Showing posts with label Victorian. Show all posts
Showing posts with label Victorian. Show all posts

Monday, June 26, 2017

Mini-Review: Breath of Earth by Beth Cato

Geomancer

By day I am a mild-mannered engineering geologist and by night I read fantasy and science fiction once the rest of the house has gone to bed. So…the word geomancer is the only part of the description of Breath of Earth by Beth Cato that matters. Once I read that word I knew that I had to read this book. I was not disappointed.

Blah Blah Blah. Yeah, I’m a geologist and this isn’t the first time I’ve written a review where that is the lens through which I (at least initially) view a book and focus my review. Magic derived from the energy of the earth, specifically in the form of the earthquakes – sign me up. Set in San Francisco at the time of the infamous 1906 earthquake – keep it coming. Throw is a provocative look at the society of the time, a view not from the ‘winners’ of society, but from those that the winners oppress – excellent.

I have read (and reviewed) The Clockwork Dagger by Cato and it can clearly be seen that Breath of Earth is its decedent. ‘Victorian-type/regency’ society with a young woman on the outside, a bit naïve to the world and thrown into a serious situation. Plus, a dashing young man who both saves the day (and is saved by her) complicating things. A woman who struggles to break the chains society has placed on her. A woman who awakens to her own power within. I enjoyed The Clockwork Dagger, and Breath of Earth takes that solid foundation and improves it, adds experience, and has geomancers (hey, I would never claim objectivity in a review).

How does the geology stand up? Frankly, it doesn’t matter. It’s not gotten into. The alternative world that Cato creates is one where most of the myths of origin of nature are true to some degree. There are magical creatures in the world – unicorns, selkies, etc. There are giant magical beasts that live in the earth where earthquakes happen. And a select few people have magical powers of various sorts. As a fan of fantasy, as a fan of myth, as someone who has a great curiosity of other cultures and how they came about, I found Cato’s approach to be wonderfully creative and simply a lot of fun. And there are geomancers.

Another fun aspect of Cato’s alternative world is her rewriting of political powers. It is a world of great superpowers, often at war with each other, in various states of conquest and rivalry. Wars are cold, hot, and just waiting to happen. Geomancers play their role, so do other magical people, dirigibles and other ‘steampunk’ engines of war. The US is aligned with Japan, currently bent on destroying China, the British have an empire focusing on the conquest of India, the Russians are out there and others. Being set in San Francisco, the main players are the Chinese, Japanese, and Americans in this (partial) exploration of some dirtier realities of actual history.

So, whether you are looking for a super-powered woman of color coming finding her power and kicking ass, a bit of a Victorian/regency Romance, an interesting alternative history of San Francisco, or the awesomeness of geomancer, I strongly recommend Breath of Earth. And I am very much looking forward to the sequel – Call of Fire. Bring on more geomancers!

Blood of Earth Trilogy

Breath of Earth: Amazon
Call of Fire: Amazon (Will be released in August)
Roar of Sky: Forthcoming

Wednesday, November 19, 2014

Mini-Review: A Natural History of Dragons by Marie Brennan

In order to add context to this review, I feel I must begin by explaining that I am a trained scientist, a lover of the outdoors, and rather fond of traveling. I often look back to a world where large parts truly were ‘undiscovered’ and the adventures of discovery was ever present, and wish that I were there.* Surprising for one with my background, I don’t read much nonfiction, but when I do, it’s often of the scientific discovery sort of variety, and they are often biographies of prominent scientists of the 19th Century. So, given all this, I can say that it’s really no surprise at all that I really, really enjoyed A Natural History of Dragons by Marie Brennan (Indiebound, Book Depository, Amazon).

The story is narrated by an aged woman of some notoriety and fame (Lady Trent) – fame for being a scientist no less, and a women scientist at that. She is looking back to the time of her youth and coming of age, when she went on her first big adventure. A time before the world had moved on to a more developed, smaller world – a world where adventures and discoveries were out there to be had and a society where women did not take part in such disgraceful activities.

It is a secondary world, though it absolutely invokes Victorian England and the aristocracy exploring colonial, ‘lesser’ lands. It’s also told in the journalistic style of the times (or at least how we like to think of the times). We could easily be reading about a trek into Africa, or perhaps the far reaches of Central Asia, but in this book there be dragons.

All I can really add is that this story was a pure joy to read. Yes, at times it gets self-indulgent and the pace slows to a crawl, but what journal doesn’t do this? However bad at times things get during the expedition, I can’t help but want to be there myself. To have been one of these early scientists making such groundbreaking discoveries – did I mention there are dragons. That just makes it all so much cooler, because it would be a childhood dream come true to search out and study dragons.

A Natural History of Dragons has been out for a while, and so has its sequel (The Tropic of Serpents) and Voyage of the Basilisk is forthcoming in 2015. It managed to get itself nominated for the World Fantasy Award (not a winner though), and all I can say is that I should have read it sooner. And I can’t read the sequel soon enough.

A Natural History of Dragons (Indiebound, Book Depository, Amazon)
The Tropic of Serpents (Indiebound, Book Depository, Amazon)
Voyage of the Basilisk (Indiebound, Book Depository, Amazon)


*I’m aware that this is a horribly privileged, Western perspective, but I am a product of my society.


Tuesday, March 30, 2010

Review: Soulless by Gail Carriger

Victorian high-society full of vampires, werewolves, dirigibles, and tea-drinking. A description much like the one above intrigued me – just a bit tongue-in-cheek, but also self-aware enough to earn a smile. Soulless by Gail Carriger (Book Depository, Powell’s Books, Indiebound) does indeed meet that description…and more (there is even…wait for it…romance).

Alexia Tarabotti is an aging spinster in the high-society of Victorian London. She has a sharp tongue, independent mind, and is cursed with the Italian blood, complexion and name of her long-dead father. She spends her days tolerating family and chaperoning her younger half-sisters, who have real potential in the game of society, to one social event or another. Miss Tarabotti is also registered with the estimable Bureau of Unnatural Registry (BUR), a division of Her Majesty’s Civil Service, as a preternatural, the yin to the yang of supernatural creatures like vampires, werewolves, and ghosts. An assault by a horribly rude and mannerless vampire sets the stage for the adventures to come.

Soulless is a fun mix of Victorian romance, steampunk, alternative history, and urban fantasy. While there is a more than adequate plot to add mystery and suspense, Soulless is a romance at its heart. Lord Maccon is the Scottish fourth Earl of Woolsey, head of the BUR and the Alpha male of the Woolsey Werewolf Pack. Miss Tarabotti and Lord Maccon engage in the standard dance of antagonizing love-hate banter, beginning with the latter and ending with the former.

Carriger utilizes an almost flippant humor throughout Soulless. Soulless is snarky – well, it’s at least witty, but the self-awareness of the wit leads me to call it snark. And it’s the self-aware aspect to the humor that works – like it works for Buffy the Vampire Slayer. While the dialogue is often too witty, it obviously isn’t taking itself overly seriously either, making the comedy of romance much more enjoyable. Carriger also peppers dialogue and thoughts with language that feels much more modern than Victorian English – I took this yet another sign of the self-aware, tongue-in-cheek quality underlying much of Soulless.

On a related note, Carriger seems to have a strong understanding of the underlying sexual metaphor behind supernatural creatures such as vampires and werewolves – she embraces the metaphor in not a wholly proper way and then embellishes. Vampires are all style and effeminate beauty (even gay) as well as the inspiration for Victorian social structure. Werewolves are all testosterone, barely-controlled animal virility, and the brains behind the military might of the British Empire. The underlying sexual tension of Victorian prudishness is brilliantly balanced against the metaphor, and Miss Tarabotti’s innocence, curiosity, and sharp tongue lead to some rather humorous moments, even if a bit overboard.

Unfortunately, Carriger’s style of writing also suffers from one of my biggest pet peeves – unclear breaks in point of view. The point of view often jumps from character to character, regardless of them being major or minor characters, without warning or break. This is often confusing, always annoying, and slows down pace of the narrative.

Carriger combines a sense of the modern world with Sense and Sensibility in Victorian England with a dash of steampunk and a healthy dose of the supernatural. The aware, confident whit and self-deferential humor help make Soulless a fun and quick read with a rather clever premise. And the adventures of Miss Tarabotti continue in The Parasol Protectorate series with Changeless (
Book Depository, Powell’s Books, Indiebound) and forthcoming Blameless (Book Depository, Powell’s Books, Indiebound). 7.5/10


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