Showing posts with label Michael Rooker. Show all posts
Showing posts with label Michael Rooker. Show all posts

Wednesday, March 29, 2017

Only now does it occur to me... SEA OF LOVE (1989)

Only now does it occur to me... that not only does SEA OF LOVE offer the trappings of a kinda-mediocre-but-fun sex thriller in the FATAL ATTRACTION/BASIC INSTINCT/SLIVER/BODY OF EVIDENCE vein, not only does it feature Al Pacino and John Goodman as hot-doggin' detectives,
who prefer to work outside the system––much to chagrin of their straight-laced boss, John Spencer (of course),
not only does it feature an extremely young and quippy Samuel L. Jackson,
Credited in the role of––no joke, unfortunately––"Black Guy"

not only does it contain an absurd GODFATHER reference alluding to the restaurant cop-killing of Sterling Hayden,
 
Pacino: "What is she gonna do, confess? Shoot me? We're in a restaurant!!"

not only do Pacino and Ellen Barkin offer the most hilarious, post-9 1/2 WEEKS, food-related seduction scene this side of TROLL 2:
 
He was lookin' for Chips Ahoy 

 
She was lookin' for fresh produce, but then she found...

No, not love––she found...

Yellow bell peppers

Oh yes she did

No, we shouldn't, look at all this fresh romaine

Just waiting to go on a salad, perhaps a Caesar

not only does SEA OF LOVE offer all of these sublime and occasionally laughable joys, but it also, and perhaps most importantly, it depicts the best shower curtain of all time––
this beautifully whimsical portrait of rumba musicians who happen to be alligators. Said shower curtain belongs to hardboiled cop Pacino,
whose street cred has never been more crystal clear.

Thursday, April 17, 2014

Only now does it occur to me... DAYS OF THUNDER

Only now does it occur to me...  that following in the footsteps of incredibly "whacky" credit pairings like George A. Romero & Menahem Golan and Jesse Ventura & Andre Gregory that the mind-blowing, onscreen juxtaposition of Robert Towne and Tom Cruise is truly one for the record books.

You will note:  one of these men is the screenwriter of CHINATOWN and THE LAST DETAIL.  The other one is Tom Cruise.  Extra bonus:  the "76" car up there says "Die Hard" on the side of it.  Fine by me.

DAYS OF THUNDER subscribes to the genre of movie (TOP GUN, COCKTAIL, RISKY BUSINESS, THE COLOR OF MONEY) where Tom Cruise engages in a flashy and specialized activity (jet-flyin', cocktail-makin', pimpin', pool-hustlin'), works with a mentor (Tom Skerrit, Bryan Brown, Joe Pantoliano?-admittedly a stretch, Paul Newman) gets the girl (Kelly McGillis, Kelly Lynch, Rebecca De Mornay, Mary Elizabeth Mastrontonio), loses the girl, gets the girl back again, and triumphs over all. To fill in the ingredients of DAYS OF THUNDER, we have:  Nascar-racin', Robert Duvall, and Nicole Kidman.

It's designed as a high-octane Tony Scott thrill ride where we cheer on our bad-boy hero who dips his hat low over his eyes, cause he's cool like that and quite the bad boy:

but upon watching it today, you can't help but root for Michael Rooker the whole time.  Michael Rooker (character-actor extraordinaire and veteran of HENRY: PORTRAIT OF A SERIAL KILLER, THE WALKING DEAD, SLITHER, JFK, CLIFFHANGER, MISSISSIPPI BURNING, RENT-A-COP, and THE DARK HALF)

plays a rival driver who eventually becomes a sidekick to Cruise, but his natural pathos and inspired acting choices contrast so severely with Cruise's tiny-whiny-bad-boy demeanor that you have no choice but to think of him as the true protagonist of the film.  Also, Rooker's character name is "Rowdy Burns" and for the record, I have never disliked anyone named Rowdy.

At one point, after they're both  injured in a wreck, Rooker and Cruise have an epic wheelchair race (to their orderlies' dismay) that just might be the highlight of the film.

Furthermore, Rooker's wife is played by Junta Juleil favorite Caroline Williams (THE TEXAS CHAINSAW MASSACRE 2, ALAMO BAY, THE LEGEND OF BILLIE JEAN, STEPFATHER II: MAKE ROOM FOR DADDY, LEPRECHAUN 3) who still remains one of Texas' best exports.

Seen here a little more morose than usual.

In closing, I will rattle off three disjointed observations:

#1.  I love it when Randy Quaid says that we look like monkeys fucking a football.


#2.  "Superflo" is only one letter away from "Superflu."

Also, there is so much "1990" happening in that picture, that I feel as if staring at it and meditating (á la SOMEWHERE IN TIME) could in fact transport you back to 1990.

#3.  Nicole Kidman plays an Australian medical doctor whom Tom Cruise mistakes for a stripper.  Later, Tom tries to buy Nicole's love (as in real life) by sending her a shitload of balloons, and– most importantly– a stuffed kangaroo dressed in a doctor costume, you know, because she's a doctor from Australia.

And the best part is that...  it works!  Score one for 'Merica.