Alexander Ouchtomsky's work is constructed by a means of collecting and hoarding various different plastics, organic matter, toys, sports equipment and helmets. By piecing together these various two dimensional and three dimensional examples of western consumer waste either by collage or construction, his work draws connections between the forgotten histories of suburban waste and the possible potential of these objects as lost segments of an imagined civilisation.
Sunday, February 28, 2010
Alexander Ouchtomsky
Beck Jobson
Left: Diamond Dave, circa 1978, Mixed media front-man, dimensions variable.
Right: $10 worth of Jamaican bunk reefer, 2010, Spandex and plastic pendant, dimensions variable.
Kiah GM
Kiah GM work is about da good stuff, da silly stuff: curly and furry and it go squeaky. Makin’ stuff be better, makin’ best stuff. Pretty is 2 be prettier, find da big hole, make it 2 be bigger, maybe one day there’ll be 6 nipples each. Da outside of stuff, it is good, feel it, feel it, makes your insides feel gooder, match it up. It’s da insides and da outsides. Tall, taller, tallest, hungry 2 da hungriest, Kiah GM art bits are lil’ outside kits for makin’ us feel goodest on our insides, she wanna improve her world and so she fix it up with painty and pencil and shiny shiny brush…
About
Insert Coin Here
Insert Coin Here comprises of two vending machines strategically placed in public spaces around the Melbourne CBD. Containing limited edition 'fashion objects' produced by over 60 Melbourne-based artists, the vending machines are activated when a member of the public inserts a $2 coin. The exhibition explores alternative interfaces of exchange for fashion, the mechanised system as a form of 'fashion dialogue'. More broadly, it thinks through discourses around public space and the role that fashion might play in it.
1 - 31 March 2010
Insert Coin Here is proudly supported by: