Showing posts with label costume. Show all posts
Showing posts with label costume. Show all posts

Making the theater production version of The Phantom of the Opera Mask of the Red Death costume: The final-ish pictures

Thanks for following me to the last post about this project. It was a lot to take on, overwhelming at times. 80+ yards of lace and trim, 5 yards of fusible interfacing, 3 yards of black felt, 5 yards of velvet, 8 yards of red fabric, and tons of trips to the fabric district.

Would I do this project again...yeah, I guess.

Would I need more money...Absolutely!

Thanks all!
PS: The hat and shoes were still being finished, and the cape was changed in the end, but you get the idea of eveything :D

Making the theater production version of The Phantom of the Opera Mask of the Red Death costume Pt 5: the finishing touches

Hi all.
I've showed you how all this craziness came to be, how I made this incredibly rich costume in too little a time, and a lot of the tricks I used (not all #tradesecrets).

I stopped at a point because it would have been foolish for me to continue without a fitting. I had a friend be a body double, and I was finally about to add the bells to the sleeves in their correct places, fluff the sleeves by stuffing them with tulle, and adjusting the fit (mainly the back of the bodice, yay) so that everything hung the way it needed to.

Here are a few of the final things I did.


Making the theater production version of The Phantom of the Opera Mask of the Red Death costume Pt 4: the bodice

We are almost there...kinda. This one I decided to do in pictures (mostly) because all the techniques I used for it are described in the previous posts.


Okay, back to words. This piece I will say was kinda a challenge. The bodice has some exposed parts on the chest to show the business beneath (one reason why I attached the sleeves to a red shit) and matching that and making everything lay as well as I could make it required a lot of tucking and darting and reinforcing.

Once I laid the lace on, and after I contoured the front of the bodice, I laid the pipped pieces staggered to the flat velvet pieces.




From there I topstitched everything down, hand tacked the bottom of the bodice, and added the buttons. See the gaps in the front chest? The red will poke through. It's a cool look. This bodice fits over the head (a small seam at the back of the neck, and the sides velcro closed because of those sleeves.

Oh, and I made this, too.
It's the lace at the neck. This was just a tube with a drawstring at the top to tighten it as you wanted around the head and chin.


Easy enough.
We're almost done, I swear!
See you next post!

Making the theater production version of The Phantom of the Opera Mask of the Red Death costume Pt 3: Pants

Let's talk about the pants.

I gotta say, this was proably the most uneventful part of the project.
IM JUST KIDDING! These were a nightmare!

Okay, not so much a nightmare, but a pounding migraine in an earthquake.

Let's begin.
This was the first time I was using the stretch velvet in large pieces. As I mentioned in part two, I had to back the velvet because of the stretch, but here, the pants had to have a weight to them, and that meant I had to back them with something a bit heavier.

I used two fabrics to back the velvet. A red cotton polly for the pants to give them a good drape, and for the bodice of the costume, a firmer black felt.

I had a few yards of polly felt that had a good body to it, so I laid out a couple yards of the stretch velvet and sandwiched the fabric infuser sheets between the black felt.

Only one problem, the black felt didn't want to retain the heat of the iron!


I kid you not. I'd go through a full pass with the iron, pausing for a good ten seconds on each hit with heat and when I checked my work, it's like noting happened.

UGH.

When dealing with heat and thick fabric and fusible facings, there are so many variables:
I couldn't iron on the velvet because I could crush it or the heat could be too hot and melt the fabric.

If I increased the heat, I could melt the black felt and ruin my iron.

If I paused too long with an iron pass, I could melt everything.

UGH.

I decided to use a cotton pressing cloth and bump up my iron heat. That meant that I would be using more heat to penetrate not only the cotton pressing cloth but also the stubborn felt to get to the fusible interfacing so it would bond it to the velvet! Yikes that's a lot!

I was still concerned with burning/melting/scorching, so I took it slow. Very slow, like take me an hour to fuse two yards slow.

UGH.

Okay, for the most part, the interfacing stuck, and the fabric had a good body to it. After cussing, I set the black backed velvet aside and began on the pants.

The pants were primarily a plus fours shape, so I cut them out using the patterns I listed in the previous blog post.


I them laid out the lace strips, which of course are on a diagonal because my life has to be hard!


I matched the inner and outer seams, marking them as I cut the lace out.


I stitched everything into place, and even zig-zaged over the lace to act as an overlock stitch (that stuff liked to fray).


Then with a bit of careful easing, I matched everything up and had the base of the pants.

I added a gathering stitch (by hand) through the waist of the pants and added a waist bad according to the measurements of the wearer. The pants close in the back with velcro.

From there I added elastic around the legs but the fabric was too thick.




The cuffs of the pants were gathered by hand like the waist and fluffed and a decorative lace was attached. Lastly, to keep the 'fluffy' look of the legs, I added two ribbons to each leg to keep up the gather.


I like them. Thanks!

Making the theater production version of The Phantom of the Opera Mask of the Red Death costume Pt 2: Them Sleeves!

Oh geeze, these freaking sleeves, man.

Welcome back!
To recap, I made a crap ton of lace to mirror the look of the chosen PotO (see part one post), and now it's on to those amazing and headache inducing sleeves.

Firts things first, I needed to examine the sleeves.
Okay, I really don't know the name of these types of sleeves, I forgot, but it's not like that really matters anyway........

What I needed to do was get the drape and the bell shapes right, but before I could do that, I had to figure out how I was going to make them.

The actual sleeve on the inside is made of that dark brocade fabric that we found at an upholstery store.

1940s style halter top recreation.

Hi everyone!

Hope your week was good and you are gearing up for the weekend!
I am so booked this weekend, going to a vegan festival tomorrow, working, and seeing friends.

One friend I saw this past week asked me to help her with her costume for her dance performance at Camp Hollywood this weekend. She's part of the JR LA  Shag team and she needed to have a top remade to work with her partner's costume.

She brought in this rayon halter that was super cute and with a few modifications (because the new fabric was cotton) I drafted a pattern off the blouse and was able to make her blouse.

The fabric I got to work with was this cute Hawaiian/Tiki novelty print with these super tan surfer boys!

My parrot shirts!

Hello everyone!

Hope you all had a great Mother's day and your week is going well.
I've been busy sewing about 65 units for a small production, working on patterns, and doing some illustration as well. Whew!

In between all of that I made these tiki inspired shirts for a friend who is going to program the parrots to say witty and funny things. You know, like you do.

The goal was to make the wings be able to flap under the shirts, which I kinda did, but the range of the flappage wasn't as wide as I assumed the wings moved when I had the model to base the shirt from.

I began with a template I made and worked out as many issues as I thought I'd run up against.


The Amy and other goodies!!

Hello lovely people!
It's been busy in the studio of Shelley. I'm working on a clothing production (NDA) and that has been my bread and butter for a while, and for a while longer.


I also invested in another serger for this project. Really happy about having twin sergers.


I'm working on the NVL patterns, and The Amy is done and shipping, so if you want the pattern, it's available in my Etsy store. I'm working on the next pattern right now and once I re-draw the cover, I'll announce it.

I've also taken on another dress from one of my kickstarter backers.

Plus, I made tiki shirts for animatronic puppets, because, because.


So much going on!
Whew!

I need to make some time to go through my vintage catalogs for catalog Sunday so I can post more images. I'm running really low on my scans.

Okay lovely people, that's it for now. I'm super tired and I just had a beer on an empty stomach, so I need to go to bed.

Tomorrow is a trip to the fabric store to get some supplies. Eep!

Have a great day!

Don't forget to check out my other social media and be sure to tell your friends!

Vintage Pattern Selling is Dead

I'm sure you've all noticed.
The bubble has popped.

The furvor is over and all that remains are a bunch of mediocre patterns and the novice sellers who think they are worth more than they are.

For the time being, let's remove supply and demand from the pattern selling equation. We all know that panic bidding is really what drives up the prices in our little world. Sans that, drove up the prices. You see, actual demand has gone to the side and been replaced with laughable price tags from someone looking to gouge because, "I found a pattern and it has to be worth something!"

It's not as if I long for the heyday of 6 years ago when vintage sewing patterns were their most expensive. I long for those times because of the ample variety. Oh, so many types of patterns in all price ranges were available to those shoppers just starting out all the way to the super serious collector dropping $400 on a 20s hat pattern (it happened!).

That's what made me start selling to tell you the truth. I'd buy a pattern, feel like a glutton for having so many and sell off a few to spread the wealth. That snowballed into a nice little side business that I was actually able to pay rent with for a time.

But over the last few years not only did the supply diminish, the quality did as well, as new "insta" collectors came on buying patterns based on the pattern envelopes (you know what I mean-the obsession with evening gowns), other collectors saw the prices drop and stopped listing their choice pieces. Also, repros shot in like gang busters, shaving off those sewists who really just wanted to make the garment over owning a piece of history. Soon the major pattern makers go into the repro game (with wishy washy success) and the retro styles became sub mainstream, so people were soon able to find looks that mimicked the vintage aesthetic in their local malls.

All of this added to the bubble popping, only, like every popped bubble, many don't get the message.


This is my pattern. It's in my possession and I just sold it in a lot for a little over $100. So in that bulk, it sold for a little over $1.

This same pattern is listed here, on ebay at these two insanely different prices. Not only is this pattern late 60s, it's a costume pattern and not rare in the least. It's a left over, as are most that are listed these days. Decent enough to notice, but not desired enough to acquire.

*sigh*

And that's where the patten selling market is now. A niche that either will list an average 30s pattern for $250 that no one will buy, a 60s "Mad Men" dress pattern for $50, or $5 (I mean really, do these sellers search listings before they post!?), or mis-catagorize a patten in order to carry more views. I mean have you seen the "1930s" pattern category? It's laughable.

Where does this leave those of us who still troll the sites and places and regular haunts looking for that beautiful pattern discovery? I guess in the same places were were always known to be. I don't think those people will ever stop collecting, or ever think that the hey day will return, but part of it is the hunt.

For me now, I look for nice designs that may often get overlooked because they are plain or some other collector may not see their potential.
This is my newest one, in my size and only $5. I've always had a soft spot for plain patterns.


It's the discovery, that treasure that can be yours and the story of finding it that you will attach to the pattern, any vintage find really. It's what we often live for, and as long as I have legs, antique malls and a decent amount of disposable income, I'll be a vintage pattern collector for life!

Your thoughts?

Hello everyone!

See…This should show you all how backwards I am. I did this post which was for Monday, today, thinking this Sunday was Monday! CRAZY!!!
So Catalog Sunday will be Catalog Monday.

Good Monday, one and all. Brian says hi.


Hope you had a good weekend. 

Na na na na na na na naa na na na na na na na naa, Batman(s)!!!!

Hello everyone!


Whew! This has been a very stressful week. Quite a few of my friends were laid off, I was scrambling for payment from some freelance jobs. Aunt Flow visited. Rent was due. A crazy time.

Dressing Movie monsters pt 2: The Wolfman Coat

Good morning lovely people.


Oh the coat, oh the coat! So much to show and explain and still simple and classic. All I can say is that I'm glad the coat was not fitted in any way. Despite my efforts in proper fit, I felt I did give a bit in my quality control because it was a 'costume' garment. I mean, I get it. Not everything needs to be at real person wearable quality, but I have standards, dammit, and I'm gonna keep them as hight as I can.

Dressing Movie monsters pt 1: The Wolfman Coat

Hello lovely people.


This past weekend was a busy one as far as sewing. I got a rush job from the company I do sewing for, for a wool coat for a Wolfman statue. Cool! You all know how much I like a challenge. I do. Nothing makes me try harder than a difficult project and a deadline, but this project was a doozie.

Dressing Movie Monsters

Hello lovely people. 


I hope your week is going well. Mine is a slow slog of writing, drawing and sewing. I'm at various stages of either so it all feels as if it's taking forever to finish anything, and that makes everything seem so far away. As I continue on, I realized I didn't show you all the images of the movie monster wardrobes I've been working on.

What I'm cramming in in-between packing boxes.

Happy Tuesday one and all!

I hope your week is going well. Actually, I hope you all recovered from last week by having a restful weekend. Me? Well, I'm glad you asked. MY weekend was just as packed (ha, that's a pun) as my weeks have been.

On Saturday evening, after a day of determination to go from this,


to this!


LACMA Mid Century Design Exhibit pt 3

The last installment of this amazing exhibition. Really, these photos are just a fraction o f the goodies that show has. You have until June, go see it!


LACMA Mid Century Design Exhibit pt 1

This evening I traveled to LACMA for the California Mid Century Exhibit.
It was a Thursday and the museum was open late. We met up at 6:30 and I was surprised that if you were an LA resident, you got in free!

You walk into a large breath of space where it has been transformed into a kitcky 50s tasting space itself. It's wavy gravy, man.

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