CABLE #21 – July 1995

“…Our Regularly Scheduled Program…”

Credits: Jeph Loeb (writer), Arnie Jorgensen (penciler), Mark Pennington (inker), Richard Starkings & Comicraft (lettering), Mike Thomas & Digital Chameleon (colors)

Summary

Cable and X-Force check the remains of Murderworld for any equipment that can be salvaged. Jean Grey and Caliban join the search and find X-Force’s Pacrat aircraft. Jean and Cable combine their powers and telekinetically lift it out of the rubble. The strain briefly causes Cable to lose control of his techno-organic virus, but Jean helps him control it. After dropping the team off at the Xavier Institute, Cable receives a psychic call for help from Blaquesmith. Caliban and Domino accompany him to Maryland, where they land outside of an anchored warship. When they enter the ship, they’re attacked by a group of automated guns. Cable uses his telekinetic power to destroy them, while Caliban finds Blaquesmith buried underneath a pile of debris. They rescue Blaquesmith, who tells Cable that he was attacked by someone who wanted all of the information he has on him. On Muir Island, Moira MacTaggert suspects that someone on the island leaked the story of her Legacy Virus infection to the media. She discovers that someone’s been accessing her files, and fears that the info could end up hurting Cable.

Continuity Notes

Some of the changes Loeb brought to X-Force debut here. Warpath now has a very ‘90s short haircut with long sideburns. Siryn is mysteriously missing. The team spends time at Xavier’s mansion while figuring out where they’ll go. Cable asks Blaquesmith to design new costumes for the team, which will include Caliban.

Blaquesmith makes his first real appearance. He’s a bug-eyed E.T.-looking creature who somehow ties into the Askani religion. Domino already knows him, which doesn’t really fit with the established idea that she didn’t know anything about Cable’s past either. There’s also an implication that Domino has had memories erased, as Blaquesmith asks Cable “How much does she remember?”, and he replies “Nothing. It’s still too dangerous”. The figure that attacked Blaquesmith appears to be the X-Cutioner. I remember hardly anything about this run, so I have no idea if this is resolved.

A narrative caption infers that Cable spent a lot of time and effort building X-Force’s Pacrat ship, which overlooks the fact that it was actually stolen from SHIELD in X-Force #14.

I Love the ‘90s

The letter page’s masthead is now redesigned with blocky computer-generated letters that haven’t aged well.

Miscellaneous Note

According to the Statement of Ownership, the average sales for the year were 212,292 with the most recent issue selling 145,700. I don’t know if these numbers include the X-Man issues or not. Either way, the industry’s decline is becoming noticeable (although the Phalanx crossover probably brought up the overall average sales, making the most recent issue’s sales seem less impressive than they really were).

Review

Jeph Loeb’s Cable run is kind of difficult to review at this point. Not a lot happens in each issue, but enough does happen to make the book at least seem like it’s moving forward. The stories are very straightforward and don’t overstay their welcome, but aren’t that interesting either. Cable is given just enough personality not to be a generic superhero, but he’s still not a protagonist you really care about. Tying the book closer to X-Force and the rest of the line does make it feel more significant, so I guess he has succeeded in eliminating some of the title’s irrelevance. The title’s really just been raised to the level of “readable”, which I guess was good enough for someone committed to completism. There was at least a level of consistency to the book at this point, so I didn’t really resent “having” to buy it anymore. The fill-in art in this issue is by Arnie Jorgensen, a name that I don’t remember at all, so I don’t think he stuck around the titles for long (prior to this, he drew an annual backup in X-Force). His work resembles Bart Sears’ for the first half of the issue, but it devolves into a quite a mess before the story’s over. Blaquesmith doesn’t have that great of a design in the first place, but Jorgensen’s interpretation is particularly ugly. I’d say the art drags the story down, but since the story’s not very engaging in the first place, it’s hard to really care.

X-FORCE ANNUAL #3 – 1994

In Deep

Credits: Fabian Nicieza (writer), Mike Wieringo (penciler), John Lowe (inker), Pat Brosseau (letterer), Adriane (colorist)

Summary

Moonstar continues to work undercover within the Mutant Liberation Front, training them while honing her own developing powers. In China, their leader Reignfire recruits Jade Dragon, Collective Man, and Nuwa, the young mutants who make up “3Peace”. The rest of the Mutant Liberation Front joins Reignfire at a military base outside of Shanghai, where the government keeps info on China’s secret mutant prisons. They’re confronted by China’s superhuman soldiers, China Force. Moonstar tries to keep the other MLF members from killing their opponents, but Reignfire kills one of the China Force, simply to show the Chinese government how powerful he is. After locating the mutant prison, Reignfire leads 3Peace inside while leaving Moonstar and Feral behind to guard their flank. Inside the prison, it’s revealed that Reignfire has made a deal with the government and set up 3Peace to be turned over to Chinese custody. They try to escape, knocking Feral unconscious while fleeing the prison. Only Moonstar is left to stop them, but she refuses to. She lies to Reignfire, telling him that Nuwa’s powers knocked her out. Reignfire knows she’s lying, but lets her live. Moonstar doesn’t know if this means that her old friend has returned, or if Reignfire is only playing a game with her.

Continuity Notes

This issue is the debut of Chinese mutant activists 3Peace. They didn’t exactly catch on (it looks like not even Nicieza used the characters again).

Moonstar says that Reignfire found her after she “fell from Asgard”. Her Asgardian horse Brightwind has turned black and been renamed Darkwind. Moonstar became a Valkyrie after the New Mutants were kidnapped and taken to Asgard in an early New Mutants story. She decided to stay in Asgard at the end of the series' run.

This issue drops the first major hints that Reignfire is Sunspot. He appears in partial shadow twice, and both times it’s rather obvious that he’s supposed to be Sunspot. Moonstar’s motivation for working undercover is to help Reignfire return to who he used to be.

Review

This is the rare example of an annual story that isn’t filler. Rather than focusing on the main cast, Nicieza goes back to the Moonstar subplot he established a year earlier. He resolves some of the mysteries from the previous MLF story, confirming that this is Dani Moonstar, and that she’s working undercover. Reignfire’s identity is practically confirmed, even while leaving the door open for more mysteries. This is a good example of Nicieza’s ability to develop long-running subplots that do actually pay off. It certainly seems as if he had a plan for all of this and wasn’t just randomly introducing a different plot every few months. Having Moonstar join the MLF is a smart way to integrate the original New Mutants cast with the more recent elements that developed in X-Force. Moonstar’s narration helps to make her role in the MLF sympathetic, even if it’s never revealed how exactly she plans to help Reignfire become Sunspot again. There’s also some attempt to develop generic MLF goon Forearm as a character, but I don’t know if anyone ever picked up on the idea that he wasn’t genuinely evil.

When Mike Wieringo passed away last year, a few of the tributes mentioned how out of place his style was in the ‘90s, and how many “serious” readers of the time just didn’t get it. I confess that I was one of those kids, because I can remember intensely disliking his art in this issue. Looking back on it, it’s definitely not as good as his later work, but it holds up okay. It’s certainly not deserving of the contempt I had for it. All of the figures are drawn well, most of them have distinctive faces, and the storytelling is clear, but I wasn’t able to get past the open style and cartoonish simplification. Not only did this art not have a thousand detail lines over everything, but the characters all looked “kiddie” to me. I was starting high school and didn’t have time for this cartoony stuff. It’s interesting that the books seem to be entering an era where guys like Wieringo, Dodson, and Hitch are doing the fill-ins, instead of the stereotypical Jim Lee clones of the day.

Siryn Song

Credits: Jim Kreuger (writer), Arnie Jorgensen (penciler), Bud LaRosa & John Lowe (inkers), Jeff Powell (letterer), Dana Moreshead (colorist)

Summary

While staying at Cassidy Keep in Ireland, Siryn hears a lullaby during the night. She follows the sound and finds the entrance to an old castle. She talks to the elderly lady inside. The woman helps Siryn deal with the pain of losing her mother while she was a small child. The next morning, she tries to show her friend Kelvin the castle, but it’s gone. They wonder if the woman was a ghost.

Continuity Note

Banshee is referred to as the “leader of the mutant group, Generation X” in a narrative caption. I don’t remember if the name “Generation X” was ever actually used in the series (just as Nate Grey was rarely called “X-Man”).

Review

Typical back-up filler. I can see what Kreguer’s going for, but Siryn’s grief over her mother isn’t properly set up, so it doesn’t work. There’s actually more time spent on Siryn finding the castle than there is on her allegedly deep conversation with the old woman, which is a strange way to structure the story.