I am delighted to announce the final schedule for the two day symposium component of this year's London-based Congress for Curious People. The theme is "Reclaiming Spectacle," and it will take place at London's
Horse Hospital over the weekend of September 7th and 8th.
Panels will cover "Spectacular Cultures,"
"Collecting the Spectacular," "Extraordinary Bodies," "Non-Human
Spectacles," and "Ritual and Spectacle" and will feature such speakers
as
Carla Connolly, curator of
Barts Pathology Museum;
Chiara Ambrosio, Filmmaker and visual artist;
Richard Barnett of the Wellcome Trust; artists
Brian Catling and
Tessa Farmer;
Will Fowler, curator of artists’ moving images, BFI;
James Kennaway, Durham University;
Dr Matt Lodder, art historian, London;
Ross MacFarlane, Research Officer of the
Wellcome Library;
Shannon Taggart, Photographer/independent researcher; and
Simon Werrett, Lecturer, Science and Technology Studies, UCL.
Full schedule follows; you can find out more on all
here, and purchase tickets by clicking here
here. This project is kindly supported by
The Wellcome Trust
Hope
very much to see you there!
"Reclaiming Spectacle" Two-day Symposium, Congress for Curious Peoples, LondonA 2-day symposium devoted to spectacular cultures, produced by Morbid Anatomy, Strange Attractor, The Coney Island Museum, and Preserved!
Dates: Saturday September 7th and Sunday September 8th
Times: 10-6:30
Admission: £20 for the full weekend, £12 for one day. Click here to buy tickets.
Location: Horse Hospital, Colonnade, Bloomsbury, London WC1N 1JD (Map)
The Congress for Curious People
will draw to a close with this two day symposium addressing the concept
of spectacle. Please see the full schedule below. To download a shorter
programme as a PDF,
please click here. For more information about each speaker, take a look at our
participants page.
Generally,
the word spectacle refers to an event that is memorable for the
appearance it creates. In nineteenth- and twentieth-century scholarship,
spectacle has been frequently described as simultaneously enticing,
deceptive and superficial, but above all as the domination of mass
media, consumption and surveillance, which reduces citizens to
spectators by political neutralisation. From this elitist view the
audiences for spectacles have been described as passive consumers while
the agency of those creating content is rarely addressed. We want to
exactly challenge the very opposition between viewing (or writing about)
and acting. How one can actively translate and interpret scientific
spectacles and how can the boundaries between looking and doing be
blurred: What can we learn from an encounter with performers, objects
and spaces that create spectacles? Can counter-spaces and
interventionist critiques be created?
SATURDAY SEPTEMBER 7
10.00 Registration
10.30 Welcome address
Aaron Beebe (Coney Island Museum), Joanna Ebenstein (Morbid Anatomy), Petra Lange-Berndt (Preserved!), Mark Pilkington (Strange Attractor).
‘Spectacular cultures’ (moderated by Joanna Ebenstein, Morbid Anatomy)
11.15 Richard Barnett, Engagement Fellow, Wellcome Trust: ‘All the Fun of the Fair’
Richard Barnett’s talk will tell the story of the fair. This is a tale
of fleeting encounters, vivid pleasures, and the (temporary) dissolution
of the bonds of mundane life. We will get our feet dusty at medieval
patronal fairs, gawp at Victorian freaks and strongmen, and savour the
neon and candyfloss of contemporary funfairs. We will look for traces of
a pre-Christian festival culture, and examine what this endeavour
reveals about changing attitudes towards the very notion of tradition.
And we will end by asking: Who are the true modern inheritors of the
ferias spiritus?
12.00 Break
12.15 Panel discussion: ‘Being Spectacular, Collecting the Spectacular’
This
panel will address a range of spectacular practices. Discussion will
take place between artists who dabble in the spectacular and archival
and museum professionals faced with looking after and caring for the
remnants of spectacular practices and objects with, at times,
challenging histories. Artist Brian Catling turns into a Cyclops using the special effects of latex rubber masks; artistic duo Claire and Bob Humm enjoy carnivalesque humbug such as the fertility rites of Hasting’s Jack in the Green; Will Fowler is curator of artists’ moving images at the BFI; Subhadra Das is curator of UCL’s biomedical Teaching & Research Collections; Carla Connolly works as curator of Barts Pathology Museum.
13.30 Lunch break
14.30 Simon Werrett, Lecturer, Science and Technology Studies, UCL: ‘Fireworks: Behind the Bang!’
There’s
much more to fireworks than meets the eye. We use fireworks today for
celebrations, but in the past fireworks had many different uses. This
talk will show how fireworks were used for spectacular religious and
political festivals in European history, as tools of empire on voyages
of exploration, as polite parlour-games and as dangerous weapons for
radicals and rioters. Spectacle served many ends. Along the way,
fireworks inspired scientists, artists, and poets and provided models
for all kinds of inventions that have become part of the modern world.
The legacy of these spectacles remains in everything from home-lighting
to space exploration.
15.15 Break
‘Extraordinary bodies’ (moderated by Matt Lodder, Art Historian)
15.45 Robert Mills, Lecturer, History of Art, UCL: ‘Talking Heads, or, A Tale of Two Clerics’
Around
the year 1000, two churchmen, Gerbert of Aurillac (later Pope Sylvester
II) and his contemporary and one-time foe Abbo of Fleury became
associated with tales of talking heads. Gerbert is the subject of the
story, accused of manufacturing a head that magically issues prophesies
and leads to his eventual downfall. Abbo is the author of the story, a
narrative recounting the martyrdom of St Edmund of East Anglia, whose
head miraculously announces its presence to the king’s subjects after
its removal from his body by murderous Danes. This talk will use these
stories as the starting point for an analysis of the phenomenon of
talking heads in the Middle Ages, paying particular attention to the
motif’s ambivalent associations. Located on the ambiguous borderland
between magic and miracle, organic and inorganic, image and idol,
medieval and modern, talking heads speak in many different voices.
16.30 Bill MacLehose, Lecturer in History of Science and Medicine, UCL: ‘Remnants of Jesus’ foreskin’
17.15 Break
17.30 Ross MacFarlane, Research Officer, Wellcome Library: ‘Tom Thumb and the Hilton Sisters: Uncovering the ‘Freaks’ of the Wellcome Library’
Exploitation
or entertainment? Highlighting handbills and journals, postcards and
posters, this talk will delve into the sensational world of the
freakshow, as seen through the collections of the Wellcome Library.
18.15 End
SUNDAY SEPTEMBER 8
‘Nonhuman Spectacles’ (moderated by Petra Lange-Berndt, Lecturer, History of Art, UCL)
10.00 ‘The Micro-Spectacular’
We will screen the films An Insidious Intrusion (2008) by artist Tessa Farmer, and Serenading to Spiders (2012) by artist Eleanor Morgan.
While Farmer engages in stop motion animation of dead insects and
uncanny skeletal fairies, Morgan tries to attract a living spider by
singing to the animal.
Afterwards, Bergit Arends (Curator), Gavin Broad (Senior Curator, Hymenoptera, Natural History Museum), Catriona McAra (Research Fellow in Cultural Theory, University of Huddersfield) and Eleanor Morgan
(Artist) will discuss the impact that creepy crawlies and parasites
have on us and how artists have been addressing the micro-spectacular
plane.
11.15 Tim Cockerill, artist and zoologist: ‘The Flea Circus: The Smallest Show on Earth’
‘All our fleas are harnessed. You don’t take any more out than you bring in yourself’ (From a sign in John Torp’s American Flea Circus, 1950s)
Roll up and see the world-famous performing fleas! For over 150 years,
audiences have been paying their sixpences to be amazed by whole troupes
of real, live, performing fleas. Believe it, or not? In this talk, Tim
Cockerill will persuade you that the flea circus, until recently, was a
100% genuine spectacle, made up of live fleas pulling chariots, riding
tricycles and even fighting duels with perfectly crafted miniature
swords. Find out how the Flea Circus ‘Professors’ fed their fleas, which
household appliance spelled the demise of the Flea Circus in the 1950s,
and how a flea could make a Victorian lady take all of her clothes off.
Tim will teach you how – once you have found your fleas – to harness
and train them yourself, so you can start a flea circus of your very
own! After several years researching the history and techniques of the
flea circus, Tim has uncovered previously unseen footage and photos of
the fleas in action. Tim has also tracked down the last remaining Flea
Circus Professors, who have taught him the secret techniques of flea
training. All of this and more is included in the talk you can afford to
see, but cannot afford to miss!
12.00 Break
12.15 Dietmar Rübel, Professor of Art History and Theory, Art Academy Dresden: ‘Blobjects: Nothing can stop it!’
Spectacular
B-Movie horror scenarios enable us to critically engage with anxieties
in relation to liquid objects beyond human subjectivity. Rübel will
consider the film “The Blob” from 1958, a horror film classic, in which a
jellylike, life-forms-devouring mass from outer space is relentlessly
growing and spreading. Out of this fictitious story in the past decades
fascinating human-thing-hybrids have been developed: So called
“Blobjects” push from the realms of art, design and architecture into
public spaces and conquer our everyday lives. As one can hear in Burt
Bacharach’s main title song: “Beware of ‘The Blob’, it creeps / And
leaps and glides and slides / Across the floor / Right through the door /
And all around the wall / A splotch, a blotch / Be careful of The
Blob.”
13.00 Lunch break
‘Ritual and Spectacle’ (moderated by Mark Pilkington, writer and curator)
14.00 Chiara Ambrosio, filmmaker and visual artist: ‘Tarantism: Dance, Possession and Exorcism in Southern Italy’
Tarantism is a form of dance mania that illustrates the complex struggle between Pagnism and Catholicism in the South of Italy.
Its journey and development- from Greek and Roman times, through the
middle ages and renaissance, straight through to the modern day- traces a
story that transcends the history of medicine and religion to embrace a
vast and complicated conversation about the political and
socio-economical identity of a land, and the continued fight for freedom
and emancipation in an extremely volatile and difficult terrain, both
physical and psychological. This talk will explore Tarantism as a
ritualistic spectacle that, through dance and music, offers a form of
resistance and continuation of specific local histories beliefs and
identity.
14.45 Shannon Taggart, photographer and independent researcher, ‘Physical Mediumship, Spiritualist Ritual and the Search for Ectoplasm’
The
invention of photography coincided with the scientific exploration of a
variety of invisible forces. Disembodied communication was made
possible with the telegraph, the power of electricity was harnessed,
radiation was discovered, x-rays were produced and worlds within worlds
were being revealed via microscopes and telescopes. During this era of
possibility, photography was used in scientific attempts to show
thoughts and feelings, verify the existence of a universal life force
and manifest proof of the human soul. This presentation will begin with
an overview of early camera-less photographic experimentation including
the evolution of what is now known as the Kirlian photography process.
We will then set up a Kirlian device for a demonstration and everyone
will have a chance to get their hand photographed.
15.30 Break
16.00 Panel discussion, ‘Practicing Occultism’
With Cecile Dubuis (artistic gothic librarian, UCL), Christina Harrington (Director of Treadwell’s Bookshop), Shannon Taggart (photographer/independent researcher), Robert Wallis (Professor of Visual Culture, Richmond University).
17.15 James Kennaway, History of Medicine and Disease, Durham University: ‘Psychiatry vs. Religion’
Over
the past two hundred years many psychiatrists have taken a dim view of
religion, and have attempted to portray it, and especially its more
extravagant and mystical aspects, as essentially an expression of types
of mental illness such as hysteria or schizophrenia. The lives of
prophets, saints and religious leaders have been reinterpreted in
diagnostic terms. Ecstatic and mystical religious experiences, from
Voodoo ceremonies to Pentecostal speaking in tongues, have been
diagnosed as pathological delusions. Discussions of Jesus as a paranoid
schizophrenic and Mohammed as a psychopath abound. This talk will look
at some of the strangest examples of this phenomenon and consider its
causes, uses and limitations.
18.00 Final discussion
18.30 End