| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 |
|
По разделу |
749131 | 2086 |
72 |
176 |
180 |
151 |
133 |
194 |
170 |
220 |
201 |
206 |
196 |
187 |
0 |
5 |
5 |
6 |
4 |
4 |
8 |
5 |
3 |
8 |
5 |
8 |
5 |
6 |
5 |
6 |
7 |
5 |
8 |
4 |
3 |
5 |
7 |
8 |
6 |
4 |
6 |
6 |
4 |
7 |
5 |
5 |
4 |
5 |
4 |
4 |
5 |
5 |
6 |
6 |
6 |
7 |
7 |
11 |
5 |
5 |
5 |
4 |
3 |
6 |
8 |
5 |
8 |
7 |
11 |
5 |
6 |
5 |
7 |
6 |
7 |
4 |
|
Поэтика абсурда в аспекте литературно-художественной методологии |
29731 | 1287 |
60 |
122 |
114 |
66 |
93 |
113 |
130 |
134 |
107 |
138 |
116 |
94 |
0 |
5 |
3 |
6 |
3 |
3 |
8 |
2 |
0 |
8 |
5 |
8 |
3 |
6 |
2 |
3 |
6 |
2 |
7 |
4 |
2 |
4 |
6 |
8 |
4 |
4 |
4 |
2 |
4 |
7 |
4 |
2 |
4 |
4 |
3 |
2 |
2 |
5 |
3 |
6 |
4 |
5 |
5 |
4 |
0 |
5 |
5 |
2 |
1 |
6 |
8 |
4 |
8 |
7 |
11 |
4 |
6 |
3 |
7 |
1 |
3 |
3 |
|
Почему умирает Акакий Акакиевич в повести "Шинель" Гоголя |
3073 | 1198 |
24 |
70 |
54 |
57 |
60 |
86 |
104 |
127 |
147 |
174 |
137 |
158 |
0 |
3 |
2 |
0 |
3 |
3 |
1 |
2 |
1 |
3 |
0 |
4 |
2 |
0 |
2 |
1 |
6 |
3 |
5 |
2 |
2 |
2 |
5 |
1 |
4 |
0 |
4 |
0 |
3 |
1 |
2 |
2 |
0 |
3 |
0 |
2 |
1 |
2 |
0 |
1 |
5 |
1 |
4 |
3 |
3 |
0 |
1 |
4 |
1 |
2 |
4 |
1 |
3 |
0 |
1 |
2 |
2 |
2 |
3 |
3 |
4 |
1 |
|
Поэтика абсурда. Часть 1 |
3173 | 700 |
36 |
92 |
60 |
58 |
59 |
77 |
62 |
80 |
55 |
40 |
46 |
35 |
0 |
2 |
2 |
4 |
1 |
4 |
1 |
5 |
1 |
2 |
0 |
6 |
3 |
5 |
3 |
3 |
5 |
1 |
6 |
2 |
2 |
2 |
2 |
4 |
4 |
4 |
0 |
6 |
3 |
1 |
5 |
2 |
1 |
5 |
4 |
2 |
2 |
0 |
6 |
0 |
3 |
2 |
4 |
3 |
5 |
1 |
0 |
4 |
0 |
1 |
2 |
4 |
2 |
5 |
2 |
5 |
5 |
2 |
4 |
0 |
1 |
3 |
|
Метод приведения к абсурду в школьной классике |
1960 | 642 |
26 |
64 |
52 |
51 |
46 |
79 |
57 |
57 |
60 |
37 |
71 |
42 |
0 |
2 |
5 |
4 |
1 |
1 |
1 |
3 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
2 |
4 |
2 |
3 |
4 |
0 |
3 |
4 |
1 |
2 |
1 |
3 |
1 |
1 |
2 |
1 |
2 |
3 |
2 |
1 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
7 |
5 |
1 |
3 |
2 |
3 |
1 |
1 |
3 |
1 |
2 |
3 |
2 |
3 |
3 |
5 |
0 |
0 |
1 |
1 |
|
Гипербола и Гиперборея Маяковского |
1138 | 563 |
31 |
71 |
47 |
42 |
43 |
47 |
53 |
51 |
37 |
43 |
61 |
37 |
0 |
3 |
1 |
4 |
3 |
3 |
2 |
3 |
2 |
2 |
0 |
3 |
4 |
1 |
1 |
6 |
4 |
4 |
1 |
1 |
3 |
1 |
7 |
2 |
5 |
1 |
5 |
0 |
1 |
2 |
1 |
3 |
0 |
1 |
3 |
0 |
0 |
4 |
1 |
2 |
1 |
3 |
3 |
5 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
4 |
0 |
4 |
1 |
2 |
2 |
3 |
0 |
1 |
|
Мертвые души: хозяйственная бесхозяйственность |
2254 | 546 |
31 |
63 |
42 |
45 |
48 |
40 |
53 |
63 |
43 |
41 |
45 |
32 |
0 |
0 |
2 |
2 |
2 |
2 |
2 |
1 |
0 |
5 |
3 |
4 |
4 |
4 |
3 |
4 |
6 |
0 |
3 |
2 |
2 |
4 |
4 |
1 |
0 |
3 |
2 |
4 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
2 |
2 |
3 |
0 |
2 |
3 |
4 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
2 |
1 |
1 |
5 |
3 |
1 |
1 |
2 |
|
В чем философский смысл фильма "Остров проклятых" |
1162 | 542 |
9 |
42 |
34 |
44 |
52 |
71 |
51 |
55 |
62 |
49 |
44 |
29 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
6 |
1 |
2 |
3 |
0 |
0 |
5 |
1 |
2 |
1 |
4 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
1 |
0 |
2 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
3 |
3 |
1 |
0 |
|
Внутренний монолог |
1098 | 524 |
27 |
67 |
48 |
47 |
38 |
47 |
43 |
53 |
31 |
40 |
53 |
30 |
0 |
0 |
3 |
4 |
0 |
1 |
4 |
0 |
2 |
2 |
3 |
1 |
4 |
3 |
0 |
1 |
5 |
1 |
6 |
3 |
2 |
2 |
4 |
2 |
3 |
0 |
3 |
1 |
2 |
2 |
0 |
3 |
0 |
4 |
2 |
2 |
1 |
4 |
2 |
2 |
1 |
0 |
4 |
2 |
3 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
4 |
1 |
2 |
1 |
1 |
4 |
1 |
3 |
0 |
2 |
|
Автобиографизм и автопсихологизм |
844 | 452 |
25 |
58 |
36 |
45 |
36 |
44 |
44 |
44 |
30 |
30 |
30 |
30 |
0 |
2 |
3 |
3 |
1 |
3 |
1 |
2 |
0 |
3 |
1 |
2 |
4 |
0 |
3 |
0 |
4 |
2 |
4 |
4 |
0 |
2 |
4 |
1 |
4 |
0 |
2 |
0 |
2 |
0 |
3 |
0 |
3 |
3 |
0 |
3 |
0 |
1 |
1 |
0 |
3 |
2 |
1 |
6 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
2 |
2 |
3 |
2 |
0 |
0 |
|
"Волшебная самоволка" Сергея Панарина сквозь призму Войновича |
5899 | 423 |
19 |
54 |
29 |
21 |
35 |
88 |
25 |
49 |
22 |
32 |
32 |
17 |
0 |
4 |
4 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
3 |
0 |
3 |
0 |
3 |
3 |
3 |
4 |
2 |
2 |
4 |
2 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
3 |
1 |
2 |
3 |
1 |
5 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
4 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
|
Печорин и декабристы - бесславие героев времени |
1423 | 422 |
14 |
40 |
27 |
29 |
18 |
32 |
30 |
44 |
47 |
47 |
55 |
39 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
4 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
3 |
1 |
0 |
3 |
2 |
1 |
2 |
2 |
0 |
1 |
1 |
3 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
4 |
0 |
1 |
0 |
|
Интерьер в "Капитанской дочке" |
1467 | 396 |
16 |
67 |
25 |
20 |
21 |
26 |
25 |
34 |
31 |
32 |
54 |
45 |
0 |
1 |
3 |
2 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
3 |
4 |
0 |
4 |
0 |
0 |
3 |
3 |
3 |
1 |
1 |
2 |
0 |
5 |
5 |
4 |
1 |
0 |
0 |
4 |
5 |
2 |
2 |
4 |
1 |
0 |
2 |
5 |
1 |
3 |
1 |
3 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
|
Интервью с Аланом Эбботом, взятое на берегах Невы во время встречи Си-Петербург |
2943 | 395 |
18 |
44 |
27 |
29 |
22 |
104 |
23 |
32 |
23 |
26 |
35 |
12 |
0 |
0 |
3 |
4 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
3 |
2 |
1 |
2 |
4 |
2 |
2 |
1 |
1 |
3 |
2 |
1 |
2 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
3 |
3 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
3 |
0 |
2 |
0 |
1 |
2 |
3 |
2 |
1 |
0 |
0 |
|
Полифония Блока |
1563 | 379 |
18 |
47 |
36 |
22 |
16 |
34 |
24 |
36 |
35 |
38 |
42 |
31 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
3 |
2 |
2 |
3 |
0 |
2 |
1 |
0 |
3 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
4 |
1 |
1 |
1 |
3 |
2 |
1 |
1 |
2 |
1 |
2 |
4 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
3 |
1 |
0 |
0 |
|
Антитеза |
608 | 365 |
14 |
43 |
32 |
22 |
31 |
26 |
16 |
39 |
39 |
35 |
40 |
28 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
2 |
2 |
1 |
2 |
2 |
5 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
5 |
2 |
1 |
3 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
2 |
3 |
1 |
0 |
0 |
1 |
|
Дуэль Онегина и Ленского |
1319 | 362 |
13 |
37 |
27 |
25 |
14 |
22 |
32 |
38 |
37 |
39 |
56 |
22 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
6 |
1 |
3 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
2 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
|
Михаил Гарцев. История внутри нас |
4504 | 355 |
12 |
40 |
23 |
29 |
42 |
28 |
24 |
32 |
24 |
27 |
45 |
29 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
2 |
0 |
4 |
0 |
3 |
3 |
1 |
2 |
1 |
3 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
|
Кто убил старуху процентщицу? |
2103 | 355 |
11 |
43 |
23 |
38 |
22 |
29 |
21 |
37 |
29 |
29 |
44 |
29 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
2 |
2 |
2 |
0 |
3 |
3 |
3 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
3 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
5 |
3 |
0 |
1 |
|
Шукшин ли "Хозяин бани и огорода"? |
2083 | 353 |
16 |
43 |
31 |
23 |
30 |
30 |
28 |
32 |
48 |
23 |
30 |
19 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
0 |
2 |
4 |
2 |
3 |
3 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
6 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
4 |
1 |
3 |
3 |
1 |
1 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 |
|
Смертная казнь как эротика государственного самоубийства |
7651 | 350 |
13 |
39 |
28 |
25 |
21 |
21 |
23 |
27 |
42 |
36 |
47 |
28 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
3 |
1 |
0 |
3 |
3 |
4 |
1 |
3 |
0 |
0 |
1 |
5 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
2 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
|
С какой целью нарушен хронологический порядок глав в "Герое нашего времени" |
982 | 343 |
13 |
37 |
28 |
25 |
25 |
43 |
17 |
39 |
35 |
28 |
34 |
19 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
4 |
1 |
1 |
0 |
4 |
2 |
2 |
0 |
0 |
2 |
2 |
1 |
3 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
4 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
2 |
|
Елена Чудинова. Мечеть Парижской Богоматери |
11813 | 337 |
11 |
46 |
32 |
28 |
21 |
28 |
22 |
36 |
41 |
19 |
35 |
18 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
4 |
2 |
3 |
1 |
1 |
2 |
1 |
1 |
6 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
1 |
4 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
3 |
3 |
4 |
1 |
0 |
0 |
|
Образ России в арт-среде Интернета |
2651 | 332 |
17 |
43 |
27 |
29 |
21 |
17 |
20 |
54 |
29 |
24 |
33 |
18 |
0 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
3 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
4 |
1 |
4 |
3 |
0 |
1 |
3 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
2 |
3 |
1 |
0 |
3 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
|
Энтропия.net |
6157 | 332 |
17 |
45 |
24 |
33 |
23 |
32 |
27 |
31 |
27 |
23 |
33 |
17 |
0 |
0 |
3 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
3 |
0 |
2 |
3 |
1 |
2 |
4 |
3 |
6 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
2 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
1 |
1 |
1 |
1 |
3 |
2 |
0 |
0 |
|
Я играю вместе с мамой |
9730 | 330 |
16 |
40 |
36 |
25 |
21 |
26 |
26 |
27 |
24 |
38 |
33 |
18 |
0 |
0 |
4 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
4 |
1 |
1 |
0 |
3 |
2 |
1 |
3 |
2 |
1 |
1 |
3 |
3 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
3 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
6 |
1 |
2 |
3 |
0 |
0 |
|
Можно ли назвать Печорина фаталистом |
825 | 322 |
12 |
32 |
20 |
24 |
30 |
29 |
21 |
29 |
35 |
34 |
32 |
24 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
4 |
4 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
1 |
|
Древесная лирика Хельги Ольшванг |
3772 | 314 |
11 |
39 |
20 |
39 |
20 |
17 |
12 |
22 |
36 |
30 |
40 |
28 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
3 |
1 |
0 |
3 |
0 |
3 |
0 |
3 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
2 |
0 |
|
Пестрый дятел |
4720 | 311 |
16 |
55 |
37 |
22 |
23 |
22 |
22 |
31 |
24 |
22 |
23 |
14 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
3 |
2 |
2 |
2 |
3 |
3 |
2 |
3 |
1 |
0 |
1 |
3 |
1 |
2 |
2 |
3 |
2 |
0 |
0 |
1 |
4 |
2 |
2 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
7 |
2 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
5 |
1 |
3 |
2 |
2 |
0 |
1 |
1 |
|
Медвежонок |
9047 | 309 |
16 |
49 |
35 |
25 |
22 |
19 |
23 |
26 |
18 |
25 |
27 |
24 |
0 |
0 |
4 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
3 |
0 |
3 |
4 |
2 |
1 |
2 |
1 |
0 |
1 |
3 |
2 |
2 |
1 |
1 |
3 |
0 |
1 |
2 |
3 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
2 |
2 |
2 |
2 |
3 |
0 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
2 |
3 |
1 |
1 |
1 |
0 |
1 |
|
Жанр фантастики сегодня: С.Лукьяненко, С.Алексеев, А.Виноградов |
5733 | 309 |
18 |
47 |
34 |
29 |
18 |
22 |
18 |
31 |
25 |
15 |
34 |
18 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
4 |
0 |
1 |
1 |
2 |
2 |
2 |
2 |
0 |
2 |
2 |
5 |
0 |
1 |
3 |
2 |
2 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
3 |
1 |
0 |
3 |
6 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
4 |
3 |
0 |
0 |
0 |
0 |
|
Кот Васька в своей квартире |
7904 | 300 |
15 |
40 |
27 |
27 |
26 |
19 |
21 |
27 |
28 |
25 |
29 |
16 |
0 |
1 |
4 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
4 |
1 |
0 |
2 |
4 |
2 |
0 |
2 |
1 |
1 |
1 |
3 |
3 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
|
Каждый знает |
6732 | 300 |
14 |
39 |
30 |
28 |
21 |
39 |
21 |
26 |
19 |
16 |
32 |
15 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
4 |
1 |
0 |
2 |
2 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
4 |
4 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
4 |
2 |
3 |
0 |
0 |
1 |
|
"История Рода Толстых - история России". Фоторепортаж |
5677 | 297 |
17 |
42 |
19 |
26 |
21 |
22 |
26 |
25 |
28 |
21 |
34 |
16 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
2 |
0 |
0 |
3 |
5 |
0 |
2 |
1 |
2 |
3 |
2 |
0 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
5 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
|
Что на небе |
8135 | 296 |
13 |
49 |
30 |
21 |
21 |
16 |
18 |
21 |
29 |
31 |
36 |
11 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
2 |
1 |
0 |
4 |
1 |
4 |
3 |
1 |
2 |
1 |
2 |
4 |
2 |
2 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
3 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
4 |
1 |
2 |
0 |
0 |
1 |
|
Кто как кричит |
4537 | 295 |
16 |
39 |
21 |
37 |
13 |
18 |
25 |
28 |
28 |
26 |
29 |
15 |
0 |
0 |
3 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
4 |
0 |
2 |
1 |
3 |
1 |
3 |
1 |
0 |
0 |
5 |
3 |
1 |
2 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
4 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
|
Александр Кушнер. Аполлон в траве |
4625 | 292 |
26 |
39 |
26 |
24 |
16 |
25 |
15 |
27 |
21 |
27 |
23 |
23 |
0 |
0 |
2 |
0 |
2 |
2 |
3 |
2 |
1 |
1 |
1 |
7 |
2 |
3 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
2 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
6 |
5 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
|
Замятин "Мы". Конспект урока |
969 | 290 |
10 |
38 |
17 |
27 |
36 |
20 |
27 |
22 |
21 |
19 |
28 |
25 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
6 |
0 |
3 |
1 |
0 |
1 |
4 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
6 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
|
Михаил Гарцев и сетевое письмо |
4539 | 289 |
14 |
44 |
32 |
25 |
22 |
22 |
20 |
18 |
23 |
20 |
32 |
17 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
3 |
1 |
2 |
1 |
1 |
0 |
1 |
3 |
1 |
2 |
3 |
2 |
1 |
0 |
1 |
2 |
2 |
3 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
3 |
4 |
1 |
1 |
2 |
1 |
1 |
1 |
3 |
1 |
3 |
0 |
0 |
2 |
2 |
1 |
3 |
1 |
2 |
2 |
|
Комментариии к статье А.Виноградова о сетевой литературе |
4069 | 289 |
11 |
36 |
34 |
35 |
27 |
18 |
14 |
21 |
31 |
21 |
25 |
16 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
0 |
4 |
1 |
2 |
1 |
0 |
0 |
4 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
3 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
2 |
2 |
3 |
1 |
1 |
3 |
2 |
2 |
0 |
0 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 |
|
План анализа стихотворения |
614 | 288 |
13 |
35 |
20 |
22 |
16 |
18 |
28 |
21 |
30 |
23 |
34 |
28 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
5 |
0 |
1 |
0 |
4 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
3 |
5 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
3 |
1 |
0 |
1 |
|
Учимся мыслить логически |
3736 | 286 |
19 |
46 |
27 |
29 |
17 |
19 |
18 |
21 |
26 |
21 |
29 |
14 |
0 |
0 |
2 |
4 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
4 |
1 |
0 |
1 |
3 |
3 |
0 |
5 |
0 |
0 |
1 |
4 |
0 |
3 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
4 |
1 |
0 |
1 |
0 |
3 |
3 |
0 |
1 |
5 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
2 |
2 |
1 |
0 |
|
Карнавал и декарнавализация |
4151 | 284 |
12 |
42 |
28 |
22 |
14 |
16 |
20 |
36 |
28 |
25 |
22 |
19 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
4 |
2 |
4 |
2 |
1 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
3 |
4 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
3 |
|
К вопросу о Фрейде и православии |
3140 | 283 |
14 |
41 |
25 |
29 |
17 |
22 |
20 |
19 |
27 |
18 |
34 |
17 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
2 |
0 |
6 |
5 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
4 |
0 |
1 |
2 |
|
Маяковский и его философия |
1456 | 283 |
14 |
38 |
26 |
28 |
19 |
24 |
20 |
31 |
22 |
18 |
29 |
14 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
4 |
0 |
4 |
2 |
0 |
1 |
2 |
2 |
4 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
|
Потомки "Метрополя" |
5843 | 280 |
12 |
43 |
25 |
29 |
26 |
18 |
19 |
22 |
21 |
19 |
25 |
21 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
3 |
3 |
2 |
0 |
0 |
3 |
2 |
2 |
1 |
3 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
4 |
1 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
3 |
2 |
2 |
0 |
1 |
0 |
|
Почему в Прибалтике не проходит русский бунт |
2634 | 280 |
16 |
45 |
29 |
23 |
11 |
20 |
26 |
20 |
30 |
30 |
18 |
12 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
3 |
1 |
3 |
0 |
3 |
2 |
5 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
3 |
6 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
0 |
0 |
1 |
|
Ослик |
8402 | 280 |
13 |
41 |
25 |
34 |
22 |
18 |
15 |
25 |
18 |
22 |
35 |
12 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
0 |
2 |
0 |
3 |
1 |
2 |
1 |
0 |
1 |
4 |
3 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
3 |
4 |
3 |
2 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
3 |
1 |
0 |
0 |
|
Поэтика абсурда и образ Святой Земли |
3552 | 279 |
17 |
32 |
25 |
27 |
20 |
24 |
16 |
22 |
24 |
22 |
27 |
23 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
3 |
3 |
1 |
2 |
1 |
0 |
1 |
1 |
3 |
1 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
|
Почему Некрасов сказал о своей поэме: "Ей не суждено закончиться"? |
863 | 278 |
14 |
36 |
19 |
30 |
29 |
22 |
17 |
27 |
23 |
17 |
29 |
15 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
3 |
0 |
1 |
3 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
3 |
0 |
0 |
3 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
3 |
1 |
1 |
0 |
1 |
|
Сказка о гейзере на Стихире |
3003 | 278 |
12 |
36 |
16 |
25 |
26 |
24 |
14 |
21 |
25 |
20 |
38 |
21 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
1 |
2 |
5 |
2 |
2 |
0 |
1 |
1 |
2 |
2 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
|
Натюрморт (Гоголь, Бродский, Есенин) |
941 | 277 |
11 |
45 |
26 |
24 |
15 |
17 |
12 |
32 |
19 |
21 |
30 |
25 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
3 |
1 |
3 |
0 |
0 |
4 |
2 |
2 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
3 |
0 |
2 |
1 |
1 |
2 |
5 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
3 |
1 |
0 |
1 |
0 |
|
Зеркало |
2946 | 277 |
16 |
36 |
23 |
31 |
12 |
25 |
20 |
22 |
20 |
23 |
35 |
14 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
5 |
1 |
0 |
1 |
1 |
5 |
0 |
2 |
1 |
1 |
5 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
|
Кто на самом деле ввходит в комнату к Юрию Живаго |
964 | 276 |
11 |
37 |
13 |
21 |
22 |
26 |
9 |
29 |
24 |
18 |
41 |
25 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
2 |
3 |
3 |
1 |
0 |
1 |
2 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
3 |
1 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
|
Дискуссия о гениальности, Достоевском и социальном запросе |
1108 | 276 |
21 |
52 |
26 |
26 |
15 |
18 |
14 |
24 |
20 |
24 |
29 |
7 |
0 |
1 |
3 |
1 |
2 |
0 |
2 |
2 |
2 |
1 |
1 |
4 |
2 |
0 |
4 |
3 |
7 |
0 |
8 |
1 |
3 |
1 |
1 |
4 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
3 |
1 |
2 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
3 |
1 |
2 |
1 |
0 |
1 |
|
Ирония и автоирония |
498 | 275 |
12 |
35 |
19 |
25 |
24 |
17 |
12 |
26 |
29 |
24 |
28 |
24 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
3 |
2 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
2 |
|
Как в романе Достоевского "Преступление и наказание" раскрывается тема нищеты |
925 | 274 |
9 |
34 |
26 |
24 |
17 |
19 |
22 |
36 |
18 |
21 |
33 |
15 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
4 |
1 |
4 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
3 |
5 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
|
Волчонок |
4235 | 274 |
13 |
34 |
31 |
23 |
18 |
18 |
22 |
21 |
20 |
22 |
38 |
14 |
0 |
1 |
1 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
1 |
2 |
2 |
3 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
2 |
5 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
3 |
2 |
0 |
3 |
0 |
1 |
1 |
|
Избранница народного слова |
2468 | 273 |
18 |
35 |
26 |
31 |
23 |
20 |
17 |
21 |
22 |
17 |
27 |
16 |
0 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
4 |
2 |
0 |
2 |
0 |
3 |
1 |
5 |
0 |
0 |
1 |
2 |
2 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
5 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
3 |
1 |
1 |
0 |
|
Гегельянство в России |
1108 | 272 |
14 |
43 |
22 |
22 |
15 |
20 |
16 |
30 |
29 |
20 |
24 |
17 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
4 |
1 |
0 |
1 |
1 |
3 |
2 |
4 |
0 |
1 |
3 |
2 |
0 |
4 |
2 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
2 |
1 |
2 |
1 |
2 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 |
|
Язык и генетика |
4520 | 272 |
12 |
42 |
26 |
21 |
22 |
20 |
16 |
25 |
23 |
19 |
28 |
18 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
3 |
4 |
1 |
1 |
2 |
2 |
1 |
4 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
6 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
3 |
2 |
0 |
2 |
1 |
|
Стихи для детей |
5492 | 271 |
18 |
39 |
26 |
28 |
19 |
19 |
13 |
35 |
23 |
17 |
22 |
12 |
0 |
3 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
1 |
1 |
0 |
4 |
5 |
1 |
1 |
0 |
0 |
1 |
3 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
3 |
2 |
0 |
3 |
3 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
3 |
2 |
1 |
2 |
0 |
0 |
|
В защиту массовой литературы |
5663 | 270 |
17 |
37 |
22 |
26 |
23 |
13 |
11 |
35 |
28 |
17 |
33 |
8 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
7 |
1 |
1 |
0 |
0 |
1 |
4 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
4 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
|
Психология - наука рабов |
6777 | 270 |
19 |
28 |
18 |
30 |
20 |
18 |
21 |
35 |
23 |
17 |
31 |
10 |
0 |
1 |
1 |
3 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
3 |
3 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
|
Что общего между не любящими друг друга Раскольниковым и Лужиным |
1094 | 270 |
15 |
42 |
33 |
23 |
18 |
19 |
16 |
24 |
22 |
15 |
25 |
18 |
0 |
0 |
3 |
3 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
4 |
1 |
3 |
2 |
1 |
0 |
1 |
2 |
1 |
4 |
4 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
2 |
5 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
|
Липки |
2847 | 270 |
15 |
49 |
26 |
27 |
10 |
14 |
17 |
33 |
19 |
17 |
30 |
13 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
4 |
1 |
0 |
2 |
0 |
5 |
2 |
4 |
0 |
0 |
1 |
3 |
1 |
2 |
2 |
1 |
2 |
3 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
2 |
2 |
3 |
0 |
3 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
3 |
3 |
2 |
0 |
|
Почему поэзия должна быть глуповата |
3168 | 269 |
8 |
37 |
25 |
28 |
21 |
20 |
16 |
21 |
20 |
19 |
29 |
25 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
3 |
5 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
3 |
0 |
2 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
1 |
3 |
|
Ведение в чтение Гоголя |
1140 | 269 |
11 |
37 |
20 |
25 |
24 |
25 |
15 |
25 |
18 |
17 |
29 |
23 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
4 |
1 |
3 |
0 |
2 |
1 |
3 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
|
О любви к правителям и поэтам |
1242 | 269 |
13 |
36 |
33 |
29 |
27 |
20 |
11 |
26 |
19 |
18 |
29 |
8 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
3 |
0 |
4 |
1 |
1 |
1 |
3 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
3 |
1 |
2 |
2 |
|
Сон как нонсенс в "Войне и мире" |
659 | 268 |
11 |
42 |
30 |
29 |
14 |
17 |
16 |
25 |
24 |
17 |
26 |
17 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
1 |
3 |
2 |
4 |
0 |
1 |
1 |
2 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
4 |
2 |
2 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
2 |
0 |
3 |
4 |
2 |
2 |
0 |
0 |
|
Достоевский и конец истории |
3515 | 268 |
14 |
30 |
21 |
20 |
21 |
14 |
19 |
42 |
27 |
19 |
29 |
12 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
3 |
0 |
3 |
2 |
0 |
3 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
|
Островский о романтической ипостаси русской литературы |
1242 | 268 |
15 |
36 |
19 |
22 |
19 |
28 |
19 |
27 |
21 |
20 |
28 |
14 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
3 |
3 |
0 |
2 |
0 |
3 |
1 |
4 |
1 |
0 |
2 |
5 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
|
Возвращение |
3356 | 268 |
14 |
45 |
24 |
26 |
19 |
17 |
18 |
23 |
14 |
23 |
29 |
16 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
2 |
0 |
1 |
4 |
3 |
2 |
2 |
1 |
1 |
3 |
3 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
3 |
0 |
2 |
1 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
|
Пушкинские и лермонтовские мотивы у Некрасова |
855 | 267 |
14 |
36 |
25 |
29 |
19 |
27 |
10 |
38 |
15 |
12 |
26 |
16 |
0 |
0 |
2 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
1 |
2 |
3 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
2 |
3 |
6 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
3 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
|
Средства художественной изобразительности |
1582 | 267 |
14 |
38 |
32 |
28 |
15 |
21 |
17 |
19 |
19 |
24 |
27 |
13 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
3 |
3 |
0 |
0 |
3 |
1 |
3 |
2 |
1 |
3 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
6 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
2 |
3 |
0 |
3 |
1 |
2 |
3 |
0 |
0 |
0 |
|
Рифма к городу |
3579 | 266 |
12 |
43 |
31 |
27 |
15 |
18 |
21 |
22 |
19 |
19 |
27 |
12 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
4 |
1 |
0 |
1 |
1 |
3 |
1 |
2 |
3 |
0 |
2 |
2 |
4 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
6 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
2 |
3 |
0 |
0 |
2 |
0 |
5 |
0 |
2 |
1 |
|
Про что поэзия Барто? - да все про то! |
5851 | 265 |
14 |
35 |
25 |
20 |
24 |
19 |
14 |
32 |
22 |
21 |
24 |
15 |
0 |
0 |
4 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
2 |
1 |
3 |
2 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
2 |
2 |
1 |
0 |
|
Ии. Рецензия на роман В.Пелевина "iphuck 10" |
1624 | 264 |
14 |
35 |
22 |
20 |
23 |
26 |
13 |
22 |
30 |
21 |
19 |
19 |
0 |
3 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
3 |
0 |
3 |
2 |
0 |
1 |
1 |
3 |
3 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
|
Самоубийство разума |
3136 | 264 |
11 |
45 |
26 |
30 |
22 |
22 |
17 |
20 |
18 |
14 |
23 |
16 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
5 |
2 |
2 |
1 |
2 |
2 |
3 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
2 |
3 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
4 |
0 |
1 |
4 |
0 |
2 |
0 |
0 |
1 |
|
Почему критики-революционеры выбрали Катерину, а не Варвару лучом света? |
643 | 263 |
13 |
34 |
38 |
26 |
8 |
18 |
12 |
22 |
24 |
18 |
28 |
22 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
1 |
0 |
1 |
0 |
2 |
2 |
3 |
1 |
1 |
2 |
1 |
0 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
4 |
1 |
2 |
2 |
2 |
1 |
1 |
2 |
2 |
4 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 |
|
Об одном фильме |
1398 | 263 |
16 |
40 |
20 |
19 |
11 |
19 |
13 |
41 |
25 |
19 |
24 |
16 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
4 |
1 |
2 |
5 |
1 |
2 |
0 |
2 |
0 |
1 |
3 |
3 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
3 |
3 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
|
Информация о владельце раздела |
3329 | 263 |
11 |
32 |
18 |
30 |
20 |
22 |
19 |
21 |
21 |
25 |
27 |
17 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
5 |
1 |
2 |
2 |
0 |
2 |
3 |
1 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
|
Пейзаж в поэме Лермонтова |
804 | 263 |
11 |
39 |
21 |
25 |
20 |
20 |
13 |
26 |
19 |
21 |
31 |
17 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
3 |
2 |
4 |
2 |
0 |
1 |
3 |
1 |
2 |
2 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
4 |
0 |
0 |
1 |
1 |
1 |
4 |
0 |
0 |
0 |
|
Расширит ли виртуальная реальность возможности познания истины |
3330 | 262 |
15 |
32 |
32 |
21 |
17 |
18 |
14 |
25 |
30 |
19 |
24 |
15 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
3 |
2 |
0 |
3 |
2 |
1 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
3 |
0 |
1 |
3 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
1 |
3 |
1 |
1 |
1 |
3 |
3 |
0 |
1 |
0 |
0 |
|
Автопортрет, оксюморон |
759 | 262 |
11 |
34 |
19 |
25 |
30 |
13 |
17 |
17 |
28 |
24 |
24 |
20 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
0 |
1 |
1 |
4 |
3 |
2 |
1 |
1 |
3 |
3 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
3 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
|
В поисках смысла сетевой литературы |
2711 | 262 |
11 |
40 |
23 |
24 |
23 |
21 |
14 |
22 |
21 |
16 |
29 |
18 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
1 |
3 |
1 |
3 |
1 |
6 |
1 |
1 |
2 |
3 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
4 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
|
О "Медном всаднике" |
1153 | 261 |
15 |
39 |
31 |
18 |
15 |
25 |
13 |
20 |
17 |
24 |
21 |
23 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
2 |
1 |
3 |
1 |
2 |
2 |
3 |
0 |
2 |
2 |
3 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
2 |
3 |
0 |
3 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
2 |
1 |
0 |
4 |
0 |
0 |
0 |
|
Ботинок |
4060 | 261 |
16 |
39 |
25 |
32 |
11 |
17 |
17 |
16 |
25 |
21 |
26 |
16 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
2 |
0 |
1 |
0 |
4 |
1 |
1 |
2 |
0 |
1 |
3 |
0 |
4 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
0 |
0 |
2 |
1 |
4 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
5 |
3 |
0 |
0 |
|
Сюжет: событие, действие, мотив |
551 | 261 |
14 |
38 |
19 |
21 |
19 |
10 |
20 |
12 |
27 |
24 |
35 |
22 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
4 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
4 |
5 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
2 |
0 |
1 |
1 |
|
Фотомастерская Вадима Месяца |
2970 | 261 |
17 |
38 |
21 |
25 |
19 |
24 |
10 |
18 |
28 |
21 |
25 |
15 |
0 |
3 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
3 |
5 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
|
Ницше, ценности и Гегель |
3123 | 259 |
10 |
43 |
24 |
25 |
16 |
16 |
9 |
30 |
25 |
14 |
36 |
11 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
5 |
1 |
1 |
0 |
4 |
1 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
4 |
1 |
6 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
|
Введение в чтение Гоголя. Хлестаков |
684 | 259 |
19 |
39 |
20 |
21 |
17 |
16 |
11 |
35 |
16 |
16 |
30 |
19 |
0 |
0 |
3 |
0 |
1 |
2 |
4 |
1 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
1 |
4 |
3 |
3 |
0 |
0 |
2 |
4 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
1 |
5 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
5 |
0 |
0 |
2 |
|
Александр Шленский: "Художник, канонир и козни дьявола". Рецензия |
2429 | 259 |
13 |
47 |
29 |
29 |
14 |
15 |
12 |
20 |
23 |
16 |
26 |
15 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
4 |
0 |
0 |
0 |
3 |
7 |
3 |
2 |
0 |
1 |
1 |
3 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
4 |
4 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
|
Интервью с Игорем Панариным |
2550 | 258 |
8 |
43 |
24 |
19 |
12 |
23 |
23 |
31 |
21 |
15 |
25 |
14 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
4 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
4 |
2 |
2 |
1 |
1 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
|
О курсе реформ и курсе литературы |
1005 | 258 |
13 |
41 |
28 |
22 |
10 |
14 |
13 |
36 |
29 |
21 |
24 |
7 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
3 |
2 |
2 |
0 |
3 |
2 |
1 |
3 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
2 |
2 |
1 |
2 |
3 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
3 |
3 |
1 |
1 |
0 |
1 |
|
Поэтика абсурда Маяковского |
1535 | 258 |
17 |
29 |
13 |
21 |
21 |
21 |
18 |
28 |
20 |
20 |
31 |
19 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
2 |
4 |
2 |
1 |
3 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
|
Бунт против Гегеля |
3205 | 257 |
16 |
41 |
21 |
27 |
12 |
14 |
17 |
34 |
20 |
23 |
26 |
6 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
3 |
1 |
2 |
1 |
0 |
3 |
4 |
3 |
0 |
1 |
0 |
3 |
3 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
1 |
0 |
2 |
3 |
4 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
|
Монтаж у Гоголя и Алексиевич |
792 | 257 |
11 |
46 |
31 |
29 |
12 |
17 |
20 |
19 |
15 |
19 |
25 |
13 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
3 |
1 |
4 |
1 |
1 |
3 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
4 |
5 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
0 |
2 |
1 |
1 |
0 |
3 |
1 |
2 |
1 |
|
Кирилл Юрьевич отбывает в Канаду |
3166 | 257 |
14 |
38 |
23 |
24 |
18 |
21 |
15 |
21 |
23 |
22 |
25 |
13 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
3 |
0 |
2 |
0 |
3 |
4 |
1 |
1 |
0 |
1 |
5 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
4 |
1 |
1 |
1 |
4 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
|
Андрей Болконский - Дон Кихот |
721 | 257 |
10 |
40 |
22 |
28 |
14 |
19 |
20 |
17 |
20 |
20 |
28 |
19 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
2 |
2 |
4 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
3 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
3 |
0 |
2 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 |
|
Евгений Водолазкин и поэтика абсурда |
1238 | 257 |
19 |
33 |
23 |
22 |
14 |
16 |
13 |
18 |
23 |
23 |
29 |
24 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
3 |
0 |
2 |
3 |
5 |
1 |
0 |
1 |
0 |
4 |
3 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
3 |
3 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
|
Галич и Мандельштам вокруг образа вождя |
507 | 256 |
13 |
37 |
26 |
25 |
13 |
13 |
13 |
36 |
19 |
19 |
23 |
19 |
0 |
2 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
2 |
3 |
1 |
0 |
1 |
3 |
2 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
5 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
4 |
3 |
1 |
1 |
0 |
0 |
|
Достоевский как оптимальная точка видения |
3006 | 256 |
14 |
34 |
32 |
26 |
16 |
21 |
12 |
20 |
18 |
21 |
30 |
12 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
2 |
0 |
0 |
4 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
4 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
4 |
1 |
2 |
0 |
2 |
0 |
|
Юрий Поляков. Грибной царь |
3660 | 256 |
14 |
32 |
18 |
28 |
18 |
20 |
19 |
27 |
20 |
14 |
31 |
15 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
3 |
1 |
3 |
0 |
2 |
1 |
0 |
2 |
4 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
|
Поэтика абсурда при свете совести |
2776 | 256 |
11 |
31 |
27 |
22 |
15 |
15 |
15 |
26 |
26 |
21 |
29 |
18 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
4 |
2 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
3 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
3 |
1 |
1 |
0 |
5 |
1 |
2 |
0 |
2 |
0 |
|
Почему А. И. Солженицын в рассказе "Один день Ивана Денисовича" не идеализирует "даже тех лиц, которых он любит"? (В. Я. Лакшин) |
682 | 256 |
14 |
36 |
19 |
26 |
16 |
17 |
21 |
25 |
25 |
16 |
25 |
16 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
5 |
0 |
0 |
2 |
3 |
2 |
4 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
7 |
1 |
4 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
|
Ушки, ножки, рожки |
6521 | 255 |
12 |
45 |
24 |
24 |
14 |
13 |
15 |
36 |
15 |
19 |
28 |
10 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
4 |
1 |
1 |
0 |
1 |
3 |
1 |
3 |
4 |
1 |
0 |
1 |
5 |
1 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
2 |
5 |
3 |
2 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
|
Короля делает свита |
2299 | 255 |
18 |
37 |
24 |
22 |
16 |
11 |
17 |
35 |
17 |
17 |
25 |
16 |
0 |
0 |
2 |
4 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
2 |
4 |
0 |
1 |
1 |
2 |
1 |
4 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
4 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
4 |
1 |
2 |
0 |
0 |
0 |
|
Алексиевич. Чернобыль |
1143 | 255 |
11 |
36 |
19 |
28 |
13 |
23 |
14 |
29 |
25 |
19 |
23 |
15 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
2 |
3 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
3 |
2 |
1 |
0 |
|
Вирус абсурда в истории человеческой культуры |
2334 | 255 |
13 |
34 |
21 |
20 |
16 |
18 |
14 |
31 |
19 |
15 |
39 |
15 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
4 |
0 |
0 |
1 |
3 |
2 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
|
Какой плод у дерева |
3053 | 255 |
15 |
29 |
23 |
28 |
16 |
17 |
17 |
34 |
17 |
22 |
27 |
10 |
0 |
2 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
|
Буддистский колобок |
2793 | 255 |
12 |
37 |
25 |
23 |
15 |
15 |
17 |
35 |
13 |
19 |
30 |
14 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
3 |
2 |
2 |
1 |
4 |
1 |
0 |
3 |
3 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
4 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
3 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
|
Как семейные предания работают в произведениях Лермонтова, Толстого, Гоголя? |
611 | 254 |
10 |
32 |
19 |
35 |
33 |
18 |
13 |
21 |
19 |
12 |
25 |
17 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
3 |
3 |
3 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
3 |
3 |
0 |
1 |
|
Пьер и Андрей |
1199 | 254 |
10 |
32 |
24 |
25 |
14 |
26 |
15 |
25 |
21 |
15 |
32 |
15 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
2 |
5 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
3 |
0 |
2 |
1 |
|
Образы русской природы в лирике Рубцова |
686 | 253 |
14 |
38 |
21 |
23 |
15 |
22 |
13 |
26 |
19 |
17 |
26 |
19 |
0 |
1 |
1 |
4 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
2 |
4 |
1 |
0 |
1 |
2 |
2 |
4 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
3 |
1 |
2 |
0 |
0 |
0 |
|
Демократия как искусство для искусства |
2861 | 253 |
14 |
44 |
22 |
24 |
14 |
22 |
11 |
27 |
25 |
16 |
25 |
9 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
2 |
3 |
3 |
2 |
3 |
2 |
2 |
3 |
2 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
5 |
0 |
1 |
0 |
|
Между прошлым и будущим |
663 | 253 |
16 |
39 |
27 |
22 |
21 |
19 |
13 |
21 |
18 |
19 |
22 |
16 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
3 |
3 |
1 |
2 |
0 |
4 |
4 |
2 |
1 |
1 |
0 |
4 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
2 |
2 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
3 |
3 |
2 |
0 |
0 |
2 |
|
"Коршун" Тютчева - материализм и идеализм |
683 | 253 |
11 |
45 |
18 |
26 |
16 |
25 |
13 |
21 |
18 |
16 |
29 |
15 |
0 |
0 |
3 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
3 |
1 |
1 |
3 |
3 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
3 |
0 |
2 |
6 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
4 |
0 |
0 |
1 |
|
Почему легенду о Данко можно назвать сказкой-обманкой? |
671 | 252 |
10 |
34 |
22 |
25 |
13 |
19 |
19 |
27 |
23 |
15 |
26 |
19 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
3 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
3 |
0 |
0 |
1 |
2 |
0 |
4 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
|
С кем я познакомилась на Си |
3499 | 251 |
10 |
35 |
31 |
32 |
16 |
17 |
15 |
19 |
27 |
15 |
22 |
12 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
2 |
0 |
3 |
2 |
2 |
2 |
2 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
4 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
5 |
1 |
0 |
1 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 |
|
Снова по поводу "Тихого Дона" |
1164 | 250 |
11 |
35 |
19 |
22 |
15 |
33 |
12 |
26 |
24 |
17 |
22 |
14 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
2 |
1 |
3 |
1 |
1 |
1 |
2 |
1 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
3 |
1 |
0 |
1 |
|
Что позволило Тынянову назвать тютческие стихи фрагментами? |
762 | 250 |
12 |
37 |
20 |
21 |
15 |
14 |
16 |
31 |
16 |
22 |
30 |
16 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
3 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
3 |
2 |
0 |
1 |
2 |
3 |
5 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
0 |
|
Утенок |
4569 | 250 |
14 |
31 |
28 |
30 |
27 |
15 |
15 |
16 |
17 |
15 |
32 |
10 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
5 |
2 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
4 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
4 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
|
Ленин как поэт Серебряного века |
1375 | 249 |
20 |
47 |
24 |
22 |
13 |
18 |
13 |
18 |
19 |
15 |
27 |
13 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
5 |
1 |
3 |
1 |
3 |
2 |
0 |
0 |
2 |
3 |
3 |
5 |
2 |
1 |
1 |
3 |
0 |
3 |
3 |
0 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
3 |
4 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
4 |
1 |
0 |
|
Мир как книга |
995 | 249 |
15 |
39 |
33 |
20 |
10 |
19 |
16 |
25 |
19 |
15 |
28 |
10 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
2 |
3 |
2 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
2 |
2 |
2 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
4 |
2 |
6 |
3 |
0 |
0 |
|
Anti-Dan |
3243 | 249 |
17 |
32 |
16 |
23 |
17 |
17 |
19 |
17 |
28 |
19 |
27 |
17 |
0 |
1 |
3 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
3 |
0 |
3 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
3 |
1 |
0 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
|
Эмоции |
1070 | 249 |
13 |
30 |
17 |
19 |
16 |
14 |
17 |
24 |
20 |
24 |
38 |
17 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
1 |
3 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
|
Лирика |
3191 | 249 |
14 |
32 |
25 |
26 |
15 |
22 |
10 |
21 |
18 |
15 |
27 |
24 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
3 |
0 |
0 |
1 |
1 |
3 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
6 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
2 |
|
Этапы эволюции вируса абсурда в России |
3314 | 248 |
10 |
38 |
30 |
21 |
13 |
13 |
15 |
24 |
19 |
17 |
30 |
18 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
4 |
4 |
3 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
3 |
3 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
2 |
2 |
1 |
0 |
0 |
|
19 августа 1991 года |
2406 | 248 |
13 |
40 |
29 |
26 |
15 |
16 |
25 |
18 |
18 |
14 |
20 |
14 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
2 |
0 |
2 |
0 |
2 |
1 |
3 |
1 |
2 |
0 |
4 |
4 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
3 |
2 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
|
Самосознание сетевой литературы |
4006 | 248 |
15 |
36 |
16 |
19 |
17 |
14 |
17 |
32 |
25 |
22 |
24 |
11 |
0 |
0 |
2 |
4 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
3 |
4 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
|
Рецензия на "Лампу Мафусаила...." Пелевина |
1633 | 248 |
12 |
34 |
26 |
20 |
13 |
23 |
16 |
21 |
23 |
18 |
31 |
11 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
2 |
5 |
1 |
1 |
0 |
2 |
0 |
3 |
1 |
1 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
|
Необходимое или цель - искусство? |
722 | 248 |
16 |
37 |
25 |
23 |
16 |
17 |
10 |
33 |
24 |
11 |
21 |
15 |
0 |
2 |
4 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
3 |
3 |
3 |
1 |
0 |
1 |
4 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
5 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
1 |
3 |
1 |
0 |
0 |
|
Автометафора |
648 | 247 |
9 |
29 |
19 |
23 |
24 |
18 |
18 |
17 |
22 |
24 |
28 |
16 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
4 |
1 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
|
Что в имени мне твоем |
2990 | 247 |
13 |
37 |
22 |
22 |
17 |
14 |
13 |
32 |
25 |
13 |
24 |
15 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
2 |
0 |
2 |
2 |
3 |
0 |
3 |
1 |
0 |
1 |
2 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
2 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
4 |
2 |
4 |
0 |
0 |
0 |
|
Иду, а к ногам моим падает вдруг кипятильник |
2389 | 247 |
11 |
32 |
27 |
24 |
13 |
22 |
11 |
19 |
21 |
20 |
29 |
18 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
3 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
3 |
2 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
|
Введение в чтение Лермонтова. "Выхожу один я на дорогу" |
925 | 247 |
11 |
35 |
22 |
21 |
15 |
20 |
15 |
36 |
15 |
16 |
24 |
17 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
4 |
3 |
3 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
1 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
3 |
2 |
1 |
0 |
1 |
|
Ведьмостиший больше не будет |
3007 | 246 |
13 |
39 |
16 |
24 |
19 |
16 |
16 |
32 |
16 |
18 |
25 |
12 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
4 |
0 |
2 |
1 |
6 |
1 |
2 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
3 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
|
Нам много миллионов лет. Каждому |
889 | 246 |
16 |
38 |
22 |
27 |
19 |
20 |
17 |
18 |
18 |
16 |
22 |
13 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
4 |
2 |
1 |
1 |
0 |
2 |
2 |
4 |
0 |
1 |
0 |
3 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
3 |
5 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
3 |
0 |
1 |
0 |
|
Трагический герой |
544 | 246 |
10 |
42 |
13 |
24 |
15 |
25 |
12 |
23 |
24 |
15 |
28 |
15 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
5 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
4 |
5 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 |
|
Введение в чтение Гоголя. Нос |
711 | 240 |
13 |
31 |
38 |
23 |
13 |
20 |
6 |
21 |
18 |
13 |
28 |
16 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
2 |
2 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
3 |
0 |
3 |
1 |
2 |
4 |
1 |
0 |
1 |
|
Кто в окошке. Сказочные звери |
3838 | 239 |
14 |
33 |
24 |
25 |
22 |
14 |
12 |
19 |
14 |
18 |
33 |
11 |
0 |
0 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
2 |
2 |
1 |
3 |
2 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
|
К слову о Законе и Благодати: Юрий Кузнецов, Юрий Кублановский |
4109 | 239 |
13 |
33 |
17 |
28 |
15 |
15 |
13 |
28 |
18 |
18 |
23 |
18 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
3 |
1 |
4 |
1 |
1 |
3 |
1 |
0 |
3 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
|
Воинство Сергия Радонежского |
4407 | 239 |
11 |
39 |
31 |
20 |
21 |
9 |
13 |
18 |
21 |
18 |
26 |
12 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
3 |
3 |
0 |
2 |
2 |
3 |
2 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
3 |
2 |
0 |
3 |
0 |
|
Отчуждение |
1189 | 238 |
8 |
34 |
27 |
23 |
10 |
19 |
14 |
21 |
28 |
15 |
29 |
10 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
2 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
3 |
2 |
0 |
2 |
|
Художник у Христа за пазухой |
2695 | 238 |
11 |
36 |
23 |
20 |
18 |
21 |
17 |
18 |
17 |
13 |
29 |
15 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
3 |
2 |
2 |
0 |
1 |
1 |
1 |
2 |
3 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
5 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
3 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
|
Дан прислал |
955 | 238 |
15 |
37 |
20 |
20 |
17 |
14 |
16 |
23 |
24 |
15 |
20 |
17 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
4 |
1 |
3 |
1 |
1 |
2 |
2 |
0 |
2 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
4 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
|
Чужая сказка |
2503 | 238 |
8 |
34 |
20 |
23 |
22 |
16 |
8 |
28 |
16 |
16 |
33 |
14 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
3 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
|
Реформы Путина и моя им гегельянская поддержка |
2778 | 238 |
15 |
36 |
27 |
25 |
12 |
19 |
15 |
20 |
20 |
16 |
25 |
8 |
0 |
1 |
2 |
3 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
1 |
4 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
5 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
3 |
1 |
0 |
1 |
|
Онегин - лицеист? |
686 | 238 |
11 |
34 |
28 |
27 |
20 |
15 |
12 |
23 |
21 |
16 |
18 |
13 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
3 |
2 |
3 |
1 |
1 |
3 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
4 |
3 |
1 |
1 |
0 |
0 |
|
Маркетинг науки, или Научный маркетинг |
3038 | 238 |
7 |
35 |
11 |
28 |
23 |
19 |
14 |
18 |
20 |
17 |
27 |
19 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
6 |
1 |
2 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
|
Символизм |
502 | 238 |
14 |
38 |
17 |
23 |
21 |
17 |
13 |
16 |
22 |
15 |
30 |
12 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
3 |
4 |
1 |
0 |
1 |
2 |
2 |
4 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
5 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
|
Как работает поэтика абсурда |
4450 | 238 |
14 |
41 |
26 |
22 |
13 |
15 |
13 |
19 |
19 |
18 |
22 |
16 |
0 |
0 |
2 |
2 |
3 |
0 |
0 |
3 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
6 |
1 |
0 |
1 |
1 |
0 |
3 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
3 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
|
Достоевский и риторические вопросы (диатриба) |
657 | 237 |
10 |
35 |
20 |
24 |
17 |
15 |
12 |
21 |
20 |
20 |
25 |
18 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
3 |
3 |
2 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
3 |
0 |
2 |
4 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
2 |
1 |
|
Теория диссоциаций и Булгаков |
1294 | 237 |
10 |
42 |
16 |
24 |
10 |
20 |
12 |
21 |
26 |
18 |
23 |
15 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
4 |
1 |
4 |
1 |
0 |
0 |
4 |
4 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
4 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
3 |
1 |
0 |
0 |
|
О романе "Обратная Перспектива А.Столярова |
1410 | 237 |
11 |
44 |
24 |
21 |
17 |
19 |
12 |
21 |
16 |
16 |
25 |
11 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
4 |
2 |
5 |
0 |
0 |
2 |
3 |
2 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
3 |
5 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
2 |
0 |
2 |
0 |
0 |
0 |
|
+7 |
2193 | 237 |
11 |
37 |
22 |
25 |
18 |
22 |
11 |
29 |
16 |
16 |
19 |
11 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
4 |
0 |
1 |
1 |
1 |
2 |
2 |
4 |
1 |
0 |
2 |
2 |
1 |
4 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
2 |
2 |
3 |
1 |
0 |
0 |
|
Ферапонтово. Коллекция |
1994 | 237 |
12 |
32 |
20 |
23 |
14 |
17 |
15 |
24 |
18 |
17 |
28 |
17 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
|
Базаров |
969 | 237 |
13 |
31 |
25 |
20 |
17 |
20 |
8 |
20 |
26 |
14 |
25 |
18 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
2 |
1 |
4 |
1 |
1 |
1 |
3 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
2 |
3 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
4 |
0 |
3 |
0 |
0 |
0 |
|
Ведение в чтение Гоголя |
890 | 237 |
11 |
33 |
23 |
27 |
22 |
17 |
12 |
20 |
13 |
16 |
29 |
14 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
3 |
1 |
0 |
1 |
2 |
1 |
4 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
4 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
1 |
3 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 |
|
Как в стихотворении М.Ю. Лермонтова продолжаются пушкинские традиции темы "родина" |
528 | 237 |
8 |
29 |
31 |
21 |
16 |
19 |
11 |
25 |
22 |
16 |
22 |
17 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
4 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
6 |
2 |
3 |
2 |
0 |
1 |
|
По поводу некоторых неточностей Евгения Клюева |
2403 | 237 |
10 |
32 |
31 |
22 |
8 |
19 |
12 |
16 |
21 |
24 |
26 |
16 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
2 |
1 |
5 |
0 |
1 |
1 |
4 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
4 |
3 |
3 |
0 |
0 |
1 |
|
Социальные болезни Стихи.ру |
7035 | 237 |
15 |
35 |
31 |
20 |
19 |
18 |
13 |
18 |
19 |
14 |
26 |
9 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
3 |
3 |
1 |
1 |
0 |
1 |
0 |
3 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
2 |
0 |
0 |
2 |
|
Клопы от Фейербаха |
3150 | 237 |
14 |
36 |
28 |
24 |
21 |
19 |
14 |
20 |
17 |
19 |
20 |
5 |
0 |
3 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
4 |
2 |
4 |
0 |
0 |
2 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
|
Молчание - литературная преемственность |
707 | 237 |
11 |
34 |
14 |
20 |
20 |
23 |
11 |
37 |
19 |
18 |
19 |
11 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
3 |
2 |
4 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
5 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
|
Джулиан Барнс в защиту критики |
2672 | 236 |
14 |
35 |
26 |
16 |
15 |
15 |
7 |
23 |
31 |
21 |
23 |
10 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
1 |
4 |
2 |
3 |
2 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
3 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
0 |
2 |
0 |
0 |
1 |
|
Все по Салтыкову-Щедрину! |
4317 | 236 |
14 |
36 |
23 |
23 |
13 |
15 |
19 |
20 |
24 |
16 |
26 |
7 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
3 |
2 |
1 |
3 |
2 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
4 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
5 |
3 |
4 |
1 |
0 |
0 |
|
Возвращение блудного Чацкого |
884 | 235 |
10 |
41 |
25 |
27 |
12 |
15 |
14 |
25 |
20 |
17 |
19 |
10 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
3 |
2 |
4 |
1 |
1 |
0 |
5 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
5 |
1 |
1 |
2 |
0 |
2 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
|
"Хлыстовская богородица" Маяковского |
1348 | 235 |
12 |
40 |
23 |
25 |
12 |
14 |
17 |
21 |
19 |
18 |
21 |
13 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
6 |
4 |
2 |
1 |
0 |
4 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
3 |
1 |
2 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
3 |
2 |
1 |
1 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
|
Романтизм |
512 | 235 |
14 |
40 |
27 |
18 |
16 |
11 |
13 |
21 |
15 |
20 |
26 |
14 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
2 |
1 |
2 |
4 |
2 |
3 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
3 |
3 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
2 |
2 |
3 |
2 |
0 |
0 |
|
То было двух бесов изображенье |
522 | 234 |
10 |
30 |
17 |
19 |
17 |
16 |
15 |
21 |
20 |
20 |
31 |
18 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
3 |
2 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
|
От финских хладных скал... |
3140 | 234 |
9 |
41 |
22 |
26 |
19 |
20 |
12 |
16 |
18 |
17 |
22 |
12 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
2 |
3 |
1 |
3 |
1 |
1 |
2 |
3 |
1 |
3 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
2 |
1 |
3 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
3 |
|
Государство и общество: бюрократизм и свобода от бюрократии |
3307 | 234 |
12 |
33 |
19 |
24 |
14 |
11 |
25 |
34 |
17 |
10 |
27 |
8 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
2 |
3 |
4 |
0 |
1 |
1 |
2 |
2 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
5 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
3 |
1 |
2 |
1 |
0 |
2 |
|
Диалектика пути |
2762 | 233 |
18 |
37 |
23 |
26 |
13 |
17 |
5 |
21 |
18 |
15 |
31 |
9 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
4 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
2 |
4 |
3 |
1 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
5 |
4 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
|
Модель романа-эпопеи |
969 | 233 |
10 |
34 |
19 |
22 |
17 |
16 |
15 |
26 |
15 |
18 |
28 |
13 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
4 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
2 |
2 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
3 |
0 |
1 |
1 |
|
Лисенок в курятнике Стихи.ру |
6015 | 232 |
11 |
30 |
20 |
23 |
19 |
23 |
16 |
18 |
22 |
15 |
21 |
14 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
2 |
3 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
|
Паломничество убогой |
2746 | 232 |
9 |
37 |
28 |
23 |
15 |
14 |
20 |
16 |
23 |
14 |
24 |
9 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
3 |
1 |
3 |
1 |
0 |
3 |
2 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
4 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
2 |
2 |
1 |
1 |
1 |
|
Чему нужно верить: словам персонажа или читательскому сердцу? |
487 | 232 |
7 |
40 |
18 |
22 |
11 |
17 |
20 |
21 |
21 |
17 |
22 |
16 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
2 |
2 |
3 |
0 |
0 |
4 |
4 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
5 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
|
Абсурдизм |
3725 | 232 |
17 |
28 |
19 |
20 |
16 |
18 |
16 |
19 |
24 |
22 |
20 |
13 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
1 |
2 |
1 |
3 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
3 |
0 |
|
Недоросль в меняющемся мире |
666 | 232 |
12 |
39 |
28 |
20 |
13 |
18 |
14 |
17 |
18 |
15 |
23 |
15 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
2 |
1 |
0 |
2 |
2 |
1 |
2 |
1 |
5 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
0 |
0 |
2 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 |
|
Письмо Ольги Пушкину |
1197 | 228 |
10 |
31 |
21 |
21 |
15 |
16 |
12 |
22 |
22 |
15 |
28 |
15 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
3 |
2 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
2 |
0 |
3 |
|
Образ поющей девушки: Пушкин, Лермонтов, Блок |
479 | 228 |
7 |
34 |
19 |
20 |
15 |
15 |
13 |
23 |
16 |
22 |
30 |
14 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
3 |
4 |
2 |
1 |
3 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
|
Мотивы смерти и бессмертия в физиологических очерках Некрасова "Утренняя прогулка" и "Рыцарь на час" |
507 | 228 |
9 |
35 |
21 |
21 |
17 |
20 |
11 |
21 |
16 |
18 |
22 |
17 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
2 |
2 |
1 |
2 |
2 |
1 |
2 |
4 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
|
О чем поют сферы Гоголя |
916 | 228 |
11 |
33 |
25 |
17 |
15 |
23 |
8 |
30 |
15 |
16 |
26 |
9 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
3 |
2 |
1 |
4 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
2 |
0 |
1 |
1 |
|
Легенда о великом инквизиторе |
1059 | 228 |
9 |
37 |
22 |
18 |
11 |
19 |
21 |
19 |
17 |
17 |
27 |
11 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
3 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
5 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
|
Праздник Победы для кого-то пытаются сделать днем скорби |
3432 | 227 |
15 |
39 |
19 |
22 |
12 |
13 |
16 |
18 |
20 |
15 |
28 |
10 |
0 |
0 |
4 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
3 |
3 |
2 |
2 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
6 |
1 |
2 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
|
Ноосфера |
620 | 227 |
11 |
30 |
20 |
21 |
17 |
24 |
13 |
21 |
19 |
12 |
29 |
10 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
3 |
4 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
|
Невозможность гения эпохи |
577 | 227 |
9 |
36 |
15 |
18 |
12 |
14 |
11 |
40 |
19 |
13 |
23 |
17 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
4 |
0 |
1 |
1 |
3 |
2 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
|
Воспитание гениев |
991 | 226 |
10 |
33 |
13 |
16 |
16 |
15 |
14 |
25 |
24 |
19 |
29 |
12 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
3 |
1 |
0 |
2 |
2 |
2 |
1 |
2 |
1 |
3 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
5 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
|
Рубцов и формальный метод |
2607 | 226 |
11 |
36 |
19 |
18 |
14 |
14 |
11 |
39 |
15 |
15 |
26 |
8 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
1 |
3 |
2 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
3 |
0 |
2 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
1 |
1 |
|
Государство Платона и Акунина |
927 | 226 |
10 |
41 |
23 |
26 |
10 |
17 |
9 |
18 |
17 |
16 |
28 |
11 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
3 |
3 |
0 |
2 |
1 |
4 |
0 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
3 |
1 |
3 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
|
"тихий Дон" Шолохова и французская психиатрия Пьера Жане |
1355 | 226 |
11 |
33 |
16 |
23 |
17 |
21 |
15 |
18 |
16 |
22 |
21 |
13 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
3 |
1 |
0 |
2 |
3 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
2 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
|
Права ли Цветаева, утверждая, что в стихах Маяковского "ошеломляющая физика"? |
708 | 225 |
10 |
33 |
18 |
18 |
11 |
18 |
17 |
14 |
22 |
19 |
26 |
19 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
3 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
3 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
|
Проклятые вопросы в |
461 | 225 |
11 |
36 |
16 |
17 |
20 |
15 |
12 |
21 |
17 |
18 |
26 |
16 |
0 |
2 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
2 |
2 |
1 |
1 |
2 |
1 |
0 |
3 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
|
Рванет-не рванет |
673 | 225 |
15 |
40 |
23 |
19 |
11 |
20 |
14 |
21 |
15 |
14 |
25 |
8 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
1 |
0 |
2 |
1 |
2 |
3 |
1 |
4 |
1 |
1 |
2 |
2 |
1 |
3 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
3 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
3 |
0 |
1 |
1 |
|
Обломов и реализм |
640 | 225 |
12 |
31 |
25 |
17 |
14 |
22 |
13 |
19 |
18 |
14 |
24 |
16 |
0 |
0 |
4 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
4 |
2 |
3 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
3 |
2 |
0 |
3 |
1 |
0 |
1 |
|
Премия "Поэзия" что хотят жюри |
1387 | 225 |
8 |
36 |
26 |
22 |
18 |
13 |
14 |
21 |
15 |
20 |
23 |
9 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
3 |
1 |
4 |
1 |
0 |
1 |
3 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
4 |
0 |
2 |
1 |
|
Смысл и убеждение |
2254 | 225 |
9 |
33 |
16 |
23 |
12 |
18 |
9 |
36 |
16 |
18 |
26 |
9 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
3 |
1 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
|
Дурное общество |
976 | 224 |
13 |
30 |
20 |
15 |
12 |
18 |
12 |
29 |
13 |
17 |
29 |
16 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
4 |
0 |
2 |
0 |
1 |
1 |
1 |
3 |
1 |
4 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
0 |
|
Долой ыгэ! |
641 | 224 |
13 |
37 |
20 |
17 |
9 |
11 |
15 |
15 |
31 |
17 |
20 |
19 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
5 |
2 |
2 |
0 |
2 |
3 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
3 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 |
|
Реминисценция |
555 | 224 |
10 |
29 |
14 |
19 |
21 |
13 |
14 |
21 |
21 |
18 |
31 |
13 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
4 |
2 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
|
Как в "Превращении" Кафки выражена идея торжества разума |
855 | 224 |
10 |
39 |
16 |
18 |
14 |
16 |
15 |
19 |
22 |
15 |
21 |
19 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
5 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
5 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
6 |
1 |
0 |
0 |
|
"Добрый Филя" и проекция собеседника |
738 | 224 |
9 |
38 |
19 |
22 |
20 |
19 |
14 |
19 |
14 |
14 |
22 |
14 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
3 |
2 |
4 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
4 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
|
Быков и Навальный |
670 | 224 |
13 |
33 |
19 |
23 |
12 |
18 |
26 |
16 |
18 |
14 |
21 |
11 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
|
Чудачество и донкихотство. Шукшин и Сервантес |
1389 | 224 |
11 |
31 |
25 |
19 |
12 |
14 |
16 |
17 |
23 |
19 |
24 |
13 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
2 |
4 |
1 |
0 |
3 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
4 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
1 |
0 |
|
Темное вещество, абсолютный дух и человеческая цивилизация |
958 | 223 |
12 |
37 |
20 |
19 |
11 |
13 |
14 |
18 |
27 |
14 |
26 |
12 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
4 |
0 |
1 |
2 |
3 |
3 |
1 |
3 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
5 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
|
Бог как конечное воплощение жажды славы |
2123 | 223 |
11 |
42 |
21 |
17 |
14 |
17 |
11 |
23 |
15 |
15 |
25 |
12 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
4 |
2 |
3 |
2 |
0 |
2 |
2 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
3 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
2 |
|
Популярные стили в изображении Гоголя |
422 | 223 |
11 |
31 |
16 |
18 |
14 |
15 |
15 |
29 |
17 |
16 |
27 |
14 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
3 |
1 |
1 |
0 |
4 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
|
Лимерик |
2305 | 223 |
9 |
29 |
15 |
24 |
14 |
16 |
11 |
33 |
20 |
13 |
25 |
14 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
2 |
1 |
3 |
1 |
0 |
0 |
3 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
1 |
1 |
|
Совенок |
3694 | 223 |
11 |
35 |
19 |
27 |
16 |
15 |
14 |
15 |
19 |
15 |
30 |
7 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
3 |
1 |
4 |
2 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
2 |
4 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
|
Введение в философию сказок |
691 | 223 |
14 |
38 |
19 |
22 |
16 |
15 |
10 |
19 |
18 |
10 |
29 |
13 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
2 |
1 |
4 |
1 |
0 |
0 |
4 |
1 |
3 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
2 |
5 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
|
Как в "Легенде о великом инквизиторе" следует искать Р.Р.Раскольникова и С.С.Мармеладову? |
862 | 222 |
12 |
36 |
21 |
22 |
16 |
11 |
16 |
20 |
19 |
15 |
21 |
13 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
3 |
3 |
3 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
4 |
0 |
2 |
1 |
3 |
1 |
4 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
|
Удача и капуста |
2420 | 222 |
13 |
43 |
27 |
22 |
16 |
21 |
9 |
16 |
17 |
11 |
19 |
8 |
0 |
1 |
2 |
3 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
4 |
2 |
2 |
1 |
1 |
0 |
5 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
4 |
0 |
0 |
1 |
3 |
1 |
2 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
|
Инструкция создателям искусственного разума |
2476 | 222 |
15 |
37 |
18 |
18 |
14 |
11 |
13 |
29 |
19 |
15 |
24 |
9 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
2 |
1 |
4 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
|
Отчуждение. стадия Ад |
1265 | 222 |
11 |
33 |
24 |
20 |
13 |
23 |
13 |
22 |
15 |
15 |
24 |
9 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
3 |
1 |
4 |
0 |
0 |
3 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
4 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
3 |
0 |
0 |
0 |
|
Введение в чтение Гоголя |
873 | 221 |
13 |
32 |
18 |
21 |
14 |
24 |
14 |
18 |
15 |
19 |
18 |
15 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
3 |
3 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
4 |
1 |
0 |
0 |
|
Миф о времени |
2405 | 221 |
9 |
31 |
19 |
17 |
17 |
24 |
16 |
19 |
19 |
20 |
21 |
9 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
3 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
4 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
|
О времени |
1174 | 221 |
13 |
36 |
22 |
21 |
13 |
17 |
12 |
23 |
14 |
15 |
22 |
13 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
3 |
2 |
0 |
1 |
2 |
1 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
4 |
2 |
0 |
2 |
|
Шаров и его теодицея |
672 | 221 |
11 |
33 |
19 |
25 |
16 |
15 |
11 |
20 |
18 |
14 |
27 |
12 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
3 |
0 |
1 |
3 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
1 |
1 |
|
Почему Путин заинтересован в развитии гражданского общества |
2612 | 220 |
10 |
34 |
19 |
22 |
11 |
18 |
21 |
20 |
15 |
14 |
25 |
11 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
3 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
3 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
4 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 |
|
Проблематика произведений. Богатство и бедность |
589 | 220 |
10 |
39 |
22 |
18 |
10 |
8 |
11 |
20 |
17 |
22 |
28 |
15 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
4 |
3 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
4 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
3 |
0 |
0 |
0 |
|
Литературоведение - наука или "Humanities and Arts"... |
2448 | 220 |
7 |
33 |
26 |
18 |
9 |
17 |
13 |
29 |
18 |
17 |
24 |
9 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
3 |
2 |
4 |
0 |
1 |
1 |
2 |
1 |
4 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
3 |
1 |
3 |
2 |
5 |
1 |
0 |
0 |
|
Категории добра и зла |
437 | 219 |
8 |
39 |
17 |
23 |
21 |
17 |
10 |
21 |
16 |
15 |
21 |
11 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
3 |
2 |
1 |
0 |
2 |
2 |
4 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
5 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
|
Пушкинский пленник |
682 | 219 |
12 |
33 |
27 |
18 |
13 |
15 |
11 |
20 |
16 |
16 |
23 |
15 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
2 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
4 |
2 |
4 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
|
Советы |
2397 | 218 |
12 |
36 |
19 |
23 |
10 |
16 |
13 |
14 |
21 |
15 |
25 |
14 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
4 |
2 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
4 |
0 |
2 |
0 |
0 |
1 |
|
Неравный брак (лунное) |
863 | 218 |
10 |
32 |
22 |
20 |
12 |
13 |
12 |
32 |
15 |
14 |
27 |
9 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
1 |
2 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
5 |
2 |
0 |
0 |
|
Сила детской публицистики |
1379 | 218 |
13 |
30 |
18 |
22 |
12 |
22 |
8 |
23 |
17 |
16 |
26 |
11 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
3 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
4 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
|
Искушение как психологический прием |
2876 | 218 |
15 |
36 |
19 |
18 |
11 |
9 |
12 |
32 |
17 |
16 |
23 |
10 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
5 |
2 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
|
Киев старый и новый |
2314 | 217 |
13 |
34 |
16 |
21 |
17 |
12 |
11 |
18 |
21 |
16 |
28 |
10 |
0 |
0 |
1 |
2 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
3 |
4 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
5 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
|
Письмо Татьяны. Общие места - романтизмы |
660 | 217 |
12 |
33 |
21 |
20 |
11 |
18 |
12 |
18 |
16 |
14 |
25 |
17 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
2 |
1 |
0 |
2 |
3 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
1 |
|
"Шиповник цветет" - не сжигай |
679 | 217 |
12 |
32 |
25 |
27 |
13 |
16 |
12 |
18 |
16 |
14 |
17 |
15 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
2 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
2 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
1 |
|
Конек-горбунок |
989 | 217 |
8 |
27 |
21 |
17 |
14 |
19 |
11 |
24 |
18 |
15 |
27 |
16 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
|
Компьютер и сексуальная революция писателя |
2834 | 217 |
10 |
33 |
17 |
17 |
13 |
19 |
12 |
31 |
16 |
11 |
27 |
11 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
3 |
2 |
3 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
4 |
0 |
0 |
1 |
|
Молодежь и общество потребления |
3727 | 217 |
15 |
32 |
20 |
23 |
15 |
13 |
12 |
20 |
21 |
16 |
25 |
5 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
2 |
4 |
0 |
1 |
0 |
1 |
2 |
4 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
6 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
3 |
1 |
1 |
0 |
|
Пушкин |
6018 | 217 |
11 |
27 |
20 |
21 |
17 |
15 |
14 |
18 |
24 |
13 |
22 |
15 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
3 |
3 |
2 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
4 |
2 |
2 |
0 |
0 |
0 |
|
Теософия и поэзия |
1051 | 216 |
10 |
35 |
20 |
23 |
12 |
11 |
14 |
19 |
14 |
25 |
20 |
13 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
4 |
2 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
4 |
0 |
0 |
0 |
|
Миф о числах |
2593 | 216 |
16 |
28 |
20 |
19 |
15 |
19 |
17 |
18 |
14 |
15 |
23 |
12 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
|
Миф о запахе |
2416 | 216 |
7 |
30 |
22 |
19 |
13 |
21 |
12 |
19 |
19 |
17 |
24 |
13 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
3 |
0 |
3 |
2 |
2 |
0 |
0 |
1 |
|
Онтологическое обоснование гения эпохи |
1234 | 216 |
11 |
32 |
23 |
21 |
12 |
16 |
18 |
18 |
11 |
21 |
20 |
13 |
0 |
0 |
4 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
3 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
4 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
1 |
|
Каким должен быть правитель |
529 | 215 |
16 |
35 |
17 |
24 |
12 |
16 |
14 |
17 |
20 |
10 |
22 |
12 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
5 |
1 |
1 |
2 |
0 |
1 |
2 |
5 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 |
|
Аллегория как эпитет |
1380 | 215 |
15 |
30 |
21 |
19 |
14 |
14 |
15 |
22 |
12 |
16 |
25 |
12 |
0 |
1 |
2 |
1 |
4 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
2 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
|
Паломничество убогой (2 редакция) |
518 | 215 |
12 |
36 |
21 |
19 |
14 |
12 |
12 |
18 |
25 |
13 |
25 |
8 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
2 |
4 |
0 |
0 |
3 |
3 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
|
Белая ворона |
2369 | 215 |
15 |
33 |
22 |
19 |
14 |
13 |
15 |
15 |
15 |
15 |
28 |
11 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
3 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
4 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
3 |
0 |
0 |
2 |
|
История одной столицы |
581 | 215 |
8 |
29 |
24 |
15 |
17 |
20 |
15 |
20 |
17 |
17 |
20 |
13 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
3 |
4 |
2 |
0 |
1 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
2 |
0 |
2 |
1 |
3 |
0 |
|
Литературоведение, рабство и пенсионная реформа |
1073 | 215 |
15 |
38 |
13 |
24 |
10 |
16 |
21 |
21 |
15 |
15 |
17 |
10 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
2 |
1 |
0 |
1 |
1 |
3 |
1 |
4 |
1 |
0 |
2 |
4 |
1 |
4 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
4 |
1 |
1 |
1 |
0 |
0 |
|
К проблеме Израиля |
1344 | 214 |
13 |
36 |
21 |
21 |
12 |
17 |
15 |
14 |
16 |
13 |
25 |
11 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
4 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
3 |
0 |
2 |
2 |
6 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
|
Рассуждения. К статье В.Шемшученко Поэт сам выбирает судьбу... (Лг Љ36) |
2176 | 214 |
10 |
41 |
20 |
24 |
14 |
10 |
14 |
20 |
14 |
15 |
23 |
9 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
3 |
0 |
2 |
2 |
3 |
0 |
3 |
1 |
2 |
1 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
5 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
4 |
0 |
0 |
1 |
|
Блок и его мэоническая легенда |
733 | 214 |
10 |
33 |
23 |
19 |
13 |
17 |
11 |
17 |
18 |
14 |
23 |
16 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
3 |
|
Сальери как образец |
1188 | 214 |
11 |
25 |
13 |
21 |
17 |
16 |
10 |
25 |
19 |
13 |
27 |
17 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
|
Убийственная преданность. Введение в чтение Пушкина |
723 | 214 |
13 |
33 |
23 |
16 |
12 |
15 |
9 |
15 |
21 |
17 |
27 |
13 |
0 |
1 |
1 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
2 |
4 |
0 |
1 |
3 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
|
Сеть и чудаки |
2940 | 214 |
10 |
34 |
20 |
24 |
9 |
15 |
14 |
21 |
21 |
12 |
22 |
12 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
5 |
1 |
3 |
1 |
2 |
2 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
1 |
|
Вирус абсурда в рамках боровской Дополнительности |
2128 | 214 |
10 |
38 |
16 |
21 |
15 |
14 |
13 |
17 |
16 |
16 |
27 |
11 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
5 |
1 |
1 |
0 |
3 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
5 |
1 |
2 |
0 |
3 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
|
Честь как главная жизненная ценность у Достоевского |
585 | 213 |
10 |
34 |
25 |
22 |
11 |
13 |
12 |
19 |
16 |
15 |
21 |
15 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
3 |
3 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
5 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
4 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
|
Форма абсолютной сути созидаемого |
820 | 213 |
11 |
30 |
27 |
20 |
13 |
19 |
10 |
21 |
13 |
20 |
20 |
9 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
4 |
1 |
0 |
1 |
1 |
3 |
1 |
3 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
5 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
3 |
2 |
1 |
2 |
2 |
2 |
1 |
0 |
3 |
|
Введение в чтение Лермонтова. Система отражений |
560 | 213 |
13 |
31 |
16 |
21 |
15 |
10 |
13 |
22 |
14 |
15 |
24 |
19 |
0 |
2 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
1 |
3 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
3 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
|
Суздаль |
1832 | 213 |
9 |
32 |
14 |
24 |
22 |
15 |
12 |
13 |
19 |
18 |
20 |
15 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
4 |
2 |
0 |
1 |
1 |
3 |
3 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
|
Эпилог |
390 | 213 |
10 |
31 |
16 |
23 |
12 |
12 |
8 |
18 |
23 |
19 |
25 |
16 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
3 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
3 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
|
О бедном Гайдаре замолвите слово... (Беседа с В.И.Глоцером) |
3167 | 213 |
11 |
37 |
18 |
23 |
17 |
14 |
11 |
22 |
20 |
11 |
20 |
9 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
3 |
3 |
1 |
0 |
1 |
2 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
3 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
3 |
0 |
1 |
0 |
|
Что есть человек |
1287 | 212 |
13 |
30 |
14 |
22 |
16 |
16 |
15 |
17 |
20 |
15 |
20 |
14 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
1 |
2 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
3 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
|
Бегемотик |
3346 | 212 |
13 |
35 |
19 |
18 |
20 |
19 |
9 |
19 |
21 |
15 |
19 |
5 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
1 |
2 |
5 |
0 |
1 |
0 |
4 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 |
|
Радио Свобода, Цру и великая русская литература |
2446 | 212 |
10 |
35 |
22 |
20 |
13 |
14 |
24 |
21 |
12 |
17 |
17 |
7 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
3 |
1 |
1 |
0 |
3 |
3 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
2 |
0 |
1 |
1 |
|
Я начинаю обретать себя |
2406 | 212 |
11 |
33 |
18 |
24 |
9 |
11 |
9 |
35 |
13 |
12 |
28 |
9 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
4 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
3 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
|
Был ли влюблен Иван Васильевич в Вареньку? |
573 | 212 |
11 |
31 |
11 |
21 |
12 |
18 |
16 |
22 |
14 |
16 |
21 |
19 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
3 |
2 |
3 |
2 |
3 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
|
Совет- не любовь |
2637 | 212 |
17 |
38 |
15 |
20 |
11 |
19 |
9 |
19 |
18 |
10 |
24 |
12 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
1 |
3 |
1 |
3 |
0 |
1 |
1 |
1 |
3 |
2 |
0 |
2 |
3 |
4 |
4 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
3 |
0 |
0 |
0 |
|
О чем умолчал в своем докладе доктор Борменталь |
677 | 211 |
12 |
28 |
17 |
20 |
18 |
23 |
14 |
13 |
20 |
15 |
18 |
13 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
5 |
3 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
|
Ну и реклама сейчас у Проханова |
2072 | 211 |
11 |
31 |
13 |
23 |
12 |
15 |
24 |
19 |
18 |
8 |
23 |
14 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
3 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
3 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
|
Грамматика абсурдиста |
2183 | 211 |
13 |
38 |
20 |
20 |
14 |
15 |
10 |
22 |
15 |
15 |
18 |
11 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
5 |
4 |
4 |
2 |
1 |
2 |
1 |
1 |
4 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
6 |
0 |
1 |
0 |
|
Кто виноват и что делать? Проклятые вопросы в |
448 | 211 |
8 |
31 |
17 |
22 |
13 |
18 |
10 |
22 |
18 |
13 |
27 |
12 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
2 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
3 |
1 |
0 |
1 |
|
Инструкция создателям искусственного разума |
3076 | 211 |
9 |
36 |
15 |
24 |
16 |
12 |
17 |
18 |
16 |
15 |
22 |
11 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
4 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
2 |
0 |
2 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
|
Государыня Россия |
2329 | 211 |
12 |
34 |
13 |
19 |
16 |
21 |
13 |
20 |
16 |
15 |
21 |
11 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
4 |
4 |
1 |
0 |
3 |
2 |
0 |
2 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
|
"Сретенье " Бродского как трансляция |
555 | 211 |
11 |
26 |
27 |
21 |
17 |
15 |
16 |
17 |
14 |
17 |
20 |
10 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
3 |
1 |
2 |
1 |
|
Ведение в чтение Гоголя. Шинель |
1005 | 211 |
12 |
25 |
20 |
23 |
11 |
15 |
14 |
21 |
17 |
15 |
25 |
13 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
3 |
1 |
0 |
0 |
1 |
1 |
4 |
2 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
5 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
|
Детство после взросления |
1074 | 210 |
12 |
26 |
15 |
20 |
14 |
19 |
16 |
22 |
12 |
15 |
25 |
14 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
4 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
|
Символика цвета |
371 | 210 |
9 |
23 |
16 |
15 |
17 |
12 |
12 |
20 |
27 |
19 |
24 |
16 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
3 |
3 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
|
Становление гения |
2439 | 209 |
9 |
31 |
23 |
19 |
19 |
13 |
12 |
19 |
17 |
12 |
26 |
9 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
3 |
2 |
3 |
2 |
0 |
1 |
3 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
3 |
1 |
3 |
0 |
0 |
1 |
|
Бы да кабы |
849 | 208 |
11 |
32 |
22 |
18 |
11 |
16 |
17 |
19 |
15 |
18 |
18 |
11 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
4 |
1 |
0 |
0 |
3 |
4 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
4 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
|
Иллич или упадок марксизма |
801 | 207 |
13 |
34 |
17 |
21 |
12 |
14 |
11 |
16 |
17 |
11 |
28 |
13 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
3 |
2 |
1 |
3 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
|
Деление на невозможность |
2074 | 205 |
15 |
37 |
24 |
16 |
9 |
13 |
12 |
14 |
16 |
13 |
23 |
13 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
0 |
0 |
4 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
3 |
3 |
1 |
0 |
1 |
5 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
|
О Бродском - Имперский поэт? |
856 | 205 |
9 |
33 |
22 |
20 |
11 |
16 |
13 |
22 |
15 |
12 |
22 |
10 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
3 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
3 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
3 |
2 |
0 |
3 |
|
Хельга Ольшванг в новом веке |
882 | 204 |
10 |
29 |
17 |
18 |
12 |
15 |
18 |
16 |
20 |
12 |
19 |
18 |
0 |
0 |
1 |
2 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
3 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |