Review: Acacia Trilogy by David Anthony Durham

Epic fantasy has traditionally tended to be a conservative genre at its heart. The overall goal of the quest to save the world is generally to preserve the status quo, not to create fundamental change for the better of people and their society. It’s typically a pretty standard hero, often of modest, rural (and therefore generally conservative) origins who saves the day and ascends to the role of the next monarch. And while this is perhaps changing the most, the hero is also quite often a young, good-looking white male.

Epic fantasy of the last ten years or so often seeks to subvert many of the tropes I just mentioned. Heroes are grey, often not quite so heroic. The worlds and people within them are often now ‘gritty’, darker and more dangerous. The term ‘realistic’ often comes about, regardless of just how absurd the concept of reality is to whatever the term graces. Perhaps some change is sought, or maybe the good guys don’t win, or maybe the world is set in a place where the bad guy has already won, or just maybe no real victory is won at all. But with the Acacia Trilogy David Anthony Durham goes in a different direction. Real, fundamental change occurs. Realization of the evils that the rule of the ‘good guys’ inflict is a key component. Class divisions, drugs, slavery, political elite, political movers and shakers, the corruption of power and magic, invading barbarians, ethnic tensions, and real ethical concerns dominate both the words of the trilogy and what’s written between those words. And there is actual discussion of whether outright slaughter/genocide of the ‘bad guys’ should be the goal.

However, the politics and ethics that I describe above are integrated seamlessly into the plot that drives the trilogy. They are often fairly subtle and things are never didactic. The trilogy is still epic fantasy – there are cool beasts and monsters, there are dragons (of sorts), there is magic, there are vast armies that meet in battle and single combat between champions. Acacia embraces many of the essential elements of epic fantasy, only through a different moral and ethical lens.

The trilogy follows a group of four brothers and sisters from childhood to adulthood and (in some cases) to death. The Akarans are the children of the King of the Known Lands and are the latest in a long ruling dynasty from the island and ethnic group of Acacia. The Akaran dynasty rules over what is essentially an empire of many subjected small nations and the reader soon learns that they rule through very disturbing means. Selected children of the population are sold into slavery in a distant and unknown land in exchange for a drug that the ruling elite use to mollify the population. After the initial set-up and introduction to the Akaran children, we follow them as they grow, as Akaran rule is usurped and regained, as magic is rediscovered and as people from the distant Other Lands invade and the world grows larger.

The series begins with Acacia: The War With the Mein (Book Depository, Powell’s Books, Indiebound, my review) and something of a slow start. Durham’s roots as a writer lie in literary and historical fiction rather than SFF and he shows some of his naivety as he embraces tropes that often feel far too close to other epic fantasy works. Some of his characters come across as too great and achieve the status of Mary/Gary Sue. And Durham’s distinctive writing style is just a bit different than much of what is more common in the epic fantasy world – it’s not that it’s a hard style to read, just one that takes some adjustment. However, by the end of The War With the Mein, Durham finds his stride and the series quickly evolves into one of the most important epic fantasy series to be published in years.

The second, The Other Lands (Book Depository, Powell’s Books, Indiebound, my review), and third, The Sacred Band (Book Depository, Powell’sBooks, Indiebound, my review), books are each better than what comes before. The series evolves in scope as it moves beyond the Known Lands and implications become even greater as the moral and ethical challenges grow in importance through in time. And, the series has another triumph to boast about – a great ending. All too often the end of a series just doesn’t work as well as the build-up would imply. While I can see a case for disagreeing with me, I think that Durham pulled off the ending in a near-perfect fashion. The ending is idealistic – the good guys win, though not necessarily survive. Hope for the future is real. Systemic societal problems actually seem to be solved. I think many may complain that the ending is too neat and pretty, too unrealistic. But I think this is the point – Durham wants to show what a progressive message in epic fantasy can look like. Not the conservative, nostalgic end so common and not a cynical response to that conservatism. He presents a truly progressive move forward rather than backward or a simple reestablishment of a status quo – a vision of hope that could translate into our own lives and society.

Durham’s Acacia Trilogy provides an encouraging departure from both the traditionally conservative fantasy and the increasingly common cynical response. Durham presents an epic fantasy that is hopeful and progressive – I would even consider the use of the word liberal if it weren't so politically tainted these days. In doing so, he never loses site of the goal to write an engaging story that fans of epic fantasy can embrace. Acacia is one of the most exciting and important fantasy series that’s been published in the last 10 years, and it’s a shame that more aren’t reading it.

Giveaway: The Sacred Band by David Anthony Durham

Sometimes when a publisher sends me books they never arrive – and sometimes when a publisher sends me books I get double. Thanks to the latter, I have an extra copy of The Sacred Band by David Anthony Durham (Book Depository, Powell’s Books, Indiebound). This book finishes up the Acacia Trilogy in great fashion (read my full review) and I highly recommend this largely underrated series (my reviews of book 1 and book 2).

With the first two books in the Acacia Trilogy, Acacia and The Other Lands, David Anthony Durham has created a vast and engrossing canvas of a world in turmoil, where the surviving children of a royal dynasty are on a quest to realize their fates—and perhaps right ancient wrongs once and for all. As The Sacred Band begins, one of them, Queen Corinn, bestrides the world as a result of her mastery of spells found in the ancient Book of Elenet. Her younger brother, Dariel, has been sent on a perilous mis­sion to the Other Lands, while her sister, Mena, travels to the far north to confront an invasion of the feared race of the Auldek. Their separate trajectories will converge in a series of world-shaping, earth-shattering battles, all ren­dered with vividly imagined detail and in heroic scale.

David Anthony Durham concludes his tale of kingdoms in collision in an exciting fashion. His fictional world is at once realistic and fantastic, informed with an eloquent and dis­tinctively Shakespearean sensibility. (Read Chapter 1)

So, the giveaway is simple. Just send an email to nethspace ‘at’ gmail ‘dot’ com. Remove and replace the ‘at’ and ‘dot’ with the appropriate symbols or use the email link in the sidebar. Use the subject of ‘SACRED’. Include you're name and mailing address. The deadline is Friday, October 7^th. Only one entry please and this is open to all. Good luck!

Review: The Sacred Band by David Anthony Durham

The Sacred Band by David Anthony Durham (Book Depository, Powell’s Books, Indiebound) is the third and final book of the Acacia Trilogy. Durham’s ambitious trilogy takes the largely conservative genre of epic fantasy in a new direction of rather progressive thought and action and builds things up to a very fitting and satisfying conclusion.

As always with the third book in a series, any sort of description of plot is difficult as it would spoil any events in the earlier books and feel largely out of context to those not familiar with the books. So, I’ll just say that events in the second book are continued forward, destinies are realized, battles fought, mistakes atoned for, and poetic justice found as Durham neatly ends the trilogy.

Ultimately epic fantasy is traditionally a conservative genre, in spite of the recent trends to spice up the genre with grit and subversion. Generally, monarchies or other essentially authoritarian governments rule and even the good guys fight for such institutions. Good and evil is typically laid out in recognizable form (in spite of the shades of gray so often used). But I feel what makes epic fantasy most conservative is that it is typically infused with some form of nostalgia that looks backward in time rather than forward. It’s that nostalgic, backward look that brings the comfort to so many readers that generally seeking an entertaining escape. And I’m not condemning that, as it’s more or less the same goal I have in my own reading.

Durham blends his form of epic fantasy with the nostalgic backward look but infuses the societies of his world with our own world’s current and past issues in a much more realistic and applicable form than seen in typical epic fantasy. Nationalism, racism, drug addiction, slavery, corrupt government, outside interests controlling government affairs, the rich and elite immune to the troubles of the common person, etc. In Durham’s world the Acacia Kingdom (though really it’s more of an empire) rules by addicting its population to drugs to keep it pacified as children are sold into distant slavery. This leads its leaders into various ways of dealing with their guilt – drug addiction of their own, inspired yet unrealistic idealism, or corrupt certainty that they are only doing bad things because it’s what’s best for the people whether they know it or not.

The battles fought contain the full range of human motivation – greed, power, freedom, survival, etc. Yet it’s always clear who the good guys are and leaders actually learn from their mistakes and become better for it. True sacrifices are made. Justice is found. Inspired solutions reached. Peace found with understanding if not forgiveness. The ending is idealistic – the good guys win, though not necessarily survive. Hope for the future is real. Systemic societal problems actually seem to be solved. I think many may complain that the ending is too neat and pretty, too unrealistic. But I think this is the point – Durham wants to show what a progressive message in epic fantasy can look like. Not the conservative, nostalgic end so common and not a cynical response to that conservatism. He presents a truly progressive move forward rather than backward or a simple reestablishment of a status quo. A vision of hope that could translate into our own lives and society, though obviously the series is still limited to ultimately less complicated depictions that don’t show details on how things actually move forward.

Durham’s writing style initially took some getting used to in the first book, but in The Sacred Band seems to flow freely – either his writing has gotten a bit more accessible through time, I have adjusted to his style, or most likely, a bit of both. One strategy Durham employs is to end seemingly every chapter on a bit of a cliffhanger. I find this both frustrating and rewarding. It gets a bit annoying that nearly every chapter ends with a cliffhanger only to move onto a completely different part of the world. However it also keeps the tension high throughout the book and invited me to be even more invested in the book.

Durham walks a very delicate balance with the number of points-of-view he presents. He verges on having too many and loosing the necessary focus of the book. Yet he has enough that a wide variety of events are seen and experienced by the reader. The balance he achieves is probably about as good as one could expect.

All in all, The Sacred Band and the Acacia Trilogy as a whole is a wonderful breath of fresh air. It has all the cool sense of wonder that great fantasy can have – unique and weird animals, dragons (of a sort), magic, mad sorcerers, a corrupt powerful queen, an idealistic prince, a warrior princess, and a dashing brigand. Each deals with their place in realistic ways that serve to transcend the cliché. And the action and setting are just what fantasy fans look for. It’s a really well put together work and a satisfying conclusion to an often underrated trilogy.

Durham’s foray into fantasy ends successfully. And it leaves me craving for more. Durham has said that for now he wants to move on to the next thing in writing – back to historic fiction and perhaps some more literary fiction. I can only hope he comes back to the SFF world again with another breath of fresh air.