Pet Shop Boys - Rent (Parlophone)

You can always rely on the Pet Shop Boys to write a good tune - even though half the time they (the tunes) vaguely sound as though they once belonged to someone else. This moody slice of tragi-disco with its swirly trumpets and ping-pong-y Kraftwerk type bits is possibly even more lump-in-throat making than the wondrous "It's A Sin". The LP version is possible more dark and brooding, and this has a weedy voice-over by Neil at the beginning, but this is more than made up for by a chorus of "I love you - you pay my rent". I still think they look a bit silly in all that squeaky rubber and leather they've been wearing lately but this is fabness itself. (Lola Borg, Smash Hits, October 7, 1987)

Pet Shop Boys - What Have I Done To Deserve This? (Parlophone)

The brilliant thing about the Pet Shop Boys is that they get is everything right - memorable tunes, perfect production, intelligent lyrics, excellent sleeves, loads of style and a self-deprecating sense of humour - a very rare combination. So, having decided to do a duet with a soulful chicklet, they've naturally got the best - '60s songstress and living legend Dusty Springfield. Her voice is still as thrilling as it was in her "prime"; if there were any justice in the world, a mere trill of it would be enough to make the likes of Whitney Houston crawl into a hole and weep with shame. This isn't their absolutely best-ever song, though; that has to be "Paninaro", the most perfect synth-pop thing ever invented. (Vici McDonald, Smash Hits, August 12, 1987)

Pet Shop Boys - West End Girls (Parlophone)

The Pet Shop Boys (alias Mutt and Tibbs, no doubt) released "West End Girls" some time ago, but claim that second time around it's re-recorded. Which could be another way of saying that they've only got one good song and this is it and please will you buy it. Well if it worked for King with "Love and Pride", it should work for "West End Girls" which, with its sad, reflective air set to subdued sub-disco, is miles better. (Adrian Tierney-Jones, No 1, November 16, 1985)

For some reason, this sprightly amble through the studied lowlife of a city triggers off the fragrance of William DeVaughn's "Be Thankful For What You Got" and something else that'll come to me when I least need it. (Mike Gardner, Record Mirror, November 9, 1985)

A tumble through Soho in the seedy wee, wee hours accompanied by the kind of jaundiced horns that are more often found on soundtracks of films about Hollywood actresses hitting the bottle and cracking up with mascara running down their faces (Valley Of The Dolls springs to mind). Set against this, the electronic bleats and the demi-rap (Grandmaster Flash And The Furious Five's "The Message" without the baseball bat) create an atmosphere of danceteria sleaze that's almost sinister. Brrr. (Tom Hibbert, Smash Hits, November 6, 1985)

Pet Shop Boys - Opportunities (Parlophone)

Pet Shop Boys' excellent debut single "West End Girls" deserved to be a big hit for them, but never mind, this one's got to be HUGE! Singer Neil Tennant used to write articles for a certain rival pop mag that we never mention, but it's obvious that he should've been devoting his time and talents to his own music a long time ago, as this is such a superbly crafted disco hit. Single of the week! (Debbi Voller, No 1, July 6, 1985)

I really don't understand what all the fuss is about with this track, with its clank and bustle up front instead of a tune and its dubious invitations to commit some unspecified crime. Nor why, with the altogether wonderful "Why Don't We Live Together?" a natural pop hit, the record company should choose to release this battle-scarred warhorse again. Average stuff but still an awful lot better than some things I could mention. (Ian Cranna, Smash Hits, May 7, 1986)

Pet Shop Boys - Suburbia (Parlophone)

A bit of a glum song with Neil Tennant singing about how miserable it is to live in what he calls a
'suburban hell'. I must confess that I find all this stuff about 'broken glass' and 'bus shelters' a tiny bit boring, lyrically speaking, but it's got a lovely mournful one-finger piano tune which isn't half bad at all. And it has dogs barking on it. (William Shaw, Smash Hits, September 24, 1986)

Pet Shop Boys - Love Comes Quickly (Parlophone)

This has a good chorus and it's very catchy - a good follow-up to "West End Girls". I hope they have a crappy looking video again because I liked that - Jonathan King slagged it off as cheap and horrible, the most appalling video ever made, but I thought it was simple, straight to the point, and I really liked the moody guy in it. It's funny reviewing a single sung by someone who used to interview us - I should be getting my own back. The runner-up single of the fortnight, I suppose. (Dave Gahan [Depeche Mode], Smash Hits, February 26, 1986)

If this is the best they can do fame is going to go as quickly as love comes. A weak follow-up to a Number One single, this is high on Giorgio Moroder atmosphere, but has weedy vocals so soft you have to strain to hear the words. Suffice to say that if this had been their first single nobody would have made such an almighty effort to find out what the real meaning of the name Pet Shop Boys is. (Pat Thomas, No 1, March 1, 1986)

Eyes bright and tails wagging, the Pet Shop Boys trot away from the haunting mystery of "West End Girls" and produce a tender swirling epic topped with a delicate vocal refrain. Not as instant as "West End Girls", but very smooth and powerful. It's starting to occupy a bigger place in my heart than even Chaka Khan's "Ain't Nobody". Single Of The Week. (Robin Smith, Record Mirror, March 1, 1986)

Pet Shop Boys - It's A Sin (Parlophone)

An enormous clap of thunder, horns winking in the distance and then an absolutely huge slab of European disco drama in which Neil Tennant, sounding oddly like Princess Stephanie (and there's absolutely nothing wrong with that), sings 'When I look back upon my life/It's always with a sense of shame'. the tune is impossibly grand but, um, haven't we heard it somewhere before? We have. It's Cat Stevens antiquated chestnut "Wild World" almost to the note - and a very nice tune that was too. This is going to be such a massive hit - an undoubted Number One in at least 500 European countries - that it might well blow your hat off. (Tom Hibbert, Smash Hits, June 17, 1987)

Sounds a bit like that "It's Raining Men" song by the Weather Girls! I think the video will have a lot to do with whether or not this record makes it - they definitely seem strong on image (two picture sleeves for the price of one!). There's a strong beat there but it gets you going in places and then suddenly dies down a bit, like a Frankie Goes To Hollywood song.Just when it was getting exciting as well! They're not the sort of band whose records I'd buy, anyway, though I might dance to them in a club. (Neidet Salih, No 1, June 20, 1987)