Showing posts with label eric huang. Show all posts
Showing posts with label eric huang. Show all posts

Monday, February 22, 2016

Post-Mortem Portraits of the Dukes of Württemberg: Guest Post by Eric Huang, Morbid Anatomy Foreign Corespondent

In the following guest post, Morbid Anatomy foreign corespondent Eric Huang reports on the post-mortem portraits of the Dukes of Württemberg, which can be seen in the crypt of Altes Schlos (or "Old Castle), a Renaissance era castle turned museum in Stuttgart, Germany. All photos are his own.
Death Portraits of the Dukes of Württemberg
The Landesmuseum in Stuttgart is a history museum about Württemberg, formerly a kingdom and today a part of the German state of Baden-Württemberg. The collection is formed in large part by the 16th-century wunderkammer of the royal family. Paintings, decorative art, sacred art, as well as an impressive collection of clocks and glassware, fill the Altes Schloss, a Renaissance era castle and former royal residence that now houses the museum.

The only part of the building that retains its Renaissance character is the crypt. Several members of the royal family of Württemberg are buried in the inner chamber beneath grand marble monuments. The entryway to the burial chamber is an art gallery of late 17th and early 18th century death portraits. Dukes and Duchesses of the land are painted as if asleep with putti and loved ones in mournful attendance.

Herzogin Magdelena Sybilla Württemberg’s portrait (4th image down) is unique in that she is depicted sitting up rather than in a state of repose. She has been dressed in high mourning and posed in a chair, her head propped up by a left elbow that leans casually on a casket. A grave marker flanked by skeletons stands in the background to the right. The background appears to be a depiction of the burial chamber in the next room, although the room looks a different today with more recent 19th century monuments in place of the 17th century caskets.

It takes about three hours to properly tour the museum and all its collections. The crypt is a little difficult to find, though. Use the lifts in the lobby to reach the first floor Mezzanine level. Then follow the arrows to exit out of the castle, walk along a veranda, and down the stairwell to the crypt. Ask a staff member if you can’t find it, as the crypt is an unmissable feature of the museum.

Thursday, December 17, 2015

Death in the Churches Malta: Guest Post by Eric Huang, Morbid Anatomy Foreign Corespondent

 
In the following guest post, Morbid Anatomy foreign corespondent Eric Huang reports on the graphic depictions of death in the churches of Malta! All photos are also his own!
Malta is a devoutly Catholic nation: a Mediterranean island between Sicily and North Africa. Saint John’s Co-Cathedral in the capital city, Valletta, is the crown jewel of Catholic Malta. Built in the 16th century by the Knights of Malta, a Catholic military order whose sole mission was to protect the Holy Lands from so-called ‘infidels’, the cathedral is a spectacular assembly of monuments exalting powerful clergymen.

Death’s heads abound - as do graphic representations of human skeletons, used as motifs in borders, frames, and accents. Most striking, however, are the grave markers of the Knights of Malta themselves. All are intricate marble-inlay mosaics with diverse depictions of Death alongside Catholic angels, crucifixes, and prayers. The Oratory also features two Caravaggio paintings: The Beheading of Saint John the Baptist and a memento mori painting of Saint Jerome.

Malta is well worth a visit for the sacred art and body parts of saints scattered across various churches and museums, including the former residence of the Grand Inquisitor. The high baroque décor and Death’s head imagery evoke the horror and beauty of the Catholic church like nowhere else.

Wednesday, November 12, 2014

The Rise of--and Hysteria Related to--The 1960s "Death Disc": Guest Post by Eric Huang, Morbid Anatomy Foreign Corespondent

 
In the following guest post, Morbid Anatomy foreign corespondent Eric Huang reports on the little-remembered phenomenon--and hysteria related to--the 1960s "death disc," or songs in which the love interest dies "due to a lovers’ spat, jealousy, a cruel twist of fate, or suicide."

Just a few well known examples of "death discs"--which spanned such genres as rock, Motown and country and western--are "Leader of the Pack" by The Shangri-Las (1965); "Ode to Billie Joe" by Bobby Gentry (1967); "Tell Laura I Love Her" by Ray Petersen (1960); and "Teen Angel" by Mark Dinning (1960).

Following is the full and fascinating story, along with videos of ten of the best remembered "death discs." Thanks, Eric, for this excellent report!

THE RISE OF THE DEATH DISC

In the 1960s, there was a trend in popular music dubbed, ‘death discs’ or ‘splatter platters.’ All were songs about love-lost in which the protagonist – often male and almost always named Johnny or Tommy – dies due to a lovers’ spat, jealousy, a cruel twist of fate, or suicide. The girl in the song is usually the one at fault. It’s her honor that he protects to the death, her infidelity/ambivalence that leads to his demise.

On a recent BBC documentary about songs banned in the UK, historians described how death discs were new outlets for women, finally able to sing about their tormented modern lives. The songs reflected a rejection of 1950s morality by a new generation, but it wasn’t a pretty picture: those who didn’t obey the rules always met with death. Jim Stark, James Dean’s character in ‘Rebel without a Cause’ (1955), is a prime example - as are Romeo and Juliet, who were resurrected in Franco Zeffirelli’s award-winning box office smash in 1968. This sexed-up adaptation of the Shakespearean tale had all the ingredients of an archetypal death disc tragedy: youth, rebellion, passion, death.

The plane and car crashes that ended many teen celebrities’ lives from the 50s onwards were a massive influence on this morbid music trend. Sports cars, motorcycles and high-flying airplanes represented another new way of life, one that was too fast for many. Death discs were about losing lovers in exactly this way: tragically in crashes just before a wedding day or right after a warning to be careful. The death disc hit, ‘Three Stars’, by Tommy Dee was about the very plane crash that killed Ritchie Valens, The Big Bopper and Buddy Holly in 1959.

Death discs spanned genres: from rock and roll to Motown to country and western. But the most popular death disc of all was ‘Leader of the Pack’ by the Shangri-Las. Singer Mary Weiss laments the tragic story of her hot-blooded biker boyfriend. They were deeply in love, but she bowed to societal pressure to ‘find someone new.’ Moments after breaking up, a fatal crash ends his life. So popular was this song about teenage death, that it toppled the Beatles from the US charts!

The popularity of death discs shocked the establishment. Journalist Alexandra Apolloni describes Seventeen magazine’s condemnation of these morbid songs:
A 1965 editorial made it clear that good Seventeen readers shouldn’t be listening to death discs: “I expect the Johnny Mathis version of ‘Wonderful Wonderful’ to live considerably longer than the Shangri-Las’ gory ditties about motorcycling or hot-rodding death scenes."
Nevertheless, ‘Leader of the Pack’ and numerous songs like it flourished in the 1960s. The music industry cashed in on a never-ending obsession with untimely death, turning young idols like James Dean and Marilyn Monroe – later Jimmy Hendrix, Ian Curtis, Kurt Cobain, Amy Winehouse - into immortals.

Here is a playlist of ten 1960s death disc faves:

"Leader of the Pack" by The Shangri-Las (1965)


"Condition Red" by The Goodees (1968)


"Teen Angel" by Mark Dinning (1960)


"Tell Laura I Love Her" by Ray Petersen (1960)


"Patches" by Dickie Lee (1962)


"Johnny Remember Me" by Johnny Leyton (1961)


"Ode to Billie Joe" by Bobby Gentry (1967)


"The Hero" by Bernadette Carroll (1965)


"Ebony Eyes" by The Everly Brothers (1961)


"Car Crash" by The Cadets (1960)


Sunday, July 13, 2014

A Trip to Hell at Tiger Balm (Haw Par) Gardens, Hong Kong : Guest Post by Eric Huang

The delightful Eric Huang (aka dinoboy) recently paid a visit to a theme park which quite simply defies imagination: Tiger Balm (Haw Par) Gardens of Hong Kong. This attraction, built in 1937, is a sort of theme park filled with tableaux illustrating Buddhist and Chinese mythology. The highlight: a depiction of "The Ten Courts of Hell" and the punishments enacted there.

Eric kindly agreed to write a guest post for the readers of Morbid Anatomy about this amazing place, which follows; all photos above are also his own!
I heard about the Tiger Balm Gardens whilst visiting a friend in Hong Kong. The park near where she grew up was once one of three gardens built by the heirs to the Tiger Balm fortune, brothers Aw Boon Haw and Aw Boon Par. Only the Singapore garden, called Haw Par Villa after the brothers - exists today. The park in the Fujian province of China was never completed, and is now a museum. The Hong Kong gardens closed in 2004, though the mansion where Aw Boon Haw lived has been preserved.

What a garden Haw Par is! Roughly the size of Fantasyland at the Disney theme parks, the attraction built in 1937 is a maze of grottoes, monuments, and tableaux of Buddhist morality and Chinese mythology. Many will likely recognize Monkey from the Buddhist legend, Journey to the West, that spawned numerous TV series and films as well as the Damon Albarn musical/opera, but the familiar bits are the least interesting.

Human-beast hybrid monsters abound, mainly aquatic: yes there are mermaids, but also scallop shell ladies, crab women, manta ray men, fish dudes – and all are angry, in mid-battle wielding feudal and magical weapons, seducing silly humans, and cavorting with any thing – living or otherwise - nearby. Most are players in epic legends involving the gods and their loves, jealousies, and savage revenge on each other and on helpless (but hot) humans.

There’s also a giant wall depicting the sins of urban life: dancing to gambling to liquor and loose women. Scenes of good deeds and piety mirror the sinful acts. The park opposite the wall is an odd assemblage of anthropomorphic animals, a giant gorilla family, frogs riding ostriches, and a load of Australian animals: kangaroos, koalas, and emus.

The very, very best attraction at Haw Par Gardens is undoubtedly the Ten Courts of Hell. The entrance is a park-like path lined with decapitated heads. It’s clear you’re about to enter something nasty – very Temple of Doom. The tableau nearby depicts a brutal war between rats and squirrels!

The Courts themselves are set inside a dark and appropriately hot – tropical, humid, Singapore hot – cave guarded by Ox-Head and Horse-Face, escorts of Hell. Don’t let their names fool you into thinking they’re funny circus animals. Ox-Head and Horse-Face chase newly arrived souls into Hell with a steel spear and an ivory stick.

Once inside the cave, the exhibit leads visitors through the process of judgement, sorting, punishment, and finally redemption through reincarnation. Each Court in Hell punishes those guilty of particular crimes. Many crimes have the same punishment. For example, in the Third Court of Hell, the following crimes are judged and punished:

Ungratefulness, Disrespect to elders, Escaping from prison = Heart cut out.

Drug addiction and trafficking, Grave robbing, Seducing people into a life of crime, Creating social unrest = Tied to a red-hot copper pillar and grilled.

To the modern visitor and unbeliever, the crimes and punishments are unlikely to make any logical sense. Money lenders with exorbitant interest rates face being thrown onto a hill of knives – quite right! The misuse of books and wasting food are both punishable by having your body sawn in two – not at the waist, but down your body in a lateral cut.

But fear not, even the most heinous of crimes – disobeying your siblings, for example – are eventually forgiven. Once souls have been punished for the prescribed length of time, they are led through the Pavilion of Forgetfulness where a draught of magic tea administered by an elderly woman named Men Po causes all to forget their past life. Then it’s off to Samsara and the Wheel of Incarnation. Depending on the crimes committed in the past life and the punishment meted out, the soul will be reincarnated either as an invertebrate, a sea creature, a land animal (mammal), a flying creature, someone poor or foreign, or Han Chinese nobility – in that order.

The Courts are beautifully gruesome and very camp at the same time. It’s worth it to go to Singapore just to see the Courts of Hell themselves. Sadly the gift shop was closed when I visited. I can only imagine the souvenirs I might have purchased. Maybe this is the just one of the punishments I deserve for my crimes …