Celia Friedman Answers Questions Five
C.S. (Celia) Friedman is a best selling fantasy and sci-fi author. It’s probably debatable about what book she is best known for – her first book In Conquest Born (nominated for the John Campbell Award), The Coldfire Trilogy, or This Alien Shore (a NY Times Notable Book). Through the years, she has been both a costume designer and university professor, in addition her career as a writer. Her latest book is Feast of Souls, book one of the Magister Trilogy (my review).
I’m very happy that Celia has taken the time to answer Questions Five.
You’ve referred to your cats at “hirsute writing assistants” – how exactly to they assist in your writing and does all that hair interfere in any way?
My youngest cat Tasha is concerned that I might not be warm enough while I am writing, so she drapes herself over my arms whenever I type. Sometimes she tries to actually help with the typing but her spelling is poor, so I discourage that. The others are worried about whether my computer has enough insulation, so they take turns napping on top of it, near the air intake vent, to make sure the hard drive gets a nice coating of fur.
Now and then when I need ideas for alien landscapes I open up the case and take a look inside. Quite inspiring.
If Feast of Souls were a fortune cookie, what would its fortune be?
"Sometimes the things you desire most are hidden in the darkest places."
How would you interpret this fortune if were your own?
Probably as a comment upon my housekeeping :-)
Please discuss one reason why Feast of Souls may inspire costume designers to do unexpected things with needle and thread.
Ah, you clearly missed the note on my web site that questions about costuming might result in an act of violence. Fortunately the Atlantic Ocean is between us so you are safe...for now.
Why should Feast of Souls be the next book that everyone reads?
'Cause it's shadowy and sexy and NOT like everything else out there. Possibly the best thing I've written yet (though the cats say they won't confirm that until the last volume is finished.) Suffice it to say that if you like your fantasy dark and intense, you won't want to miss this one.
The foundation of Feast of Souls (Book One of the Magister Trilogy) by C.S. (Celia) Friedman lies at the way magic works in this world. For those that can use magic, there is a cost – their own soulfire that resides in every human and drives life. Every time a witch uses magic, they shorten their own lifespans. Exceptions to this are magisters, a sorcerous, near-immortal upper class. Magisters have mastered a way of feeding off of the soulfire of other human beings – their magic use slowly kills some poor individual, while they live long lives free of natural death. Magisters fervently guard this secret source of their power from the mortal world. An important aspect of magisters is that they are all male – women are not appreciated in this world and the common ‘wisdom’ is that they are too compassionate to survive magister training and feed from the souls of other human beings.
A young and abused peasant woman, Kamala, has the gift of witchery, but refuses to slowly kill herself through magic use. She seeks out a reclusive magister to avert the inevitable fate of witches, early death. One common thread in the word of magisters is that they grow bored through centuries of life, so Kamala is apprenticed, and eventually the impossible does happen and she becomes something new – a female magister.
This sets up the events of the rest of the book, which serve as an introduction for the trilogy to come. A prince of the most powerful kingdom has become the ‘magical food’ for an unknown magister, a secret the royal magister must keep at all costs. Events move forward from here, as the larger story takes shape. Feast of Souls is a complete, if introductory, story. But the greater struggle is to come, a struggle I look forward to reading about.
Friedman creates a vivid, unnamed world while not spending a great deal of time or effort at worldbuilding. Instead, she concentrates on characters, fully showing their motivations while maintaining proper mystery for some and slowly revealing the history and workings of the world. Feast of Souls largely serves as an introduction to characters that will presumably have key roles in the remaining books of the trilogy. The growth of Kamala with her tortured and abused past and the mystery surrounding Magister Colivar leave me anxiously anticipating book two.
Aside from the magic system, the defining aspect of the Feast of Souls is the gender relations of the world. Friedman has built a fairly standard, medieval fantasy society, and along with it, the fairly standard gender relation. Women are second class, barely human. Young girls are bought and sold as sexual objects, routinely abused, and can only hope to gain anything in life through men. Rather than keep this at a subtle level, rather than sweeping it under the rug or pretending it doesn’t exist like the majority of fantasy books, Friedman throws it into the face of the reader, never letting you forget this horrible aspect of the world. At times, there is an uncomfortable, even man-hating feel about it all, which is entirely appropriate – it works for this world. There are a few redeeming men here and there, but they are the exception to the rule. For those concerned about this aspect of the story, I say don’t be – this is a fundamental part of the world, its characters, and their motivations, and the most intriguing feature of the book.
Friedman’s Feast of Souls (Book One of the Magister Trilogy) begins what is so far an excellent new fantasy trilogy, distinguished from others with its life-stealing magic system and sharp gender relations. This was my first exposure to the writing of Friedman and it won’t be my last. Highly recommended – 8/10.