The studio this week

"Studio work" this week has been a moveable feast.

On the train, stitching something simple, for no particular reason other than the need to stitch -

Quick visit to the ceramics studio, just to say hello really, but if the need to stitch doesn't dissipate, I'll be back stitching pots in no time -

The rest of the week was centred around printmaking. Around north London, research on the moon in various locations, through glass (thinking about inadvertent reflections) -

 ... and mistiness (condensation), and difraction -

While travelling by tube, hatching a plan for displaying some prints -

 Back home, sorting them out -

 Interlude: more moonlight -

 Getting down to it - 

 Other prints conveniently fit behind sample mounts -

This "moon" project isn't finished....

And then there are odd things, like this sequence of pages waxed and sewn together -

Julie Cockburn - Telling It Slant

" Using a rich material language, Cockburn embarks on a visual journey to delicately reveal narrative histories and layered meanings in lost and discarded images."

At Flowers, Kingsland Road, till 2 November.

Dragon du jour

On finding a shirt with dragons printed on it - which came from a charity shop aeons ago - I decided to make a stuffed toy for the Grandbaby, with tabs for possible holding on to (when she gets to the holding-on stage) but in the meantime solely for my own gratification. I haven't actually made much for this child - no blankets or quilts, no knitted or sewn garments - goodness why, she has other grandmothers who like doing that!

And she has a slew of toys. Already.

But here is The Dragon as printed and as cut out with trial tabs -

 A little revision was needed. The tag on the tail is one of my "Travel Lines London" tags, used for the travel-lines tote bags and tool rolls, two projects currently in abeyance. (But not entirely moribund!)

The revised version has all the tabs in sensible places, and has been stuffed -

And finally - a line of a sort of blanket stitch strengthens the inner curves, and the eyes have been defined by dense stitching -

In fact the second eye was added with stitch. He (she??) looks very gung-ho! Hmm, Gung Ho is quite a good name for a dragon, if a name is ever needed for this one.

"Adventures of The Lonely Heart"

A blast from the past.

Rumbling around in the hinterland of my home studio, aka storage room, I found some work from the 90s - the story of The Lonely Heart -

...an early work! I loved making it - it's embroidered on black velvet (very last century!) with space-dyed rayon threads, and at the time (of rediscovering the joy of stitch) each little panel, each little story, was meaningful to me.

Some details -

Pots in progress

Quite a lot of stitching on train journeys, and just a touch of metal.

Soon - porcelain dipping, and firing.

Making a container out of a "work in progress" (started last century!) -

Before - it measures about 45cm x 35cm (20" x 14")

During

After

Woodblock Wednesday?

I'd set aside Wednesday mornings for continuing with the japanese woodblock printing, a time when I would have been at the class this term ... but other things come up and plans have to be changed....

Currently woodblocks have given way to the stitched pots (earlier ones are here), as I get some ready to dip, dry, and fire. A local ceramics studio is willing to have me join them over the summer.

It seems there were quite a few fabric pots already in various stages of stitchedness ....

Work in progress

All this will turn white, though some pots will have a bit of black, from the metal threads already stitched or yet to be added. In the heat of the kiln the transparency of the fabric will metamorphose to the translucence of porcelain; the flexibility and sturdiness of the fabric to the hardness, brittleness and fragility of porcelain. The details of the stitching will become "texture".

Feminist textiles and embroidered hankies

The Cut Cloth exhibition, and its associated events, were what spurred my recent trip to Manchester. I got there on the last day of the exhibition, which was held in the amazing Portico Library, with its delightful "original features" dating back 200 years - the library was opened in 1806. The central exhibition space , which also functions as a cafe - is a modern intervention -

The "Polite Literature" category would include the literature that was read in the Polite Society of the Georgian era, the sort of literature deemed sufficiently suitable for a wife or servant. But these shelves also hold some risque novels and a few books on witchcraft and philosophical and theological arguments. (Read more about it here.)

We had a simple lunch on tablecloths rumoured to be by Alice Kettle (and indeed she and ceramicist Stephen Dixon are leaders of the Crafts Research Group, year-long artists in residence) -

In the vitrines, historic documents - The Subversive Stitch by Roszika Parker was published in 1984, and the Art Textiles exhibition, curated by Jennifer Harris  was held at the Whitworth in 2015

Textile art and contemporary feminism
(click on the image to enlarge,  for reading the text)

 A few of my favourite pieces -

 In one vitrine, historical textile production in Manchester, which in 1853 had over 100 cotton mills and until early this century produced "wax cloth" for export to Ghana, and also Shweshwe indigo fabric, "German print", which was exported to South Africa -

Some days later, "the hanky workshop", led by Sarah Corbett of the Craftivist Collective. She supplied a kit with hanky, thread, needle, instructions, a lovely woven label ... and there are other stitching-for-action kits on the Craftivist website -

Sarah's Little Book of Craftivism contains thoughtful, do-able projects that bring the political a bit closer to the personal -

I was also taken by the follow-the-dots stitching cards - Stitchable Changemakers. 

And being an embroiderer, I not only had to turn it over to see the back, but photograph it -

 Here we are, stitching away in the Portico Library - changing the world one stitch at a time!

The hanky, explained Sarah, is a way of gently confronting and connecting to "a powerholder" - onto which can be stitched not only your concerns about their actions and policies, but also encouragement for doing a better job in future ... with the added dimension that you'll be thinking about these topics and issues as you stitch. To me, that is much more sane than yelling angry slogans. But to whom, about what, would I write or give such an object?  When we said a few words about ourselves at the start of the workshop, I said I'd come because this was an area that I'd not been involved with yet in my life. And indeed, I felt very much out of my depth and hadn't thought who for, or about what, such a handkerchief missive might be.

At the end of the session I hadn't got very far ... and Sarah gave us an "extra length of encouragement" to take away - "little by little, we travel far"

Little by little I sorted out what to say, how to say it, and to whom. While I educate myself about "issues" that I might want to try to change, I'll focus on what I know: "the personal is political". Family politics; who holds what powers? So, first, the nearest and dearest ... what could I say to my son? His birthday was only a week away, so the text urgently needed writing, no time for dithering. It got done. The words had to be fitted into the space available, and the writing had to be a good size. That got sorted, and then I traced it onto the cloth with a black biro. 

After that bit of agony came the joy of stitching - with two strands of anchor cotton, or rather one strand doubled over through the needle, so the needle wouldn't get lost during stitching on public transport (the sturdy, reclosable envelope of the kit was very useful for carrying it around) -

 Finished -

 And the back .....