Weekly Studio Update

With the holidays and my birthday, it has of course been a less productive week. Last weekend I had to skip out early on my weekly painting class, but came back this week and got as far as above. There is not a real likeness, but I might be able to work on it some more in the near future.

Today I finally got back to work on "Sloth." I've added another layer to the legs, but they still aren't close to where I want them hue and value-wise, and also darkened the shadow behind the figure. It will be a slow week for this painting, too, since the holidays really aren't yet over!

I've done a couple more little sketches in my sketch book, and will hopefully do more on the days I am not able to make it into the studio. If I don't post again in 2008... cheers and have a great New Year!

Studio Sketch

Today I went into the studio, did a bunch of cleaning, and then got set up to get to work on "Sloth." But, I just wasn't feeling it. I only had an hour and a half left to work at that point, and I didn't have a particular plan of attack. So, I opened up my folding table and put a varnish layer on "Woe and Joy." With even less time left, I debated between finding some other task that needed doing or heading home early to sneak in a nap. I decided to get out my new mini-sketch book that was in my purse and do this quick rendering of my studio. When you click on the image to view it full size, it will be the same size as in real life.

You can see my varnished painting drying on the table all the way at the right. Against the wall behind it are a desk and a blank canvas leaning against the wall. Then you see "Sloth" and my painting cart with the faux walls and chair set up from the weekend's class. Now in the left-hand corner is my canvas/painting storage thing, and then a couple of carpet-covered panels to use as model-stands. I didn't draw what was on the other side of the fence on the left because I ran out of time. Tomorrow I will have more time and will come up with a plan for the painting tonight so I am ready to go in the morning.

January Class at ARTichokes

This could be the perfect gift for the artist or aspiring artist in your life, or for yourself! Contact ARTichokes to sign up.

Painting From Life
Thursdays, 10:00 am - 12:00 pm
CLASS DATES: JAN 8, JAN 15, JAN 22 and JAN 29

Discover the tricks of the trade when it comes to painting from life (a live model)! While, to many, the human form is a difficult object to tackle, Lacey will help to calm all your uncertainties. In the first class, students will focus on composing the figure from a live model and building value. During the second class, students will learn how to prepare a flesh toned palette, in order to quickly block in the figure. For the final two classes, the model will stay in the same pose in order for the students to achieve finer details.

All levels of experience are welcome.

All art supplies are provided by ARTichokes & this cost is included in the enrollment fee.

Instructor: Lacey Lewis

Cost for 4 classes: $185.00, plus tax

Paintings Update

I got the canvas covered on "Sloth!" Of course, I was in a rush to get it done before I had to stop, so the values (on the knees especially) are off and up close it's a bit sloppy, but the base coat is down and I am happy about that. With the holidays this week, I will have limited time in the studio but plan to make the best of it.
Mid-week my apprentice and I also had the model for this painting come in so we could work, but the light was quickly fading so we only really got another hour in. The next day I did something I really never do: I worked on it with no reference at all, just my memory. Considering that I never do that I think it came out pretty well! I really didn't touch the hands and feet because I don't remember those details, and the legs aren't as solid as I'd like, but this has turned out to be a pretty good little study. The face is a real challenge because it is so small, so it's not a very good likeness. The picture above at full size is about the same size as the painting in real life, 12" x 6". That makes the head less than 1.25".

Today I am off to my weekly figure painting class and then will be at the studio all day tomorrow. I'll update on my progress in a couple days.

Progresses

Today I was back in the studio working on "Sloth." Another day and I should have the whole thing blocked in. I forgot to take a picture, but I acquired some awesome new studio furniture last Friday from some kind souls at a school that was getting rid of said furniture. They came just in time as one of the pieces works great as a painting cart while standing.

Saturday, I continued working on the above painting from life during the weekly figure painting class I've been holding in my studio. Unfortunately, I'm a slow, slow painter, but it looks like I might get the model to come back again this week.

Finally, I thought I'd repost this painting since the color on the previous picture of it was way off. It's still not the best piece ever, but it was fun and I look forward to breaking out the knives again some time soon.

Kansas City, KS Arts

There is a growing arts community in Kansas City, KS, though I admittedly have a hard time putting my finger on just what and where it is! I'm one of those people that due to family commitments and my busy schedule am not generally able to get out to lots of real-life in-person meetings. However, I am somewhat tech-savvy and have therefore created a Yahoo group to connect and unite artists and those involved with or interested in the arts in Kansas City, KS.

I just started it up last Friday, and already we have almost three dozen members, as many messages, and several files, databases, and even a poll! There are opportunities listed for getting involved with non-profits, business workshops for artists, and several meetings and gatherings. There's a lot more happening here than I realized!

You need not be an artist, be directly involved in the arts, or live or work in KCK in order to join the group. You need only to be interested in what's happening. Check it out and sign up!

• KCKSARTS Yahoo! Group
  

Sloth - The Early Stages

I just started the largest-scale painting I have ever attempted. This canvas is 4ft high by 6ft wide. For the first time ever, I have used a large gesso brush to apply oil paint. (Anyone know a great way to get paint out of such a large brush, by the way?) It was crazy; there was paint everywhere! Psst: There's no paint on the figure yet, if that wasn't obvious.

This is where the canvas stood yesterday before I left the studio, with my composition lines and cartoon sketched in charcoal. When I arrived this morning, I made a couple changes to Woe and Joy (wait, did I say that was finished?) spent an hour cleaning my palette and then got started with the big ol' brushes. I also had a chat with Steve Curtis of S2 Studios, which is in the Kansan building as well, and we have some ideas brewing. More on that later tonight or tomorrow.

The other day I also felt like taking a picture of my desk. For some reason it just made me happy. All the way to the left you can see a teeny painting that was started from life last Saturday. The figure is maybe 9 or 10 inches high. Not an intriguing composition, but I will work on it again this Saturday and hopefully wind up with a good figure study. Just trying out a few ideas with it.

Tomorrow yet more changes with be made at the studio. I am finally getting some curtains put up, and I am also getting some way cool flat files. Then, in the evening, feel free to stop by the open studios from 5-8pm. I'm in the Pressroom Studios at 750 Armstrong in KC, KS. Hope to see you there!

Woe and Joy

"Woe and Joy"

Oil on Canvas 40" x 30"

Woe and joy indeed! I am so happy this painting is finally finished. In a couple weeks when it is dry enough, I will varnish it so that the deeper shadows in the hair and flesh tones really blend well with the background.

The name for the painting came from the title of a blog post by the above model when she announced her baby had been born. Originally, I had a more dramatic title and theme for this painting, (face paint was involved, I'll just say that) but after the image and message became more subtle I started trying to think of a new title. As soon as I read the posted announcement on her blog, I knew I had my name! Of course, she is a writer, so what better source for such things?

I finished this painting off today during a seven hour session in my studio. It was awesome. I am not sure I have had a day that long at the studio yet! Not only did I complete this one, but I got started on my next big project and tidied up a bit, too. Good times.

Bowman Class

Today I attended Richard Bowman's landscape painting class at ARTichokes, and it was everything I'd hoped for! (That's Richard above with his cloud demo.) Actually, I am not sure I had a particular idea of what I wanted the class to be like, but I knew I wanted it to be different than anything I usually do. It was!

We all started off watching and listening as Bowman explained and demonstrated how he mixes his palette and his thought process behind it. The picture above is my palette mixed up in a similar manner to the way he did his. Certainly different than any way I've worked before!

After that, Richard started a demo of a cloud on his own canvas before we sat down to our own work. I took this picture in the beginning stage of my own cloud. I felt like I was trying to paint with my left hand (I'm right handed) when using the palette knife, which is all we used the whole class. I also used many paper towels wiping off my knife and numerous times got paint on my hands. Don't worry, I didn't panic. At least not on the outside.

The above 'Cloud/Blob' thing is the result of my first go with the knife. I think this may have taken about an hour, and even though it is ultra-blob-like and not so much cloudy, I'm happy with the result because it was so much outside the box for me. Sometime towards the end I started to figure out how to use the knife. It was difficult for me to figure out how to spread the paint without laying down too much paint nor scraping through to the canvas.

Here's my attempt at a sunset done during the 2nd half of the class. I started off at the top intending to do the whole sky in a higher key with lower chroma, but then as I got lower in the painting I got darker and brighter. Now I wish I would've kept it lighter at the bottom or darker at the top, but oh well. I can always grab another canvas and give it another go, right?

Richard Bowman is an energetic teacher, very helpful and has a great sense of humor. I thoroughly enjoyed learning about knife landscape painting and it was a welcome break from my usual grind.

Back to Painting

I've gotten a couple painting sessions in now, and I am feeling much relieved. The above painting I started, um, quite some time ago. More of the panel is covered now, and as I started back up I noticed that since I started the piece, something about my painting has changed. As I looked at the dry paint (hip, back, upper arm) compared to the wet paint (forearms, hands, lower 2/3 of the legs) I thought about the former, "Gosh, that's chromatic!" I remember exactly what I was thinking putting those stronger chromas in there and I wonder what will become of this painting and how will it be different than the if I'd finished it two months ago. I put a 2nd layer on the face while I had the flesh tones on the palette.

I'm also closing in on this one. I may have finished up the sitting person's hands, and have moved on to her shirt. Our left side of her shirt is almost there, the other side has hardly been touched. Then I started going into the background with another layer of black, and am really trying to lose those edges that are in shadow; the back of the sitting woman's head and everything beyond the lit part of her arm, and letting all detail fade until we hit a lit part of the standing woman. I will do the same all over the canvas, carefully choosing which edges will be completely lost in shadow, which will be softly visible, and which will be more crisp.

Tomorrow, I will not be painting on either of these canvases. I've decided to treat myself to a day long class tomorrow at ARTichokes with an artist I've admired for several years, Rich Bowman. This will be completely outside the box for me. I haven't attempted a landscape since maybe high school, though I have envisioned landscape paintings often. Work in this class will be done exclusively with a palette knife, which is a tool I completely lack experience or comfort with when it comes to painting. Finally, I think we're going to be working from *gasp* our imaginations! As an artist who is, ironically, completely uncreative, this all sounds really intimidating. I really am looking forward to it, though, because I have often thought about including all these elements in my work but just haven't attempted it or really known how to approach it.

Don't forget that I am also teaching two classes at ARTichokes this month! Portrait Drawing on December 11th and Figure Painting on December 18th. See my classes and workshops page for more info.

Painting, Teaching, Etc.

It's kind of a bummer that I haven't been able to update this blog more regularly. This is also reflective of my frustration with not being as productive in the painting department as I'd like. There's always something else that has to be done! I'm doing my best to clear my schedule this month and next, yet I still need to pay the bills. I've gotten a couple things out of the way, though. After this week I will have a vacation from private lessons during the work week, and I just delivered the final design for a children's CD I've been working on. I still have some classes and such going on, but I just might cancel all classes after the New Year. I desperately want more studio time!

Regardless, I have still made some progress. Since the last post about this painting, I've completely gone over both bellies, added some warmer, lighter pigments to the sitting woman's face, put another layer on her hands, and started on her clothing. You can see the difference in the white skirt, though I don't know if I will keep that the way it is.

There's still so much to do. I almost want to cry I am so frustrated with the fact that this is taking so long. I wanted it done in November! I have other paintings to paint! Meanwhile, I still need to get curtains up at the studio since the sun this time of year is too direct...

OK, enough of my pity-party! Last Saturday I held a figure painting class in my studio, and we will continue this through December. Today I moved my big canvas/supply holder, which is on the left with a green fabric draped over it, out of the way to hopefully accommodate everyone better. In the above picture, you can see my easel way in the background on the right.

I experimented with using color strings in my painting during this class. I pre-mixed a series of neutral grays, a flesh tone, and an earth red and yellow. There were certainly benefits to working this way, and I plan to actually tube color strings in the near future. I've been getting some of these ideas from a certain group and their application of the Munsell system, which is something I've been spending a lot of time reading about over the past several months. Interesting stuff.

Here's my palette set up, already part way through the painting. The lighting wasn't very good when I took this and I wanted to avoid flash, but I will take a better picture next time I set up my palette this way.

Anyway, I wanted to really just focus on the above as my composition. However, I only had an 11x14 or 5x7 panel to choose from, and I felt stretching that to 11x14 would be too big. So, I did focus on that area, and then at the end of class rushed to sketch in the rest.

Even though I am not totally happy with the paint outside of the cropped area, it was a good session for me. I took a picture to use as reference since this model is *on tour with his band* and thus will not be available to model again soon. Perhaps I will get a chance to bring this one up to a finish.

The Rape of Europa

Last night I watched "The Rape of Europa" on PBS and highly recommend everyone watch it. I knew that the Nazis stole and destroyed a lot of art, but I had no idea to what extent. While none of it begins to compare to the loss of human life at the hand of Hitler's regime, it was incredible to see images of the mass amount of artwork that was stolen, and to see great museums emptying their buildings of masterpieces in anticipation of the arrival of the Nazi army. Above is an image of the Winged Victory of Somothrace during it's evacuation from the Louvre. Below is a description of the program from the PBS website:

THE RAPE OF EUROPA tells the epic story of the systematic theft, deliberate destruction and miraculous survival of Europe’s art treasures during the Third Reich and World War II. In a journey through seven countries, the film takes viewers into the violent whirlwind of fanaticism, greed, and warfare that threatened to wipe out the artistic heritage of Europe. For twelve long years, the Nazis looted and destroyed art on a scale unprecedented in history. But heroic young art historians and curators from America and across Europe fought back with an extraordinary campaign to rescue and return the millions of lost, hidden and stolen treasures. Now, more than sixty years later, the legacy of this tragic history continues to play out as families of looted collectors recover major works of art, conservators repair battle damage, and nations fight over the fate of ill-gotten spoils of war. Joan Allen narrates this breathtaking chronicle about the battle over the very survival of centuries of western culture.

New Classes Scheduled at ARTichokes

The time to sign up is now for these one-day classes at ARTichokes in Leawood, KS! All materials and a light lunch are included.

Portrait Drawing
Instructor: Lacey Lewis
Class Date: December 11th
Thursday, 10:00 am - 2:00 pm
Cost for 1 class: $95.00 plus tax
*a light lunch will be provided and all materials are included in the enrollment fee.

In this class we will study the art of portrait drawing in graphite and charcoal. Everything from lighting and posing the model to identifying good reference photos, proportion, creating a pleasing and accurate line drawing, and using value to give your portrait form and solidity will be covered. Work will be done from a combination of life and reference photos that we create ourselves. Students are encouraged to bring their own photos.

Figure Painting
Instructor: Lacey Lewis
Class Date: December 18th
Thursday, 10:00 am - 3:00 pm
Cost for 1 class: $145.00 plus tax
*a light lunch will be provided and all materials are included in the enrollment fee.

Enjoy demonstrations, discussions, and hands-on painting from a live, draped model in this unique oil painting workshop. Students will begin by drawing an accurate drawing and value map in monochromatic oil paint. They will then learn about value and skin tones. Finally, the class will refine their paintings by adding details. Lacey Lewis will guide the class through her creative process of painting the human figure. A light lunch will be provided. Class size is limited so hold your spot today!

Tiny Portrait Sketch

Yesterday I did this little sketch during my portrait painting class in my studio. It is on a tiny 7" x 5" panel that I scrubbed some raw umber onto. I started with the drawing in paint above and used an eraser to remove some of the pigment. I meant to take progress pictures with the color stages, but I forgot. Below is the final sketch.

Friday was the opening reception of "Favorites" at Strecker-Nelson Gallery. I have several drawings in the show. Jamie came along with me and I was pleased to meet some artists I had been itching to meet for some time, including Dean Kube and Louis Copt. I also had some great chats with Dan Coburn, Diana Dunkley and Ralph Fontenot. After such a busy weekend, I am spending today recovering before getting right back at it in the studio tomorrow.

More Painting

I've gotten a bit more painting done on this. Can't wait to finish it up! Yesterday I worked on the figure in the black shirt, going over certain areas of her face, doing another entire layer on her hands and arm, and deepening the shadow on her belly. This is all helping her to fade into the background in the shadows, and then emerge from them in the light. Her belly will need more work, as right now the light area is pretty flat.

Included above is an image of the painting in black and white. These values will be adjusted to carry the eye through the painting in a specific pattern. My plan is to lower values on the belly of the standing figure, lower the contrast on the white shirt somewhat, and then lighten the flesh tones overall on the sitting figure. This should help the eye move around the whole painting, to both faces and both bellies, whereas at the moment the flow seems to stick at the sitting figure's face and shirt. Also, note how it doesn't make sense for the belly of the standing figure to receive more light than the belly of the sitting lady, since the sitting lady is closer to the light source. All these things will be corrected after I make the changes listed above.

360 Studio Slideshow

Jamie and I have been doing a lot of work on the studio. Yesterday I took a break from painting to take these pictures. Check out the painted panels, and my new little manikins. You can also see some of Jamie's work on the fence above the cubbies. Still much more to do, but the place is coming along.

Checkin' In

Unfortunately, I have no photo today. I will rectify this soon!

Last Friday was the Follow the Dotte Art Walk/Holiday Art Sale at the studio. I got to chat up lots of familiar and new people, and it was a good time. I'd also spent the day painting the panels and pillars the same green as the wall, so the place is almost looking spiffy now. The sale went on Saturday as well, but that was my wedding anniversary so I skipped out while Jamie held the place open for me. (Thank you!)

Yesterday (Monday) evening I gave a presentation to the Lawrence Art Guild and had a really great time! I think it went over pretty well and hopefully I made a couple new friends. Also found out about a possible open studios event for several counties in Kansas in the spring.

Today was for errands and a private lesson. Coming up this week I have days with 1/2 each day spent teaching and the other 1/2 day hopefully in the studio. Friday I have an opening out at Strecker-Nelson in Manhattan, KS followed by a painting class on Saturday.

Sunday I am going to sleep in!

Plugging Away and a Figure Drawing

Yesterday I continued to work on the face, hair, and shirt here. Still so far to go! Today I was at the studio but was doing some framing and a lot of cleaning.

Below is my sketch from last Saturday's figure drawing class. If I am lucky, I can get the model back in so I can finish it!

2nd Friday Art Walk and Holiday Art Sale

The Pressroom Studios is participating in the 2nd Friday "Follow the Dotte" Art Walk and KVAH's Holiday Art Sale. I will be at my space during the open hours this Friday, and my apprentice, Jamie Bone, will hold the studio open on Saturday. (I won't be there because it's my anniversary... sorry!) I have some new artwork on display and also have a small handful of affordable paintings and a few copies of my Feminae catalog available for purchase.

• Pressroom Studios
  750 Armstrong
  Kansas City, KS 66101
• Friday 5-8 pm
• Saturday 11 am - 3 pm

Weekend Studio Update

It might not seem like it based on the lack of reports on this blog, but it has been a busy week! In the last 7 days I've had 5 private lessons, a figure drawing class (see the picture above), worked in the studio and on the studio space itself, painted a bit at home, collected reference material for my next painting, worked on a children's CD design, and more. I have several little projects going on at once. Whew!

In the picture above, you can see there's now a big wall-thing behind the model. Seamus was kind enough to deliver these large 8' x 4' panels to my studio and he, my husband, and new artist to the Pressroom Studios Ron (pictured on the right) were kind enough to hinge the panels together for me. This week I am going to paint the panels the same color as my wall, with the hope that they will help control all that light bouncing around in the studio. I still *need* to get some curtains up there!

The picture was taken during class on Saturday. In the middle there's my apprentice, Jamie Bone, the aforementioned new artist in the Pressroom, Ron Smith, and Stephen Sweigart of Lawrence. I had my easel set up on the far right. Everyone in this class is an artist and is aimed at making a professional career out of their craft. It's so exciting to be working with such serious artists!

While I didn't get to do a lot of painting done at the studio with everything else going on, I did get to do a quick layer on expecting chick #2's face. I almost even made it to her hair! There's still so much adjusting to be done, but at least the value has been knocked back.

Now the values are falling into place. I feel like it's been so slow-going with this painting, so it's a little tough when I think to myself, "OK, just one more layer over the whole thing!" Maybe this will be the week, though. I have very little in the way of lessons this week, though I do still have other projects, a grant proposal, and a presentation to prepare.

While at home, I did manage to sneak in a quick session on this one morning. This time I was in the zone and ready to cover the whole canvas, but I had something scheduled and had to leave. My plan, right now, is to try and maintain this hectic schedule through the end of the year. Then I will try and take several months in early 2009 to focus primarily on painting.

Not in the Zone

Maybe it's because it's Halloween, but every now and then it's like I'm a zombie at the easel. That was the case last night. I hardly got any painting done on this little panel... not that what I did do was bad, but it was agonizingly slow. Just imagine me sitting at the easel (I don't always sit, but this one is small) cross-legged, slouched way forward, eyes droopy, painting sluggishly.

Perhaps I just need more sleep!

I similarly completed next to nothing on my own painting at my small still lives class that morning. Talk about an off day!

Rave: My New Favorite Paint Brushes

I picked up a Winsor & Newton Monarch Mongoose size 4 filbert at a local art store, and after using it a couple times I decided to order about 10 more from Dick Blick. I was a little hesitant to spend so much of my order on paint brushes, but every time I use one of these I just love it! I've never had a brush hold it's shape so well, and they are both firm and flexible at the same time.

I love, love, love these brushes. Seriously.

Starting Belly #2

Yesterday in the studio I started moving on to painting the 2nd belly. I have a good base, but another layer will go over this. Can't wait to get back to it!

Narrative Painting Update

Getting all the skin-tone values nice and low... but just noticed how off the value on the light area of the neck is. Wow! I'll have to fix that tomorrow. Anyway, in these darker paintings I really like to get the values low so that I can build up layers of light on top. This helps add interest and depth to the color, and also follows the Old Masters' rule of having thin shadows and thick lights. Every time I go and look at Rembrandt I am reminded that I have to be more liberal with the paint in those light areas.

November Classes at Hilliard

Now is the time to sign-up if you are interested in the November classes at Hilliard Gallery in the Crossroads Arts District of KC, MO! I only need 3 confirmed students per class to make sure they go through, so if you would like to attend, please sign-up early to help avoid canceled classes.

Please feel free to contact me with any questions!

Saturdays in November - Portrait and Figure Series
Take one, two, or all classes in this series that focuses on the realistic portrayal of people. The Portrait Drawing class will focus on drawing the head in charcoal by creating an accurate envelope and then massing in values to give form, solidity, and a likeness. Portrait Painting will expand on the Portrait Drawing as we create an initial line drawing in oil paint and then create form using color, value and accurate skin tones. Everything becomes more complex as the focus shifts to the figure, and sight-size will help to create a correct representation of the figure with little confusion, so we can then concentrate on expressing the nuances of anatomy and structure. In the final class in the series, Figure Painting, we will try juggling all accumulated knowledge using sight-size to create our initial line drawing, massing in initial values and missing accurate flesh tones.

Models are provided, and a limited number of easels are available for student use. Please check easel availability when you register. A list of materials needed for the classes available on the Hilliard website and at the gallery.

• Saturdays 12 pm - 3 pm
• Portrait Drawing: November 1st
  Figure Drawing: November 8th
  Portrait Painting: November 15th
  Figure Painting: November 22nd
• Location: Hilliard Gallery
• Cost: $40 per class, or $140 for all four classes

Hilliard Gallery
18th and Oak
Kansas City, MO 64108
(816) 561-2956

Narrative Painting - Slow Progress

I've been working a lot on the face, above, to try and get what I feel is an overall good balance of value and chroma. It's been difficult, but at this point I feel like I am in the ball-park enough that I can move on for a while and use it as a thermometer to gauge the values/chroma on the rest of the painting. Right now, it looks a little awkward in comparison to the rest of the composition, which has lots of lighter and more saturated passages. Hopefully it will all come together in the end!

After I got the face at the focal point more or less settled, I quickly scrubbed some color into the remaining blank areas of the canvas. I can't wait to get back to this, though I am not quite sure when that will be since I have a hectic schedule for the rest of the week. (Please excuse the value-finder taped to the canvas; I have a lot of trouble figuring out the right values and light balance once I am home!)

Studio Update - Painting the Wall

Jamie and I spent the weekend cleaning up and painting the wall of my studio. I should take a good picture of the line where we stopped cleaning the wall... you can see an edge in these photos where my neighbor to the left cleaned up higher than we were able to reach. That might give you an idea of how dirty it was! Slowly but surely all of us at the Pressroom Studios have been cleaning, painting, and improving the space. It takes time, though, especially with the floors since the dirt and dust continues to settle back down.

Anyhow, we painted the wall a dark gray-green. It really looks quite a bit darker in real life, until you get close to it. The color is inspired by what has been referred to by some artists as "Whitaker Green," after the artist William Whitaker and the color of his studio walls. The color is a perfect background for skin tones, being complementary to their hue and quite desaturated, which makes even pale skin like mine glow in front of it.

Here's the before picture of what the wall looked like before we painted. Jamie has also primed my sides of the pillars at the front of my space, and we will paint those areas to match.

Next on the list, I am going to create a 3 panel movable wall and paint it the same color as the studio wall. Then, I will be able to control more of that light that is bouncing all over the place and also block nude models from view. I also need to get some curtains up, and we are considering painting the floor in order to lessen the amount of light that bounces off the floor and onto the model. Now that the sun is getting lower in the sky, and these are south-facing windows, direct beams of sun and light reflecting from below are becoming big problems, which is why I have temporarily moved my set-up to the corner.

Jamina Bone

As I am sure I have mentioned before, I have had an apprentice working with me in the studio. I am really pleased with the work she has created since we started working together in August, and so I thought I would share some of it here. Both the painting, above, and drawing, below, were done completely from life. (Kudos, Jamie!) She has also been great about helping me clean-up and fix-up the studio. More on that in the next post. Already I am anticipating missing her when she leaves for Chicago next summer.