The New What’s going On Blog has given us this week the theme of “Peace” to explore. Here is my contribution.
Peace
It is the laughter of children playing outside my window,
The smell of baking in the kitchen and the larder full.
It is the hurrying steps of a returning labourer,
Content with a full day’s work, eager to come home.
It is the fields that bloom, the grain ripening in the sun,
The cows dozing as they chew their cud.
It is my love in her summer dress reading her book
Under the shade of a green-leaf tree.
It is the sound of music drifting down the empty street
As dancing couples whirl in the town hall.
It is the two adolescents that kiss beneath a full moon
While the crickets chirp in approbation.
It is the careless saunter late at night,
The lights left on inside the house, burning like beacons.
It is the sound of airplane engines in the sky, which only
Stirs the thoughts of distant exotic places and carefree holidays.
It is a rusty rifle driven into the earth to support a growing vine,
An old soldier’s helmet, now home to a budding flower.
It is the surety of watching your children surviving you,
The swelling pregnant belly and the double-joy of grandchildren.
Peace: It is a quietude and a celebration of the commonplace,
An all-increasing accumulation of small delights that add up to bliss.
Peace, it is a multiplicity of contentments and a realisation
Of what humankind has the capability of being.
Thursday, 22 January 2026
PEACE...
Thursday, 1 January 2026
THE STARRY SKY
This week, The New What’s Going Blog has set as its theme: “The Things I’ll Remember”. Memory is a powerful force in our life and is indispensable to our wellbeing and health - one only has to look at the dire effects of dementia… My poem looks at a perfect memory that will persist till the moment I’ll no longer be able to remember or think of anything anymore…
The Starry Sky
On a clear and dark night
We gaze up and see stars;
Cold and clear is their light,
Burning in the small hours.
Your hand’s in my hand,
Our breaths synchronised;
We sit still on the sand
Making memories prized.
High up all the planets align,
Our arms firmly entwine;
Hear the music of spheres,
That’s delight to our ears.
How the sky conspires
With its starry bonfires,
Our true love to inflame
Lighting our heart’s flame.
While we wait for the dawn,
We embrace and we kiss;
Wide-eyed we look on,
Not a moment to miss.
As a star falls from above,
We wish never to part,
And swear that our love
Will forever be in our heart.
High up all the planets align
While our arms firm entwine;
Hear the music of spheres
That’s delight to our ears.
How the sky conspires
With its starry bonfires,
Our true love to inflame
Lighting our heart’s flame.
The poem is set to music, and you can find all my music in my Instagram site “Otidorchestre” channel or listen to it on YouTube, Spotify, Amazon, Deezer, Flo, Pandora, and other music sharing sites.
Wednesday, 26 November 2025
FEAR
“Always do what you are afraid to do.” - Ralph Waldo Emerson
The New What’s Going on Blog this week has as its theme: “Words of Fearlessness or Courage”. My poem is below, but this time, the “song” that accompanies it relates to the very last line of the poem and illustrates perhaps the reason for the fear…
Fear
“Why be afraid of the dark,” she said,
“Close your eyes and you will see
A great light and rainbow colours,
For within you burns a sun
Brighter than the one up high.”
“Why be afraid of evil,” she said,
“Open your heart and you will find
Goodness beyond measure,
This kindness inside, it is enough
To annul all wickedness.”
“Why be afraid of hate,” she said,
“You have the strength to fight it,
Your courage is beyond measure,
Bravery within you lies untapped,
Enough to let you win.”
“Why be afraid of love?” She said,
And she paused, thinking hard.
“Ah, indeed, love’s a force to be feared
And no matter how hard you try
There’s no way to counter its invincible power.
Respect it, harness its potential, enjoy its pleasures,
Be grateful for its presence in your life;
But be afraid of love; be very afraid of it…” She said.
The poem relates to the music, and you can find all my music in my “Otidorchestre” channel or listen to it on YouTube, Spotify, Amazon, Deezer, Flo, Pandora, and other music sharing sites.
Thursday, 13 November 2025
BLACK
“Blackness remains the coat you can't take off.” - Clint Smith
The New What’s Going on Blog this week advises: “Choose one color--black or white--and explore the depths of meaning the color has for you. Write a poem that immerses itself in EITHER black or white, but not both. Don't even mention the other color in your poem.” I chose black. Black as a state of mind, as a feeling, as an essence of being - the black of despair, the black of the mood one cannot be rid of, the black of hopelessness and anguish…
Black
Black is my life, dark is my lot,
And happiness, all’s gone, forgot.
Black, black, my life is black,
All sadness, only cold and dark…
Black thoughts, dark night,
No hope, no joy, no sight;
Black is the heart that dies
As love so far away flies.
My soul with pitch is painted
My life with tar is tainted;
Ebony nightmares conquer
My uneasy sleep, somber.
And without you, blinded,
I fumble in a dark abyss,
Powerless and weak-minded,
As your sweet kiss I miss.
Black, as a coal with no fire,
I burn in a dark, flameless pyre.
I’m dressed in cloth of ink
And draughts of poison drink;
Dark shadows, cold despair,
Choke me, rob me of air.
Swimming in waters of the Styx,
An ice-cold numbness will affix;
A sunless death, deep in Tartarus
Your lack so grim, so barbarous…
And without you, blinded,
I fumble in a dark abyss,
Powerless and weak-minded,
As your sweet kiss I miss.
Black, as a coal with no fire,
I burn in a dark, flameless pyre.
The poem is set to music, and you can find all my music in my “Otidorchestre” channel or listen to it on YouTube, Spotify, Amazon, Deezer, Flo, Pandora, and other music sharing sites.
Please note that there is delay between my uploading the music and your being able to access it. YouTube is generally the fastest to release the song.
Thursday, 30 October 2025
PRAYER
The New What’s Going on Blog has set as its theme this week “Eternal/Unchanging”, a reflection on those things that last forever, those constant and reliable values, the dependable and unchanging ideas and feelings that we can turn to, especially so in times of strife. For many people, religion is such an eternal and unchanging cornerstone of life and prayer is the way we can approach all things spiritual and strive to become better people. Here is my poem:
Prayer
I greet You, fragrant damask rose,
With perfume that delights the nose;
I greet You basking in the morning sun
Your splendour is second to none.
Your softness, tenderness and grace
Matched by the beauty of Your face;
Your touch is to the wounded, balm,
Bringing to the afflicted calm…
O shining star in heaven bright,
You bring to desperate souls delight!
You ease the greatest pain and sorrow,
Bringing us hope and love each morrow.
You sing with sweet and quiet voice
Making every sad wretch rejoice;
You speak and every word you say
Holds each beating heart in sway.
You are our tender, giving Mother
With love and care like none other;
You give our spirit food and drink,
And to our mind much to bethink.
O Queen of heaven, Mary bright,
You bring to us your fulgent light!
You ease the greatest pain and sorrow,
Bringing us hope and love each morrow.
The poem is set to music, and you can find all my music in my “Otidorchestre” channel or listen to it on YouTube, Spotify, Amazon, Deezer, Flo, Pandora, and other music sharing sites.
Wednesday, 23 July 2025
CELIA
The New What’s Going On blog has prompted about “In Uncertain Times”. In our days, perhaps more than ever before, we are seeing a wave of inhumanity sweeping the world. It seems that most of the powerful countries have been swept by a rush of dystopic authoritarianism in which an all-powerful leader seizes the reins of government, supported by a small minority plutocracy.
The common people are becoming progressively poorer, powerless and unable to react in a meaningful and life-changing way. Demagogy and easily digested, rose-tinted lies convince the dwindling middle class “all is under control and our countries will become powerful, and the best in the world”. This assures the autocrat in power that he stays in power and has the population under control…
Even someone who is relatively well off, or frankly rich, and has a conscience can become lulled into a sense of false security and ignore the cries of help of those who have nothing. Maybe these well-meaning people are pacified by donations that they give to ostensibly genuine charity organisations, a lot of which are bogus and support a bevy of well-paid staff and corrupt CEOs.
Add to all of this, increasing violence, crime, drug use, abusive relationships, teenage delinquency and criminality, loosening morals and increasing selfishness with decreasing community-mindedness and we have a world that is tottering on the brink of total disaster… Meanwhile, Celia plays her ‘cello…
Celia
Celia plays the ‘cello
And the strains of Bach
Caress the celadon on the mantel,
Exquisitely.
Celia looks out on Central Park,
Knowing that in the cellar
Vintage wine is being cooled,
Appropriately.
Oh, Celia, open your eyes,
And your frozen heart thaw!
Your world is built with lies,
All is not comme-il-faut!
Celia plans her dinner party –
Crystal and silver, eggshell china;
Chantilly lace and damask all laid out –
Beautifully…
Celia content, closes her eyes
And manages to spare a thought
For those who need her charity,
Condescendingly.
Oh, Celia, come on down
See how poor people live;
All’s not too well in town,
Your excess they won’t forgive
The poem is once again set to music, and you can find all my music in my “Otidorchestre” Instagram feed or listen to it on YouTube, Spotify, Amazon, Deezer, Flo, Pandora, and other music sharing sites.
Thursday, 10 July 2025
REQUIEM
“A requiem is meant to bring comfort.” - Mack Wilberg
The New What’s Going On blog is prompting about “Rest”. I’m sorry but my rest is rather restless, or rather, a rest that comes after great turmoil. A Requiem (Latin: rest) or Requiem Mass, also known as Mass for the dead (Latin: Missa pro defunctis) or Mass of the dead (Latin: Missa defunctorum), is a Mass of the Catholic Church offered for the repose of the souls of the deceased, using a particular form of the Roman Missal. This was the inspiration of my “Rest” poem.
Requiem
Requiem,
Requiem Aeternam…
Burying all traces of desire
Deep inside my withered body
I cling to words;
And words my only comfort.
Interring deep in dark, dank soil
My heart’s small broken pieces
Images of my fantasies save me
From the grasping claws of madness.
Requiem Aeternam!
Requiem
As the sun vanishes once again,
Requiem
As the darkness claims me for her own.
Enshrouding dead dreams
I clutch only a cold memory
Of an embrace long ago.
Inhuming my follies,
Your smile, your eyes, your body,
And only reason, mute written words,
And only silent words to save me.
Requiem Aeternam,
As dark night falls
Enclosing softly all my longings,
Requiem
As the illusion dies once again,
Requiem
As the tears flow,
Only to freeze
On my death-cold flesh.
Requiem Aeternam,
Eternal rest I crave!
My flesh to save,
As I dig my grave…
Requiem,
Requiem,
Requiem Aeternam...
Here’s the poem set to music, and you can find all my music in my “Otidorchestre” channel or listen to it on YouTube, Spotify, Amazon, Deezer, Flo, Pandora, and other music sharing sites.
Please be aware that there may be a slight delay with the uploading of music on some of the above music sites. YouTube is usually the most rapid to upload.
Wednesday, 9 July 2025
ONCE MORE...
The prompt from “Poets and Storytellers United” this week is to write something inspired by the quote: “Don’t be afraid to start over. This time you’re not starting from scratch, you’re starting from experience.” Here is my poem:
Once More…
Once more alone,
A silent phone.
All on my own…
After you left, there was an empty space,
With ghostly images wearing your face;
My heart a burnt out field, a vacant lot
Survival in a polar waste my only thought.
I closed myself up, built a protective wall
Excluded joys, songs, happinesses all.
Now by myself, how time drags and stops
And life expires, turns into a rotting corpse.
I’m all alone, beside a silent phone,
Nobody rings, nobody talks nor sings.
My house a tomb, each room in gloom,
My heart of ice, paying the price.
And then she came, and a sun ray shone,
Her voice so sweet with measured tone.
Whispered my name and made me hope
That maybe I could go on, live and cope…
Once more, my heart began to quickly beat
Once more, each morning I could dare to greet;
How such a fleeting glance renews desires,
How such a single word can light such fires?
I’m happy dating, by the phone waiting,
I know she’ll call, I’ll risk another fall;
For love again, a poisoned cup I’ll drain,
And roll the dice, and pay whatever price…
Walking a tightrope,
Once more I hope
That I will cope…
Here’s the poem set to music, and you can find all my music in my “Otidorchestre” channel or listen to it on YouTube, Spotify, Amazon, Deezer, Flo, Pandora, and other music sharing sites.
Saturday, 14 June 2025
LOST MUSIC
This week, Poets and Storytellers United has given the theme of “Music for the Muse”. I brought to mind the often repeated words that lovers say when “that” song begins to play: “They’re playing our song…” And they become starry-eyed. The song is significant for those two people and is laden with memories. Alas, sometimes those memories are quite sad, especially if the love affair has ended, one way or another…
Lost Music
You left me, without a bitter word being said
Taking flight in a hurried flurry like a bird;
My life all of the sudden empty, void,
A darkness and a pain I can’t avoid.
When you were gone all of the music died
Your absence grey, my life’s colour denied
In midst of summer, now cold and frost,
All joy and song and dance were lost
Our song now echoes in my empty heart,
How can I listen to it since we are apart?
The music was once tender, joyous, sweet,
But all I feel now is sadness and defeat.
The fates conspired and our love was crossed,
We gambled, with our stakes too high, we lost.
Where are you now that I need you most?
A hazy shadow, an elusive wispy ghost.
Memories, wakened by the music in my soul,
In fibres of my being run and consume me whole.
Music is the food of love, they rightly say,
And in your absence, no song will ever play.
Our song now echoes in my empty heart,
How can I listen to it since we are apart?
The music was once tender, joyous, sweet,
But all I feel now is sadness and defeat.
I couldn’t resist putting the words to music! Here’s the poem set to music and you can find all my music in my “Otidorchestre” channel or listen to it on YouTube, Spotify, Amazon, Deezer, Flo, Pandora, and other music sharing sites.
Monday, 2 June 2025
AWAKENING
Seize the day!
And I can banish all that’s past;
The new bright morning breaks gently
While my heart beats all the more intently…
I can look now at my tomorrow;
Awake, fly to heaven, oh my soul,
Escape from yesterday’s black hole.
My heart beats free, no longer in pain.
My arms are loosed from bonds and ties
Ready to stretch, to reach new highs.
I venture out, walking in the park;
The trees, the breeze, and golden sun
Are mine again, life’s just begun.
I’m ready now to see the world anew,
My eyes wide open, bright and grateful,
Seeing nothing evil, bitter or hateful.
My heart beats free, no longer in pain.
My arms are loosed from bonds and ties
Ready to stretch, to reach new highs.
Seize the day!
Thursday, 29 May 2025
ACTIVATE!
The New What’s Going On Blog has given the challenge this week of writing about making a statement about asserting one’s rights, fighting for freedom, raising one’s voice and become active in bringing about change in a world that is unfair, unjust and steeped in inequality. It is a message of becoming united with fellow sufferers and making wrong things right. Here is my offering:
Activate
Get up, and mobilise,
It’s time to verbalise
And voice your discontent!
We live in times that stress us
Have leaders that distress us,
And lifestyles that aggress us,
Depress, and downright regress us!
Get up, and mobilise,
It’s time to verbalise
And voice your discontent!
Your silence means consent,
So, talk! Talk loud, talk clear
This is no time for fear!
Our time has come to shine,
Our strategy streamline,
To organise, combine,
Draw on the sand our line.
Get up, and organise,
It’s time to verbalise
And voice your discontent!
Your silence means consent,
So, talk! Talk loud, talk clear
This is no time for fear!
Get up, and march together,
In any place or weather,
It’s time to change for better,
To free and to unfetter.
And seeing that it was a song that was given as an example to be inspired by, I set the above poem to music and you can listen to it in my “Otidorchestre” channel on YouTube, Spotify, Amazon, Deezer, Flo, Pandora, and other music sharing sites.
Tuesday, 27 May 2025
NOCTURNE
Tuesday, 1 April 2025
TRAVEL TUESDAY 490 - MT OLYMPUS, GREECE
You are invited to the Inlinkz link party!
Click here to enterTuesday, 19 October 2021
TRAVEL TUESDAY 310 - COLMAR, FRANCE
and also part of the Ruby Tuesday meme,
and also part of the Wordless Wednesday meme.
You are invited to the Inlinkz link party!
Click here to enterTuesday, 16 June 2020
TRAVEL TUESDAY 240 - DOVER, UK
“There’ll be bluebirds over The white cliffs of Dover Tomorrow, just you wait and see…” – Vera Lynn (lyrics by Nat Burton)
Welcome to the Travel Tuesday meme! Join me every Tuesday and showcase your creativity in photography, painting and drawing, music, poetry, creative writing or a plain old natter about Travel.
There is only one simple rule: Link your own creative work about some aspect of travel and share it with the rest of us. Please use this meme for your creative endeavours only.
Do not use this meme to advertise your products or services as any links or comments by advertisers shall be removed immediately.
The cliffs have great symbolic value in Britain because they face towards continental Europe across the narrowest part of the English Channel, where invasions have historically threatened and against which the cliffs form a symbolic guard. The National Trust calls the cliffs “an icon of Britain”, with “the white chalk face a symbol of home and war time defence.” Because crossing at Dover was the primary route to the continent before the advent of air travel, the white line of cliffs also formed the first or last sight of Britain for travellers. In World War II, thousands of allied troops on the little ships in the Dunkirk evacuation saw the welcoming sight of the cliffs.
This post is part of the Our World Tuesday meme,
Saturday, 19 May 2018
MUSIC SATURDAY - SALIERI PIANO CONCERTO IN C
Antonio Salieri (18 August 1750 – 7 May 1825) was an Italian classical composer, conductor, and teacher. He was born in Legnago, south of Verona, in the Republic of Venice, and spent his adult life and career as a subject of the Habsburg Monarchy. Salieri was a pivotal figure in the development of late 18th-century opera. As a student of Florian Leopold Gassmann, and a protégé of Gluck, Salieri was a cosmopolitan composer who wrote operas in three languages. Salieri helped to develop and shape many of the features of operatic compositional vocabulary, and his music was a powerful influence on contemporary composers.
Appointed the director of the Italian opera by the Habsburg court, a post he held from 1774 until 1792, Salieri dominated Italian-language opera in Vienna. During his career he also spent time writing works for opera houses in Paris, Rome, and Venice, and his dramatic works were widely performed throughout Europe during his lifetime. As the Austrian imperial Kapellmeister from 1788 to 1824, he was responsible for music at the court chapel and attached school.
Even as his works dropped from performance, and he wrote no new operas after 1804, he still remained one of the most important and sought-after teachers of his generation, and his influence was felt in every aspect of Vienna’s musical life. Franz Liszt, Franz Schubert, and Ludwig van Beethoven were among the most famous of his pupils. Salieri’s music slowly disappeared from the repertoire between 1800 and 1868 and was rarely heard after that period until the revival of his fame in the late 20th century.
This revival was due to the dramatic and highly fictionalised depiction of Salieri in Peter Shaffer’s play “Amadeus” (1979) and its 1984 film version. His music today has regained some modest popularity via recordings. He is popularly remembered as a supposedly bitter rival of Wolfgang Amadeus Mozart. This includes rumours that Salieri murdered Mozart out of jealousy, when in reality, they were at least respectful peers.
Here is his Piano Concerto in C (1773) performed by Pietro Spada and the Philharmonia Orchestra:
1.Allegro maestoso 00:00
2.Larghetto 08:54
3.Andantino (Rondo) 16:12
Saturday, 28 April 2018
MUSIC SATURDAY - ARNOLD BAX
Sir Arnold Edward Trevor Bax KCVO (8 November 1883 – 3 October 1953) was an English composer, poet, and author. His prolific output includes songs, choral music, chamber pieces, and solo piano works, but he is best known for his orchestral music. In addition to a series of symphonic poems he wrote seven symphonies and was for a time widely regarded as the leading British symphonist.
Bax was born in the London suburb of Streatham to a prosperous family. He was encouraged by his parents to pursue a career in music, and his private income enabled him to follow his own path as a composer without regard for fashion or orthodoxy. Consequently, he came to be regarded in musical circles as an important but isolated figure. While still a student at the Royal Academy of Music Bax became fascinated with Ireland and Celtic culture, which became a strong influence on his early development. In the years before the First World War he lived in Ireland and became a member of Dublin literary circles, writing fiction and verse under the pseudonym Dermot O'Byrne. Later, he developed an affinity with Nordic culture, which for a time superseded his Celtic influences in the years after the First World War.
Between 1910 and 1920 Bax wrote a large amount of music, including the symphonic poem Tintagel, his best-known work. During this period he formed a lifelong association with the pianist Harriet Cohen – at first an affair, then a friendship, and always a close professional relationship. In the 1920s he began the series of seven symphonies, which form the heart of his orchestral output. In 1942 Bax was appointed Master of the King's Music, but composed little in that capacity.
In his last years he found his music regarded as old-fashioned, and after his death it was generally neglected. From the 1960s onwards, mainly through a growing number of commercial recordings, his music was gradually rediscovered, although little of it is heard with any frequency in the concert hall. In more recent years, Bax’s music has been (re-)discovered enthusiastically by a new generation via online distribution services such as YouTube.
Here is his Quintet for Oboe & Strings performed by the Camerata Pacifica (Nicholas Daniel, Catherine Leonard, Ara Gregorian, Richard O'Neill & Ani Aznavoorian). Bax composed the Quintet for Oboe and Strings in the closing months of 1922, on the heels of his First Symphony. At the time, a piece for such forces was unusual; surely, Bax was inspired to write the Oboe Quintet by the playing of the famous oboist, Louis Goossens, to whom the composer dedicated the piece. This was quite an honour for the young Goossens.
1. Tempo molto moderato - Allegro moderato - Tempo primo
2. Lento espressivo
3. Allegro giocoso - Più lento - Vivace