Showing posts with label Anthony Edwards. Show all posts
Showing posts with label Anthony Edwards. Show all posts

Saturday, June 4, 2022

Only now does it occur to me... HEART LIKE A WHEEL (1983)

Only now does it occur to me... that I've found my new favorite alliterative way to refer to this movie, and that is a "Bonnie Bedelia/Beau Bridges boundary-breaker biopic."


The story of Shirley Muldowney (the first woman to become a champion top-fuel dragster), HEART LIKE A WHEEL is a solid studio programmer with a compelling lead performance by Bonnie Bedelia (DIE HARD, THEY SHOOT HORSES DON'T THEY?, THE BOY WHO COULD FLY, SALEM'S LOT). Most importantly, it allows me to make statements such as:

"Bonnie Bedelia and Beau Bridges are bitterly brooding at a bar––bring Beau a Bacardi" and

"Bonnie Bedelia and Beau Bridges' Byzantine bond becomes a burden at this Baton Rogue B&B"

 

Directed by Jonathan Kaplan (TRUCK TURNER, WHITE LINE FEVER, OVER THE EDGE, TV's ER), HEART LIKE A WHEEL is basically a rogue's gallery of Roger Corman veterans, including cinematography by Tak Fujimoto (DEATH RACE 2000, CAGED HEAT), a bit part by Dick Miller (A BUCKET OF BLOOD, THE TERROR), 


Because this is "a movie," that means Dick Miller is in it

 

supporting roles from Leo Rossi (GRAND THEFT AUTO) and Bill McKinney (CANNONBALL!), as well as a wonderful Paul Bartel (HOLLYWOOD BOULEVARD, ROCK N' ROLL HIGH SCHOOL) cameo as a sexist French chef (playing the character, "Chef Paul").


We've also got baby Anthony Edwards (with hair!) as Bonnie Bedelia's teenage son 

and a variety of other interesting players, like THE OFFICE's Creed Bratton and musician Hoyt Axton.

Tuesday, October 1, 2013

Film Review: PET SEMATARY TWO (1992, Mary Lambert)

Stars: 2.5 of 5.
Running Time: 100  minutes.
Notable Cast or Crew:   Anthony Edwards (MIRACLE MILE, ER, ZODIAC), Edward Furlong (TERMINATOR 2, AMERICAN HISTORY X), Clancy Brown (HIGHLANDER, EXTREME PREJUDICE), Jared Rushton (BIG, OVERBOARD), Darlanne Fluegel (TO LIVE AND DIE IN L.A., BULLETPROOF, RUNNING SCARED), Jason McGuire (LEAP OF FAITH, FORREST GUMP).  Written by Richard Outten (LITTLE NEMO: THE 80S MOVIE) and vaguely, but not really based on elements from PET SEMATARY, by Stephen King.
Tag-line: "Raise some hell."
Best one-liner:  "No brain, no pain... think about it."

PET SEMATARY TWO boldly asks the question, "Can a movie be worse than PET SEMATARY ONE?"  The answer is "Yes... well, kind of."

Aside from the presence of bullies and the general idea of a supernatural cemetery whereupon pets and and occasionally humans can be buried only to rise from the dead and become (at best) soulless versions of their former selves, or (at worst) evil killer zombies, this really has nothing to do with anything Stephen King ever wrote.  As such, it sort of feels like PET SEMATARY fan-fiction. Still, it is important to note that PET SEMATARY TWO is not abjectly terrible.  In fact, there are quite a few things to like here.  Seven, in fact:

#1.  Sullen Anthony Edwards.

Pre-ER Anthony Edwards plays a medical professional (a veterinarian) who has lost his wife and is trying to raise moody, early 90s Edward Furlong.

Pictured: moody, early 90s Edward Furlong.

Interestingly enough, Edwards' deceased wife is played by Darlanne Fluegel, an actress who got a tremendous amount of niche work as "practically the only woman" in movies that are otherwise jam-packed with male character actors, and this is no exception.  (Also see:  TO LIVE AND DIE IN L.A., BULLETPROOF, LOCK UP, RUNNING SCARED.) Weird.

Anyway, Edwards is pretty great– so great, that you'll really regret that he didn't play "Louis Creed" in PET SEMATARY 1, since Dale Midkiff didn't really have the chops to pull it off.  Maybe the tremendous pathos of Anthony Edwards could have "saved" PET SEMATARY 1– I guess we'll never know.

#2.  The awkwardly exclaimed line, "Thanks for screwing up our Halloween, dumb shit!"

which is laughably uttered by a small town bully– thus making it officially the most "Stephen King-ian" thing in the movie.


#3.  Clancy Brown.  Longtime readers of this site know of my ongoing appreciation of his work, which ranges from evil sons of bitches (HIGHLANDER) to badass good guys (STARSHIP TROOPERS, EXTREME PREJUDICE, THE ADVENTURES OF BUCKAROO BANZAI).

 Here, he gets to play the Kurgan (from HIGHLANDER) again, essentially– he starts off as an abusive dad/uptight town sheriff, and after being killed and resurrected, turns into a spectacularly psychotic, scenery (and lima beans) chewing maniac.

There's a great scene where his overweight son apologizes for not being the "stud" Clancy is.



And there's an even better scene when an undead Clancy smashes unidentifiable dinner goop and lima beans into his mouth and laughs maniacally for at least twenty seconds.


No, PET SEMATARY TWO is not a good movie, but the beauty of Clancy Brown's deranged performance occasionally fools you into thinking it is.

#4.  These creepy twin girls who reveal, for a fleeting moment, what it would look like if THE SHINING were directed by, say, the makers of FULL HOUSE.



#5.  DEATH BY SPUDS!

How would you like your potato, sir?  Baked?  Roasted?  Mashed?  Stuffed?  Scalloped?  HOW 'BOUT RAINING DOWN ON YOU IN A MURDEROUS, SKULL-SQUASHIN' DELUGE?!


Honestly, in the annals of film history, I don't think there's ever been a "death by potatoes" scene quite like this one.  Nice job, PET SEMATARY TWO!

#6.  The magnificence of the following scene, whereupon an undead Clancy Brown attempts to murder Anthony Edwards with crazy-eye and an electric drill, loopily hypothesizing, "No brain, no pain...  think about it!"






#7.  While The Ramones unfortunately don't give us "I Don't Wanna Be Buried in a Pet Sematary (Again)," they do indeed again provide the rockin' beats of the closing credits with the song, "Poison Heart."

In closing, PET SEMATARY TWO ain't great– and you didn't need me to tell ya that, I'm sure.  Still, a couple of spit-take worthy moments and some killer potatoes push this up to... two and a half stars.

–Sean Gill

Friday, April 1, 2011

I can't tell you how happy I am to live in a world where this is not an April Fool's Day Prank...PART 2!

Last year on April Fool's I examined some VHS covers that seemed almost too good to be true– heartfelt TV-movie dramas with Jamie Lee Curtis and Bette Davis, a Boglin hurling a pentagram in the direction of Fred Ward's balls, a film where Powers Boothe and Rutger Hauer battle for Kathleen Turner's love and for endangered birds, etc., etc.

So today in tribute to a bygone era, let us peruse these dusty shelves once more in search of that elusive 49¢ rental that could change your life forever... or at least give you an excuse to order up a couple of pizzas and a sixer of Schlitz.


Is Peter O'Toole supposed to be God? Is he pouring himself a drink or conducting an experiment? And what sort of furry critter has died whilst reclining upon Mariel Hemingway's head?


I like you, BLOODY NEW YEAR Ghoul. I salute your Crypt-Keeper-y sense of fun, your wobbly eyes, and your insistence on purchasing alllll the trimmings from the Party-o-rama outlet store. But above all... I salute your eyebrows.


Co-starring Lillian Gish, Candy Clark, and O.J. Simpson. No, REALLY.


How have I not heard of this? Durning... standing alone? "The story of a real American hero?" Is this a Durning auto-biopic?! Co-starring Pam Grier and Stacey Keach's brother? I don't think that I can go another minute without seeing this film. And finally- does Dom DeLuise make an appearance?


The pros:
•Bruce Glover.
•Skeletons with guns.

The cons:
•I kind of don't like how the skeleton is wearing chaps. It makes it look as if it's got shapely legs and child-bearing hips. That makes everyone uncomfortable.
•The $79.95 price tag.


"It all started out as a joke..." It all started out as a joke... IT ALL ...STARTED OUT...AS A JOKE!...


Did Oliver Reed realize that he was in a movie? Hard to say. Look at his glazed over, rum-soaked stare. Chilling. And on the other end of the spectrum, look at what care they've taken with the captive- making sure her hair has that ultra-conditioned sheen and even loosening her gag so that it doesn't interfere with her carefully positioned, backlit tresses.


Certainly in the running for having the most generic title of all time, DELTA HEAT boldly opines that "sometimes the truth can be murder." But what have we here? Anthony Edwards rocking out a peroxided coiffure and Lance Henriksen creeping up behind him, holding a gun at an unusual angle. Does Edwards know that he's there? Let's check out the IMDb synopsis: "An L.A. cop investigates the death of his partner in the swamps of Louisiana. Enlisting the help of an ex-cop who lost his hand to an alligator many years before." Yes...yes...and YES! Is that the disembodied hand that Henriksen lost, floating behind Edwards' shoulder? I need to see this as soon as possible.


Okay- how could they NOT name the movie 'DIRTY HARRIET?'


"We need a title for this flick?"
–"How about SLITHIS?"
"Surely we can come up with something better than that."
–"What, you've got something better?"
"Well not right now– come on, I'm supposed to just think of something off the top of my head? I haven't even had my coffee yet."
–"You can't come up with anything better than SLITHIS either."
"That's not true."
–"Well, okay. But until you do, let's put SLITHIS on the temp artwork."
"Fine. But only until I come up with something better."
–"Yeah, we'll see about that."


Golan and Globus present: FOUR CREEPY DUDES HIDING IN A BUSH TRYING TO SPY ON THE POOR MAN'S GOLDIE HAWN.


"JOE DON BAKER IS LOOKING FOR TROUBLE." Trouble always seems to find Joe Don Baker, from JOYSTICKS to WACKO to the infamous MITCHELL. Well, count me in, JDB. Count me in.


"Okay are you ready...let me lay somthin' on ya: DETECTIVE SCHOOL."
–"Is that all?"
"...DROP OUTS!"
–"Is that all?"
"...A Golan and Globus production."
–"Alright, I'm not gonna lie– you had me at DETECTIVE SCHOOL. But does it have that guy, the guy with the voice...the guy from the POLICE ACADEMYs...what's his name again? I can't get enough of that guy."


–"Alright, that might be a little too much Goldthwait."


It came...it saw...and it burned...a Rutger Hauer-lookalike.


The title and the font are telling me that this is a movie about an inspirational inner-city basketball coach, and yet I'm seeing an image of Peter O'Toole riding around on a tank.


So rule #1 is, predictably, that there are no rules. Fair enough. But is that a stain or the ghost of a buzz saw? And did I mention that this is Chuck Norris' son?


This might be my favorite title since THUNDERGROUND.


So is the GLOVE wanted dead, not alive? How does one kill the glove? Conversely, how does one take the glove alive? Or is the glove worn by the person who is wanted dead, not alive? Or is the glove worn by the person hunting the person who is wanted dead, not alive? Is this somehow related to ROLLERBALL?


"The race that drove Africa wild." I never expected to see Stockard Channing in hot pants bringing an entire continent to its knees. Even the monkey on her back is getting in on the ogling. Grinning David Carradine is still somehow riding the wave of DEATH RACE 2000. And Christopher Lee fits into this somehow as well?


So that wave subsided at some point- Carradine in old lady drag á la THE UNHOLY THREE? Apparently this flick has a devoted cult following and I hope one day to join its ranks.


Gotta love the Barbarian Brothers. Straddling that big truck with masculine intensity, untied shoes, and a slashed-front tee-shirt? And you know the other brother has got cut-offs on (just outside the frame). And who hasn't wanted to see Martin Mull and Richard Moll in the same flick? Plus, more Carradine! That's thinkin' big indeed!


Combine a Xander Berkeley lookalike, a feathered mane, a power drill, and a supporting role by Robert Davi, and what do you get? ...Nothin' but TRAXX!


I'll say no more beyond the fact that...this is a documentary!


I like to think of myself as a well-informed individual, particularly when Harry Dean Stanton movies are concerned. The fact that this one has slipped through the cracks of my awareness leads me to believe I should probably committ HDS seppuku. But maybe forty Hail Marys and a viewing of WISE BLOOD could atone for my sin.


I mean..what can I say? (Besides "I'd like to buy your album.")


Is this the eponymous "return" depicted here on the VHS cover art? Has the big payoff been ruined? Why even rent it now? "Oh, by the way, the finale is just Jan-Michael Vincent embracing a brown-silk-poncho-wearing Cybill Shepherd. THE END."


There have been some pretty enjoyable MAD MAX rip-offs. Everything from THE NEW BARBARIANS to STEEL DAWN to HELL COMES TO FROGTOWN. So was "OSA" really the best title they could come up with? And the best picture was this possible stock photo of desert bikers?


"STRIKE ONE - there's a killer on the loose... STRIKE TWO - you never know where he'll strike next... STRIKE THREE - too late." Look at how mortified Roy Scheider is. The poor guy is one of the finest actors of his generation, and he's starring in NIGHT GAME. My completely uninformed prediction of what the plot is: a psychopathic 'Nam vet baseball player slices n' dices sports commentators, stuffs their remains inside of baseballs and then plays with them. A player smacks a foul ball into the stands which lands on the lap of washed-up private eye Roy Scheider who discovers that...THE BASEBALL IS BLEEDING!


"An insane Hollywood makeup man kidnaps a woman, keeps her prisoner in his warehouse full of props. " Co-starring Keenan Wynn. I must say that I'm a little unnerved by how much psycho-Rooney resembles the elderly Richard Dreyfuss.


I've actually seen this movie. It has nothing to with a shirtless white man punching you in the face and everything to do with a shabby, middle-aged Leo Fong bopping dudes in the Bazzinis. I feel like your average viewer would be more inclined to see this if it were accurately advertised.


"I don't want to see that new movie, INTERFACE. It just looks like 'another fantasy game movie.'"
–"Ohhhh-ho-ho... that's where you're wrong."
"Whaddya mean?"
–"It's not just another fantasy game. These players are serious... dead serious."
"Well...."
–"Did I mention it's also got Lou Diamond Philips playing Punk #1?"
"Alright...fair enough."


"People are funny– and the 'Big Gag' proves it!" In that case, let's hope that space aliens don't get their hands on this looking for proof that human beings possess some kind of innate, uh, humanity, because I'm willing to bet that not only does the 'Big Gag' NOT prove that people are funny, but in fact proves that we are sickening degenerates, possibly beyond all help. (On the other hand, a New World Picture has never let me down yet.)


MASTER CLASS with Sho Kosugi?! But damn– He was gonna be live in person at the IVE Booth at the VSDA show!? I have no idea what that means, but I'm forced to believe that I've already missed the boat on this one.

But I don't feel too bad, because I now know that the disparate worlds of RETURN OF THE NINJA and WOLFEN once did collide...and the Word was called WOLFEN NINJA, and the Word was good.


In the name of all that is holy– John Huston plays God on judgment day, raining hellfire, brimstone, and wing-flapping slo-mo doves onto the populace, flanked by Mel Ferrer, Glenn Ford, Lance Henriksen, Shelley Winters, and Sam Peckinpah... ...WHAT?!!? "HE CAME TO SAVE THE WORLD FROM THE DEMON CHILD!"


This movie is so uninspired that it names its main character The Rider and his enemy The Omega Force. And he's not even The Rider, he's "The Rider." He's already, pre-emptively been put into scare quotes by the marketing team. That's how little respect they have for "The Rider." Oh, and you know Donald Pleasence? No? Not ringing any bells? How about Donald 'Halloween' Pleasence? Oh, you know that guy, right? What about Persis Khambatta? No? Oh, sorry, what about Persis 'Star Trek' Khambatta? Oh, you still don't know who that is? Fair enough.


I don't know where the Brothers Grimm are buried, but I can pretty much guarantee that they were spinning pretty hard in their graves until they heard that Brad Dourif was gonna be in this. It co-stars James Earl Jones and William Atherton, the full title is actually GRIM PRAIRIE TALES: HIT THE TRAIL TO TERROR, and IMDb reviewer Lee Kelly calls Dourif and Jones "a 'buddy' pairing to rival Riggs and Murtaugh. Give them their own series!" Alright, I'm sold.


Anyway, enjoy your April Fool's, everyone–may all your Brads be Dourifs, all your Lances be Henriksens, all your Ollie Reeds be drunk, all your dogs be named Hambone; and whenever there's a Cannon pointed in your direction, pray that it's operated by a couple of whacky cousins named Golan and Globus, and is easily procurable on Betamax, Laserdisc, and VHS! Amen.

–Sean Gill