There is a fantastic book of designs called L'ornamentazione [ornamentation] which was published in 1923 by the Hoepli Publishing House in Milan. Since it is now out of copyright, you can download it free from the Internet Archive.
The title page reads:
"82 plates, designs for alphabets, monograms, companies, insignias, initials, symbols, heraldic decorations, artistic embroidery and women's works, leather embossing, metal engraving. Motifs for decorators, engravers, jewellers, etc."
The photos above are just a sampling of the types of designs that are contained in this fantastic book.
Unfortunately I can find no information on the author G. Vendrame. Nor can I find any other publications by this author. If you know something about him (or her?) would you post a comment below?
The Hoepli Publishing House started with Ulrico Hoepli, a young Swiss who came to Milan in 1870. The Hoepli Publishing House would grow to become one of the most important publishing houses in Italy. It remains in the hands of the Hoepli family and is still publishing today. Many needlework and textile manuals were published by the Hoepli Publishing House at the beginning of the 20th century.
Showing posts with label antique patterns. Show all posts
Showing posts with label antique patterns. Show all posts
Saturday, November 19, 2011
Saturday, August 14, 2010
La Sirena - The Siren
Besides monsters, I love finding Mermaids and/or Sirens in embroidery and lace. I can't tell you why and you could even say that the Siren is a type of sea monster.
From Giovanni Ostaus' La Vera Perfezione del Disegno per Punti e Ricami (1561):

They are always wicked in the old tales and it was probably not until Hans Christian Andersen that there was a sympathetic tale of these creatures - don't quote me, I'm not up on my Mermaid/Siren history. The Greeks didn't even associate them with the sea but the Romans did and since we're talking about Italy, let's go with the Romans! You do need to know however that Sirens get some bird-like history from the Greeks so sometimes they are depicted with wings. Enough background – on to the Sirens in needlework!
From Cesare Vecellio's Corona delle nobili e virtuose donne (1592):

Years ago when searching for Italian patterns, I came across the Coraggio Sampler by The Scarlet Letter. This sampler has all kinds of things I like including monsters and a Mermaid. I actually came across a sampler in an Italian museum with the Mermaid from this sampler on it but I didn't note it down and now I'd love to know where I saw it!! Anyone know? Please leave me a comment below!
I like the documentation that goes with the Coraggio Sampler, it has references to 16th century antique pattern books. I ordered it with all the silk threads and then decided to modify it with other antique Italian motifs I liked so it sits on the floor stand in my living room and once in awhile I sit and put in a few stitches on it. I'm afraid it has been sitting there for years.
There are several needle lace Sirens in Merletti e Ricami della Aemilia Ars (1929) including several on a round table centre on the cover which was a piece commissioned "from America", I tried to scan it but unfortunately I can't get a good scan, you'll have to take my word for it...
... there is also this Heraldic design by Arcangelo Passerotti from his Libro di Lavorieri (1591):

In the same book there is this one done in Filet lace for a tablecloth, the design is from Giovanandrea Vavassore's Esemplario di Lavori (c. 1530):

I have always liked the Siren in Elisa Ricci's Old Italian Lace (1913):

I took a crack a charting the design, what do you think? She's pretty scary!

You can download some of Elisa Ricci's books and some antique pattern books from the Online Digital Archive of Documents, or you can purchase a collection of 5 antique pattern books together in one volume from Italian Needlecrafts.
From Giovanni Ostaus' La Vera Perfezione del Disegno per Punti e Ricami (1561):
They are always wicked in the old tales and it was probably not until Hans Christian Andersen that there was a sympathetic tale of these creatures - don't quote me, I'm not up on my Mermaid/Siren history. The Greeks didn't even associate them with the sea but the Romans did and since we're talking about Italy, let's go with the Romans! You do need to know however that Sirens get some bird-like history from the Greeks so sometimes they are depicted with wings. Enough background – on to the Sirens in needlework!
From Cesare Vecellio's Corona delle nobili e virtuose donne (1592):
Years ago when searching for Italian patterns, I came across the Coraggio Sampler by The Scarlet Letter. This sampler has all kinds of things I like including monsters and a Mermaid. I actually came across a sampler in an Italian museum with the Mermaid from this sampler on it but I didn't note it down and now I'd love to know where I saw it!! Anyone know? Please leave me a comment below!
I like the documentation that goes with the Coraggio Sampler, it has references to 16th century antique pattern books. I ordered it with all the silk threads and then decided to modify it with other antique Italian motifs I liked so it sits on the floor stand in my living room and once in awhile I sit and put in a few stitches on it. I'm afraid it has been sitting there for years.
There are several needle lace Sirens in Merletti e Ricami della Aemilia Ars (1929) including several on a round table centre on the cover which was a piece commissioned "from America", I tried to scan it but unfortunately I can't get a good scan, you'll have to take my word for it...
... there is also this Heraldic design by Arcangelo Passerotti from his Libro di Lavorieri (1591):
In the same book there is this one done in Filet lace for a tablecloth, the design is from Giovanandrea Vavassore's Esemplario di Lavori (c. 1530):
I have always liked the Siren in Elisa Ricci's Old Italian Lace (1913):
I took a crack a charting the design, what do you think? She's pretty scary!
You can download some of Elisa Ricci's books and some antique pattern books from the Online Digital Archive of Documents, or you can purchase a collection of 5 antique pattern books together in one volume from Italian Needlecrafts.
Thursday, June 24, 2010
Who was Lunardo Fero?
I'm always fascinated by the lives of the people behind needlework. Just as American schoolgirl samplers are appraised at a far higher value if the owner knows the history of the embroiderer, I think the techniques, designs, embroideries, etc. are more interesting if I know the story of how they were made and by whom.
One of the most frustrating things about amateur research is that many times I am unable to find out anything about a particular person. I often wish for lottery millions so I could travel to the various museums and libraries around the world and research for myself among the archives... who knows if I'd be any more successful?
I have never been to the Victoria and Albert Museum in London but you can bet that if I ever get the chance, I'll probably spend my entire vacation there. They have many Italian needlework-related things. One of them is a book of embroidery designs done in ink and watercolours by Lunardo Fero, Venice, October 16, 1559. Lunardo? I'm no expert on names but this is one I haven't come across before... could it be Leonardo? Either way I can turn up nothing doing internet searches on this guy.
The information I can find on this little book is that it "contains dozens of beautifully crafted embroidery patterns displaying an impressive range of floral and ornamental motifs, some inspired by classical forms, others by contemporary Middle-Eastern designs." It is dedicated to the "virtuous and noble" Elena Foscari. The Foscari coat of arms is on the last page "both as a mark of ownership and as a pattern to be applied to all kinds of household textiles".
"The vellum binding and the striped, decorative endpapers are eighteenth or nineteenth century. The title-page is fairly clean and suggests that the designs were originally bound in a volume even though the binding is not contemporary with the designs."

There are 26 entries for this book on the Victoria & Albert Museum website, but there are only four images. I kept very busy clicking on the different entries as there are different descriptions for each page even when there aren't any photos.

Searches for Elena Foscari turn up empty too. Foscari is an ancient Venetian name and Francesco Foscari became Doge of Venice in 1423. He's the only guy who turns up when I search the name.

If anyone has any other information please, please leave me a comment! I'd love to know what the rest of the book looks like... have you been to the V&A and seen it yourself? I wonder how many other embroidery pattern books like this there were?
These images were taken from At Home in Renaissance Italy by Marta Ajmar-Wollheim and Flora Dennis. This is an excellent book!
One of the most frustrating things about amateur research is that many times I am unable to find out anything about a particular person. I often wish for lottery millions so I could travel to the various museums and libraries around the world and research for myself among the archives... who knows if I'd be any more successful?
I have never been to the Victoria and Albert Museum in London but you can bet that if I ever get the chance, I'll probably spend my entire vacation there. They have many Italian needlework-related things. One of them is a book of embroidery designs done in ink and watercolours by Lunardo Fero, Venice, October 16, 1559. Lunardo? I'm no expert on names but this is one I haven't come across before... could it be Leonardo? Either way I can turn up nothing doing internet searches on this guy.
The information I can find on this little book is that it "contains dozens of beautifully crafted embroidery patterns displaying an impressive range of floral and ornamental motifs, some inspired by classical forms, others by contemporary Middle-Eastern designs." It is dedicated to the "virtuous and noble" Elena Foscari. The Foscari coat of arms is on the last page "both as a mark of ownership and as a pattern to be applied to all kinds of household textiles".
"The vellum binding and the striped, decorative endpapers are eighteenth or nineteenth century. The title-page is fairly clean and suggests that the designs were originally bound in a volume even though the binding is not contemporary with the designs."
There are 26 entries for this book on the Victoria & Albert Museum website, but there are only four images. I kept very busy clicking on the different entries as there are different descriptions for each page even when there aren't any photos.
Searches for Elena Foscari turn up empty too. Foscari is an ancient Venetian name and Francesco Foscari became Doge of Venice in 1423. He's the only guy who turns up when I search the name.
If anyone has any other information please, please leave me a comment! I'd love to know what the rest of the book looks like... have you been to the V&A and seen it yourself? I wonder how many other embroidery pattern books like this there were?
These images were taken from At Home in Renaissance Italy by Marta Ajmar-Wollheim and Flora Dennis. This is an excellent book!
Monday, May 3, 2010
Antique Pattern Books
In the early twentieth century Italian needlework scholar Elisa Ricci edited the reprints of five 16th century pattern books for embroidery and lace.
Last year these reprints were collected together and reprinted again in one volume called Disegni per Merletti e Ricami [Designs for Lace and Embroidery] edited by Bianca Rosa Bellomo. Pattern books included in this volume are: I singolari e nuovi disegni per lavori di biancheria by Federico Vinciolo, La vera perfectione del disegno per punti e ricami by Giovanni Ostaus, Il Burato: libri de Ricami by Alessandro Paganino, and two by Giovanandrea Vavassore: Opera nuova universale intitolata Corona di Ricami and Esemplario di lavori: che insegna alle donne il modo e l'ordine di lavorare.
For the presentation of Disegni per Merletti e Ricami, Bianca Rosa asked several needlework friends to stitch patterns from the volume in whatever technique they liked. The pieces were then part of a display at the Italia Invita Forum in Parma in May of 2009. The stitched pieces were displayed beside a printout of the pattern chosen from the antique pattern books. It was a delightful display to look at!! (Click on the little photos on the linked page to look closer)
Later in May the works were displayed again in Bologna. It was very difficult to pick which ones to show you so this is a random pick of one design from each author:
Vinciolo:

Ostaus:

Paganino:

Vavassore I:

Vavassore II:

I saw both displays and can tell you that it was fascinating to look at the different interpretations of each pattern. I noticed things in Bologna that I hadn't paid attention to in Parma – I could have looked forever!
You can read more about Elisa Ricci at the Italian Embroidery website Tuttoricamo, click on the British flag for the English pages and look under 'prominent characters'.
Disegni per Merletti e Ricami can be purchased here. (Send an email request.)
Thanks to Elisabetta for the Paganino photo.
Last year these reprints were collected together and reprinted again in one volume called Disegni per Merletti e Ricami [Designs for Lace and Embroidery] edited by Bianca Rosa Bellomo. Pattern books included in this volume are: I singolari e nuovi disegni per lavori di biancheria by Federico Vinciolo, La vera perfectione del disegno per punti e ricami by Giovanni Ostaus, Il Burato: libri de Ricami by Alessandro Paganino, and two by Giovanandrea Vavassore: Opera nuova universale intitolata Corona di Ricami and Esemplario di lavori: che insegna alle donne il modo e l'ordine di lavorare.
For the presentation of Disegni per Merletti e Ricami, Bianca Rosa asked several needlework friends to stitch patterns from the volume in whatever technique they liked. The pieces were then part of a display at the Italia Invita Forum in Parma in May of 2009. The stitched pieces were displayed beside a printout of the pattern chosen from the antique pattern books. It was a delightful display to look at!! (Click on the little photos on the linked page to look closer)
Later in May the works were displayed again in Bologna. It was very difficult to pick which ones to show you so this is a random pick of one design from each author:
Vinciolo:
Ostaus:
Paganino:
Vavassore I:
Vavassore II:
I saw both displays and can tell you that it was fascinating to look at the different interpretations of each pattern. I noticed things in Bologna that I hadn't paid attention to in Parma – I could have looked forever!
You can read more about Elisa Ricci at the Italian Embroidery website Tuttoricamo, click on the British flag for the English pages and look under 'prominent characters'.
Disegni per Merletti e Ricami can be purchased here. (Send an email request.)
Thanks to Elisabetta for the Paganino photo.
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