Giveaway: 10th Anniversary Edition of Gardens of the Moon by Steven Erikson

I’ve got 5 copies of the 10th Anniversary Edition of Gardens of the Moon by Steven Erikson (US, UK, Canada, Indiebound) to giveaway courtesy of Transworld. This sounds like a great edition for fans and is the first hardback edition of GotM in the UK.

It’s been an astounding 10 years since the first Malazan title, Gardens of the Moon was published in the UK. To celebrate this we are releasing a special edition hardback of the title and I have a handful of these available for competition prizes for you to giveaway on your sites or in your magazines. This is the first ever UK hardback edition of the book and it includes a special foreword from Steven Erikson. Erikson’s Malazan Book of the Fallen has established itself as one of the most celebrated and acclaimed works of epic fantasy in the new Millennium.

Erikson is an extraordinary writer...my advice to anyone who might listen to me is: treat yourself to Gardens of the Moon.
STEPHEN R. DONALDSON

Bled dry by interminable warfare, infighting and bloody confrontations with Anomander Rake, Son of Darkness, the Malazan Empire simmers with discontent. Its legions yearn
for some respite from the chaos and killing.

For Sergeant Whiskeyjack and his Bridgeburners, and Tattersail - the lone surviving sorceress of the Second Legion - the aftermath of the siege of Pale should have been a time to draw breath and mourn the dead. But Empress Laseen's gaze has moved on and fallen upon the ancient citadel of Darujhistan. The last of the Free Cities of Genabackis, it proclaims its defiance and still holds out against her. However the empire is not alone in this great and bloody game. Sinister forces are gathering, and it would seem that the gods themselves are preparing to play their hand...

Gardens of the Moon is the defining opening chapter in what has been hailed a landmark of epic fantasy - Steven Erikson's awesome, multi-volume sequence, 'The Malazan Book of the Fallen'.

Rare is the writer who so fluidly combines a sense of mythic power and depth of world, with fully realized characters and thrilling action, but Steven Erikson manages it spectacularly.
MICHAEL A STACKPOLE

Gripping, fast-moving, delightfully dark...utterly engrossing.
ELIZABETH HAYDEN

A world that is both absorbing on a human level and full of magical sublimity...a wonderfully grand conception...splendidly written...fiendishly readable.
ADAM ROBERTS

I stand slack-jawed in awe of The Malazan Book of the Fallen. This masterwork of the imagination may be the high watermark of epic fantasy.
GLEN COOK

Erikson's strengths are his grown up characters and his ability to create a world every bit as intricate and messy as our own.
J. V. JONES

Entry is easy – just send me an email at nethspace [at] gmail [dot] com. Remove the anti-spam measures as appropriate or use the handy link in the sidebar. Include GARDENS as the email subject and make sure to include your full mailing address. Only one entry per person and this contest is open to anyone. The contest is open for 2 weeks – so make sure you enter by November 17th.

Near Incoherent Ramblings about Steven Erikson and the Malazan Book of the Fallen

I’m currently about half way through Reaper’s Gale, the latest offering in this monster of a series (which is a monster all its own at 900+ pages) and I just feel the urge to be a rambling fan-boy pimp for what is perhaps the best epic fantasy being written at the moment. No, I won’t be spoiling Reaper’s Gale or any other specific moment from earlier books, but I touch on broad plot progression, so consider yourself warned if you’re overly concerned about spoilers (and really, there aren’t any).

To introduce the series, Erikson’s Malazan Book of the Fallen is a planned 10-book series, and Reaper’s Gale is the 7th installment – he has released the books close to annually, so it won’t be a long wait to its conclusion. In a further interesting and complicating twist, the co-creator of the world is Ian Cameron Esslemont, who is planning to write 5 supporting/related novels set in the world – the first of these, Night of Knives, will have a wide release this summer, with the second, Return of the Crimson Guard, set for release sometime next year. Additionally, Erikson has written three novellas set in the world, otherwise unrelated to the main plot(s) of the series.

The series begins with Gardens of the Moon which is a very polarizing novel. Erikson forgoes the typical set-up of epic fantasy where you are conveniently introduced to the main characters in a safe setting that explains much of the world to you before things get interesting. Erikson instead drops you directly into the aftermath of horrific battle with thousands of casualties – we get almost no character introduction or explanation of the world. Confusing bits of terrifying sorcery and deep history abound. Many, many people complain of difficulty getting into the book and understanding what is going on – a significant number settle down and start enjoying the book a lot past about page 200, an equally significant number never get into the book or Erikson’s tales at all – to each their own, but for me, this is one of the best out there and I never had trouble getting hooked. From here, it only gets better – Gardens of the Moon is probably the weakest book in the series, and it’s still a good bit above most of the epic fantasy out there.

To steal a bit from something from MattD and Jay Tomio said over at FBS – one of the greatest aspects of Erikson and his series is the balls it takes to do what he’s doing. Sure it’s vulgar, and believe me, even Stephen Colbert would take notice, but it’s the correct way to say it (and ever appropriate with world created). The shear scope and ambition of what he’s trying to catalog with this series is mind boggling – interestingly enough, it’s often clear that it boggles Erikson’s mind as much as the reader – you get the feeling that the Malazan beast has wrestled some control from him and is heading in its own direction (this is not necessarily a bad thing).

One of the most common complaints about the series is the number of uber-powerful characters – we have gods, ascendants, and normal characters of a multitude of species with huge amounts of magical and physical power. Gods and the other uber-powerful walk the world, live among the characters, they kill and are killed in turn. Each book seems to introduce another one (or more) and keeping track of all of them and who is more powerful is a fruitless exercise. For me, I love it. Erikson doesn’t shy away from what is an almost inevitable problem in epic fantasy – he revels in it, throws it smack in your face. The books are full of total bad-asses and each one ends with a grand convergence – in each book, bad-asses kill other bad-asses. It’s great.

Balancing the uber-powerful are these ‘normal’ soldiers, assassins, and others who have to maneuver around, beneath and through the world. They are typified by a stoic, smart-ass, even existential, attitude that is in the least entertaining. Sure some of them develop or have certain attributes that help them along, but most seem to get by with a combination of whit and shit in a world that is most assuredly out to kill them.

Sure, there are weaknesses, but they tend to be minor in my opinion. Erikson tries to be funny, and he very often is, however when he tries too hard it can be just plain painful. Often the reader is left thinking that nobody actually thinks or talks that way. The shear number of different players from all the cultures and continents of his vast world gets very chaotic – which I don’t think is too far from the goal. Sometimes his politics become a bit too in your face – subtly is the norm, but some things slip through. His writing lacks the consistency of the best, but I’ll take it anytime.

So, what is the story of these 10(+) books? To keep it simple – the pantheon of gods is going to war and all the mortal (and immortal) societies and empires become tools and casualties of the gods and uber-powerful. But it’s never that simple – in the best way possible, I still don’t know where it’s all going to go.

So, is there a point to all this rambling – I suppose it’s a cathartic admission that I’m just another fan-boy geek for this epic series. Obviously I recommend it – I highly recommend it. I anticipate these books like none other at the moment, and that is saying a lot.

Oh, and for those of us at the mercy of the U.S. publisher, Tor, please ignore the generally disgraceful cover art. I don’t know why it seems they are out to sabotage any chance of success, but the best we can do is read the book anyway and continue to complain loudly.

A Tale of Two Covers – Gardens of the Moon

In this installment of my irregular series of cover art discussion I discuss two different covers of the same book: Gardens of the Moon by Steven Erikson One is the UK version and the other a US version. To muddy the waters even more – it’s not a black and white discussion. I don’t particularly like either cover – it truly is a gray area here (which is rather appropriate since it is a Steven Erikson book’s cover I’m discussing).

Chris Moore is the artist who produced the UK version (above) of the cover art for Gardens of the Moon. I definitely file this cover in the ‘traditional fantasy’ section with a nice castle in the background and some wizardly dude in the foreground holding a sword with lightening flashing from it. All in all, it’s quite cheesy, though it doesn’t quite achieve the point of me being embarrassed to be seen reading the book.

Really there isn’t too much for me to say beyond it being traditional fantasy cover (thankfully it is dragon-free). It has almost nothing to do with the actual content of the book as far as I can tell. It’s just there.

Stephen Youll is the artist behind the US version (above). This cover is almost universally despised as far I can tell. In some ways that puzzling, and others it’s quite clear why. Looking at the big, detailed version, I have to say that the artwork really is spectacular – particularly the background. The dark red background appropriately sets the mood for the book.

Of course the problem is the people on the cover. These two look to be taken from a harlequin romance cover and dressed in armor (isn’t cleavage a nice, practical touch for armor?). While the backdrop is nice, these people make for a truly embarrassing cover – I certainly wouldn’t want to be seen reading a book with this cover. The only positive about the people is that the woman isn’t worshiping the man – though she is still placed in a lower, subservient position. For the paperback version (below) they markedly improved the cover by omitting the woman, though the cover remains quite bad as they left the man.

Again, I can’t see any real relation to the actual plot of the book. As I mentioned above, at least the dark red color appropriately captures the mood.

So, what’s the conclusion – in my opinion, they both suck as cover art. However, the nod certainly goes to the UK version (as it usually seems to) for not being utterly embarrassing to be seen with*.

*No, I’m not overly concerned about my appearance to others or what they think of me or my reading tastes. But that does not remove the shame of being associated with truly bad cover art.