Showing posts with label indie rock. Show all posts
Showing posts with label indie rock. Show all posts

Tuesday, February 4, 2025

The Dead Science - Bird Bones in the Bughouse (2004)


Previously on OPIUM HUM:
The Dead Science - Submariner (2003)

When I posted the above album, I actually wanted to post this EP because I like it just a little bit more, but I was unable to find either my copy of the CD or a decent rip. But I just found one of the latter, so we're in business. Favorites include the slowcore-ish "Film Strip Collage", which includes the line "garbage truck wants to fuck", and their cover of "Sign Your Name" by (the artist formerly known as) Terence Trent D'arby.

Track listing:
1. Ossuary
2. Gamma Knife
3. Film Strip Collage
4. Cuz She's Me
5. Sign Your Name


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Saturday, August 17, 2024

Caustic Resin - Fly Me to the Moon (1995)


Indie rock gone drone. Caustic Resin takes the stoned, bemused mindset of 90s alt/indie and pumps it full of the heavier, darker-tinted sounds of drone, garage, psych, and noise rock. I've been on a major 90s kick for the past few months, but due to my extremely sporadic posting, this is the first y'all are hearing about it. More to come?

Track listing:
1. Spore
2. Kill You If You Want Me To
3. Water Moccasin
4. Alien Fugue
5. Cancerous Eye
6. Healing Cough
7. The End of Betrayal
8. Damaged Animal
9. Summertime of Your Life
10. I Feel
11. A Fistful of Violence
12. Golden Hours
13. Calling Off the Dogs
14. White Box
15. Alien Fugue (Slight Return)
16. Station Wagon



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Saturday, January 20, 2024

Honey Is Cool - Early Morning Are You Working? (1999)


The second and final full-length from Honey Is Cool, a Gothenburg indie rock band that ultimately served as a springboard for the career of Karin Dreijer, aka Fever Ray. Dreijer's powerful, distinctive vocals are very much the focal point here, but here it's in service of dark-tinted, dynamic, muscular indie rock. I forget how I first found this band but I know it was via some ass-backwards-internet-music-nerd means, as I had no idea Dreijer was in the band when I first put them on, and it slowly dawned on me as her voice soared over the opening whirlwind of the title track.

Track listing:
1. Early Morning Are You Working?
2. Bolero
3. Great and Smaller Things
4. There's No Difference
5. Summer of Men
6. I Surprise
7. Waiting for a Friend
8. My Love Is a Bell
9. Lead but Low
10. Something Above the Mountains
11. The Giraffe


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Wednesday, October 18, 2023

Girls Names - Dead to Me (2011)


Where the beach meets the graveyard. The shimmering, reverb-drenched sounds of surf rock applied to the murderous, self-destructive themes of post-punk and gothic rock. Of the many indie-related micro-genres that popped up around this time -- chillwave, witch house, blog house -- surf-indie was one of the micro-est, and it never really took off, but it was fun while it lasted.

Track listing:
1. Lawrence
2. I Could Die
3. When You Cry
4. No More Words
5. Nothing More to Say
6. I Lose
7. Cut Up
8. Bury Me
9. Kiss Goodbye
10. Séance on a Wet Afternoon


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Wednesday, May 31, 2023

Exitmusic - Passage (2012)


Glistening, ethereal post/indie rock for sad lovers. Sigur Rós by way of Brooklyn. Everything I'm listening to right now sounds like it was made to be played in stadiums. I believe that a lot of the hype around this band revolved around the fact that its two members were/are married, and one of them (Aleska Palladino) was Angela on Boardwalk Empire, but none of that has anything to do with Passage's ability to make you feel like you're levitating.

Track listing:
1. Passage
2. The Night
3. The City
4. White Noise
5. Storms
6. The Wanting
7. Stars
8. The Modern Age
9. The Cold
10. Sparks of Light


If you like this, try:

Saturday, May 20, 2023

Cable - Down-Lift the Up-Trodden (1996)


First album by these British indie rockers. Chaotic, grunge-y post-hardcore with a sense of playfulness and melody that keeps things fun even as they descend into full-on noise rock on a song called "Murdering Spree". Had a real hard time picking which of this band's albums to post, as they only have three and they're all great, so why not start from the beginning?

Track listing:
1. New Set of Bruises
2. Choice
3. Blindman
4. Hydra
5. Seventy
6. Murdering Spree
7. Sale of the Century
8. Oubliette
9. Give 'Em What They Want [bonus]
10. Dead Wood for Green [bonus]


If you like this, listen to:

Saturday, April 1, 2023

Prolapse - Ghosts of Dead Aeroplanes (1999)


Psychedelic, abstract indie drawing from post-punk, post-rock, shoegaze, and Sonic Youth-ish noise rock. Easily the most experimental and my favorite of what I've heard of this band’s catalogue. One of this band's defining characteristics is the push-and-pull between their two vastly different vocalists; on one hand, Linda Steelyard has the kind of angelic, weightless voice that makes you think 4AD or Slowdive or something, while Mick Derrick pretty much just shouts in a thick Scottish accent. On previous Prolapse records, I've honestly found it kinda off-putting -- to be fair, it's probably supposed to be -- whereas here, both vocalists take on a more dreamlike, atmospheric quality.

Track listing:
1. Essence of Cessna
2. Fob.com
3. Adiabatic
4. Cylinders V12 Beats Cylinders 8
5. One Illness
6. After After
7. Government of Spain
8. Planned Obsolescence


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Wednesday, January 25, 2023

The Declining Winter - Goodbye Minnesota (2008)


Downcast post-rock dirges from sunny West Yorkshire. Room-reverb-heavy acoustic guitars chime, horns rise and fall, violas drone, melodicas wheeze, and warped vocals slide in and out of view like ghosts. I absolutely hate this time of year.

Track listing:
1. Summer Turns to Hurt
2. We Used to Read Books
3. I Don't Really Want to Be Alone
4. To Know Gospel
5. Yorkcitythree
6. Oh God C'mon
7. The World Is an Idiot
8. Last Train to Maple Grove
9. The Clock Gently Ticking in the Hall
10. Hey, Nick Heyward
11. Goodbye Minnesota

Trees sway back and forth

More wintertime classics:

Friday, January 13, 2023

Tram - Heavy Black Frame (1999)


Total sad-sack slowcore from a relatively short-lived, London-based duo. Songs of heartbreak, self-doubt, anxiety, and the occasional glimmer of hope, with warm, rich instrumentation courtesy of a handful of collaborators that includes producer/unofficial third member Clive Painter and Bill Lloyd of Placebo. It's making me feel a little better about having woken up about 2 hours too early and sunrise not being for another hour.

Track listing:
1. Nothing Left to Say
2. Expectations
3. Too Scared to Sleep
4. Like Clockwork
5. Home
6. I've Been Here Once Before
7. High Ground
8. When It's All Over
9. Reason Why
10. You Can Go Now (If You Want)

Who's gonna catch me the way you used to?

If you like this, listen to:

Saturday, December 31, 2022

The Concretes - The Concretes (2003)


Starting the last day of 2022 off with an old favorite. Swedish indie pop/rock perfection. A sugar rush of girl group pop songwriting by way of scruffy, early-aughts-style indie rock. Organ riffs, fuzzy guitars, French horn melodies, and sweet, sleepy vocals. New Years is one of those times when I'm happy to be middle-aged, and therefore no longer obligated to spend the night getting too drunk in a packed bar. My wife and I will be ringing in the New Year by making a huge tray of nachos, watching reality TV, and probably being asleep by 10:30 or so, thank you very much.

Track listing:
1. Say Something New
2. You Can't Hurry Love
3. Chico
4. New Friend
5. Diana Ross
6. Warm Night
7. Foreign Country
8. Seems Fine
9. Lovin' Kind
10. Lonely as Can Be
11. This One's for You


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Thursday, November 10, 2022

dEUS - The Ideal Crash (1999)


Dark, claustrophobic Belgian indie rock. Pre-millennium tension of the highest order. Practically every song is a slow-burner in one way or another, built on knotty, interwoven guitars and layered densely with synths, pianos, and cinematic strings that amplify the haunting, druggy, noir lyrical themes. The first time I heard this record was about two weeks into Covid: I had put it on to go for a walk around the neighborhood just to get out of the house -- masked up the entire time, as was the custom -- and ended up completely drawn-in, taking all these weird side streets to prolong the walk and finish the record. "Instant Street" in particular is god-tier.

Track listing:
1. Put the Freaks Up Front
2. Sister Dew
3. One Advice, Space
4. The Magic Hour
5. The Ideal Crash
6. Instant Street
7. Magdalena
8. Everybody's Weird
9. Let's See Who Goes Down First
10. Dream Sequence No. 1


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Sunday, November 6, 2022

Low - Trust (2002)

Related:

I am absolutely gutted to learn that Mimi Parker has died. I knew that she had been battling ovarian cancer, and that the outlook wasn't great, but I guess I was just hoping for the best. Low completely changed the way I thought about music, and Mimi's contributions to the band were a huge part of that. She doesn't just have one of the most emotive, pure voices I've ever heard -- her songs are works of angelic yet cryptic beauty, and she was an absolute master of minimal drumming. My heart goes out to Alan and the rest of her family and friends.

The first time I saw Low, they were touring for Trust. It is still the best show I have ever seen. I had only recently gotten into them when my sister bought me their then-newest CD, Things We Lost in the Fire, for Christmas, and it quickly became my favorite album -- I was seriously spreading the word of Low like it was the fucking gospel. I hadn't heard Trust yet when I saw them, but I was utterly transfixed from the moment they opened with "(That's How You Sing) Amazing Grace". And I will never forget how completely silent the crowd was when they played "Laser Beam", one of Mimi's best and most beloved songs. It's a strangely comforting feeling to be in a club full of people, none of whom are saying a word, and it takes a truly special artist to command that kind of attention.

Obviously, I bought Trust at the show, and proceeded to listen to it while getting high about 50 times over the course of the next 6 months or so, getting to know its every tiny detail. I love that the first sounds you hear aren't the instruments, but the space -- it's like they have you step into the cathedral where the album was recorded before they start playing. Mimi's two solo songs, "Tonight" and "Point of Disgust", are flickering candles on an album full of oppressively dark, crawling dirges. A lot of critics didn't like those dirges too much, but as a doom metal fan (particularly when the record came out), tracks like "Time Is the Diamond", "The Lamb", "John Prine", and "Shots & Ladders" were like answered prayers to me. Elsewhere, they flirt with uptempo rock ("Canada") and sing-song-y folk rock ("Last Snowstorm of the Year", "La La La Song"). The album's kinda all over the place, and that's why I love it.

And then there's the aforementioned "(That's How You Sing) Amazing Grace". There are countless songs about death, dying, and mourning, and many of them are very good. But Low has a way of tapping into otherwise rarely explored emotional territory, and on this song, they do so masterfully. To me, it's cut of the same cloth as "Murderer", a song that they wrote right around the same time. Both songs deal with mortality, and the anger that we can feel when someone is taken away from us too soon. In "(That's How You Sing) Amazing Grace", the titular song, once sweet and uplifting, becomes an instrument of torture and submission: a reminder of both the unfairness of our world and the brutal indifference of mortality.

I feel like I'm supposed to end this on a positive note, but I don't know how. Thank you, Mimi, for helping me to understand life a little better. Rest In Peace.

Track listing:
1. (That's How You Sing) Amazing Grace
2. Canada
3. Candy Girl
4. Time Is the Diamond
5. Tonight
6. The Lamb
7. In the Drugs
8. The Last Snowstorm of the Year
9. John Prine
10. Little Argument with Myself
11. La La La Song
12. Point of Disgust
13. Shots & Ladders


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Saturday, November 5, 2022

Helium - The Magic City (1997)

Previously on OPIUM HUM:

One of the best 90s indie rock records, and arguably Mary Timony's magnum opus. Catchy, fantastical, guitar-driven, and elevated by a colorful cast of keyboards. This album is a certified classic in my mind, but after seeing a comment on a post I made a few weeks ago (which I could've sworn I responded to, sorry Mathias, I agree 100%) I've decided that not enough people know this band, and I have a responsibility to ensure that everyone hears them and The Magic City at least once.

Track listing:
1. Vibrations
2. Leon's Space Song
3. Ocean of Wine
4. Aging Astronauts
5. Medieval People
6. Lady of the Fire
7. Lullaby of the Moths
8. The Revolution of Hearts Pts. I & II
9. Ancient Cryme
10. Cosmic Rays
11. Devil's Tear
12. Clementine
13. Blue Rain Soda
14. Walk Away

Tell me why the sky is filled with birds

Also listen to:

Sunday, October 16, 2022

Come - Eleven:Eleven (1992)

Related:

Alright, so this one doesn't really fit my Halloween theme. It's dark for sure, but it's the oppressive, existential dread kinda darkness, not the "look out there's a wolfman behind you" or the "let's conjure Satan" kinda darkness. But fuck it, I'm sick of this record not getting the respect it deserves. It's absolutely one of my favorite records of the alt rock era -- explosive, simultaneously sludgy and sharp guitar work that's heavy on slide guitar and whammy bar; a dynamic, dialed-in rhythm section; and the raw, strung-out-sounding vocals of Thalia Zedek at the peak of her powers. An actual masterpiece. Yet you can (as I did) still find sealed copies of the 2013 Matador reissue for under $20. What's up with that?

Track listing:
1. Submerge
2. Dead Molly
3. Brand New Vein
4. Off to One Side
5. Bell
6. William
7. Sad Eyes
8. Power Failure
9. Orbit
10. Fast Piss Blues
11. I Got the Blues


Also listen to:

Wednesday, September 28, 2022

Telefilme - Pocket Horror Symphony (1997)


Previously on OPIUM HUM:

By request, here's the second and final album by this truly phenomenal duo. Somewhere between the electronic sounds of the mid 90s, the romantic depression of 80s new wave/pop, and the cluttered aesthetic of a burgeoning indie/post-rock scene, Telefilme struck a magic kind of musical alchemy on two 10/10 albums, then broke up because they were too good for this world.

Track listing:
1. Electric Farm
2. Hi-Fi Ghost
3. Shopping List Blues
4. Da Haus
5. California Punch
6. Jeremy
7. Catastrophe Baby
8. Fahrenheit
9. I Will Follow the Leader
10. Doll-House
11. Peter Pain
12. Ballad of the Droog


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Sunday, September 25, 2022

Imperial Teen - What Is Not to Love (1999)


Previously on OPIUM HUM:

This band's first record, which is linked above, is very special to me. I don't have the same kind of personal connection to their second record, What Is Not to Love, but I did listen to it a ton while I was living in my first apartment, which was also the setting for what turned into a pretty toxic relationship, so it does carry a certain amount of nostalgic significance. It's more focused than Seasick, which kinda plays more like a singles collection than a cohesive record -- but this is a reflection of a band that has learned to play to its own strengths: scruffy, guitar-driven power pop balanced by a few wistful, strung-out ballads, all from a decidedly queer POV. One of the ballads, "Crucible", is one of my favorite songs ever recorded. And the only song that doesn't really fit either camp, "Alone in the Grass", finds them in hypno-motorik territory, and it's one of the best songs on here.

Track listing:
1. Open Season
2. Birthday Girl
3. Yoo Hoo
4. Lipstick
5. Alone in the Grass
6. Crucible
7. The Beginning
8. Year of the Tan
9. Seven
10. Hooray (Live)
11. Beauty


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Monday, September 12, 2022

The Resonars - Bright and Dark (1999)


Pitch-perfect Nuggets-style garage/psych pop worship, with a twist of Byrds worship. If my friend who hipped me to this had told me that it came out in 1969, I would have 100% believed him. They even have the severe stereo panning. Great cover of "I'll Keep It with Mine", too. This album and band are both completely new to me -- as I write this, I first heard it less than 24 hours ago -- so I can't really provide any context or information. But I very rarely rush to post something like this, so I obviously really like it.

Track listing:
1. The Golden Age
2. Bathyscope
3. Marina
4. Goodbye Melanie
5. Carrie Don't Care
6. Gina
7. Too Much Girl
8. Eden in Transition
9. I'll Keep It with Mine
10. If He's So Great
11. Under the Blazing Stars
12. Spider West


If you like this, listen to:

Tuesday, July 19, 2022

The Paradise Motel - Left Over Life to Kill (1996)


Dark, dreamy Australian indie rock. Pretty, pristine vocals over glacial noir-Americana, complete with strummed acoustics, and bending, tremolo-saturated leads. Man, I'm loving my old time indie rock and roll over here. There's both an EP and a compilation version of Left Over Life to Kill, both of which have excellent songs that aren't included on the other; bafflingly, the comp only has two songs from the EP. I hemmed and hawed for days over which one to post before ultimately landing on the EP as it's the original, but will probably post a link for the comp version in the comments because they're both essential, and someone is definitely going to request it anyway.

Track listing:
1. German Girl
2. Ashes
3. Letter to a Stranger
4. North of God
5. Jack Star
6. Thumbelina
7. Serpent Intro


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Monday, July 4, 2022

Her Space Holiday - The Astronauts Are Sleeping Vol. 1 (1999)


My wife and I have been living in the same house since September of 2009. The first time July 4th came around when we were living here, we had walked up the street to our friend's house, and when the two of us got back to our house, we couldn't help but notice the full-on, professional level (read: outrageously expensive) fireworks party happening in the elementary school parking lot directly across the street from our house. So we sat out on our elevated patio, drinking and watching the show 'til it petered out a little after midnight. I think our friend had given us some painkillers earlier. Great night.

The next year, we invited some folks over to BBQ, keeping our fingers crossed that the fireworks people would show up again. And they did, and it was fucking incredible again. So the NEXT year, we went all out, and threw probably the biggest banger of a party we've ever had here. Tons of people showed up, including the fireworks folks -- there were topless ladies setting off fireworks in the street, a dance floor on the patio, people partying on the roof and fucking in the basement, and just good, good vibes. One of the best nights.

This went on for the next few years, albeit never getting quite as wild as that one. Then one year, our dumb-dick neighbors had been shooting Roman candles directly at this big hedge that acted as a wall around the edge of the parking lot, and surprise, surprise: it caught fire. Within minutes, the whole goddamn thing was ablaze -- remember, we're talking about a hedge that encircles an entire elementary school parking lot -- and total pandemonium ensued. My wife was in Australia at the time, and she called me in a panic because someone at the party had posted a shaky, 10-second video on Facebook of a blazing inferno and someone shouting my name over and over (they were trying to get me to move my car out of harm's way.) Not a good night.

That was the last year the fireworks people showed up. It was also the last year before Donald Trump the Politician came looming into view, reminding anyone who needed reminding that whatever progress one may have thought that we as a country had made -- culturally, politically -- was an illusion, and that active regression was the name of the game. The next year, we went to our friend's house for a daytime BBQ, but no one really felt like partying. And that's where we've been since. The past few years, we've spent the 4th hunkered down with our cats, who honestly seem to handle all the noise pretty well. And every year, there's something terrible in the news that begs the question: What's to fucking celebrate? This year is obviously no different, and I don't have to tell you or provide links for you to know exactly what I'm talking about.

So, what does all of this have to do with a low-key, lo-fi-ish slowcore album, you ask? Probably not a lot, honestly. I initially thought of this record because the final track is based on recordings made in Her Space Holiday's backyard on July 4th, 1996 -- he apparently set up mics to record the neighborhood's fireworks, recorded some improvisations in real time, then recorded overdubs the next day. But listening to it now, it's making a lot more sense. The wistful guitar lines, the sweet, murmuring vocals, the analogue, dimly-lit atmosphere -- it's taking me back to that first year with my wife, sitting quietly, feeling warm and full of love, and watching the lights burst into massive, sparkling clouds that dissipated as soon as we laid eyes on them.

Track listing:
1. The Astronauts Are Sleeping (Enter)
2. Promised a Flight
3. Slide Guitars and Moving Cars
4. Our Favorite Day
5. Sweet Baby Jesus
6. Explosion Existence
7. The Astronauts Are Sleeping (Exit)
8. The Fourth of July


Similar vibes:

Friday, June 3, 2022

White Sea - This Frontier (2010)


Just got back from one of the best vacations of my life, and I'm not ready for regular life. This includes writing for this dumb blog, which tends to revolve around darker, sadder sounds that stand in stark contrast to the fun, crowd-pleasing types of tunes I've been playing for the past week-plus. So here's the debut EP from an artist who I first heard through her contributions to M83's Saturdays = Youth. Anyone who enjoyed that album's gated drums, big synths, and 80s-throwback vibe will find plenty to love here.

Track listing:
1. Mountaineer
2. Ladykiller
3. Overdrawn
4. Cannibal Love
5. Oljato

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