Friday, 26 August 2022
Sans Visage
Thursday, 11 February 2021
Gauge Means Nothing
Gauge Means Nothing were a four-piece emo/screamo band from Tokyo, Japan that began in 1997 and broke up in 2005. Their output was fairly limited, with only one EP and one split (that I can find, at least). They were a truly unique band that's hard to pin down where they sit in screamo history. They constructed long, dynamic songs that can be be loosely compared to a band like Envy, but they go above and beyond and incorporate things that no other band would do. For one, the vocals are split harsh screams and sweetly sung with pop sensibilities, and are often layered on top of each other thanks to their dual vocalists. They utilize a variety of instrumentation (often in the background), including keyboards, trumpets, and what I think is a xylophone one one track. They even take the standard four-piece band instrumentation to another level, particularly the drum interlude in "I Think I Sink Ai Shinku". For the few tracks we have of theirs, they really set themselves apart as a must-listen. Enjoy.
Saturday, 13 October 2018
Komusō - Luck Will Be On Your Side This Week EP PREMIERE
Today (October 13th) Komusō are back with their anticipated second EP, Luck Will Be On Your Side This Week. It's the follow-up to their debut self-titled EP that was released earlier this year, and set the bar very high for this band. They are a four-piece from Tokyo, Japan that features members from multiple notable bands, including No Omega, Careless, Det ar darfor vi bygger stader, Cape Light, and 5000. Luck Will Be On Your Side This Week features three new tracks, all of which offer up something different and make for an incredibly intense listen. You can pre-order the 7" EP from Zegema Beach Records today, with 149 records being pressed on black and 151 on clear. It's also being released by Left Hand Records, zilpzalp records, and Adabana Records. Check out the full album stream and pre-order info down below.
"Still / まだ" introduces a pulsating rhythm section with an immediately recognizable Spiderland influence. The guitar arpeggios are dissonant and off-tempo, while the vocals mutter quietly in the background. The song slowly builds tension through clashing guitars before blasting into its climatic end that recalls the final moments of "Good Morning, Captain".
Track 2, "Forgotten People / 忘れられた人々" wraps around a single arpeggio with melodic subtleties added to it, and again brings back the whisper-thin vocals. The build in this song is absolutely fantastic, and a strong indicator of Komusō's strong musicianship. It's the way they walk the fine line between melodic and dissonant, and make for entirely new emotional experiences through their very deliberate notation. Plus the guitar solo on this is an unexpected but very welcome surprise, as the underlying instrumentation begins to trip over each other to bring the track to a surprisingly pleasing end.
And finally, "Extension / 拡大". This song takes a bit of a detour from the Slint influence, and the first to bring back those insane screamed vocals from their debut EP. This is a passion-fueled scream fest, with enough dynamic depth and instrumental aptitude to not fall into total chaos. They manage to create an incredibly sad emotional palette through longing chords and an over-the-edge vocal delivery, which really hits and resonates with the listener. It's an incredible closer to this short-but-sweet EP. Overall, it's a notable progression from their already-solid debut, and a fantastic demonstration of a new band whose about to make waves in the screamo world.
Bandcamp
Sunday, 31 May 2015
Heaven In Her Arms
Tuesday, 25 June 2013
Envy
Envy are
