I found a bunch of old model sheets from Stimpy's Pregnant. I thought about spinning off Dr. Mr. Horse in his own soap opera series. ...supported by his faithful love interest, Nurse Sheep who worships the stable he trods in. Tears and laughs abound.
Sometimes it's fun to base a cartoon character off a person you know. This is Jose Pou - a fellow cartoonist and animator who worked with me on APC and other cartoons. Cartooning real people in action is a challenge because they are much more specific in design and personality than most cartoon characters. Jose Pou is a beautiful specimen of specificity. He not only has a very unique design, but he has a personality to match. He's a prime example of what we term "charisma". He attracts you to his persona. When you animate a specific person, you have to break a lot of habits. Most animated cartoon characters are made of the same handful of simple shapes, but a real person has much tricker combinations of shapes and you have to figure out how to turn him around without all the features falling apart or "melting". You also have to create new expressions because the generic cartoon expressions don't fit around the design. In one sense Jose is completely unique, but in another he can portray a broad range of cartoon types. Jose Pou represents all ethnicities. He is the Anthony Quinn of cartoons. He can be a Hawaiian, a Mexican, a Dominican, a Filipino and any number of foreigners with rituals and habits we must respect, even though you would probably not approve if you caught your Mom doing them. Jose is a truly in every cartoon sense a "citizen of the world" - a unique and specific instance of a beloved and widely-encompassing stereotype. In Naked Beach Frenzy, Jose is a Hawaiian souvenir salesman and a very eager one too. He'll sell you anything-even the rings off his nipples - as long as you pay in "American Pesos". You'll never guess what he is offering Stimpy here. But it's not what Stimpy is looking for at the moment. Jose has anything you could ever ask for -even contraband.
His wares cause Stimpy to enjoy some of his own specific expressions in honor of his majesty, King Pou.
specific and asymmetric expressions
Oh, and these are drawn by Nick Cross who lived, breathed and succored Jose Pou all through the production. Here's another reason to watch Naked Beach Frenzy:
INSIDE: 3 Spike episodes 3 never been seen episodes 9 half hours total cartoon product.
Naked girls (by the # 1 cute girl artist-Katie Rice) The 3 Things Ralph Bakshi animated First on screen live animated birth
Lots of supplemental material: I introduce each cartoon and tell you the back story of how we came up with it. I even thrust my groin a couple times. Meet the cartoonists-Eddie, Katie, Luke, Vincent, Annmarie, Steve (of Asifa Archives fame!) and Eric Goddamn Bauza himself!
A rare personal appearance by Dave Feiss (creator of Cow and Chicken)
Weird Al live justifies the existence of the set!
Animatics background paintings model sheets storyboards
For a completely unbiased review read this article here:
It's from Firedogs 2. This is a story that I wrote as a sequel for Firedogs in 1990, right after it aired.
The firechief in Firedogs one was inspired by Ralph Bakshi. After I got a lot of fan mail from it I decided to do a sequel where the Firechief invites Ren and Stimpy to move in with him and be his partners-just as Ralph once offered me to be his partner.
Almost all the scenes in this cartoon happened in real life. It's more of a documentary than fiction.
Incidentally, everyone who likes modern cartoons-cartoons after 1998 or so owes a big debt to Ralph. Ralph saved cartoons and cartoonists and gave us back our medium.
He started the whole revolution in TV cartoons in 1987 with "Bakshi's Adventures of Mighty Mouse". Those were the first "creator-driven" cartoons done in 25 years.
The show broke a lot of ground and hugely influenced everything that followed-Ren and Stimpy, Roger Rabbit, The Simpsons, Tiny Toons-even Batman. (Bruce Timm was my assistant and then a top layout man on Mighty Mouse and that's when he first got a taste of angular, stylized drawing.)
I instituted a new TV version of Directors' units to produce the cartoons, rather than using the crappy Hanna Barbera factory system that everyone else was doing on TV.
I combined the TV factory system with the old Warner Bros. system and then 2 years later refined it to produce Ren and Stimpy.
None of what followed Mighty Mouse would have happened had Ralph not protected a bunch of cartoonists from the hazards of network executives and cartoon "writers".
Many of the scenes in Firedogs 2 are scenes witnessed during the year and a half that Mighty Mouse was produced.
If you hate poo jokes, you will hate this, but a story about Ralph would be a lie without a good load of poo.
Incidentally, this cartoon suffers from some piss-poor timing, because we had just started the new episodes and were trying out a new system of shooting storyboards and timing them to music. A lot of the gags would play better if I could go back and cut them tighter. I apologize in advance! (Just run it in fast forward!)
BTW, Ralph did his own voice in the cartoon. The guy has a great sense of humor!