Showing posts with label The Blade Itself. Show all posts
Showing posts with label The Blade Itself. Show all posts

Monday, October 29, 2007


Joe Abercrombie Answers Questions Five

Joe Abercrombie is the author of The Blade Itself (my review), the first book in a new epic fantasy trilogy that has been garnering a bit of attention lately. It’s been out in the UK for some time, but was released last month in the US by Pyr. The second book, Before They are Hanged is out in the UK and will be available in the US around March, 2008 and rumor has it that advanced proofs of the final book in the trilogy, Last Argument of Kings, have been sighted. Joe was born in Lancaster, England and currently resides in London

I’m very pleased that Joe has taken to the time to answer Questions Five.


If I were going on holiday to London and I can only visit one pub, which pub do you recommend and why?

JA: You could try the Phoenix Artist’s Bar off Shaftsbury Avenue, where a glittering array of genre writers are often to be found arguing with their editors over that most eternal of literary questions – whose round it is. It has the added advantage of being right next to several of the UKs biggest bookstores. Once you are drunk enough, I therefore recommend you stumble outside and buy any and all copies of my books that you can find. The dizzy rush of excitement you’ll experience will be far superior to anything you can get in a pub.

Honest.


So, which is preferable, reading The Blade Itself or visiting a dentist? Why?

JA: The Blade Itself will not give you a whiter smile. The Blade itself will not leave you with a minty fresh sensation on the tongue. The Blade Itself will not alleviate dental pain. Indeed, with its many scenes of mouth-based torture it may have the opposite effect. It will, however, I am reasonably sure, be cheaper than a visit to the dentist. In that respect, it is a winner.


Please describe one reason The Blade Itself would inspire a reader to strip naked and run screaming into the forest?

JA: Ah, interesting that you should ask. The Blade Itself contains a number of scenes set in forests and, yes, several of these involve moving faster than walking pace at various levels of undress. The very first line, in fact, has someone ‘plunging through the trees, bare feet slipping and sliding’. The book furthermore contains a great deal of screaming, yelling, wailing, blubbering etc. It also includes at least one instance of a stark naked wizard.

The possible effects on impressionable readers of these elements?

You do the math.


What other peculiar qualities of The Blade Itself should readers be aware of?

JA: It isn’t immediately clear from pictures on the internet (and I’m talking about pictures of the book, here), but potential readers should be aware that both the US and UK editions of The Blade Itself are covered in a sumptuously textured paper that puts one in mind of aged parchment, that caresses the fingertips and invigorates mind and body. Many criticisms have been leveled at my writing, but no-one has ever said that my books are not Grip-Friendly.


Why should The Blade Itself be the next book that everyone reads?

JA: Because I need a massive house.

Sunday, October 28, 2007

Review: The Blade Itself by Joe Abercrombie

Joe Abercrombie’s debut novel, The Blade Itself, has been quietly gathering praise since its initial release in the UK last year. I’ll say it right up front – I’m not going to say anything different, though I just might say it more emphatically. The Blade Itself easily equals anything released in epic fantasy in the past few years, and just may rise to the top.

The Blade Itself is book one of The First Law Trilogy and serves as the beginning of what should be considered a single story told in three parts. The reader is introduced to the central players – the aging and surprisingly contemplative warrior from the barbaric north with his mantra of ‘I’m still alive’, the spoiled-rotten nobleman with a purchased commission in the army training for a contest, the crippled, formerly spoiled-rotten nobleman and survivor of indescribable torture turned torturer of the King’s Inquisition, and the ancient magi with unknown goals, a wicked sense of humor and a biting temper.

This book is about characters first, and Abercrombie skillfully portrays them with near-perfect internal and external dialogue set at an ideal pace. These seem like real people from history rather than some over-done cliché or archetype. I simply loved the part where the magi, his apprentice, and the barbarian from the north must purchase clothes from a costume shop to look the way they should. This clever, verging on satirical, humor and wit infuses Abercrombie’s writing as he plays with many of the common fantasy tropes, makes them his own and shows us how things can be done in capable, yet irreverent, hands.

The closest I can come to a criticism of The Blade Itself isn’t really a criticism at all, just the realization that this isn’t a complete story. This is only the beginning – the players emerging, meeting and just embarking on the real adventure. Only hints of the underlying political struggles as well as re-emerging ancient battles are given with answers presumably forthcoming in the remainder of the trilogy – Before They Are Hanged and Last Argument of Kings. And I’m looking forward to finding out just where Abercrombie takes us from here.

The Blade Itself is the beginning of one of the most promising epic fantasies that I’ve read in years. Abercrombie had me laughing with his guile as he stops just short of spitting in the face of genre and set my heart racing through some the best written fight scenes of any genre. This one is not just for fans of epic fantasy. 8.5/10


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