Showing posts with label shirt. Show all posts
Showing posts with label shirt. Show all posts

White shirt: Burda 10/2008 #113

Sunday, 29 November 2020

 woman wearing a white shirt, black pants and red lipstick

A white shirt may never go out of style, but it can certainly get grubby and stained beyond repair which is why I make a new one at least once a year. I wear a lot of sunscreen, and that tends to turn the cuffs and collars quite brown that even bleach can't remove. Usually I make a simple fitted button up shirt, but this time I decided to try something a little bit different with some cool details. This pattern is from Burda in 2008 when they were still Burda World of Fashion. I've made this shirt once before for my mum, and have been meaning to make myself one for at least the last decade.

This shirt pattern not only ticks all my boxes - three quarter sleeves with a button tab, raglan sleeves, vertical darts for fitting - but it also offers a little bit more with a looped tab down the front covering the button placket. It certainly adds quite a lot of interest to an otherwise simple shirt. The pattern is 10/2008 #113 which I can't see is available for download, but if you ever see this issue for sale I can highly recommend it, there are quite a few good patterns in it.


Burda sewing pattern



That looped strip was really quite simple to make - it's essentially just horizontal lines sewn to the shirt halfway between each buttonhole, and then press the fabric downwards towards the hem.


white shirt close up of buttons

close up of white shirt front

I did mess up the sewing order though - the strip should have been added before the collar, so that the top end of the extra strip would be enclosed within the shirt stand. I added mine after I had sewn the collar on, so I've done a dodgy fix of just topstitching it close to the collar stand seam line - it's clearly visible in the photo below but I doubt anyone else will get close enough to notice.


close up of a white collar shirt

The fabric I've used is a thick textured white cotton that is probably a bit too stiff for a shirt, but it helps give the looped front and sleeves a bit of structure. It means the back puffs out a bit, which I could fix by making the vertical darts a bit deeper, but I think I'll leave it because it's not too bad.


the back view of a woman wearing a white shirt

I also find the way the raglan sleeves meet together as a point on the shoulder very satisfying - it's those little details that people who don't sew will never see but it makes me happy.


close up of a shoulder seam in a white shirt

I found the sizing of this shirt to be quite generous - I made my usual size 34 at the shoulders and grading out to a size 40 at the hips. There is a lot of excess fabric around the arms - the armscye sits quite low and the sleeves are very wide. I think in a softer fabric with more drape this would be fine but it does feel a bit bunchy in this thicker fabric.


woman wearing a white shirt

I think this is a fantastic pattern, and I can't believe I waited so many years before I made it! I think the loop strip could be added to almost any shirt pattern, and ribbon could be used instead of the shirt fabric so possibly another one of these style shirts is in my near(ish) future.


woman posing in a white shirt and black pants





So simple: Tessuti amara vest

Friday, 24 July 2020
After finishing that tailored green jacket I needed to make something really quick and simple - the Amara vest by Tessuti patterns was just the thing. It probably took me longer to print out and assemble the pattern than it actually did to sew it!

A woman modelling a plum coloured vest worn over a white shirt

It's a very shapeless and boxy style but still drapes quite well so it doesn't make me look like a child in adults clothing. I made the smallest size and while it's quite wide across the body which is only really noticeable when my arms are up, but luckily I don't need to use my arms robot style too often:

A woman lifting her arms to show the width of the wool vest

The fabric I used is a felted wool bought from Addicted to Fabric in Canberra last year on a road trip with some Sydney Spoolettes to see an exhibition on the costumes from movie The Dressmaker. This pattern is exactly the project I had in mind when I bought this fabric, I just had to wait a while for someone to draft a pattern for me! 

Because the wool is felted I knew it wasn't going to fray, so I've left the bottom hem unfinished and instead of binding the neckline and sleeves I just sewed on strips of the fabric and left them on the right side. I was going to turn them to the inside and topstitch them down, but I quite like the look of the bands even though they are roughly cut so I decided to make a feature of it instead.

a close up shot of a neckline of a wool vest


a close up shot of the sleeve of a plum wool vest and a white shirt

The shirt I'm wearing underneath is one I made a few years ago but never blogged for some reason. It's made from a vintage Simplicity pattern:

photograph of an old sewing pattern cover showing four different styles of shirts

Given that it's a learn to sew pattern it was super simple. The fabric is a crisp stretch cotton, and I found some black and white buttons which is just perfect for the fabric.

a lady wearing a white and black polka dot shirt

I even managed to find some photos from three years with the same jeans - they are a bit blacker than they are now, I'm about 5kg lighter and I was still taller than my children. The good old days!

a lady wearing black jeans and a white shirt standing in front of a wrought iron door

a photo of a woman and two children in front of a colourful wall mural

So all in all a lightning quick but great project. It's surprising warm wearing a wool layer even though it's sleeveless. It might be my inner nanna coming out, but I do like a comfy vest so I can see a few more of these vests in my future.

woman standing beside a fence



 

Burda Challenge: 6/2017 #103 tie neck blouse

Saturday, 19 August 2017
My Burda magazines are arriving later and later each month - now they don't arrive until mid to late of the following month. But that's not a problem because I'm quite behind in this year's challenge, but when this magazine arrived I traced out this pattern and started sewing it the very same day. You see, I just bought some lovely Liberty lawn that I was very keen to make into something and this pattern was perfect.


This is Burda 6/2017 #103, a rather simple blouse with some nice piping details:

images via Burda Style

This is a relatively simple project to make, and is also the illustrated sewing lesson in the magazine and a blog post on the Burda website. It is a bit shapeless though, due to the lack of darts and shaping - the recommended fabric is crepe de chine which I guess is needed to make sure it drapes around the body. The Liberty lawn I've used is soft but doesn't drape  as well as a silk fabric would, so it is a bit puffy when worn tucked in. I may put in some vertical darts on the front and back to get rid of some of the looseness, but I'll wear it a few more times before I decide.


It's even worse though if I don't tuck it in. This is a bit wrinkled from wear, but worn out it just looks shapeless and oversized:


It's also a little plain without the neck tie I think, even with the piping details and the cute little collar. I left off the pocket because I was worried it may look like a pyjama top with the print and piping, even though wearing clothes that look like pyjamas in public seems to be in fashion it's not my thing.


The piping is my favourite feature - I particularly like the rounded edge to the collar and cuffs which makes the piping finish neatly. I found some small glossy rounded buttons which are perfect for the shirt, and since I had some extra I decided to add two buttons to the cuffs:


I do think the neck tie could be a little wider though as it seems to be a bit narrow and would look nicer in a fuller bow.



Unusually for Burda there is a drafting error with the neck tie, which they don't acknowledge in their blog post either. In the photo below, the pattern piece (piece 9) as traced is on the left - the instructions tell you to fold in half lengthwise, stitch the edges together and turn the right way out. But as you can see in the photo below on the right, when you fold that pattern piece in half it doesn't line up at all like the diagram in the Burda magazine:



To overcome this, and to make the neck tie wider I think it would be better to cut out 2 pieces and sew the 2 pieces together right sides facing and then turn it right side out rather than folding it in half. I didn't quite have enough fabric left to do this so I've left the neck tie as is.

So apart from the drafting issue, this is otherwise a good pattern. Plus I do love a Liberty print - this one is 'Solar' from the 2016 Silk Road collection that I bought from Tessuti a little while ago on an innocent lunch time walk that ended up in fabric shopping (it's dangerous when both Tessuti and The Fabric Shop are within walking distance of my office!).

When sad things happen to nice fabric: vintage McCalls 5700 chambray polka dot shirt

Sunday, 23 August 2015
One of the reasons I think many of us have beautiful and lovely fabrics sitting in our stashes unused is because of a fear of ruining it. I know it's certainly the case for me - many times I've either completely stuffed up the project or I've made it into something less than stellar that made me wish I'd waited for a better pattern or project idea to come along. And that's why I have many pieces in my fabric stash that I really want to use but just can't bring myself to do so.

Sadly my latest project is a bit of both - a few small stuff ups and a poor pattern choice has meant that  I used this lovely dark indigo chambray with polka dots in a poor way. It's only a Robert Kaufman fabric bought from fabric.com last year so it's not irreplaceable, but still I wish I'd made something better than this:


I wanted to make a loose fitting shirt to layer over t-shirts to wear with skinny pants for a casual winter look. I almost reached for a standard button down shirt pattern of which I have many, when I came across a vintage McCalls pattern in my stash which is a raglan sleeve woven shirt pattern. I am inexplicably drawn to raglan sleeves (probably all sorts wrong for my narrow, sloping shoulders but still I love the style) and it is a 1977 pattern (my birth year) which I took as a good sign to try it out.


I did say I wanted a loose fit, but this pattern turned out huge. I didn't get a photo of it but basically it looked like an oversized art smock. Easily fixed though - I ended up taking 10cm out of the side seams and the sleeves to get it a bit more slim line but still a relaxed fit. The back has an inverted centre pleat which adds quite a bit of volume to the back and is the complete opposite of my usual obsession of removing excess fabric in my lower back area, but a different silhouette is good for a change:



Unfortunately re-sewing those side seams led to a stuff up - I accidentally caught the fabric in the side seam when I was overlocking the edge and cut a nick which is of course right in the centre front and too low to cover up with a pocket:


I applied some of that iron on mending tape to the back of it which I hope will hold. I may need to sew it down after a few washes if it starts fraying though. So annoying when something like that happens!

The collar is a one piece collar (i.e. the collar stand and collar are combined) which is not my favourite way of doing things because it means the collar tends to sit more widely open and it doesn't seem to roll over properly the whole way around the collar, although it easier and quicker to sew. I suppose I could have put that first button up a little higher (or put another one in) to bring it in closer, but I don't think it looks too bad and certainly has a 1970s vibe:


Buttoned up to the top just looks a bit too work shirt style to me and a bit lopsided for some reason:


I do like the curved hem at the sides, and I remember to shorten the shirt quite significantly (about 20cm) from the pattern because I didn't want a tunic length shirt:


So overall not one of my best projects, but it's not always rainbows and lollipops around here. Or highly structured tailored jackets and pencil skirts! I might try styling it differently before I give up on it, perhaps some skinny pants would make it work after all except that I don't have any and I don't plan on doing double denim. And if it is unsalvageable, well I guess I can always order some more fabric!

The elusive dark chambray shirt: Burda 4/2011 #105

Wednesday, 4 June 2014
A few months ago I searched and searched for dark chambray fabric, which I ended up buying online from Fabric.com (with a few other pieces of fabric too). It arrived really quickly, and was the perfect colour, weight and stretchiness. So I cut out a shirt pattern really quickly. And then it sat in my sewing room, untouched. And then it sat some more for good measure. Sadly I have a tendency to do that sometimes.

But I did manage to sew it up at my sewing weekend away - it's amazing how much you can get done when you're far far away from those time monopolisers otherwise known as children, husband and real life!


Actually it is pretty remarkable that this one got finished at all, it was just mistake after mistake. I chose a really simple button front shirt from an old Burda, 4/2011 #105 which isn't that old but doesn't seem to be on their website for download:


It fits really well, which is good but funny at the same time because I was aiming for a looser fit that I could layer this over other clothes! I cut a size 36 for this shirt where I usually wear a size 34 in Burda but it turned out just right, except for needing a bit of a sway back adjustment. The first mistake I made was cutting the yoke with the fold of fabric not at the centre back where it should be but at the shoulder line. So I had to cut the yoke in two and sew it back together to make it the right shape, except then foolishly I sewed it together at the armholes which meant I had to unpick and resew! I got there eventually, and the centre back seam of the yoke is barely visible and looks like it was meant to be there anyway:


Actually the first mistake occurred when I ordered this fabric - note to self when ordering fabric in the future: one yard of fabric is much less than one metre! I didn't order enough fabric to have any left to recut the yoke hence all the fiddling with it. But it turns out that losing some width in the yoke due to the unexpected seam in the centre helped get a great fit (seeing the good in the bad, people).

I also didn't have enough fabric to cut out the cuffs, but since I usually wear my long sleeve shirts folded up to the elbow I figured I could leave off the cuffs and do a tab on the sleeve instead (seeing the good in the bad again). So I sewed the sleeve seams with a French seam because they would be visible - yay for me, taking care to make sure the inside is nicely finished for a change! But here comes another mistake - the sleeves are so narrow I can only just fold them up above my wrist to hide the fact there's no sleeve!

 
I could unpick the beautiful French seams to let out the sleeve as much as possible but I'll probably just leave it as is. The sleeves are really long even without the cuffs, which I can see on the version that the model is wearing in the magazine photo.


After all those sagas the shirt turned out pretty great and I'm really happy with it. The Robert Kaufman fabric I ordered from fabric.com washes and wears really well. And here's how I wore it last Saturday on a fabric shopping expedition with the Sydney Spoolettes last Saturday:


This is a simple dirndl skirt I made from some vintage cotton a long time ago (way back in 2010!) that I don't actually wear that often, so it was nice to wear it out while the autumn weather here was still doing its best impression of summer.

Burda of the Month: 5/2014 #131 in polka dots!

Friday, 30 May 2014
I finished my Burda of the month project last weekend at my sewing retreat, and here I am even posting it before the end of the month so I'm well and truly within my self imposed time frame and not late as I usually am. There were quite a few patterns I liked in this issue, but in the end I decided to go with a blouse, made in a (shock! horror!) polyester with a fun black polka dot print from deep within the stash. I don't normally sew with polyester as I prefer to wear natural fibres, but I had this fabric in the stash needing to be used and I wanted a cute polka dot blouse so for once I decided to go with it:


It's pattern 5/2014 #131, which is shown in the magazine in both satin (version A) and cotton (version B) - is it just me that thinks it's a bit cheeky of Burda to count these as two patterns when the only difference is the fabric and a few pieces cut on the grain differently?


The Burda pattern is a size 36 so I figured it might be too big since I usually sew with a size 34 due to my narrow shoulders and lack of bust line, plus this has gathers front and back so I knew there would be excess fabric. Looking at these photos the fit seems ok. I did a narrow shoulder adjustment but not a forward shoulder adjustment because frankly I didn't know how to or if it needed it at all since there is no seam on the shoulder because the yoke extends to the front. Width wise though it's pretty good, not too big around the bust and a perfect fit over my hips:


It looks far better tucked in I think than worn out.

I decided to make the collar from a plain black mystery fabric from the stash in the same weight and slipperiness as the polka dot fabric (probably polyester too, I'll have to remember not to stand too close to a naked flame!). I think using a solid black for the collar instead of the polka dot fabric makes it stand out more, although this shirt is obscenely low cut in true Burda style so I don't know if I want to draw attention to that.

This shirt didn't take too long to sew, but I do admit that I took a few shortcuts. I didn't finish the insides as nicely as I could have. I wasn't entirely sure that this pattern would work first time around, so I was treating this as a hopeful wearable muslin and was sewing it mainly to check the fit and the secondary aim of adding it to my wardrobe. I just overlocked the raw edges instead of using French seams which would have been a better choice for this fabric because it's a bit sheer, and I also didn't finish the neck edge properly as per the instructions by sewing on bias strips as a facing to join up the short stretch from the centre front button band to the shoulder yoke - instead I've left it raw which I'll probably just cut with the pinking sheers:


But all this is on the inside which no one sees and I'm usually too lazy to make the insides that nice - as long as it's not fraying I don't really care! I do admire those who do wonderful work on the inside too, but it's just not me. The other shortcut I took was to leave off the opening placket and buttons on the sleeve hem - I just made a simple cuff and left it at that.

Speaking of the sleeves the technical drawing doesn't show that the sleeve has any gathers at the shoulder seam, but when I was sewing this up I had so much excess fabric that it was not possible to ease it in so I went with a few pleats on the shoulder cap. Not my usual style but I think it looks pretty and in keeping with the style of the blouse:


Burda describes this as a straight cut blouse which it certainly is because it has no darts and minimal shaping. I was highly tempted to put some vertical darts in the front and back to take out some of the puffiness, but I thought I'd wear it a few times before deciding whether it needs it or not.



The gathers at the front and back at the yoke seam are lot more subtle than the technical drawing suggest, but looking at the model's photo I can see that her blouse doesn't have any obvious gathers there either.



So overall I think this is a nice enough blouse that I may make again in a lightweight cotton or possibly a silk. If I do make it again I would raise the centre front because no one needs to see that much of my bony, freckly decolletage, and I would also reduce the excess fabric in the sleeve so that it doesn't have any puffiness. And apart from my usual narrow shoulder adjustment the fit is pretty good - I can recommend this pattern to anyone who is looking for a simple but pretty blouse.