivirta, Esa Saarinen (better known as a philosopher and celebrity), Frederik, Outi Popp and Tin Janine.

    Mauno Paajanen's other incarnation as Twiggy Oliver represented Finnish new wave/New Romantic synth pop of the early 80s, releasing on Q label the singles 'Play With Fire' ('81) and 'Pick Up Girls' ('82), and being featured on the 1983 compilation The Art of Breeding (tracklist at pHinnWeb Early Years: Synthpop).

    Update: I just purchased this 2-CD, and musically it's Suomirock-style guitar pop with some occasional electronic flavour (Moog synth) on Psyko; Poste Restante also features some well-known studio musicians and even occasional string arrangements. Paajanen's vocals and lyrical approach (with tragicomic, bittersweet and even morbid song subjects combining dark romance and everyday kitchen sink realism, often described with a certain charming naivistic style) make me think of such names as the late Gösta Sundqvist of Leevi and the Leevings, Kari Peitsamo (and Peitsamo's "son"/musical heir apparent, Risto) or even Kauko Röyhkä. David Bowie influences are apparent all the way through, though Paajanen clearly developed an original style, which came into fruition on Psyko. Perhaps Finnish audiences of the day weren't exactly ready for Paajanen's twisted vision, so here's hoping this release will find the artist vindicated.

    Listen:

  • Mauno Paajanen @ MySpace
  • 'Kundi meikkaa' & other Paajanen tracks @ Rocket Records MySpace site

    Links (in Finnish):

  • Mauno Paajanen thread @ Pop-lehti
  • The Voice of Mengele album info @ Rocket Records MySpace site
  • Mauno Paajanen @ YLE Äänilevystö
  • Mauno Paajanen @ Finnish Wikipedia
  • The Voice of Mengele @ Finnish Wikipedia

    Bonus Video:

    Bela Lugosi club @ YLE Elävä Arkisto
  • Wednesday, October 10, 2007

    Avanto Festival 2007



    Helsinki's Avanto Festival's schedule for this year has been published. Maybe one of the most interesting gigs there from pHinnWeb's point of view is the comeback of Organ, Finnish synthpop pioneers 25 years ago.

    Organ was born when Pekka Tolonen and Seppo Parkkinen's electronic duo Argon — which had already released one of the milestones of Finnish electronic music, Kone kertoo (1981) — was joined by prog-rock bass player Tapani Lahtinen, and Mikko Saarela, previously known as the witty lyricist of popular punk/new wave band Eppu Normaali. In addition to off-the-shelf synthesisers, an important part of their instrumentation was an analogue drum machine called "Zyrgo", built by Tolonen. The year 1982 saw the release of their only album Nekrofiilis (Poko), which is, in retrospect, perhaps the best representative of the short-lived "Futu"(as synthesiser pop was called in Finland at the time) craze. The songs heard on the album were rehearsed in the electronic music studio at the University of Helsinki. The album contains a paean to Regina Linnanheimo, one the most glamorous Finnish film stars from the 1940s; in other songs, Saarela's socially committed lyrics examine topics such as vivisection and aid to developing countries as well as anti-war themes. Parkkinen was also one of the lyricists of their album. Unfortunately, the career of Organ was cut short by the waning of the Futu boom. Representatives of later generations of electronic music have, however, found Organ's music again, and their comeback performance is likely to receive the attention it deserves.

    Organ @ Avanto/Äänen Lumo Club in Kuudes linja on Friday, 16 November from 9 pm to 4 am


    ---

    Avanto Festival 2007
    16-18 November 2007
    various venues, Helsinki

    INTERNATIONAL FREE CINEMA (@ Kiasma & Orion 16.–18.11.):

    MICHAEL SNOW (CA)
    PETER KUBELKA (AT)
    DOUGLAS GORDON (UK) & PHILIPPE PARRENO (FR)
    NÄRA ÖGAT (SE)
    STEKLIANNOE POLE (RU)
    ESKO LÖNNBERG / CIRCLE (FI)
    AVANTOSCOPE

    ÄÄNEN LUMO (@ Kuudes linja 16.11. 21-04):

    PAIN JERK (JP)
    TAPE (SE)
    ORGAN (FI)
    PETRI KULJUNTAUSTA (FI)
    ODJS HARRI & TG (FI)

    POTLACH (@ Gloria 17.11. 21-03):

    VOLCANO THE BEAR (UK)
    EDDIE PRÉVOST & ALAN WILKINSON (UK)
    AVARUS (FI)
    KUUPUU (FI)

    Friday, March 23, 2007

    Regina's New Album Out Now



    Finnish synthpop/indie act Regina has their new album Oi miten suuria voimia (translation: "Oh, how large powers", perhaps) out now. Regina's debut Katso maisemaa ("Look at the landscape", 2005) raised some interest in Finnish music media (also a bit abroad, in places like Japan) and also created a domestic fanbase for this act consisting of vocalist Iisa Pajula, keyboardist/producer Mikko Pykäri and drummer Mikko Rissanen, though Iisa's vocalisations also divided opinions among some people. In any case, it will be interesting to see if Regina's popularity will stand the test of that always "difficult second album".

    Artist: Regina
    Title: Oi Miten Suuria Voimia!
    Label: Next Big Thing
    Cat.No: NEXTCD006
    Format: CD/LP

    Country: Finland
    Released: 21 Mar 2007
    Genre: Electronic
    Style: Synth-pop

    Tracklisting:
    1 Paras Aika Vuodesta
    2 En Tiennyt Osaavani Tanssia
    3 Tässä Vaiheessa Kaikki On Jo Niin Vakavaa
    4 Naapurissa Puretaan Taloa
    5 Kuka On Tuo Mies?
    (featuring Tuomo Kuusi of Boys of Scandinavia)
    6 Päivä Järvellä
    7 Suuria Voimia!
    8 Vesisadetta, Vaihtelevaa Pilvisyyttä
    9 Soitan Sulle Sittenkin
    10 Tumma Tuokio

    Discogs entry

    Record release tour:

    Helsinki:
    21.03.07 /// Kuudes linja
    (tickets 7€; with DJ Halo, Dj Dallas)
    Turku:
    30.03.07 /// Thessalonik, Päiväkoti
    Tampere:
    31.03.07 /// Indie Lördag/Hang the Indie, Yo-Talo
    (tickets 6€, after the gig 3€; show 22.30; with DJs Sami & Antti H.)
    Helsinki:
    19.04.07 /// Polte-klubi, Vanha
    Helsinki:
    28.04.07 /// Korjaamo
    Oulu:
    05.05.07 /// B-eat-z, 45 Special
    Turku:
    19.05.07 /// Ladyfest


    Regina performing 'Katso maisemaa' @ Provinssirock 2006

    Links:

    Regina introduction @ Next Big Thing
    Regina: Official site
    Listen to Regina @ MySpace
    Regina: "Suuria voimia" blog
    Regina @ Discogs

    Sunday, January 14, 2007

    Yello: You Gotta Say Yes to Another Excess (1983)


    Yello: 'Lost Again' (1983)


    Yello: 'I Love You' (1983)

    I've now been listening to Yello's remastered 1983 album You Gotta Say Yes to Another Excess. Yello, the ingenious synthpop duo of Boris Blank (b. 1952) and Dieter Meier (b. 1945) (the third member, Carlos Peron, stayed with Yello until 1983) was in their 1980s heyday known for their extremely eclectic approach (being probably a bit too obvious, I shudder to use the term "postmodern" here...), combining to electronic sounds Latin rhythms and other yesteryear lounge music-type exotica (perhaps Angelo Badalamenti's jazzy moods for David Lynch's works would come close here), night club torch songs, film noir melodrama and offbeat humour with outlandish narratives, making Yello's music unlike any other synthpop act of the day's futurist/New Romantic wave; still sounding fresh today in comparison to many of their contemporaries. Yello originates from Switzerland, the country which also gave us Carl Gustav Jung, Hermann Hesse, LSD (which Albert Hoffman synthesized in Sandoz Laboratories in 1938), and H.R. Giger, the artist behind Alien designs and his hellish airbrush visions. Something odd in the water in the cuckoo-clock country...?

  • More Yello videos @ YouTube
  • Listen to Yello @ MySpace
  • Friday, October 13, 2006

    [MP3] Argon: Kone kertoo






    The legendary Finnish synthpop act Argon has provided its 1981 album Kone kertoo ("Machine tells") as free MP3s, which will follow after the message in Finnish from Argon's Pekka Tolonen.

    [fwd]

    From: pekka.tolonen [at] gmail.com
    Newsgroups: sfnet.harrastus.musiikki
    Subject: Kotimainen teknopioneeri Argon
    Date: 11 Oct 2006 10:13:07 -0700

    Kotimainen teknopioneeri Argon esittelyssä

    Organ-yhteen edeltäjä Argon paljastaa nyt arkistojen kätköistä vision tulevaisuuteen - vielä toteutumattomaan, jota kohden maailma on kuitenkin matkalla.

    Argonin musiikillinen visio esittäytyy nykypäivän kuuntelijalle japanilaisten eskapististen ja surrealististen manga-animaatioiden tapaan poikkitaiteellisella estetiikalla ja kielikuvilla, joiden tarinat sijoittuvat nopeasti etenevän mielikuvituksen ja tietokoneanimaation visionaariseen piirrettyyn maailmaan.

    Vastakohtana kotimaisen futurismi-genren pioneeriin Organiin, jonka biitin määräsi Eppu Normaali/Mikko Saarelan pallien heilunta syvän dung-dung-dung -bassorummun ja syntikkabiitin tahdissa futurismin "kundi meikkaa"- ja "mässäävien kärpästoukkien" aspekteihin painottuvien sanoitusten kanssa, Argonin fokusointi oli sitä vastoin futurismin globaaleissa suuntaviivoissa ja toimi kirkasotsaisella nörttiakselilla, jossa elämän pääsisältö koostui low-resolution -tietokonepelien ruuduista ja teknologian suomien uusien mahdollisuuksien innoituksesta.

    Juottimen ja tinan kärventyminen Zyrgo-rumpukoneen logiikkapiirien suunnittelussa, joka muodosti pohjan tulevalle Organ-yhtyeelle, oli myös pääfokuksena Argonin tuotannossa.

    Futuristisen Argon-vision myötävaikuttajana toimi Pekka Tolosen ja Seppo Parkkisen - Kulosaaren eliittikoulun ensimmäinen nörttisukupolvi - ohella englantilainen tuottaja Richard Stanley, joka oli aiemmin työskennellyt Beatlesien, Santanan, Whon sekä kotimaisen Hurriganes-yhteen kanssa.

    80-luvun alussa julkaistua Argon/Kone kertoo -albumia myytiin 200 kappaletta, ja se on keräilyharvinaisuus. Kuriositeettina mainittakoon, että albumi teilattiin aikakauden kriitikoiden toimesta "käsittämättöminä lastenlauluina".

    Haluamme nyt kuitenkin Sir Seppo Parkkisen kanssa julkituoda Argonin teknologia-pohjaista lähestymistapaa aikakauden teknologian ylittävien sekvenssointiratkaisujen hyödyntämisessä elektronisen pop-musiikin luonnissa, ja mitä kohteliaimmin julkistaa Argon-visiomme kappaleet vapaaseen jakeluun (levitä vapaasti linkkejä).

    Poissuljemme levityksestä albumille sisältyvän maailman ensimmäisen LP-levylle sisällytetyn tietokoneohjelman sen sisältämien henkilökohtaisten nörttirakkausviestien mp3-pakkauksesta aiheutuvien enkoodaus/dekoodaus-virheiden johdosta.

    Ystävällisesti teidän,
    Pekka Tolonen & Seppo Parkkinen
    Argon/Organ

    ---
    And it tells a story .. not yet realized .. but it will ..

    San Salvador

    it's getting a really messed-up place here on the earth... wars all over

    Zombie

    and we are really all walking like zombies.. no feelings ... no friends ... no future .. no pain .. no pleasure ... no fun ... just going on ...

    Kone kertoo ("Machine tells")

    happily we have the computers that stimulate us.. that work ... or not ... error ...

    Taksi ("Taxi")

    it starts happening ... the leaders have been informed ... time is getting short ...

    Hong Kong

    early signs in asia, where it all originates ... and some temporary fun, too ...

    Täysikuun aikaan ("In the time of full moon")

    moon madness becomes epidemic ... for no apparent reason acts of madness start to rule earth ...

    Kummajaislaulu ("Weirdo song")

    then the children change weird to their parents ... voice inside starts talks to them ... but the life still goes on ... at the daytime ...

    Videotwist

    and the kids have great fun with the video games! ... they extend us ... we are global ...

    Venuksesta itään ("East from Venus")

    meanwhile the space technology takes huge steps forward ... satellite colonies emerge on Mars and Venus ... missing the Earth ...

    Kesä 84 ("Summer '84")

    the play is over ... seas start freezing ... sky fades on dark clouds ... endless snow and ice-age ... with few survivors ... and lost hearts ... loneliness ... migration begins ...

    Aurinkolaulu ("The Sun song")

    memories of the past forgotten, dismissed forever ... how we could have made it different ...

    Takapihan kautta ("Through the backyard")

    but that was not the end ... after a centuries' decay it all returns back to 18th century .. and the life goes on ... until the next interrupt from the colonies ...

    Tuesday, January 31, 2006

    Tron vs. Depeche Mode



    The 1982 film Tron -- which was a pioneering work in using computer graphics extensively in mainstream cinema (and with Wendy Carlos' musical score too) -- is these days considered a proto-cyberpunk classic. Here is a mash-up video of Tron and Depeche Mode's 'Suffer Well'.

    +

    an unrelated bonus via Juri's blog: see this hilarious clip from Japanese (what the heck?) Spiderman TV series.

    Monday, August 29, 2005

    Heaven 17: 'Come Live With Me'


    I was thirty-seven
    You were seventeen
    You were half my age
    The youth I’d never seen
    Unlikely people meeting in a dream
    Heaven only knows the way it should have been

    Here today my tomorrow
    Where you lead I will follow
    All that kissing
    No passion missing
    Come live with me
    Kiss the boys goodbye

    Dinner parties followed
    And all my age implies
    My friends began to talk
    I began to realise
    If half the things they say
    Are quarter true of me
    Then how can I eclipse the youth
    You gave to set me free

    There was something in your smile
    That was hard to reconcile
    The time had come to testify to reason
    Though years will not erase
    Remembrance of those days
    At least there’s no submission to heart's treason

    Here today my tomorrow
    No more shame only sorrow
    All that kissing
    There’s something missing
    Come live with me
    Kiss the boys goodbye

    Now there’s nothing left to cry for
    And there’s nowhere left to go
    Just another hopeless fight
    But how were we to know
    The strong are sometimes wrong
    But the weak are never free
    The choice we made we can't evade
    Don’t try to follow me

    Here today my tomorrow
    No more pain only sorrow
    All that kissing
    There’s something missing
    Come live with me
    Kiss the boys goodbye
    Come live with me
    Kiss the boys goodbye

    -Heaven 17