It's Beginning to Look a Lot Like Christmas

By Meredith Wilson
1951

A warm and fuzzy holiday classic from the idyllic '50s, this tune was introduced by Perry Como, joined by the Fontane Sisters and the Mitchell Ayres Orchestra. It's original title was "It's Beginning to Look Like Christmas". Legend has it that writer Wilson was inspired to write the song by a stay at the Grand Hotel in Yarmouth, Novia Scotia. The Johnny Mathis version became very popular in more recent years thanks to its inclusion in the 1992 movie Home Alone 2. Today it remains one of the most ubiquitous modern-day secular carols.

Lyrics:

It's beginning to look a lot like Christmas
Ev'rywhere you go;
Take a look in the five and ten glistening once again
With candy canes and silver lanes aglow.

It's beginning to look a lot like Christmas
Toys in ev'ry store
But the prettiest sight to see is the holly that will be
On your own front door.

A pair of hopalong boots and a pistol that shoots
Is the wish of Barney and Ben;
Dolls that will talk and will go for a walk
Is the hope of Janice and Jen;
And Mom and Dad can hardly wait for school to start again.

It's beginning to look a lot like Christmas
Ev'rywhere you go;
There's a tree in the Grand Hotel, one in the park as well,
The sturdy kind that doesn't mind the snow.

It's beginning to look a lot like Christmas;
Soon the bells will start,
And the thing that will make them ring is the carol that you sing
Right within your heart.

Recorded By:

Alvin & The Chipmunks
Michael Buble
Johnny Mathis
Bing Crosby
Perry Como

Unforgettable

By Irving Gordon
1951

Perhaps one of the most enduring of all standards, still commonly known today by people of all ages, mainly thanks to the recording by Nat King Cole. It was Cole who introduced the song in 1951, re-recorded it in stereo ten years later, and with whom it has always been identified. His version was famously edited in 1991 into a posthumous "duet" with his daughter Natalie, which won the Grammy for Best Recording. Sadly, that version also amended the fine Nelson Riddle arrangement to including a cheesy sax solo in place of Riddle's trademark shimmering strings.

Lyrics:

Unforgettable
That's what you are,
Unforgettable
Tho' near or far.

Like a song of love that clings to me,
How the thought of you does things to me.
Never before
Has someone been more...

Unforgettable
In every way,
And forever more
That's how you'll stay.

That's why, darling, it's incredible
That someone so unforgettable
Thinks that I am
Unforgettable, too.

Recorded By:

Dick Hyman
Dinah Washington
Sammy Davis Jr.
Marvin Gaye
Lou Rawls

In the Cool, Cool, Cool of the Evening

By Hoagy Carmichael & Johnny Mercer
1951

The formidable duo of Carmichael and Mercer teamed up to create this irresisibly jaunty tune--which won the Academy Award--for the film Here Comes the Groom. It was introduced in the movie by the two stars, the incomparable Bing Crosby and then-Mrs. Ronald Reagan, Jane Wyman. A fine merger of a Carmichael melody and Mercer lyric.

Lyrics:

In the cool, cool, cool of the evening
Tell 'em I'll be there
In the cool, cool, cool of the evening
Save your pappy a chair
When the party's getting a glow on
And singin' fills the air
In the shank of the night
When the doin's are right
Well you can tell em I'll be there

I like a barbecue
I like to boil a ham
And I vote for bola baste stew
What's that?
I like a weenie bake, steak and a layer cake
And you'll get a tummy ache too
We'll rent a tent or a teepee
Let the town crier cry
"All's well!"
And if it's RSVP
This is what I'll reply

In the cool, cool, cool of the evening
Tell 'em we'll be there
If you need a pair of freeloaders
To fracture your affair
I may even give them Pagliacci
Now stand back and give him air
If one can relax and we'll have a few yaks
And you can tell them we'll be there

"Oui," said the bumblebee
"Let's have jubilee."
"When?" said the prairie hen, "Soon?"
"Sure," said the dinosaur
"Where?" said the grisly bear
"Under the light of the moon."
"How about your brother, jackass?"
Everyone gaily cried
"Are you coming to the fracas?"
Ain't gonna blow it
"And all the respects," he sighed

In the cool, cool, cool of the evening
Tell 'em I'll be there
In the cool, cool, cool of the evening
Stick 'em on my hair
If perchance we look a bit peeked
Remember se la guerre
If we're still on our feet
And there's something to eat
Well you can tell them we'll be there

In the cool, cool, cool of the evening
Tell 'em I'll be there
In the cool, cool, cool of the evening
Better save a chair
When the party's getting a glow on
And singin' fills the air
If there's gas in my hack
and my laundry is back
If there's room for one more
And you need me
Why sure
If you need a new face or a tenor or base
If I can climb out of bed and put a head on my head
Well you can tell 'em we'll be there.

Recorded By:

Frank Sinatra
Bette Midler
Dean Martin
Frankie Laine & Jo Stafford
Ray Conniff

Hello, Young Lovers

By Richard Rodgers & Oscar Hammerstein II
1951

A somewhat mournful, bittersweet tune written for the Rodgers & Hammerstein smash hit The King and I, in which it was sung by the character of Anna (played by Deborah Kerr but voiced by Marni Nixon.) Anna sings to the King of Siam's wives about her late husband, using some of Oscar Hammerstein's finest lyrics. One of the film's most successful songs, and an instant standard.

Lyrics:

When I think of Tom.
I think of a night,
When the earth smelled of summer
And the sky was streaked with white,
The soft mist of England
Was sleeping on a hill.

I remember this,
And I always will...
There are new lovers now
On the same silent hill,
Looking on the same blue sea.
And I know Tom and I are a part of them all --
And they're all a part of Tom an me.

Hello young lovers, whoever you are,
I hope your troubles are few.
All my good wishes go with you tonight,
I've been in love like you.

Be brave, young lovers, and follow your star,
Be brave and faithful and true,
Cling very close to each other tonight.
I've been in love like you.

I know how it feels to have wings on your heels,
And to fly down the street in a trance.
You fly down a street on the chance that you meet,
And you meet -- not really by chance.

Don't cry young lovers, whatever you do,
Don't cry because I'm alone;
All of my memories are happy tonight,
I've had a love of my own.
I've had a love of my own, like yours-
I've had a love of my own.

Recorded By:

Perry Como
Bobby Darrin
Frank Sinatra
Guy Lombardo
Marvin Gaye

I'm a Fool to Want You

By Joel Herron, Frank Sinatra & Jack Wolf
1951

Another of the most personal of all standards. Sinatra co-wrote this song--one of a handful he ever penned himself--in the midst of his tempestuous relationship with gorgeous movie star Ava Gardner. Sinatra left his first wife for Ava, and married her shortly after recording this tremulous ode to self-loathing. Reportedly, he recorded it in a single take, then nearly broke down and walked out of the studio.

Lyrics:

I'm a fool to want you.
I'm a fool to want you.
To want a love that can't be true,
A love that's there for others too.

I'm a fool to hold you.
Such a fool to hold you.
To seek a kiss not mine alone,
To share a kiss that Devil has known.

Time and time again I said I'd leave you.
Time and time again I went away.
But then would come the time when I would need you,
And once again these words I had to say.

Take me back, I love you.
Pity me, I need you.
I know it's wrong, it must be wrong,
But right or wrong I can't get along
Without you.

Recorded By:

Billie Holiday
Dexter Gordon
Tierney Sutton
Chet Baker
Oscar Peterson

We Kiss in a Shadow

By Richard Rodgers & Oscar Hammerstein II
1951

Written for the characters of Tuptim and Lun Tha in the classic Broadway musical The King and I, in which these two lovers profess their feelings despite the King's potential disapproval. The melody is an interesting blend of Western and Eastern flavors. It was introduced on stage by Doretta Morrow and Larry Douglas.

Lyrics:

We kiss in a shadow,
We hide from the moon.
Our meetings are few,
And over too soon.

We speak in a whisper,
Afraid to be heard;
When people are near,
We speak not a word.

Alone in our secret,
Together we sigh,
For one smiling day to be free.

To kiss in the sunlight,
And say to the sky:
"Behold and believe what you see!
"Behold how my lover loves me!"

Recorded By:

June Christy
Perry Como
Vic Damone
Doris Day
Sonny Rollins

Cry

By Churchill Kohlman
1951

Early '50s crooner Johnnie Ray introduced this song with what would remain its biggest hit recording. It would later become rather popular with country recording artists, although it was also among Ray Charles' more notable hits.

Lyrics:

If your sweetheart sends a letter of goodbye,
It’s no secret you’ll feel better if you cry.
When waking from a bad dream,
Don’t you sometimes think it’s real?
But it’s only false emotions that you feel.

If your heartaches seem to hang around too long,
And your blues keep getting bluer with each song,
Remember, sunshine can be found behind a cloudy sky,
So let your hair down, and go on and cry.

Recorded By:

Roy Orbison
Crystal Gayle
Vera Lynn
Jerry Lee Lewis
Tammy Wynette

Half as Much

By Curley Williams
1951

A classic example of a country song that became a pop standard, this one was introduced by Hank Williams in 1952, nearly topping the country charts that year. It immediately crossed over, however, thanks to a number-one hit recording the same year by Rosemary Clooney. Since then, much like another Williams' hit, "Cold, Cold Heart", it has become firmly a part of the American songbook.

Lyrics:

If you love me half as much as I love you,
You wouldn't worry me half as much as you do.
You're nice to me when there's no one else around.
You only build me up to let me down.

If you missed me half as much as I miss you,
You wouldn't stay away half as much as you do.
I know that I would never feel so blue,
If you only loved me half as much as I love you.

Recorded By:

Van Morrison
Patsy Cline
Ray Charles
Petula Clark
Peggy Lee