Patchings

Thank you for all your good wishes that I enjoy my day out. They worked because I had a lovely day at the Art Festival. :o) I was a little later than intended setting off and for the first time ever had to queue to get in! Fortunately it wasn't a long wait and I was pleased to see that the ground was fairly dry after all the rain.

This was the busy Painter's marquee. I think I must have caught it in a gap in the crowds. It was stifling hot in here!

The exhibition marquees are arranged around the refreshment marquee and every year a jazz band entertain us at lunchtime.

I took this photo of the beautiful sky from my vantage point on the ground (sitting on a plastic bag!) while having my lunch. The getting down wasn't too bad but the getting up made my joints complain!

Back in the textiles marquee I spotted this little dragon among the bears on Mo-bear's stand. (I don't think she has a website).

On the subject of bears, this guy was taking his ease outside one of the resident studios at Patchings.

His pals were keeping an eye on him from the window. The ladies in this little shop were keeping an eye on a nest of bluetits with a camera in the nestbox. The box was on the side of the building away from the public so the birds weren't being disturbed by all the comings and goings.

I suppose I have to own up to a little indulgence of the shopping variety!

The beautiful mohair fibres came from Mo-bear (the colours are actually richer in real life) and the ribbon is lightly wired.

Look at all the beautiful colours in this mohair!

I have to confess, I treated myself to this lovely seahorse made by Kim Rogers. The artist uses new and recycled beads to make her wonderful wire sculptures. I was spoilt for choice with all the lovely figures on her stand but I love seahorses and decided to move out of my usual colour comfort zone and chose these beautiful colours which reminded me of stones and rocks.

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My bargain of the day was several bottles of fabric paint at £1 (2$) each, oh, and 5 packs of various textures of Daler Rowney printer paper (watercolour, canvas and photo) for £5 (10$).

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There was lots of opportunity to watch artists at work, chat with them and to try out materials, and the time went too quickly. There are still 3 days left if you fancy a lovely day out.

Patchings Art Festival

The courtyard at Patchings.

I can't believe it's June already and the time has come round again for the wonderful 4 day art and craft extravaganza that is the Patchings Art Festival. If you live within reach of Calverton near Nottingham it is well worth a visit for its atmosphere alone. The Festival starts tomorrow and goes on until Sunday. Hopefully the rain we've had over the last few days won't cause too much of a problem underfoot, the site seems to be fairly well drained whenever I have gone before. Anyway, I'll find out tomorrow because I'm going! I definitely need some 'me' time so, blow the cleaning that needs doing at home, I'm off! I'll take a few piccies for you. Or maybe I'll see you there?

Workshop Fun Day

Today my friend Ann and I finally managed to get to a workshop we had been planning since before Christmas. We had to cancel it because Ann's ME flared up and laid her low and I had that yucky virus. Anyway, on another beautiful sunny morning we headed off to Patchings Art Centre for a workshop on Textile Design and Fabric Painting with the very lovely Jo LLoyd whose day job is making Hand Crafted Wool Rugs.

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Jo showed us some of her work and also discussed how she starts to look for inspiration from things around her or from photographs of surfaces that have textures that appeal to her. I began to see that Jo is attracted to the same kinds of shapes and patterns that I like.

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We started by doodling from a selection of objects that Jo had put out on the table. Simple things like open seed pods, poppy seed heads, a wooden cat ornament, a circular dress brooch, a silk lily flower, cocktail umbrella. My doodles were a little tentative but I did feel I was gradually loosening up.

The stars above were the pattern on the top of a poppy seed head. The circle of circles came from a brooch and the octagons were from the stones in the brooch.

The shapes in the very poor photo above came from a silk lily flower including the markings on the petals.
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The next step was to take elements from our doodles and take them a step further. I'm not sure whether I can explain this adequately without a visual example but I didn't have time to stop to take photos at the time. Ok, I'll try. We took a sheet of carbon paper and laid it face down on a sheet of paper. Then, we folded the sheet of paper with the carbon paper in half and half again so that the carbon paper was on the inside.

On one face of the folded paper, with a pen, we drew our design (doodle). I decided to use the octagons and you can see the result (a bit scrappy). It's the same principle as cutting out dancing dolls so that whatever you draw comes out in quadruple
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Jo suggested that we try different ways of folding the paper and also that I try one of the curvier forms I had been exploring.

As you can see I folded this piece vertically and used parts of the lily flower. I liked this design and I also liked the empty space which balances the design.

In this example I folded the page in fours and then folded it diagonally and used the lily design again. As you can see I needed to press harder with the pen for the design to come through fully.

I then decided to go back to the circles doodle. I folded the page and carbon paper in four and then folded that again vertically. The colour was put on after the next drawing was done as I didn't like this drawing as much as the next one so I thought I would use it as a practice piece. (Are you keeping up?! Hehehe!)

This was my final design which I tried to keep simple and uncluttered, and it got me away from my love of straight lines.

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Now I've got this far I can show you a photo of us working, well, not me working, I was taking the photo!

You can see examples of Jo's beautiful rugs on the wall.

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As you can see we painted our final designs on silk - well, voile to be precise. I have never done any silk painting so I was on a steep learning curve. We attached the silk to the frame, one pin in each corner, pulling the silk taut, and then one pin in the middle of each side and one pin in the middle of each quarter again, all the while pulling the silk taut. We placed the design underneath the frame and drew the design onto the silk in gold thick Pilot pen. All that was left then was to paint it! A little silk paint goes a long way. We brushed the paint onto the silk and let it spread a bit, then washed the paintbrush and coaxed the paint to the edge of the space. Where I wanted to blend two colours I placed the first colour on and then painted up to it with the second colour.

You can see the arrangement of the pins in the photo above.

This is the final piece and I'm quite proud of it! I've already got some silk paints at home so I will definitley be doing some more of this. I feel as though I have got a lot out of this workshop. It has opened my mind up to a way of designing which I am sure can be applied to other types of work in the textile field and it has also made me realise that a lot can come out of doodling from everyday objects or the many photographs of surfaces that I have. Bring on the 48 hour day!! :)) Of course you are not obliged to do the carbon paper thing but it was a useful way of expanding our design and saving time too.

Thank you, Jo for a great fun learning day.