By Irving Berlin
1930
We wrap up the week-long celebration of Irving Berlin's 125th birthday with this bonus post about a song he composed for a movie musical of the same name. At the time, musicals were temporarily out of favor, and most of Berlin's songs for the film were actually cut. This song, in fact, wound up only being used as background music, which is a shame. Ironically, it would become one of the biggest hits of the year, and was recorded by artists at every major record label.
Watch the film in its entirety below!
Lyrics:
The moon and you appear to be
So near and yet so far from me
And here am I on a night in june
Reaching for the moon and you.
I wonder if we'll ever meet
My song of love is incomplete
I'm just the words, looking for the tune
Reaching for the moon and you.
Recorded By:
Frank Sinatra
Ella Fitzgerald
Lizz Wright & Regina Carter
Holly Cole
Ruth Etting
"More addictive than a goddam video game" - Balloon Juice
"One of my very favorite music blogs ever..." - Singer/Songwriter Emma Wallace
"Fascinating... really GREAT!!! You'll learn things about those tunes we all LOVE to play and blow on... SOD is required reading for my advanced students. It's fun, too!" - Nick Mondello of AllAboutJazz.com
"I never let a day go by without checking it." - Bob Madison of Dinoship.com
"I had dinner the other night with some former WNEW staff members who spoke very highly of your work." - Joe Fay
"One of my very favorite music blogs ever..." - Singer/Songwriter Emma Wallace
"Fascinating... really GREAT!!! You'll learn things about those tunes we all LOVE to play and blow on... SOD is required reading for my advanced students. It's fun, too!" - Nick Mondello of AllAboutJazz.com
"I never let a day go by without checking it." - Bob Madison of Dinoship.com
"I had dinner the other night with some former WNEW staff members who spoke very highly of your work." - Joe Fay
Showing posts with label Berlin's 125th. Show all posts
Showing posts with label Berlin's 125th. Show all posts
Sunday, September 30, 2012
Friday, September 28, 2012
Oh! How I Hate to Get Up in the Morning
1918
Perhaps the song most associated with Berlin as a performer. He composed this strictly for his own amusement, after being drafted into the Army near the end of World War I. The song was so popular with the men, however, that his commanding officer used it for fundraising purposes, and before the end of the year, it appeared in the Zeigfeld Follies. Berlin himself performed it during the next World War, in the 1943 film This Is the Army.
Lyrics:
Oh! How I Hate To Get Up In The Morning,
Oh! How I'd love to remain in bed
For the hardest blow of all is to hear the bugler call:
'You've got to get up, you've got to get up,
You've got to get up this morning!'
Someday I'm going to murder the bugler
Someday they're going to find him dead
I'll amputate his reveille and stomp upon it heavily
And spend the rest of my life in bed!
A bugler in the army is the luckiest of men
He wakes the boys at five and then goes back to bed again
He doesn't have to blow again until the afternoon
If ev'rything goes well with me I'll be a bugler soon!
Oh! How I Hate To Get Up In The Morning,
Oh! How I'd love to remain in bed
For the hardest blow of all is to hear the bugler call:
'You've got to get up, you've got to get up,
You've got to get up this morning!'
Oh, boy! The minute the battle is over
Oh, boy! The minute the foe is dead
I'll put my uniform away and move to Philadelphia
And spend the rest of my life in bed!
Recorded By:
Arthur Fields
Alice Faye & Ethel Merman
Dick Robertson
Irving Berlin
Jessica Molaskey
Thursday, September 27, 2012
Let's Face the Music and Dance
By Irving Berlin
1936
Berlin had a long-standing relationship with Fred Astaire, and wrote many of his songs specifically for him. In Follow the Fleet, Astaire introduced this Berlin classic, along with others such as "I'm Putting All My Eggs in One Basket". A very sophisticated number for the often more populist Berlin, this one has really stood the test of time. It's been a favorite of cabaret singers for decades, and the Astaire version was even used in the film Pennies from Heaven, in which it was lip-synched by Steve Martin.
Lyrics:
There may be trouble ahead
But while there's moonlight and music
And love and romance
Let's face the music and dance
Before the fiddlers have fled
Before they ask us to pay the bill
And while we still
Have the chance
Let's face the music and dance
Soon
We'll be without the moon
Humming a diff'rent tune
And then
There may be teardrops to shed
So while there's moonlight and music
And love and romance
Let's face the music and dance
Dance
Let's face the music and dance!
Recorded By:
Mel Torme
Frank Sinatra
Diana Krall
Doris Day
Nat King Cole
1936
Berlin had a long-standing relationship with Fred Astaire, and wrote many of his songs specifically for him. In Follow the Fleet, Astaire introduced this Berlin classic, along with others such as "I'm Putting All My Eggs in One Basket". A very sophisticated number for the often more populist Berlin, this one has really stood the test of time. It's been a favorite of cabaret singers for decades, and the Astaire version was even used in the film Pennies from Heaven, in which it was lip-synched by Steve Martin.
Lyrics:
There may be trouble ahead
But while there's moonlight and music
And love and romance
Let's face the music and dance
Before the fiddlers have fled
Before they ask us to pay the bill
And while we still
Have the chance
Let's face the music and dance
Soon
We'll be without the moon
Humming a diff'rent tune
And then
There may be teardrops to shed
So while there's moonlight and music
And love and romance
Let's face the music and dance
Dance
Let's face the music and dance!
Recorded By:
Mel Torme
Frank Sinatra
Diana Krall
Doris Day
Nat King Cole
Wednesday, September 26, 2012
How Deep Is the Ocean?
1932
One of the rare Berlin tunes to debut on the radio and not on stage, this song was written at a particularly low point in the composer's personal and professional life, which may account for the bittersweet, melancholy yet hesitantly hopeful melody and lyric. It was introduced by the Paul Whiteman orchestra. I hope you enjoy it today, as our celebration of Berlin's 125th birthday continues...
Lyrics:
How can I tell you what is in my heart?
How can I measure each and every part?
How can I tell you how much I love you?
How can I measure just how much I do?
How much do I love you?
I'll tell you no lie
How deep is the ocean?
How high is the sky?
How many times a day do I think of you?
How many roses are sprinkled with dew?
How far would I travel
To be where you are?
How far is the journey
From here to a star?
And if I ever lost you
How much would I cry?
How deep is the ocean?
How high is the sky?
Recorded By:
Frank Sinatra
Aretha Franklin
Ella Fitzgerald
Dexter Gordon
Eric Clapton
Tuesday, September 25, 2012
Anything You Can Do
1946
We continue the week-long 125th birthday celebration of Berlin with one of his most enduring hits, a classic number from Annie Get Your Gun (one of many!) Written as an ornery duet between Ethel Merman and Ray Middleton, it has lived on in countless versions over the years, ranging from Barbara Walters and Howard Cosell on SNL to Merman and Miss Piggy on The Muppet Show. Even rapper J. Cole used the famous opening verse in a recent recording. A truly transcendent example of the power of Berlin as a composer. Not just a duet, this is the duet.
Lyrics:
Anything you can do,
I can do better.
I can do anything
Better than you.
No, you can't.
Yes, I can. No, you can't.
Yes, I can. No, you can't.
Yes, I can,
Yes, I can!
Anything you can be
I can be greater.
Sooner or later,
I'm greater than you.
No, you're not. Yes, I am.
No, you're not. Yes, I am.
No, you're NOT!. Yes, I am.
Yes, I am!
I can shoot a partridge
With a single cartridge.
I can get a sparrow
With a bow and arrow.
I can live on bread and cheese.
And only on that?
Yes.
So can a rat!
Any note you can reach
I can go higher.
I can sing anything
Higher than you.
No, you can't. (High)
Yes, I can. (Higher) No, you can't. (Higher)
Yes, I can. (Higher) No, you can't. (Higher)
Yes, I can. (Higher) No, you can't. (Higher)
Yes, I can. (Higher) No, you can't. (Higher)
Yes, I CAN! (Highest)
Anything you can buy
I can buy cheaper.
I can buy anything
Cheaper than you.
Fifty cents?
Forty cents! Thirty cents?
Twenty cents! No, you can't!
Yes, I can,
Yes, I can!
Anything you can say
I can say softer.
I can say anything
Softer than you.
No, you can't. (Softly)
Yes, I can. (Softer) No, you can't. (Softer)
Yes, I can. (Softer) No, you can't. (Softer)
Yes, I can. (Softer)
YES, I CAN! (Full volume)
I can drink my liquor
Faster than a flicker.
I can drink it quicker
And get even sicker!
I can open any safe.
Without bein' caught?
Sure.
That's what I thought--
you crook!
Any note you can hold
I can hold longer.
I can hold any note
Longer than you.
No, you can't.
Yes, I can No, you can't.
Yes, I can No, you can't.
Yes, I can
Yes, I-I-I-I-I-I-I-I-I No, you C-A-A-A-A-A-A-A-A-A-A-A-A-N'T--
CA-A-A-A-N! (Cough, cough!)
Yes, you ca-a-a-an!
Anything you can wear
I can wear better.
In what you wear
I'd look better than you.
In my coat?
In your vest! In my shoes?
In your hat! No, you can't!
Yes, I can
Yes, I CAN!
Anything you say
I can say faster.
I can say anything
Faster than you.
No, you can't. (Fast)
Yes, I can. (Faster) No, you can't. (Faster)
Yes, I can. (Faster) Noyoucan't. (Faster)
YesIcan! (Fastest)
I can jump a hurdle.
I can wear a girdle.
I can knit a sweater.
I can fill it better!
I can do most anything!
Can you bake a pie? No.
Neither can I.
Anything you can sing
I can sing sweeter.
I can sing anything
Sweeter than you.
No, you can't. (Sweetly)
Yes, I can. (Sweeter) No, you can't. (Sweeter)
Yes, I can. (Sweeter) No, you can't. (Sweeter)
Yes, I can. (Sweeter) No, you can't, can't, can't (sweeter)
Yes, I can, can, can (Sugary)
Yes, I can! No, you can't!
Recorded By:
Doris Day & Robert Goulet
Bing Crosby & Rosemary Clooney
Bernadette Peters & Tom Wopat
Mary Martin & John Raitt
Judy Garland & Howard Keel
Monday, September 24, 2012
After You Get What You Want, You Don't Want It
1920
Yesterday marked the 125th anniversary of the birth of Irving Berlin, and we're celebrating all week with spotlights on some of Berlin's most cherished tunes. This early smash hit for the Jewish-American songwriter was introduced by the popular vocal duo of Van & Schenck, whose recording spent six weeks at the number-two position on the charts. Just yesterday, on Berlin's 125th birthday, I picked up this record in an antique shop in its original 78 format, and it was a pleasure to listen to it at home in all its glory. You might also recognize this song from its use in the season 2 opener of HBO's Boardwalk Empire.
Lyrics:
Listen to me, honey dear
Something's wrong with you I fear
It's getting harder to please you
Harder and harder each year
I don't want to make you blue
But you need a talking to
Like a lot of people I know
Here's what's wrong with you...
After you get what you want, you don't want it
If I gave you the moon, you'd grow tired of it soon.
You're like a baby
You want what you want when you want it
But after you are presented
With what you want, you're discontented
You're always wishing and wanting for something
When you get what you want
You don't want what you get
And tho' I sit upon your knee
You'll grow tired of me
'Cause after you get what you want
You don't want what you wanted at all!
Recorded By:
Nat King Cole
Marilyn Monroe
Red Nichols
Van & Schenck
Joyce Breach
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