Showing posts with label Luigi Nono. Show all posts
Showing posts with label Luigi Nono. Show all posts

18 June 2019

LUIGI NONO "...DEN DER WALD IST JUNG UND VOLLER LEBEN" (1966)




> A floresta é jovem e cheja de vida <

 WDR, Cologne, Germany, 1966

Script and directed by Theo Gallehr

38"

"... the forest is young and full of life"



Theo Gallehr (1929 - 2001) was a German innkeeper (in Munich),  film director and writer.
Famous for intiating socalled "Arbeiterfilme" (movies about workers) and in 1971 he made a documentary about the Gruppo Di Improvvisazione Nuova Consonanza (released by Die Schachtel).

13 October 2018

RARE COMPOSITIONS I (1960 - 1994)



With this post I've assembled some rarer compositions by mostly quite famous 20th century composers'.
With 'rare' I mean pieces not readily available and OOP - culled from CD compilations - in this case from two releases.

The title by Grisey is taken from a CD dedicated to the conductor Sylvain Campreling which I've bought only because of my excitement upon discovering this to me unknown (and recorded) piece by him.

All other music was previously released on a five CD box-set which celebrated the fiftieth anniversary of the 'Holland Festival'. At least two or three of these pieces were issued on vinyl before the box-set was available.

Vivier's composition "Glaubst du an die Unsterblichkeit der Seele" (Do you believe in the immortality of the soul?) was his last composition, though not completed as he was murdered before he could finish it.
His killer was a male prostitute Vivier had met in a bar earlier that evening. On the worktable was the manuscript of Vivier's final, uncompleted work, "Crois-tu en l‘immortalité de l‘âme?", a dramatised monologue in which Vivier describes a journey on the metro during which he becomes attracted to a young man. The music breaks off abruptly following the line: "Then he removed a dagger from his jacket and stabbed me through the heart." (On a personal note I would like to add that I didn't know this backgroud mentioned above upon first hearing. The impact of this composition wasn't diminished by my ignorance.)

"Sara Dolce Tacere" by Nono was - to my knowledge - released for the first time on a Wergo 7" sometime during the 1960s.

Xenakis' "Anemoessa" has been recorded and released - a.f.a.i.k. - only once on a commercial recording.

 At least "Calmo" and "Composition No.3" have been and still are available in various interpretations.




 1. Luigi Nono - Sara Dolce Tacere (1960) 7:20

John Alldis Choir conducted by John Alldis
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2. Luciano Berio - Calmo ('A Bruno, In Memoriam') (1973) 4:14

Cathy Berberian, soprano
Luciano Berio, conductor
Members of The Rotterdam Philharmonic Orchestra
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3. Galina Ustvolskaya - Composition No.3 "Benedictus Qui Venit" For Four Flutes, Four Bassons And Piano (1975) 6:50

Heinz Friesen, conductor
Amsterdam Wind Orchestra
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4. Iannis Xenakis - Anemoessa (1979) 13:06

Ricardo Dufallo, conductor
Groot Omroepkoor (The Netherlands Radio Choir)
Radio Filharmonisch Orkest
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5. Claude Vivier - Glaubst Du An Die Unsterblichkeit Der Seele (1983) 8:25

Irene Maessen, Susan Narucki, Tannie Willemstijn, soprano
Nine Van Strien, Yvonne Benschop, mezzo-soprano
Bruce Sellars, Marcel Beekman, Peter Hall, tenor
Helena Rasker, contra-alto
David Barick, James Ottaway, baritone
Harry Van Der Kamp, bass
Johan Leijsen, speaking voice
Reinbert De Leeuw, conductor
Asko Ensemble & Schönberg Ensemble
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6. Gérard Grisey - L'icône paradoxale (Hommage à Piero della Francesca), for 2 female voices and 2 orchestral groups (1992–94)  24:41

Catherine Dubosc, soprano
Lani Poulson, mezzo-soprano
Sylvain Cambreling, conductor
SWR Sinfonieorchester Baden-Baden Und Freiburg
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Recorded...
Track 1: Waalse Kerk Amsterdam, 06/06/1979
Track 2: De Doelen Rotterdam, 28/06/1974
Track 3: Paradiso Amsterdam, 17/06/1989
Track 4: Concertgebouw Amsterdam, 16/06/1979
Track 5: Beurs van Berlage, 03/06/1995
Track 6: 30.11.-2.12.1999 Konzerthaus Freiburg, SWR


25 May 2018

LUIGI NONO "TWO COMPOSITIONS WITH TAPE" (DG, 1970s)



This post is comprised of two compositions by Luigi Nono culled from two LPs.
Never reissued on CD or as an official download.
Exemplary interpretations with Luigi Nono himself as (sound) director for both recordings.

Concerning the first composition it isn't really clear wether all the given names for 'voice' were actually participating...



1. A Floresta È Jovem E Cheja De Vida (1965-66)  34:07
(for soprano, voices, clarinet, copper plates and magnetic tape)
based on texts and sources compiled by Giovanni Pirelli

Liliana Poli, soprano
Kadigia Bove, voice
Elena Vicini, voice
Umberto Troni, voice
Enrica Minini, voice
Franca Piacentini, voice
The Living Theatre

William O. Smith, clarinet

copper plate players directed by pianist Bruno Canino

(rec. at the RAI Studio di Fonologia in Milan in 1977 – sound director: Luigi Nono / recording engineer: Marino Zuccheri)

From Deutsche Grammophone DG 2531 004


2. Y Entonces Comprendió (1969-70) 32:06
(for six female voices, choir and magnetic tape)

Mary Lindsay, soprano
Liliana Poli, soprano
Gabriella Ravazzi, soprano
Kadigia Bove, voice
Miriam Acevedo, voice
ELena Vicini, voice
Coro Da Camera Della RAI
Nino Antonellini, choir master

Tape and recordings effected at the Studio of Fonologia of RAI, Milan - Italy

Deutsche Grammophone DG 2530 436
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Composed by Luigi Nono.

(vinyl rips)