Dedications: My four late friends Rory, Stan, Bryan, Jeff - shine on you crazy diamonds, they would have blogged too. Then theres Garry from Brisbane, Franco in Milan, Mike now in S.F. / my '60s-'80s gang: Ned & Joseph in Ireland; in England: Frank, Des, Guy, Clive, Joe & Joe, Ian, Ivan, Nick, David, Les, Stewart, the 3 Michaels / Catriona, Sally, Monica, Jean, Ella, Anne, Candie / and now: Daryl in N.Y., Jerry, John, Colin, Martin and Donal.
Showing posts with label 1960s. Show all posts
Showing posts with label 1960s. Show all posts

Friday, 8 December 2017

RIP, continued.

Anthony Harvey (1930-2917), aged 87. Harvey directed one of our perennial favourites THE LION IN WINTER in 1968, I remember seeing it at the old Odeon Haymarkt in London, where the sight of Queen Eleanor arriving at Chinon by boat was terrific on the large screen. Katharine Hepburn and Peter O'Toole of course had huge success here, with another Oscar for Kate, and it also featured that rising talent Anthony Hopkins, Timothy Dalton, John Castle and Jane Merrow (whom I had met a few years previously). John Barry's faux-medieval score and the authentic settings were major pluses too. We will be seeing it again this christmas. It proved to be Harvey's biggest hit, though he worked with Hepburn twice more, and other director credits included THERE MY BE GIANTS and DUTCHMAN. He had also been editor on such films as Kubrick's LOLITA, and DR STRANGELOVE, THE WHISPERERS, THE MILLIONAIRESS, THE L-SHAPED ROOM and THE SPY WHO CAME IN FROM THE COLD plus THE ANGRY SILENCE and I'M ALRIGHT JACK
Below: Harvey with Hepburn and Robert Helpmann. 
Shashi Kapoor (1938-2017) aged 79. One of Bollywood's most recognisable, photogenic stars throughout the 60s and 70s.  His breakthrough role was in the 1963 Merchant-Ivory film THE HOUSEHOLDER, and then in their SHAKESPEARE WALLAHBOMBAY TALKIE and HEAT AND DUST. Other international films include PRETTY POLLY in 1969 and SAMMY AND ROSIE GET LAID in 1987, as well as his many Indian films in the booming Bollywood film industry. He was married to Jennifer Kendal, sister of Felicity, whose parents toured India with their Shakespeare productions.

Christine Keeler (1942-2017) aged 75. English model and showgirl, at the heart of the Profumo scandal in 1963 (I was 17 at the time and remember reading avidly about it.  The story is too well known to rehash here, but she was involved with the Minister for Defence John Profumo,  as well as  Soviet spy (at the  height of the Cold War) as well as society osteopath Stephen Ward. Profumo lied about his involvement with her in the House of Commons and discredited the Macmillan government. Her later life was dogged by the scandal. It was a high price to pay for being a symbol of the Swinging Sixties. 

Karin Dor (1938-2017) age 79. Another of the Eorobabes who departed this year, Karin had a substantial career in European films. I know her best from Hitchcock's TOPAZ in 1969, where she is stunning as the Cuban who is helping the Americans
. Hitch gives her a perfect death scene as she is shot with that purple dress billowing out around her as she falls.  She was also an early Bond girl in YOU ONLY LIVE TWICE in '67. 
Suzanna Leigh (1945-2017), aged 72. Another of those decorative British blondes popular in the mis-60s: she was the posh one in THE PLEASURE GIRLS (1965) and co-starred with Elvis in PAADISE HAWAIIAN STYLE, and in BOEING, BOEING in '66 with Tony Curtis and Jerry Lewis - we did not feel the need to see that. Soon it was stinkers like THE DEADLY BEES, THE LOST CONTINENT, LUST FOR A VAMPIRE and various tv series. 

Keith Chegwin (1957-2017) aged 60. Another British TV stalwart 'Cheggers' worked mainly in childens' television and morning shows, and seemed unfailingly popular. 

Sunday, 19 November 2017

Revisiting old favourites ...

I have written about these here several times, so no need to rehash them again, but its been a lot of fun revisiting QUENTIN DURWARD, JUSTINE and SANDRA ..... see labels for previous comments.
QUENTIN DURWARD from 1955 is maybe my favourite costume drama from the 50s (along with Fritz Lang's MOONFLEET, also 1955 - I enjoyed seeing them as a kid at Sunday afternoon matinees). DURWARD captures the Walter Scott world perfectly, with perfect roles for Kay Kendall and Robert Taylor and Robert Morley as the very devious King of France. 
JUSTINE is a genuine Trash Classic, started in Tunisia and then moved to Hollywood, it in 1969, it has that plush 20th Century Fox look, a great score by Jerry Goldsmith and Anouk Aimee looking stunning in those Irene Sharaff creations, plus Michael York and Dirk Bogarde as well as Anna Karina. George Cukor took over the direction, lensed by veteran Leon Shamroy, so it romps along, capturing some of Durrell's exotic Aleandria. I just like it a lot.
SANDRA in 1965 is maybe a lesser Visconti, but is still a powerful operatic melodrama with Claudia Cardinale and Jean Sorel at their peaks of stunning beauty as the incestuous brother and sister. Again, one to savour. 

Sunday, 12 November 2017

Under-rated directors: Clive Donner

Like Desmond Davis (below) Clive Donner (1926-2010) also seems under-rated but directed a clutch of interesting films and tv movies during the 1960s, starting with THE SECRET PLACE, a 1957 Belinda Lee drama I have just got a copy of, and he also helmed Pinter's THE CARETAKER in 1962 with the powerhouse trio of Robert Shaw, Alan Bates and Donald Pleasance. He also did SOME PEOPLE that year, that pleasing film about pre-Beatles teenagers making music in Bristol, with the young David Hemmings.
Two seminal Sixties movies followed: NOTHING BUT THE BEST in 1964 capturing that new London on the rise, and the delirious WHAT'S NEW PUSSYCAT in 1965 which the 19-year old me and my friends loved and saw several times, with that terrific line up of O'Toole, Sellers, Schneider, Capucine, Paula Prentiss, Ursula Andress and more in a madcap Paris, with a Burt Bacharach score (I had to have the soundtrack album) and script by Woody Allen, who also appears - his first film.

We also loved his 1967 Swinging London (though set in Stevenage) comedy HERE WE GO ROUND THE MULBERRY BUSH with its cast of engaging youngsters led by Barry Evans, and that great Traffic score, and his 19689 historical mini-epic ALFRED THE GREAT, filmed in Ireland and very much of its time as hippie king Alfred (David Hemmings) fights the Danes led by Michael York, and it also features a young Ian McKellen, Colin Blakely and Vivien Merchant. Its one to see again too. Quality television work included Peter O'Toole in ROGUE MALE, and good versions of THE SCARLET PIMPERNEL and A CHRISTMAS CAROL. Donner, below, with Hemmings & Blakely.
Quite a few of these I would like to see again- see Donner label for reviews.

Saturday, 11 November 2017

Under-rated directors: Desmond Davis

Now in his 90s (born in 1926) Desmond Davis is surely one of Britain's most neglected film directors, who had a good run in the 1960s, and directed that original star-heavy (led by Olivier, Maggie Smith) CLASH OF THE TITANS in 1981 (I couldn't even watch the CGI-heavy remake). 
He began as camera operator on TOM JONES in 1963, and also on Huston's FREUD, plus those new wavers A TASTE OF HONEY and THE LONELINESS OF THE LONG DISTANCE RUNNER. His 30 directing credits include those two particular favourites of mine, from Edna O'Brien stories: THE GIRL WITH GREEN EYES in 1964 and I WAS HAPPY HERE in 1966, with those great County Clare locations Lahinch and Liscannor, as they were then, and Sarah's bedsit in London overlooking the new Post Office Tower.  

I have written about these a lot here  - see Ireland, O'Brien, Miles, Tushingham labels), and he also directed the 1984 television remake of O'Brien's THE COUNTRY GIRLS (the original of GIRL WITH GREEN EYES). Other 60s films include our other favourite SMASHING TIME, re-uniting Rita and Lynn in that slapstick Swinging London riot. There was also a rather good Agatha Christie: ORDEAL BY INNOCENCE
Other British-based directors of the time may have got all the kudos and awards (Tony Richardson, Schlesinger, Losey, Lester, Boorman) but Davis's work endures and is still endlessly watchable, particularly his Irish-based dramas,which should have a lot of resonance with anyone Irish. He also did a lovely little film THE UNCLE in 1967 which barely got seen, though I got a ticket to the premiere from "Films and Filming" magazine. 

Next: equally neglected Clive Donner & WHATS NEW PUSSYCAT, ALFRED THE GREAT etc.

Monday, 6 November 2017

1960s girls on London underground

Julie Christie of course, and below: Brigitte Bardot, circa 1955, and a guy - me, in 1966 .... thankfully the tube is more modern now, even if  more overcrowded. 

Sunday, 13 August 2017

Odd man out?

Thanks once again to Colin for finding this rarity: Alain, Marianne and a rather put-out Mick Jagger, for once not the centre of attention  - presumably to launch GIRL ON A MOTORCYCLE in 1968 - if only the film had been better .....

Thursday, 10 August 2017

Summer re-views: Payroll - 1961

PAYROLL. A tough, tense thriller which I had enjoyed as a young teen in 1961, PAYROLL is a real treat now. Sidney Hayers film shows the exciting robbery and its aftermath as thieves fall out.

Ever since THE ASPHALT JUNGLE and RIFIFI this is the standard gangster robbery drama and it works again here. Nicely set around Newcastle, Johnny Mellor’s band of ruthless criminals plot and carry out a payroll robbery, with the help of crooked company employee Pearson (William Lucas) whose dissatisfied French wife Francoise Prevost soon realises what he is up to. She and Mellor (Michael Craig) are soon plotting to escape together, but had not reckoned on the grieving wife (Billie Whitelaw, excellent as ever) of the van driver who got killed in the robbery. She begins to track them down herself …. 

With Tom Bell and Kenneth Griffith as other gang members who soon fall out over the money and come to sticky ends. As the police close in, the gang begins to fall apart, with each desperately seeking a way out, and in their panic no one realises there is one adversary they have all overlooked. Pearson’s wife thinks she has the money, but is in for a surprise …. Mellor escapes to his boat but nemesis in the shape of Whitelaw waits for him.


Like 1960's THE LEAGUE OF GENTLEMEN where Jack Hawkins' gang of gentlemen thieves also fall foul of a robbery gone wrong, PAYROLL is now a delicious time capsule of that long vanished British crime caper. Craig and Whitelaw are favourites of ours here and both excel in different roles for them.

Tuesday, 4 July 2017

'Gross Indecency' at the BFI ...

July 2017 marks the 50th anniversary of a landmark in LGBT rights - the partial decriminalisation of homosexuality in England and Wales (not Scotland?). Though the Sexual Offences Act 1967 hardly put a stop to persecution, it was a step forward in a climate of fear and ignorance, where any on-screen depiction of gay life assumed enormous currency. British cinema boasts a long history of carefully coded queers, but taboo-busting gathered steam in the late 1950s. This BFI (British Film Institute) season spans two decades, bracketed by the 1957 Wolfenden Report and the onset of AIDS in the early 80s. 
So says the introduction to the two-month BFI season, but as a young gay at the time - 18 in 1964 and new in London - there didn't seem to be any restrictions on our lives. There were a few bars and clubs one could go to, but the gay boom of the 1980s and 90s was a long way away. I remember those pioneering BBC "Man Alive" documentaries, and VICTIM (getting an extended run at the BFI) was an early success.
Image result for bfi gross indecencyThe season highlights several rare items I have reviewed over the past few years (gay interest/British labels) like SERIOUS CHARGE, THE LEATHER BOYS, THE WORLD TEN TIMES OVER, TWO GENTLEMEN SHARING, and they have dug up those two rather exploitative items THE KILLING OF SISTER GEORGE and the terrible STAIRCASE, as well as GIRL STROKE BOY and the transgender drama I WANT WHAT I WANT, as well as NIGHTHAWKS, and an extended run for PRICK UP YOUR EARS. There is also a rare 1960 TV production on the trial of Oscar Wilde with Micheal MacLiammoir's celebrated portrayal of Oscar (below) - but not the two Oscar Wilde films of that era. Or indeed the 1970 DORIAN GRAY or GOODBYE GEMINI with their looks at early London drag pubs like the Vauxhall Tavern - or those 60s British films DARLING and THE PLEASURE GIRLS with their uncomplicated happy homosexual friends of the heroines. Murray Head does a Q&A after a screening of SUNDAY BLOODY SUNDAY - one still remembers the audience gasp at kiss, when seeing the film a second time, at a suburban cinema ...
Television is also currently getting in on the act, with a raft of programmes on Channel 4 and maybe on BBC, as well as on MTV where sassy drag queens with attitude, led by Rupaul,  are playing appropriate pop videos, from the likes of Madonna, Kylie & Co. Rupert Everett did a nice programme last night 50 SHADES OF GAY, so it was back to Heaven, The Colherne and other gay London locations of the last 50 years; Stephen Fry, Simon Callow and others explored BRITAIN'S GREAT GAY BUILDINGS (more Heaven, The Vauxhall Tavern, Old Bailey, etc), and POP PRIDE & PREJUDICE covered the gay pop scene, with lots of Bowie, Boy George, George Michael, Jimmy Sommerville, Marc Almond, etc. 

BBC's Radio3 are even doing a 90 minute programme on the making of VICTIM, with actors playing Dirk and his partner, director Dearden, co-star Sylvia Syms etc. Presumably based on Dirk's version of its making, as in his "Snakes and Ladders" book. I don't think I need listen to that. Sylvia is still here of course, but presmably too old to play her younger self ...

Coming up is a new dramatisation of that inflential 1954 court case involving Peter Wildeblood and Lord Montagu of Beaulieu, with Mark Gatiss, AGAINST THE LAW, which BBC2 will screen this autumn - I also reviewed the previous 2007 one in 2013. A VERY BRITISH SCANDAL:

London Pride is this Saturday 8th, so the city will be thronged as will Brighton for Pride in August, with the Pet Shop Boys doing a full concert.  

Monday, 12 June 2017

America, America, 1963

Having covered those American dramas we like recently, see below, here is one that slipped through the net, so it seems appropriate to finally see it now. Elia Kazan's AMERICA, AMERICA (also known as THE ANATOLIAN SMILE), filmed in 1963 - after his successes WILD RIVER and SPLENDOR IN THE GRASS, this though is a small, black and white drama, which seems to not have made much impact at the time. It it the story of Kazan's uncle who left Anatolia in Turkey and was determined to make his way to America and it covers all the pitfalls he met along the way ...

Elia Kazan, ethnic Greek but Turkish by birth, tells the story of the struggles of his uncle - in this account named Stavros Topouzoglou - in emigrating to America. In the 1890's, the young, kind-hearted but naive Stavros lived in Anatolia, where the Greek and Armenian minorities were repressed by the majority Turks, this repression which often led to violence. Even Stavros being friends with an Armenian was frowned upon. As such, Stavros dreamed of a better life - specifically in America - where, as a result, he could make his parents proud by his grand accomplishments. Instead, his parents, with most of their money, sent Stavros to Constantinople to help fund the carpet shop owned by his first cousin once removed. What Stavros encountered on his journey, made on foot with a small donkey, made him question life in Anatolia even further. Once in Constantinople, his resolve to earn the 110 Turkish pound third class fare to the United States became stronger than ever.

The 1950s of course was Kazan's prime time, and he continued well into the 1960s but but that kind of overwrought drama was going out of style by then .... his THE ARRANGEMENT in 1969 was more of the same (where the now older uncle character is played by Richard Boone) and it did not really work then.  

The film is fascinating in lots of ways and the lead, Stathis Giallelis, while no new Brando or Dean or Beatty, acquits himself well (In his 70s now, he was recently a guest at the annual TCM movie season in New York). I imagine first or second generation Americans would relate to it more than us Europeans. Some comments on IMDB refer to it as a lost American masterpiece, on a par with THE GODFATHER .... well, that may be a bit extreme, but its certainly worth seeking out and is finally on dvd, it barely got released here in England at the time, I was 18 then and desperately trying to see it. 

Thursday, 8 June 2017

Lists: those American dramas ...

Final List of the season - we are all listed out! After covering British, French and Italian favourites its now a return look at those great American dramas from the Golden Age of the 1950s and 1960s - the heyday of Kazan and Kramer,  Wyler and Wilder, Huston, Mankiewicz, Cukor, Minnelli, Nick Ray, Preminger, Brooks, Ritt, etc. and when American drama was ruled by the likes of Tennessee Williams, Arthur Miller, Eugene O'Neill, William Faulkner, William Inge etc. We have covered them in detail here before, so this is a quick roundup. Lots more at labels - particularly Tennessee Williams ,,, (below: NIGHT OF THE IGUANA)
We have to begin of course with those early Kazans; 
  • A STREETCAR NAMED DESIRE
  • ON THE WATERFRONT
  • EAST OF EDEN
  • A FACE IN THE CROWD
  • Nicholas Ray's THE LUSTY MEN in 1952, a strong rodeo drama bringing out the best in Mitchum and Susan Hayward.(right) 
  • More baroque Ray with his 1954 JOHNNY GUITAR - the first film I saw, aged 8. 
  • Ray's REBEL WITHOUT A CAUSE of course, and Stevens' GIANT to complete the Dean hat-trick. 
  • Cukor's 1954 A STAR IS BORN, the best musical drama ever
  • THE BIG COUNTRY in 1958 is really a William Wyler drama which just happens to be set in the west. 
  • CAT ON A HOT TIN ROOF
  • SUDDENLY LAST SUMMER
  • BONJOUR TRISTESSE
  • SEPARATE TABLES
  • THE NUN'S STORY
  • ON THE BEACH.
Those 20th Century Fox literarary adaptations came thick and fast:
  • THE LONG HOT SUMMER - Faulkner, 1958
  • THE SOUND AND THE FURY in 1959 - Faulkner, Good cast: Brynner, Woodward, Leighton
  • THE WAYWARD BUS - a long unseen Steinbeck from 1957, Jayne Mansfield and Joan Collins! Its a fascinating mess or Trash Classic
  • SONS AND LOVERS - D H Lawrence gets the Fox treatment in 1960 ...
  • SANCTUARY - another Faulkner misfire, from Tony Richardson in 1961 - Lee Remick and Yves Montand make the oddest team, but Lee shines ...
  • HEMINGWAY'S ADVENTURES OF A YOUNG MAN - 1962, as per recent review. 
The 1960s upped the ranks with those new directors like John Frankenheimer, Arthur Penn, Robert Mulligan, while John Huston went on and on ....
  • THE MISFITS
  • ONE EYED JACKS - Brando's brooding western, 1961
  • ALL FALL DOWN - a perennial favourite
  • THE MANCHURIAN CANDIDATE
  • SPLENDOR IN THE GRASS
  • THE MIRACLE WORKER
  • TO KILL A MOCKINGBIRD
  • DAYS OF WINE AND ROSES
  • LONG DAY'S JOURNEY INTO NIGHT
  • THE DARK AT THE TOP OF THE STAIRS
  • TWO WEEKS IN ANOTHER TOWN 
  • THE STRIPPER
  • NIGHT OF THE IGUANA 
  • WHO'S AFRAID OF VIRGINIA WOOLF?
  • REFLECTIONS IN A GOLDEN EYE
  • SWEET BIRD OF YOUTH
  • SUMMER AND SMOKE
  • THIS PROPERTY IS CONDEMNED
  • INSIDE DAISY CLOVER
  • THE ROMAN SPRING OF MRS STONE 
  • MIDNIGHT COWBOY.

Sunday, 4 June 2017

Vote for Britain

A crucial week here in the UK, with our election on Thursday and terror attacks escalating - lets return to the glory years of the 1940s, 1950s, and 1960s and all those British movies we love, part of our current Lists season, and no, I may not be able to stick to 20 each - but then, my blog - my rules. Reviews of lots of these at British label.

1940s:
  • Lets start with 7 David Lean, all essential: IN WHICH WE SERVE / THIS HAPPY BREED / BLITHE SPIRIT / BRIEF ENCOUNTER / GREAT EXPECTATIONS / OLIVER TWIST / THE PASSIONATE FRIENDS
  • 4 Michael Powell, even more essential: A MATTER OF LIFE AND DEATH / I KNOW WHERE I’M GOING / BLACK NARCISSUS / THE RED SHOES
  • 2 Carol Reed: THE FALLEN IDOL / ODD MAN OUT
  • 2 Basil Dearden: SARABAND FOR DEAD LOVERS / THE BLUE LAMP
  • Asquith; THE WAY TO THE STARS
  • Annakin - HOLIDAY CAMP - the post war boom starts with those new holiday camps, 1947.
  • Hamer – IT ALWAYS RAINS ON SUNDAY - the grim side of postwar London / KIND HEARTS & CORONETS
  • Crichton – WHISKEY GALORE.
Let's throw in some Gainsborough melodramas which brightened up the war years: THE WICKED LADY, MADONNA OF THE SEVEN MOONS, CARAVAN, BLANCHE FURY, and some Anna Neagle epics: I LIVE IN PARK LANE, MAYTIME IN MAYFAIR

1950s:
Often seen as a bland decade for English movies, but lots of pleasure for those of us growing up then:
  • Dearden – POOL OF LONDON / THE GENTLE GUNMAN  / VIOLENT PLAYGROUND
  • Crichton – DANCE HALL (by Godfrey Winn - the leisure time of factory girls, as much a social document as SATURDAY NIGHT AND SUNDAY MORNING would be at the end of the decade)
  • Hurst – DANGEROUS EXILE (ditto Belinda Lee in this 1957 costumer about the son of Marie Antoinette..)
  • Box – CAMPBELL’S KINGDOM (Dirk and very tough guy Stanley Baker in the Canadian Rockies (actually the Dolomites in Italy), we loved it in 1957.
  • Fregonese - SEVEN THUNDERS (Boyd leads a terrific cast in 1957 wartime thriller set in occupied Marseilles - one I enjoyed as a kid)
  • J Lee Thompson - NO TREES IN THE STREET / TIGER BAY / NORTH WEST FRONTIER (all 1959)
  • NO TIME FOR TEARS - 3 Anna Neagle classics:
  • MY TEENAGE DAUGHTER 
  • THE LADY IS A SQUARE
  • THOSE DANGEROUS YEARS
  • WONDERFUL THINGS
  • SIMON AND LAURA 
  • AN ALLIGATOR NAMED DAISY
  • NOR THE MOON BY NIGHT
  • OUT OF THE CLOUDS
  • JET STORM - Stanley Baker pilots the plane, Richard Attenborough has the bomb, all star cast in 1959. Love it 
  • HELL DRIVERS
  • ALIVE AND KICKING
  • THE WEAK AND THE WICKED. Glynis Johns is sent to prison and shares a cell with Diana Dors, in this delicious 1954 meller, from J Lee Thompson.
  • TURN THE KEY SOFTLY. More ex-jailbirds with Yvonne Mitchell and young Joan Collins in 1953
  • PASSPORT TO SHAME 
  • EXPRESSO BONGO
  • SERIOUS CHARGE
  • ROOM AT THE TOP.
1960s:
The new boys and girls and directors hit town:
  • VICTIM
  • A TASTE OF HONEY
  • A KIND OF LOVING (above right)
  • THE L-SHAPED ROOM (Leslie Caron joins the seedy Notting Hill bedsit set, 1962)
  • WEST 11 (Di Dors also in Notting Hill bedsit land with gay Alfred Lynch, in early Winner 1963)
  • TWO LEFT FEET (Young Hemmings and Michael Crawford shine)
  • SOME PEOPLE, 1962 charmer about Bristol teenagers, with Hemmings again.
  • THE BOYS - fascinating 1962 time capsule
  • THE LEATHER BOYS - another early gay British saga, 1964, below)
  • BILLY LIAR
  • THE SERVANT
  • DARLING (above right) - Julie and gay pal eye up the waiter .... both get him.
  • THE GIRL WITH GREEN EYES
  • I WAS HAPPY HERE
  • THE KNACK
  • THE SYSTEM - perfectly 1964 as England began to swing ...
  • THE WORLD TEN TIMES OVER - 1963 Soho saga
  • A HARD DAY'S NIGHT
  • HELP!
  • THE PLEASURE GIRLS - 1965 Kensington girls, gays too!
  • SATURDAY NIGHT OUT
  • NOTHING BUT THE BEST
  • REPULSION
  • ACCIDENT.
SWINGING 60s:
  • TOM JONES
  • WHATS NEW PUSSYCAT?
  • MODESTY BLAISE
  • BLOW-UP
  • SMASHING TIME
  • HERE WE GO ROUND THE MULBERRY BUSH
  • DEEP END
  • PERFORMANCE.
All covered in detail at British/London labels. 

Friday, 2 June 2017

The French list .....

Continuing our Lists theme, 25 essential French flicks we love, from the Fifties to the Seventies, again two maximum from each director ... (AND, Those French Tough Guys). 
  • LA RONDE (1950) / MADAME DE … (1953) - Ophuls. Classic French cinema avec Danielle Darrieux & Co. 
  • M RIPOIS (KNAVE OF HEARTS) 1954 / PLEIN SOLEIL (1959) – Rene Clement: Gerard Philipe and Alain Delon both at peak perfection in Clement's perfect films. Maurice Ronet is also terrific in SOLEIL as a very unpleasant Dickie Greenleaf ,,,,
  • AND GOD CREATED WOMAN / HEAVEN FELL THAT NIGHT – as was Bardot in 1956 and 1958 in these Vadim scorchers! She WAS the female James Dean.
  • LIFT TO THE SCAFFOLD (1958) / LE FEU FOLLET (1963) – Malle - Malle's electrifying films still dazzle now, as does Maurice Ronet and Moreau ...
  • LOLA (1961) / BAY OF ANGELS (1963) – Demy - 2 gleaming monochrome classics, as good as Demy's musicals, Anouk and Moreau at their best (Of course we love Demy's 2 pastel musicals and his 2 enchanting fairy tales as well, Demy label).
  • AMELIE, OU TE TEMPS D’AIMER – Michel Drach, 1961 - not seen since at the Academy in Oxford Street London in 1964 when I was 18. Jean Sorel and a Victorian romance at moody Mont St Michel (my favourite place in France). 
  • UN HOMME ET UNE FEMME - Lelouch. We just love Anouk and Trintignant and that lush score and visuals. Perfectly 1966
  • LA FEMME INFIDELE / INNOCENTS WITH DIRTY HANDS (1975) – Chabrol's valentines to Stephane and Romy ... (just two from my 14 disk Chabrol set)
  • UNDER THE SAND / TIME TO LEAVE – Ozon. A brace of Ozon classics. TIME TO LEAVE is harrowing, Rampling is perfect UNDER THE SAND (as was Deneuve in POTICHE).
  • 400 BLOWS / HISTORY OF ADELE H. – Truffaut. Isabelle Adjani mesmerises as Adele H in 1975. and the first Antoine Doinel from 1959 is New Wave personified. 
  • LES DRAGUEURS  - Mocky. More perfect 1959 French new wave as we take in Paris by night with Anouk and Belinda Lee.
  • CLEO FROM 5 TO 7 – Agnes Varda, 1962. 
  • LES VALSEUSES - Blier's shocker from 1974 still packs a punch as tearaways young Depardieu and Dewaere go on the rampage, in those flaired jeans. 
  • THE BEST WAY TO WALK – Miller. Claude Miller's delicious 1976 drama
  • THE WILD REEDS (LES ROSEAUX SAUVAGES)  – Techine. Andre Techine's gay classic from 1994, Gael Morel shines. 
  • INDOCHINE – Wargnier - A Deneuve epic from 1992, almost a French GWTW.
  • CESAR & ROSALIE – Sautet. Romy and Montand are perfect leads. One of Schneider's 6 with Claude Sautet, each is perfect. 
  • PLAYTIME -Tati. TRAFIC is fabulous too as Monsieur Hulot goes travelling, 
12 FRENCH TOUGH GUYS:
  • RIFIFI – Hossein in Dassin's 1955 masterclass
  • MELODIE EN SOUS SOL – Verneuil's 1963 caper with Gabin & hot shot young Delon as they rob a Cannes casino, the playoff is perfect, 
  • LE SAMOURAI – Melville's masterpiece from 1967
  • LE HOMME D’ RIO – De Broca. Belmondo dazzles in Rio in 1964 with Dorleac. 
  • BORSALINO – Deray. Delon and Belmondo ramp up the glamour in 1970
  • THE WICKED GO TO HELL - Hossein's slick 1955 thriller with his wife Marina Vlady, and Henri Vidal.
  • TOI LE VENIN -  Slick Hossein thriller from 1958, "Night is not for sleep" indeed! 
  • UNE MANCHE ET LA BELLE (KISS FOR A KILLER) - Super Verneuil 1957 thriller with Vidal and Mylene Demongeot and Isa Miranda. 
  • CHAIR DE POULE – Duvivier's jet black thriller from 1963 with Sorel and Hossein (right)
  • LE CIRCLE ROUGE / ARMY OF SHADOWS – Melville's downbeat wartime epic with Signoret, Ventura & Co. 
More on all these at labels, particularly PLEIN SOLEIL, MR RIPLEY etc.