NEW MUTANTS FOREVER #5 – February 2011

Shall We Rise Again?

Credits:  Chris Claremont (writer), Al Rio (penciler), Bob McLeod (inker), Tom Orzechowski (letterer), Guru eFX (colorist)

Summary:  Tiberius leads the Red Skull’s former army against Selene, the New Mutants, and the Nova Roman freedom fighters.  The fighters turn against Selene when Tiberius releases a wave of energy that forces them to join his side.  During the battle, Warlock slips away to free Sunspot from prison, but Tiberius possesses Sunspot as soon as he enters the fight.  The tide is turned when Cypher breaks from his mental conditioning and attacks Tiberius.  While he’s weakened, the Red Skull fatally shoots Tiberius from his escaping jet.  Magma and the citizens are freed from Tiberius’ control, and the X-Men soon arrive with Magma’s father.  Later, at the X-Men’s mansion, Warlock uses his techno-organic powers to purge Cypher’s body of poison and return him to normal.  Shadowcat comments that the two are truly brothers now.

Continuity Notes:  Tiberius’ powers are never explained, but he’s seemingly able to release an energy that can possess and/or brainwash people.  He also exhibits what appears to be pyrokinetic powers during his fight with Selene.

Review:  So…that was not a satisfying conclusion.  There are a thousand holes that can be punched into this closing chapter, and for brevity’s sake, I’ll list them in the bullet point format.  

• Going back to the previous issue, where did Warlock disappear to after he encouraged Cypher to make his move against the Red Skull?  I assumed this would be resolved in the final chapter, but instead the story picks up (presumably) days later, as Tiberius has commandeered the Red Skull’s army and launched an attack on the rebels and the New Mutants.  What did Warlock have to do last issue that was so important he couldn’t help Cypher out?
• While on the subject, why does Warlock wait until now to free Sunspot?  Following the timeline of the story, it seems as if he could’ve done this days ago.
• More mind control?  I recall Claremont saying that he was avoiding mind control as a plot device while writing the early issues of X-Men Forever.  I didn’t expect him to totally kick the habit, but I didn’t think he would have two separate villains use the same gimmick in two different circumstances in one miniseries, either.
• What’s the deal with Tiberius anyway?  If he’s so powerful, why did he allow the Red Skull to take him captive in the first place?
• The Red Skull is brushed out of the story as an afterthought, which is a shame since Claremont never really took advantage of the character during the mini.  His justification for simply leaving Nova Roma implies that he actually respects the New Mutants as opponents and is going to allow them this victory, which is wildly out of character.  
• And I’m guessing the Red Skull is somehow the Marvel Universe’s greatest sharpshooter, given that he’s able to nail Tiberius with one fatal shot while hanging out of the side of a passing jet.
• I have no real complaints about Al Rio’s art, and Bob McLeod does a great job keeping the cast recognizable and on-model.  However, there is an utterly random page dedicated to a pissed Warlock, emerging from the ground after being struck by the brainwashed Sunspot, that isn’t paid off at all.  I don’t know what happened to the storytelling here.
• Another mind control gripe…this is a story that clearly should be about Magma, yet she’s been brainwashed since the second issue.  (By two separate characters, no less.)  She’s not allowed any real reaction to the events of the story, even though she’s the character with the deepest emotional investment in the entire affair.
• Selene, somehow, has redeemed herself to Amara and actually has a sweet family reunion with Magma and Senator Aquilla in the final pages.  That’s just insane.  The previous issues have fleshed out Selene as a character, true, but her motivation for helping Nova Roma remains pure selfishness.  Even if the story successfully sold the idea of a reformed Selene (something I wouldn’t want to see anyway), Magma hasn’t been conscious to see it.  Why has she suddenly dropped her blood feud against her grandmother?
• Remember the scene featuring Wolfsbane near death in the first issue, with Mirage fighting to protect her from Hela?  Apparently, I’m the only one, since it’s not resolved in the final chapter.

Going through the list of questionable decisions and outright mistakes, it’s difficult to pretend that anything in the final issue is going to save this plot.  I will say that the New Mutants still feel like the characters Claremont wrote back in the ‘80s, and I’m glad some of the more outrageous elements from X-Men Forever haven’t been repeated here.  (Captain America wasn’t killed off, for example.)  And the ending with Warlock and Cypher is a decent example of an old Jim Shooter “I can’t, yet I must” conflict and a Claremontian bonding scene.  But, wow, what a poorly conceived conclusion.  If you’re a fan of the original New Mutants series, I would argue the miniseries is still worth your time, but you’re better off if you don’t think too hard during the final twenty pages.

NEW MUTANTS FOREVER #4 - January 2011

Living -- A Nightmare!

Credits:  Chris Claremont (writer), Al Rio (penciler), Bob McLeod (inker), Tom Orzechowski (letterer), Guru eFX (colorist)

Summary:  Warlock recognizes Cypher’s fighting style and realizes the truth.  Magma, still brainwashed, arrives and attacks Warlock.  He retreats and reunites with Cannonball and Magik.  They join Selene and the Nova Roman rebels in battle against the Red Skull’s genetically altered army.  After stopping one wave of soldiers, Warlock returns to Cypher’s room and encourages him to make a move against the Red Skull.  While sneaking through the Skull’s guards, Cypher is joined by Tiberius, who claims that he’s also rejected the Red Skull’s programming.  Cypher uses his newly enhanced reflexes to defeat the Red Skull, but is soon ambushed by Magma.  Tiberius reemerges at Magma’s side, places Cypher on a chain, and declares the future is his.

Continuity Notes:  One of the rebels tells Cannonball the story of Spanish explorers arriving in Nova Roma in the 1500s, who were later killed by Selene when they attempted to conquer the land.  He also claims that Selene had her son, Magma’s father, placed in prison years earlier as punishment for his political actions.

Review:  So, Tiberius turns out to be a sleeper villain.  I suppose that’s a legitimate use for the character, and in all honesty, I didn’t see that ending coming.  However, it’s hard to deny that this storyline is starting to drag.  I can understand why Claremont would want to use Nova Roma again in a New Mutants retro-project, but did the entire miniseries have to be about Nova Roma?  The first issue made a point to feature all of the cast and at least pay some acknowledgment to most of the ongoing storylines.  Instead of following up on Magneto and his uneasy alliance with the Hellfire Club, or Mirage’s new role as a Valkyrie, or the team’s feelings about Magik’s connection to Limbo, the miniseries has turned into all Nova Roma all the time.  Even the new plot introduced in the first issue, Wolfsbane’s serious injury and Mirage’s attempts to keep Hela away, has been ignored in favor of more Nova Roma material.  Judged on its own merits, this issue isn’t so bad -- Cypher has a nice, angsty monologue about his new appearance, past Nova Roma continuity is clarified a bit (as Claremont reveals that some people did discover Nova Roma over the years; Selene just killed them) and I like back-from-the-dead Warlock’s redesign.  By the standards of a Nova Roma story, not bad material, but Nova Roma was never the strongest aspect of New Mutants, and it’s disappointing that other elements of the title aren’t being addressed.

NEW MUTANTS FOREVER #3 – December 2010

To Sacrifice Selene?!

Credits:  Chris Claremont (writer), Al Rio (penciler), Bob McLeod (inker), Tom Orzechowski (letterer), Guru eFX (colorist)

Summary:  Cypher, Magma, and Tiberius, joined by the female Skull, face the New Mutants.  During the battle, Cypher and Magma combine forces to bury Warlock underground.  Selene is injected with the Skull serum and Sunspot is taken captive.  After retreating to Limbo, Selene returns to Nova Roma with Cannonball and Magik.  A soldier, Marius, volunteers his life to Selene so that she can absorb his essence and fight the Skull serum.  Elsewhere, Cypher is trained as the Red Skull’s protégé.  When left alone to reflect at night, he breaks free of the Skull’s brainwashing.  Suddenly, Warlock enters his room, seeking vengeance for Cypher’s life, unaware the young Skull is Cypher.

Continuity Notes:  The Skull serum grants Cypher fingernail-claws, which he uses to “kill” Warlock in the opening scene.  The unnamed female Skull is also killed by Selene shortly after she injects Selene with the serum.

Review:  Another familiar plot element from Claremont’s work, the young hero taken on as the villain’s protégé, makes its way into the series.  I have a hard time fully investing in the Doug Ramsey as Red Skull, Jr. plot; the image of a skinny, teenage Red Skull just isn’t that intimidating, and there doesn’t seem to be enough room in the story to give Doug a convincing character arc from hero to villain to back.  The opening sequence is nicely executed, however.  If you’re a fan of the original series, you’ll understand the significance of Doug stabbing his best friend Warlock, declaring him an “obscenity,” and leaving him for dead under the earth.  

Claremont also works in an element of his writing I wanted to see more of in the Forever books – the contemplative inner monologue.  The story slows down for a few pages in order to turn the focus on Selene, who questions her previous treatment of Nova Roma and wonders if she’s ever viewed its citizens as more than chattel.  Her soliloquy doesn’t end with Selene renouncing her ways, she merely decides that the citizens of Nova Roma are hers, regardless of the reason, and she isn’t going to let the Red Skull rule them.  I don’t recall Claremont ever putting that much effort into fleshing out Selene, who previously only seemed to appear as an evil priestess/S&M fantasy, and the story is that much better with her as a more believable protagonist.  She’s still clearly a villain, but Claremont’s added some nuance to her characterization, so her desire to maintain power over Nova Roma feels less like an obligatory plot point.  

We also get a decent example of Claremont’s tendency to have his heroes debate moral quandaries, with Magik and Cannonball arguing the merits of just letting Selene die after she’s infected with the Skull serum.  It’s a brief scene, but Claremont allows Magik and Cannonball to stay true to their established personalities and express their point of view, while Selene offers her own inner commentary on the teenagers during their debate.  (Magik, for what it’s worth, has gone from admiring Selene an issue ago to coldly accepting that the team would probably be better off with her dead.)  Small moments like this are great; I just wish the main storyline could be as entertaining.

NEW MUTANTS FOREVER #2 – November 2010

Fight – in the Favela!

Credits:  Chris Claremont (writer), Al Rio (penciler), Bob McLeod (inker), Tom Orzechowski (letterer), Guru eFX (colorist)

Summary:  Sunspot’s mother, Nina da Costa, is pursued by armed men during Carnival.  Sunspot and Warlock are nearby enjoying the festivities when they receive a panicked call from Nina.  They rescue Nina and learn she’s recently escaped from Nova Roma.  Invaders have enslaved Nova Roma, and Nina’s seeking the Brazilian government’s aid.  Meanwhile, Cypher and Magma meet their cellmate, Tiberius Sum, who claims he’s been the Red Skull’s captive for as long as he can remember.  The Red Skull enters, with a female lookalike companion, and injects the teens with a mind-control serum.  Cypher’s treatment also mutates his body into the Red Skull’s mirror image.  Soon, Magik teleports with Cannonball and Selene to Nova Roma, where they run into Sunspot and Warlock.  They’re quickly attacked by Cypher, Magma, and Tiberius Sum.

Continuity Notes:  Sunspot’s mother is an archeologist who has been living in Nova Roma.  She traveled to Brazil with the aid of a teleportation ring, which is only explained by her saying that “Aquilla's people often prove full of surprises.”  I have no idea if this ring is connected to Viper’s teleportation ring.  (Viper faced the New Mutants in an early storyline, and she’s often a pet character of Claremont’s.)

Not Approved By The Comics Code Authority:  Al Rio clearly has no problem presenting realistic depictions of skimpy Carnival outfits.

Review:  I didn’t complain about the use of armed goons in the first issue, since it was the opening chapter in the storyline and there was more than enough going on to distract from the bland villains.  Two issues of armed goons in a row, however, is much harder to forgive.  Making matters worse, Claremont’s decided to dedicate the opening ten pages to a fight scene with the generic henchmen, which is slightly ridiculous.  The comic is halfway over before Nina da Costa finally reveals the relevant plot info – Nova Roma has been invaded and she needs help.  The scene then shifts to Magma and Cypher’s prison cell, which introduces yet another teenage protagonist into the story.  Was anyone desperate to meet another young hero during this retro-project?  New Mutants was a book packed with cast members, and unless Claremont has a fantastic plan in store for Tiberius Sum, a part of me is going to assume that he’s eating up space that an established character could be using.  That might not be fair, but Claremont’s occasional tendency to cram his plots with characters and lose track of plotlines he’s already set into motion makes me wary.  This issue also brings us mind-control and a physical alteration of an existing character, for those of you keeping track of Claremont Clichés at home.

All that said, I am curious to see where this is ultimately going.  I think using the Red Skull as a villain is a clever idea; not only because he’s the Marvel Universe’s most famous bigot, but also due to the Nazis’ post-WWII connection to South America.  I don’t know if Claremont is going to establish that Nazis have been hiding out in Nova Roma for decades, but as far as lost Marvel Universe civilizations go, it makes sense that the Red Skull would consider the city a strategic asset.  The potential for a Selene/Red Skull confrontation, or perhaps even a villainous team-up, is also intriguing.  At the very least, this series is paying off the Selene/Magma storyline from the final days of Claremont’s New Mutants run, and the overall tone matches that of the original title.

NEW MUTANTS FOREVER #1 – October 2010

Shadows in the Night!

Credits:  Chris Claremont (writer), Al Rio (penciler), Bob McLeod (inker), Tom Orzechowski (letterer), Guru eFX (colorist)

Summary:  The New Mutants reluctantly spend the night at the Hellfire Club’s mansion.  Wolfsbane detects conflict nearby in Central Park.  The team soon stops a group of soldiers from killing men in business suits.  Wolfsbane realizes that one of the injured men is Magma’s father.  The team returns to the mansion, and in minutes, armored men attack the Inner Circle.  Selene ends their assault, but the armored men die as soon as Emma Frost psi-probes them.  Nearby, more men kidnap Magma and Cypher.  Wolfsbane is injured in the confrontation.  One of the men is grabbed by Magik and transported to Limbo.  Magik and Cannonball accompany Selene to Limbo, where she interrogates him.  Elsewhere, Magma and Cypher arrive in Nova Roma.  They’re greeted by Nova Roma’s new leader, the Red Skull.

Continuity Notes:   

• New Mutants Forever is a miniseries set immediately after New Mutants #54, Chris Claremont’s final issue of the series.  Like X-Men Forever, the series was promoted as Claremont’s next chapter in the story.  According to Claremont’s comments online, New Mutants Forever is its own entity and doesn’t take place in X-Men Forever continuity.
• The New Mutants at this time consist of Cannonball, Cypher, Wolfsbane, Magik, Mirage, and Magma.  Magneto is the headmaster, following Xavier’s injuries in Uncanny X-Men #200.  Sunspot and Warlock are missing at this point, due to events in the Fallen Angels miniseries, and Karma has left to take care of her siblings.
• Mirage, who is now a Valkyrie, has visions of Hela, who wants to take Wolfsbane away to Valhalla.
• The team is staying at the Hellfire Club’s mansion following the events of New Mutants #54.  Magneto has followed Storm’s advice and joined the Inner Circle, in an effort to protect the X-Men from the Marauders and other threats.
• New costumes for the team debut after Magik teleports them to Central Park.  She’s conjured them up on a whim.  The Hellfire Club guards are also wearing slightly altered outfits that look more like armor than spandex.
• Cannonball’s Southern accent has been toned down, to the point that he says “I” instead of “Ah.”
• Magma’s father looks around twenty years younger and several pounds lighter than I recall from his initial appearances.
• A text piece in the back of the issue recaps the events of the New Mutants series up until this point in continuity.  The piece is a nice summary of the book, but I’m going to “um, actually…” and note that it incorrectly states that Xavier and Moira MacTaggart are Legion’s parents.  (It’s Xavier and Gabrielle Haller, for the record.)

“Huh?” Moment:  On the opening page, Magneto is doing a presentation on the New Mutants for the Inner Circle, one that features the team in the new costumes Magik hasn’t created yet.

Gimmicks:  The opening issues of this miniseries have a variant cover by Bill Sienkiewicz.  All of the variants are archived at comics.org.

Review:  Strange to think that X-Men Forever is only a few months away from cancellation while spinoff projects like this are still emerging.  I don’t recall much of a response to New Mutants Forever, but based on the first issue, it does seem as if Claremont’s making an effort to avoid the reader complaints that plagued X-Men Forever in its early days.  The first issue of the series does honestly pick up right where Claremont’s final New Mutants storyline left off, and Claremont’s taken care to make sure the often-fluctuating team line-up is correct.  (I recall him asking online why exactly Sunspot and Warlock were missing from his final New Mutants issues.)  The only moments that don’t fully connect with the original series are the new Hellfire guard designs, the debut of the new team uniforms, and Cannonball’s subdued accent.  The new costumes are at least given a quickie explanation, and the designs aren’t a total departure from how the audience expects to see the characters (as opposed to the arbitrary redesigns in X-Men Forever).  The Hellfire Club’s goons are also recognizable, and it’s not a stretch to imagine their outfits getting an upgrade in-between issues.  Cannonball’s accent only stands out if you’ve spent the past few weeks rereading old New Mutants comics; it’s possible Claremont’s toned it down due to years of online mockery of his phonetic accents, so I have a hard time getting upset over the change.

The story takes its inspiration from an exchange between Selene and Magma in Claremont’s next-to-last New Mutants issue.  Selene casually revealed to Magma that she is her direct descendant, a plot point that seems to have been forgotten over the years.  New Mutants Forever picks up on the thread and rescues Senator Aquilla from obscurity.  He’s come to New York to warn Magma of…something, and is attacked.  Selene discovers he’s been injured and declares vengeance for her son, confirming that she is in fact Magma’s grandmother.  In the meantime, Magneto is still adjusting to his new role in the Hellfire Club, the team is uneasy with Magik’s demonic nature, Cypher’s too naïve for his own good, and Mirage is defying Hela in order to spare Wolfsbane’s life.  The plot’s dense, and it’s arguable that the story assumes you know a little too much New Mutants continuity, but I think that’s excusable given the nature of the project.  This is a comic for the hardcore fans and any new readers that have discovered the original issues in trade form.  If it’s staying true to the premise, it should read like a “next issue” instead of a “first issue.”  

I know that Claremont’s ideal choice for this miniseries was Bill Sienkiewicz, but his schedule (or Marvel’s pocketbook) only allowed him to illustrate variant covers for the series.  Instead, the pencils are handled by Al Rio, with New Mutants co-creator Bob McLeod onboard as inker.  Al Rio would occasionally show up on random assignments like this, and I can’t say I’m disappointed.  I always thought he was one of the better Wildstorm artists, and he meshes well with Bob McLeod.  A few of the figures look a little stiff, but overall the storytelling is clear and the cast is attractively rendered.  New Mutants always seemed to alternate between mainstream, traditional pencilers (McLeod, Buscema, Guice), and experimental surrealists like Sienkiewicz.  Rio is much closer to the first group, and to his credit, he isn’t bringing any influences from the post-1980s into the series.  This honestly looks like a comic that could’ve been published in the mid-‘80s, only with better colors and production techniques.  While the appeal of the series might be somewhat limited to a niche audience, so far, it’s serving that audience very well.