
Saturday, 30 November 2024
Ratboys

Friday, 17 May 2024
Japandroids
Post #1200 in our 12th year. I was admittedly dragging my feet trying to figure out what band to use to mark this milestone, because I didn't another gargantuan undertaking like The Replacements and Jimmy Eat World were. Down the line both bands I was considering will still get that treatment (Sleater-Kinney and the Descendents, for the two of you wondering), but as soon as this band popped into my head, I knew I had found the perfect gateway back to posting. Like I said earlier, this blog has been running for 12 years, which coincides with the same number of summers Celebration Rock has been the soundtrack to. With the May 24 weekend upon us (hola Canada), Japandroids season is in session.
Japandroids are two-piece rock/alternative/punk band from Vancouver, British Columbia that formed in 2006. Since their inception, their sole two members have been guitarist/vocalist Brian King and drummer/vocalist David Prowse. They self-released two EP's in their earlier years (which were later compiled as No Singles) before self-producing their debut full-length, Post-Nothing. The band almost called it quits, but thanks to the online traction that their debut picked up, they ended up embarking on a world tour following its release. It's unsurprising that their sound caught on so quickly, as their energy is positively infectious. In brief summary, they lay a base of noisy garage rock with pounding drums and huge, Hüsker Dü-esque guitars that shimmer with reverb and high-end melodies, while droning open strings to fill in the bass end. While that covers their exterior, these songs at their core take influence from the blue-collar, bleeding heart, youthful exuberance, and personal storytelling of someone like Bruce Springsteen, which is what elevates these songs to become anthems of fist-pumping hot summer nights.
While I do love their debut (try listening to "Wet Hair" without smiling), it was their sophomore release that put them in the stratosphere. The aptly titled Celebration Rock is 8 cuts of giddy euphoria, from the crackle of fireworks and anything-is-possible introduction of "The Nights Of Wine And Roses" to the hesitantly assured closer of "Continuous Thunder", I've always thought that this thing takes place over the span of that one night everyone wants to re-live forever. I'm not going into it too much, but if you're unfamiliar with this band, please start with this.
Following another huge tour in the wake of their massively successful sophomore album, the band were quiet for a few years until their date (and final to date) album, Near To The Wild Heart Of Life. This one features a lot more studio and production tinkering than anything they had done before, resulting in a cleaner sound compared to their off-the-floor-style recordings of their early years. I prefer the first two albums personally, though still think this is a solid addition to expand the Japandroids canon. During the tour for this album, they recorded their show at Toronto's Massey Hall, which was released back in 2020 as a live album, and unfortunately that's the last we've heard from them. As a quick note to go complete the discography breakdown, they recently a series of singles throughout their tenure, most being album tracks on the A-side and covers on the B-side, which choices shows their wide array of influence. The only non-album single cuts are "Heavenward Grand Prix" and "Art Czars", if you're just looking for their originals. In closing, this is music meant for blaring out the car speakers, windows down on a sunny day. Nothing but an open highway around you, and all the time in the world ahead of you. Enjoy.
Thursday, 2 March 2023
I Wish I
Friday, 20 January 2023
Dead History
Saturday, 31 December 2022
Planes Mistaken For Stars
This band has evolved a ton over the years, managing to exist somewhere in an intersectional sweet spot between hardcore, emo, rock and metal. You'd be hard-pressed to find a band that singularly encompasses such a wide sonic palette with the same level of vigor and finesse as Planes Mistaken For Stars. Just to give you a quick surface-level rundown, their earlier work is rooted in a punk-emo hybrid, sort of akin to bands like Hot Water Music and Small Brown Bike. There's a raw, driving energy to it, but with a vulnerable and often melodic backdrop in play. Though never a band I would describe as "simplistic", their technical prowess did become more prominent as the years went on, with their varied influences piling on alongside of it. They kind of went in the opposite direction that most bands do, become increasingly heavier and more experimental. Having said that, they still weren't shy about bringing in slower, acoustic elements well into their later years, and always wore their love for straight up rock n roll on their sleeve. If you're new to this band, I honestly think the best way to delve into their discography is to go from the start and work your way forward (Planes Mistaken For Stars > Fuck With Fire > Up In Them Guts > Mercy > Prey), though you could easily inverse that order and work your way back as well. My personal favourite album is probably Mercy, though that's a fairly interchangeable stance. Definitely give this band a shot if you haven't heard them before, I think they're right up the alley for people interested in the general niche of music that this blog covers. Again, enjoy!
Sunday, 11 December 2022
Jawbox
Jawbox are a four-piece post-hardcore band from Washington, DC that formed in 1989. The band was started by vocalist/guitarist J. Robbins, bassist Kim Coletta and drummer Adam Wade. Robbins previously played bass in DC hardcore band Government Issue during the final few years of their initial run. They put out their first EP in 1990 and followed it up with their debut full-length Grippe in 1991, both of which were released by Dischord Records. In their early years, the influence from the DC scene they emerged out of is most evident. In particular, the more melodic musings of Revolution Summer bands, alongside the throttling of Naked Raygun, the massive guitars and catchy hooks of Hüsker Dü, and the atmosphere of Joy Divison (who they cover on this album). It's a fantastic debut, and one that brought that stirrings of the punk underground into a more accessible, "alternative" styling. Shortly after it's release, guitarist/vocalist Bill Barbot jointed the band. They followed it up a year later with Novelty a year later, which saw the band experimenting with heavier, darker, and more discordant sounds, while they still keeping up the energy and melody of their debut. Drummer Adam Wade shortly after its release, and was replaced by Zach Barocas.
They were one of many indie bands that get swept up by major labels in the wake of Nevermind, with For Your Own Special Sweetheart being put in 1994 by Atlantic. It even spawned a (relatively) commercial single in "Savory". This album is a masterclass in post-hardcore, sitting on the precipice of dissonance and melody, being simultaneously heavy and catchy. It's a shuffle of muted strings, octave chords and arpeggios wrapped around a grooving bass line and frantic rhythms. If that sounds familiar, this band (along with others like Fugazi) is where it came from. They carried on this angular and off-kilter sound into their 1996 self-titled album, which ended up being their last as they parted ways in 1997. Members were involved in a number of projects thereafter, most notably Burning Airlines with Robbins and Barbot. Robbins has also worked as a producer with a ton of incredible bands, including Jawbreaker, Texas Is The Reason, The Promise Ring, Against! Me, Paint It Black, mewithoutYou, Coliseum, and a ton more.
They reunited in 2009 for a one-off show of "Savory" on Late Night With Jimmy Fallon, and 10 years later reunited full-time in 2019 to play shows again. In 2021, Bill Barbot left the band, with Brooks Harlan taking his place. This year marks their first new studio material in over two decades, with a re-recording of Grippe songs and a Wire cover. Without a doubt Jawbox are one of the greatest and most important (albeit underrated) post-hardcore bands, so if you are new to them I implore you to check them out. Enjoy.