FRIDAY THE 13TH - THE SERIES: THE FIRST SEASON -- DVD Review by Porfle

Originally posted on 11/5/12

 

Here's the original prologue that used to begin each episode of "Friday the 13th - The Series":  "Lewis Vendredi made a deal with the devil to sell cursed antiques. But he broke the pact, and it cost him his soul. Now, his niece Micki, and her cousin Ryan have inherited the store... and with it, the curse. Now they must get everything back and the real terror begins."

For some reason this prologue is omitted from the 6-disc DVD set FRIDAY THE 13TH - THE SERIES: THE FIRST SEASON, but I figured it would be a good way to start my synopsis.  In the first episode, veteran character actor R.G. Armstrong plays Uncle Lewis, whose sudden relocation to Hell leaves Micki and Ryan as proprietors of his antique store, Curious Goods.  Lewis' former partner, a sage old sorceror named Jack, shows up and warns the two that all the cursed items that have been sold from the store will cause untold death and destruction if they don't track them all down and lock them in the vault downstairs. 

After witnessing some supernatural shenanigans firsthand, it doesn't take long for our heroes to get over their initial "yeah, right" attitude and dedicate themselves to this monumental task.

The main characters are likable and fun.  First, there's Robey ("Louise" when she's at home) as Micki, the fiery redhead who's lots of fun to look at.  Micki sacrifices her upcoming marriage to some Mr. Perfect-type to become a cursed antique tracker-downer, because she knows people will die if she doesn't.  Then there's her cousin Ryan (John D. LeMay), who comes off as a bit of a doofus at first--in fact, I thought he was going to be the bumbling comedy-relief until his character began to develop considerably as the season went on. 

Not unlike Mulder and Scully, or Steed and Mrs. Peel, Micki and Ryan have a lighthearted relationship that can also have its serious and dramatic moments.  At times, their characters are given a surprising amount of depth and often suffer sizeable personal tragedies.  Rounding things off is Chris Wiggins as their mentor, Jack, whose wisdom and knowledge of the black arts are indispensible. 

The thing that makes this unlikely trio of do-gooders so endearing is that they aren't professionals--they risk their lives in every episode out of concern for others.  (All together now:  "Awwwww...")

To me, the series has that distinctive look of 80s low-budget Canadian cinema, like RABID or one of the SCANNERS movies.  I've heard complaints about the picture quality, and indeed much of the photography is somewhat muted and murky.  But this is true mainly of the earlier episodes, and as the season progresses so does the look of the series (although the video FX are consistently fake-looking).  The same can also be said for the stories themselves, which start out a little on the hokey side and then keep getting better and better. 

For example, episode 4, "Cup of Time", is delightfully cheesy.  Familiar B-movie babe Hilary Shepherd plays a rock star whose youthful appearance depends on a teacup that emits leafy tendrils which suck the lifeforce from anyone who drinks from it.  We see decadent punk rocker-types standing in line for one of her concerts, but when we hear her sing it's so typically 80s spandex-glitter-pop awful you'll wonder why these fans aren't lobbing molotov cocktails at her. 

Another "more cheese, please" episode is "Shadow Boxer", in which a pair of evil boxing gloves helps a down-and-out palooka by enabling his bobbin' and weavin' shadow to run around beating people to death.

Things really start getting good when David Cronenberg steps in to direct "Faith Healer", starring SCANNERS alumnus Robert Silverman as a man with a horrible disease looking for someone with the power to cure it.  That someone, unfortunately, gets his power from a cursed glove that must be recharged by, you guessed it, sucking the lifeforce from some hapless victim.  Along the way Cronenberg gets to indulge his fondness for "body horror" with some grisly makeup effects.

"Scarecrow" is a nifty Halloween-tinged episode that plays like a creepy low-budget movie, with a wonderfully sinister, eye-rolling performance by Patricia Phillips as a woman who eliminates her smalltown enemies with the help of a scythe-wielding scarecrow.  In one scene, the scarecrow lops off some poor old lady's head and we actually see it bobbling on the floor, her face still contorted in terror.  Pretty cool for a TV show!  Like many other episodes, "Scarecrow" is like a mini version of the cheap 80s horror flicks that many of us remember so fondly.

"Vanity's Mirror" is a delightful anti-Carrie story about a really vile high school geek-girl who uses her cursed item, an antique gold compact that makes any female irresistible to men, to lure various tormentors to horrible, gory deaths.  Eventually, she steals her beautiful sister's boyfriend from her and orders him to beat and then string up the hapless lass before whisking her away to the prom!  Awesome.

I could go on about how good various episodes are, but for me, the two-part "Quilt of Hathor" is the highlight.  Amidst a stark, snowy setting, we meet an ultra-strict religious community known as the Penetites who eschew technology and live much like they did back in the old Salem witchhunt days.  Scott Paulin (THE RIGHT STUFF) plays their leader, Reverend Josiah, who is, by law, required to take a wife.  But his prospective brides keep dying off thanks to a homely woman who has the hots for him and possesses a quilt which allows her to kill people by dreaming their violent deaths. 

Micki and Ryan go undercover with the Penetites and try to recover the quilt, but in the process Ryan falls in love with Reverend Josiah's daughter and ends up in a death duel with the jealous geek-boy to whom she's betrothed.  The set-up for this fight looks just like something out of the wackier side of STAR TREK--I almost expected to hear someone say "One thousand quatloos on the newcomer!"  During this richly atmospheric double-episode, several people suffer an unpleasant demise before the suspenseful finale.

Besides those already mentioned, some other interesting guest stars pop up here and there.  The first episode features the DAWN OF THE DEAD remake's Sarah Polley as a little girl.  In "Cup of Time" we also get to see what Lisa Jakub (Randy Quaid's daughter in INDEPENDENCE DAY) looked like as a wee tyke.  One of the victims of anti-Carrie in "Vanity's Mirror" is an older Zack Ward, who was A CHRISTMAS STORY's memorable bully Scut Farkus.  Ray Walston plays a renowned comic book artist in "Tales of the Undead." 

Other notable guest stars include Carrie Snodgress, Cliff Gorman, Gary Frank, Val Avery, David Proval, and Michael Constantine (as Ryan's estranged father in the emotional episode "Pipe Dream.")  Oh, and R.G. Armstrong's "Uncle Lewis" character may have died in the first episode, but that's hardly the last we see of his evil, cackling mug.

Back in the 80s when FRIDAY THE 13TH: THE SERIES was new, I never watched it because of its association with the Jason movies, which I've always regarded as junk.  But thanks to this season one DVD collection, I've discovered it to be a highly worthwhile horror series that's loads of fun to watch.


Read our review of "Friday the 13th: The Final Season"

FRIDAY THE 13TH - THE SERIES: THE FIRST SEASON -- DVD Review by Porfle

Was "Star Trek: The Motion Picture" Inspired By "Lost In Space"? (video)

Star Trek's "V'ger" and Lost In Space's "Mr. Nobody" aren't that different.

In both stories, an all-powerful being yearning to evolve...

...achieves transcendence through love.

Both are reborn as newly self-aware space-dwelling energy beings.


("Lost In Space" Season 1 Episode 7 "My Friend Mr. Nobody", 1965)

I neither own nor claim any rights to this material.  Just having some fun with it.  Thanks for watching!

Was "Star Trek: The Motion Picture" Inspired By "Lost In Space"? (video)

Elizabeth Montgomery's Cameo In "How To Stuff A Wild Bikini" (1965) (video)

 

Elizabeth Montgomery is best known for her role as Samantha the suburban  witch in the long-running 60s-era television series "Bewitched."

Her then-husband William Asher, who produced and directed many of that show's episodes, also directed most of the original "beach party" movies...

...hence Elizabeth Montgomery's amusing cameo in "How to Stuff a Wild Bikini" (1965.)

Video by Porfle Popnecker. I neither own nor claim any rights to this material. Just having some fun with it. Thanks for watching!

Elizabeth Montgomery's Cameo In "How To Stuff A Wild Bikini" (1965) (video)

DYING ROOM ONLY -- DVD Review by Porfle

Originally posted on 2/7/10

 

 

Here's a fun little flick for fans of made-for-TV movies from the 70s and especially the "ABC Movie of the Week." DYING ROOM ONLY (1973) is one of those low-budget thrillers that used to have the family glued to the TV and provided fodder for playground talk the next day.

Cloris Leachman and Dabney Coleman play Jean and Bob, a vacationing couple on their way home to L.A. who stop off at a secluded diner with an adjoining motel in the middle of the desert. Ross Martin is Jim, the surly fry cook who seems to begrudge them the slightest attention, and Ned Beatty is Tom, a fat redneck in a cowboy hat who simply exudes ill intent as he guzzles beer at the counter. When Jean goes to the ladies' room to wash her face, she returns to find that Bob has vanished without a trace.

Jim and Tom claim to have no idea where he went, growing more hostile and dismissive as the increasingly frantic Jean continues to press them. A visit from the local sheriff (Dana Elcar) is no help since he believes Bob simply took off and left her there. Finally, Jean gets a room at the motel and starts snooping around on her own, which leads to a night of terror and death.

"Simple but effective" would be a good way to describe this movie, which takes place entirely in and around the diner and motel (except for one brief scene near the end) and depends on the skills of the filmmakers and the cast to pull it off. Prolific television director Philip Leacock keeps Richard Matheson's lean, mean story on track from beginning to end, creating a growing sense of tension and dread that keeps us on edge. While 1997's BREAKDOWN would tell a very similar story on a much grander, action-oriented scale, this one unwinds like a page-turning short story. We're caught up in Jean's predicament from the start and are carried along with her frantic efforts to find her husband as the situation gets scarier and more desperate every minute.

As Jean, Cloris Leachman demonstrates what a great actress she is with a convincing performance that carries the film. No matter what she's required to do in each scene, she always plays it just right and never goes over the top. Ross Martin (best known as Artemis Gordon of TV's "The Wild, Wild West") is wonderfully hostile as Jim, the mysteriously uncooperative fry cook, while Ned Beatty makes the most of his chance to be the threatening hillbilly for a change. Louise Latham is effective as a creepy motel clerk, as is Dana Elcar in the role of the sheriff. Naturally, we don't see much of Dabney Coleman since his character disappears about ten minutes into the movie, but he's his usual rascally self.

The DVD is in full-screen and Dolby English mono, with no subtitles or extras. As a no-frills burn-on-demand entry in the Warner Brothers Archive Collection, the print hasn't been restored or remastered in any way. But despite some speckles and a rough patch here and there, it looks fine to me. More discerning videophiles may disagree.

Once again, the WB Archive has dusted off a nostalgic relic from those great TV-movie days of the 70s, and I especially enjoyed watching this one since I somehow missed it the first time around. DYING ROOM ONLY may not be a classic, and it certainly isn't an epic, but as a low-key suspense thriller it's definitely a keeper.

DYING ROOM ONLY -- DVD Review by Porfle

Star Trek III: The Search For Spock With A "CHiPs" Ending (video)

 

I've always thought "Star Trek III: The Search For Spock" would be much better if it had a "CHiPs" ending. As, of course,  would many others things as well.

Sadly, my many letters to Paramount Pictures suggesting this have thus far fallen upon deaf ears. But now, thanks to the magic of "what if", we can enjoy that very thing right now!

Video by Porfle Popnecker

"Star Trek" owned by Paramount Pictures

I neither own nor claim any rights to this material. Just having some fun with it.

Thanks for watching! 

(originally posted on 5/13/23)

 

 

Star Trek III: The Search For Spock With A "CHiPs" Ending (video)

Janice Rand (Grace Lee Whitney) After "Star Trek: The Original Series" (video)

Grace Lee Whitney played Yeoman Janice Rand...

...in eight episodes of the original "Star Trek" (1966).

She would return as Rand seven more times in "Star Trek" movies and episodes both official and fan-made.

Star Trek: The Motion Picture (1979)
Star Trek III: The Search for Spock (1984)
Star Trek IV: The Voyage Home (1986)
Star Trek VI: The Undiscovered Country (1991)
Star Trek: Voyager/ "Flashback" (1996)
Star Trek: Of Gods and Men (2007)
Star Trek New Voyages: Phase II/ "World Enough and Time" (2007)

For Grace Lee Whitney (1930-2015)
 

 

Originally posted on 1/27/19

I neither own nor claim any rights to this material.  Just having some fun with it.  Thanks for watching!

 

 

Janice Rand (Grace Lee Whitney) After "Star Trek: The Original Series" (video)

IN SEARCH OF...THE COMPLETE SERIES -- DVD Review by Porfle

Originally posted on 12/14/12

 

For those of us who caught it during its first run, almost every episode of "In Search Of..." was a guaranteed dose of pure "sense of wonder."  Each week, host Leonard Nimoy explored the world's most tantalizing mysteries with an open mind, allowing us to bask in their intoxicating strangeness in an atmosphere free of rigid, buzzkill skepticism.

Now, Visual Entertainment Inc. (VEI) has collected all 152 episodes of this classic show, which ran from 1976-1982, in their 21-disc DVD collection IN SEARCH OF...THE COMPLETE SERIES.  I reviewed a screener with two half-hour Nimoy episodes, "In Search Of...Mayan Mysteries" and "In Search Of...UFO Coverups", both pretty representative of the show as a whole. 

Low-budget photography makes this independently-produced syndicated show look older than it is, but it was that way even when it was new.  No matter, since the fascinating subject matter and wealth of both exclusive film footage and well-chosen stock shots easily make up for this.  Nimoy, one of the finest narrators of all time, lends the show much-needed gravitas even during its most outlandish forays into the unknown. 

The Mayan episode poses a series of teasing questions about this mysterious ancient people such as: why, if they incorporated the wheel into their children's toys, didn't they employ it for practical purposes?  How did they conceive such complicated systems of mathematics and astronomy, among other things?  And why did they suddenly disappear from recorded history?

Even more up my alley is the look at UFO cover-ups, which opens with some familiar footage of a possible flying saucer but focuses mainly on the famous Roswell, New Mexico incident.  Actual interview clips of Air Force officer Jess Marcel, a major participant in the purported saucer crash investigation, and footage of Hangar 18 itself, where the wrecked saucer and alien bodies are said to have been housed, make this of special interest to UFO enthusiasts. 

There's also a first-hand account from a scientist who claims to have been taken to the crash site by U.S. Air Force officials and is only now breaking his silence.  As usual, the show is aggressive and non-apologetic in its insistence that anything is possible regardless of how farfetched it may seem to the skeptically minded.

In addition to the 152 regular series episodes, the VEI collection also includes two Rod Serling-hosted "In Search Of..." specials which aired in 1972, plus the entire eight-episode run of the 2002 reboot with "The X-Files" star Mitch Pileggi.  The screener I watched contained one from 1972 and one from 2002.

"Twilight Zone" creator and host Serling takes us on an exploration of ancient astronauts that covers all the familiar territory in highly compelling fashion, including the baffling stone heads of Easter Island and the enigmatic Nazca lines in Peru.  While the Serling episode is quite similar to the later Nimoy series, the flashy Pileggi-hosted show from 2002 is the sort of lurid exploitation fare you might see on SyFy, with gruesome stories about stigmata, Haitian zombies, and murder scenes haunted by restless ghosts.

While I can't speak for the entire collection as a whole, the picture and sound quality of the 4-episode screener I watched was good for a low budget syndicated series from the 70s.  You may be bugged by the VEI logo in the lower right hand corner but I forgot it was there after awhile.  

Being a loyal viewer of the show back in its heyday, I can personally attest that, content-wise, the rest of "In Search Of..." is chock full of fun and often spooky stuff about the Loch Ness Monster, Bigfoot, conspiracy theories, unsolved murders and disappearances, bizarre phenomena both natural and supernatural, and just about anything else that this weird world has to offer.  While learned astronomer Carl Sagan may consider the subject at hand to be unsupported by "a smidgen of compelling evidence", you'll probably find an avalanche of it in IN SEARCH OF...THE COMPLETE SERIES.

IN SEARCH OF...THE COMPLETE SERIES -- DVD Review by Porfle

TWIN SHATNERS: Five Different Ones (video)

If one William Shatner is good...

...then two William Shatners is great!

And we were treated to this at least five different times:


Star Trek: The Original Series, "The Enemy Within" (1966)

Star Trek: The Original Series, "What Are Little Girls Made Of?" (1966)

Star Trek: The Original Series, "Whom Gods Destroy" (1969)

"White Comanche" (1968)

Star Trek VI: The Undiscovered Country (1991)


Read our review of "White Comanche" HERE!




Originally posted on 12/29/19
I neither own nor claim any rights to this material.  Just having some fun with it.  Thanks for watching!

TWIN SHATNERS: Five Different Ones (video)

SNOWMAGEDDON -- DVD Review by Porfle

 

Originally posted on 11/7/12

 

There seems to be an entire category of movies on the SyFy Channel in which small Canadian towns double as small Northwestern towns in the USA which are menaced by some kind of supernatural (or super-natural) force, which resides or has its origin in a nearby mountain.  Bad CGI comes as a standard feature; giant tentacles are optional. 

One of the latest entries in this curious little sub-genre is SNOWMAGEDDON (2011), a movie whose title pretty much lets us know what kind of movie we're in for.  This time, a rustic burg in Alaska gets hammered by a series of unnatural disasters such as a storm cloud that shoots ice torpedoes which shatter into deadly shrapnel, gaping fissures bisecting city streets and gushing flames, and huge pointy things shooting up out of the ground to spear moving vehicles like shish-kabobs. 

The reason for all this is kept from us at first, lending the film an air of supernatural mystery that's mildly intriguing--until, that is, we find out that the secret behind it all is pretty freakin' dumb.  Suffice it to say that there's this kid named Rudy who plays a role-playing game about dragons and wizards, and he anonymously receives a strange snowglobe for Christmas with a tiny repica of the town in it, and whenever he winds it up, something bad happens.  Somehow, all of this is related to that RPG that he plays.  Why?  Don't ask me.

The destruction is depicted with some pretty good practical effects--the picturesque little town is trashed quite nicely--along with the usual fair-to-awful CGI.  Once the slush hits the fan, the action is split into different little suspense situations of varying interest, including two hapless shlubs trapped in a bus covered with downed power lines, stranded snowboarders who picked the wrong mountain to board, and a mother-daughter duo in a crashed helicopter. 

Good editing helps jazz things up a bit, but it's all just standard time-waster stuff that helps cheapo flicks like this fill in the space between the opening and closing credits. 

Once the kid finally convinces the grownups that his evil snowglobe is causing all the trouble--which, admittedly, might be a bit hard to swallow at first--they follow his sage advice on how to combat the supernatural menace.  Which means two things: one, they've really run out of ideas.  And two, his dad, John Miller (David Cubitt), must make a trek up the now-volcanic peak in order to do what the hero in the game does to stop the evil. 

The acting is about as good as you'd expect from this sort of thing, with Laura Harris (of the late, lamented "Defying Gravity") deserving better as Rudy's plucky mom, Beth.  The dialogue isn't any better or worse than required, save for the occasional eye-rolling exchange such as this:

LARRY: "That thing's straight from Hell itself."
FRED: "Calm down, Larry."
LARRY: "You calm down, Fred."

The DVD from Anchor Bay is in 1.78:1 anamorphic widescreen with Dolby 5.1 sound and subtitles in English and Spanish.  No extras.

Really, I can't add any more to this than you can already figure out from the title.  If the word SNOWMAGEDDON doesn't tell you exactly what this movie is all about and whether or not you'll enjoy it, nothing will.  Bottom line: it's a passable, tolerable time-waster.

SNOWMAGEDDON -- DVD Review by Porfle

THANKS FOR THE MEMORIES: THE BOB HOPE SPECIALS DELUXE COLLECTION -- DVD Review by Porfle

Originally posted on 11/19/17

 

Bob Hope was one of those comics who got as much mileage out of a bad joke as he did a good one (a talent shared by Johnny Carson).  In fact, he sometimes seemed to welcome audience groans so that he could do that "take" and comment about how bad the joke was.  Which, of course, got the biggest laugh!

If you're a fan of the inimitable Hope comedy style, especially as presented on all of his various television specials over the decades, you'll be able to gorge yourself on it with the colossal four-volume, 19-DVD boxed set from Time-Life, THANKS FOR THE MEMORIES: THE BOB HOPE SPECIALS DELUXE COLLECTION. 

It's a dizzying mish-mash covering five decades of Bob's TV memories--39 specials and more--all in a collage of celebrity guests, comedy and musical bits, and endless one-liners--that should have you alternately laughing and groaning for days. 

The first volume, "Thanks for the Memories: The Bob Hope Specials", contains 13 specials from 1956 to 1996 on six discs and embodies what those of us who grew up with these shows remember most about them.  It's pure Hope, just him getting a bunch of his old-school showbiz friends and hot (at the time) current stars together, putting his gag writers to work, and churning out hours of relentlessly corny comedy that revels in its own casual, offhand silliness.

Most of them are clip montages framed by new Hope footage, including one all-blooper show and another featuring all the ex-presidents he's rubbed shoulders with and poked goodnatured fun at over the years (several of them and their First Ladies appear on the show). 

A more youthful Bob is often juxtaposed with the later, older Bob (sometimes seemingly a bit too old to still be at it) as in his 90th birthday special.  There's also a long look at Bob's lifelong obsession with golf called "Shanks For the Memories."

One highlight is John Wayne playing a frontier Archie Bunker who doesn't want his son (Bob) marrying an Indian maiden played by Joanna "O Mighty Isis" Cameron.  Wayne, ever the good sport, shows his comedy chops here and in another comedy exchange with Bob later on. 

Perennial pal Bing Crosby, Robert Goulet, Angie Dickinson, Redd Foxx (as Santa Claus), Carol Burnette, Cyd Charisse, Jimmy Durante, Eddie Cantor, Sammy Davis, Jr., Dean Martin, Jackie Gleason (in drag!), and the entire cast of "I Love Lucy" are among the veritable boatload of familiar faces who also appear throughout the set.

The four-disc set "Bob Hope: Entertaining The Troops" is ten shows of Hope's legendary global roadshow for our armed forces, both in and out of wartime and wherever in the world they may be, from World War II all the way to the first Gulf War.  These range from later videotaped shows to the early black-and-white filmed footage, always with a sea of eager young soldiers' faces ecstatic over this thrilling sampling of entertainment from back home.

The times and places may change, as well as the generations of both soldiers and performers (with Bob, moustachioed comic Jerry Colonna, singer Frances Langford, and bandleader Les Brown often serving as the only constants), but the shows all have a common theme and feel as these celebrities give their all for the ever-appreciative troops. 

Some of the familiar faces seen in this set are Raquel Welch, Phyllis Diller, Brooke Shields, Johnny Bench, Neil Armstrong, Ursula Andress, Ann-Margaret, Rosey Grier, Romy Schneider, Lana Turner, Teresa Graves, Joey Heatherton, Lola Falana, Marie Osmond, The Judds, Vic Damone, Jack Jones, various Miss World winners, and many more.

Disc four contains two bonus specials including "Hope For the Holidays: Bob Hope's Bag Full of Christmas Memories."  This is one of those "too-old Bob" shows with his and wife Delores' home Christmas party serving as a framing device for lots of classic clips.  The party scenes are as stiff and corny as you can get with such names as Joey Lawrence, Loni Anderson, and Ed Marinaro mingling with actual Hope family members whose acting is hilariously bad.

"Bob Hope: TV Legend" is an 8-disc grab bag of more USO shows for the troops in addition to some regular comedy specials (16 shows in all) ranging from the late 50s to the early 70s.  There's lots more overseas stuff with such guests as Janis Paige, Jill St. John, Anita Bryant, Anna Maria Alberghetti, Andy Williams, Zsa Zsa Gabor, Redd Foxx, Jim Nabors, Gina Lollobrigida, Hedda Hopper, Jayne Mansfield, Tuesday Weld, and Neile Adams.  One of the main highlights is getting to see Steve McQueen doing comedy with Bob in two seperate appearances.

Some of the guests appearing in the regular in-studio shows include old partner Bing Crosby, Lucille Ball, Danny Thomas, George Burns, Carroll Baker, Vikki Carr, Cyd Charisse, Don Rickles, Paul Lynde, Don Adams, Angie Dickinson, Olivia Newton-John, David Niven, Liz Taylor and Richard Burton, and literally dozens of others.  People who love to play "Spot the Stars" will be in heaven with this endless procession of celebrity faces.

Finally, there's the disc entitled "The Dean Martin Celebrity Roasts: Bob Hope" in which Dino presides over the roasting of Bob himself, with the help of numerous comics and other celebrities (including filmed bits by John Wayne and Henry Kissinger).  Reverend Billy Graham is the most unlikely participant, while then-governor Ronald Reagan pulls off some surprisingly good one-liners. 

The best, of course, come from comedy legends Milton Berle, Don Rickles, Foster Brooks, Flip Wilson, Rich Little, Nipsey Russell, and Jack Benny, with able assistance from actor Jimmy Stewart.  And the humor is wonderfully non-PC, so the easily-triggered might want to watch with caution. 

In addition to the four DVD sets, the collection includes a full-sized magazine on heavy paper, entitled "Bob Hope: Making Us Laugh For 100 Years."  It's packed with rare photos and essays about Hope's life and career.  Each DVD set also contains illustrated contents booklets. Image quality varies with that of the original sources, some of which are showing their age.  For me, this just increases the nostalgia value.

THANKS FOR THE MEMORIES: THE BOB HOPE SPECIALS DELUXE COLLECTION is the sort of thing that makes not having cable-TV easy, because with this, you've got something good to watch for at least a week or two.  It's like an endless buffet of entertainment for the starving Bob Hope fan. 



Format: DVD (19 Discs)
Running Time: 37 hours + extras
Genre:  TV/Comedy
Aspect Ratio: 1.33:1
Audio: Stereo

THANKS FOR THE MEMORIES: THE BOB HOPE SPECIALS DELUXE COLLECTION -- DVD Review by Porfle

YOGI BEAR'S ALL-STAR COMEDY CHRISTMAS CAPER -- DVD Review by Porfle

Originally posted on 12/21/10

 

In the 60s, Joseph Hanna and William Barbera pioneered the use of limited animation for television, knocking off a string of successful cartoon shows such as "Huckleberry Hound", "Quick-Draw McGraw", and "The Flintstones."  While simpler and cheaper than fully-animated theatrical cartoons, the initial Hanna-Barbera TV output was still far superior to the increasingly-inept Saturday morning drivel that would follow, and hold up today as good-looking, well-written shows which, like their big-screen counterparts, are entertaining for both children and adults.

Such is the case with one of their most popular characters, Yogi Bear, who lives in Jellystone National Park with his pal Boo-Boo and drives Mr. Forest Ranger crazy by constantly stealing picnic baskets from unwary campers.  With the DVD release of YOGI BEAR'S ALL-STAR COMEDY CHRISTMAS CAPER, we get to see examples of Yogi both in his glorious 60s heyday and in a lackluster 80s adventure that pales in comparison.

(Little kids, of course, will probably enjoy each of them equally, so feel free to pop in this DVD and let the tykes go nuts.  With that out of the way, let's look at the two stories on this disc from the nostalgic old geezer perspective.)

 

 

First up is the titular tale, "Yogi Bear's All-Star Comedy Christmas Caper."  This originally aired in 1982, when most made-for-TV cartoons had regressed in quality to a point well beyond "limited", coming off as cheap, slapdash drivel whose stories were written solely for the purpose of keeping undiscerning kids occupied.  Design and rendering of characters is sketchy and sloppy, direction is uninspired, and the "comedy" is on roughly the same level as pulling funny faces at babies to make them laugh.

The best thing about it is that it reunites some of the best vocal talent in the business--Mel Blanc, Allan Melvin, Hal Smith, Janet Waldo, Don Messick, and the great Daws Butler, among others--as a group of Hanna-Barbera's most memorable characters help Yogi and Boo Boo celebrate the Christmas spirit by bringing a poor little rich girl and her neglectful father closer together during a sojourn to the big city.

An interesting side note to this episode is the fact that the word "Chanukah" was edited from the soundtrack when the show first aired.  According to tvseriesfinale.com, someone at CBS was leery of Snagglepuss' line "Merry Christmas! Season’s Greetings! Happy Chanukah, even!", bleeping the reference to the Jewish holiday for reasons unknown.  Even on this DVD, it's simply replaced by the word "happy."  Weird, even!

After being distinctly unimpressed by Yogi's yuletide antics, I was relatively ecstatic to find that the second offering was a special 1962 episode of the original TV series, entitled "Yogi's Birthday Party."  The difference is immediately apparent--there's exquisite artwork and character design done with style and flair, snappy direction by Hanna and Barbera themselves, and, best of all, genuinely funny gags that adults (especially us nostalgic cartoon geeks) can appreciate right along with the kids.  Maybe even more so.

It's a week before Yogi's birthday and the show's sponsor is planning a gala surprise celebration for their star, with a nervous Mr. Forest Ranger charged with keeping the secret from him.  "Trying to keep a secret from Yogi is like trying to hide Lake Michigan from a duck," he moans.  Yogi overhears just enough of the phone conversation to get the idea that he's being given his own entertainment special, and will be expected to perform.


 

Worried that his singing and dancing skills aren't up to par, Yogi takes a series of lessons in a montage that pokes fun at some popular personalities of the era.  He gets dancing lessons from Fred Upstairs, singing tips from Boppy Darin, and even some piano-playing pointers from one "Lee B. Rocky." 

When the big night comes and Yogi discovers the birthday surprise, his reactions are priceless.  Mr. Forest Ranger turns the event into a spoof of Ralph Edwards' "This Is Your Life" with a succession of all-star guests from Yogi's past appearing one after another.  First, Huckleberry Hound's voice is heard from offstage:  "A hound-dog howdy to y'all, Yogi."  Mr. Forest Ranger asks, "Who's that, Yogi?"  Yogi's guess: "The president?"

As familiar characters such as Snagglepuss, Hokey Wolf, Pixie and Dixie and Mr. Jinks, Quick-Draw McGraw, Yakky Doodle, Augie Doggie and Doggie Daddy, and Snooper and Blabber accumulate onstage (with all the top voice actors on hand again, this time including June Foray and Duke Mitchell), the gags give way to a cheery birthday song written especially for the occasion.  For me, this breezy and utterly charming classic episode is a delightful treat all the way.

The Warner Brothers DVD is in standard format with English and Spanish soundtracks.  Subtitles are in English, Spanish, and French.  Bonus features consist of some DVD and video game trailers.

I keep saying that "the kids" will like both features on YOGI BEAR'S ALL-STAR COMEDY CHRISTMAS CAPER, but to tell you the truth I'm never really sure what the hell little kids like or don't like these days.  As for me, I had a ball watching the older one because it's really good and it brought back fond memories.  The later one, on the other hand, is one of the main reasons I quit bothering to get out of bed on Saturday mornings.

YOGI BEAR'S ALL-STAR COMEDY CHRISTMAS CAPER -- DVD Review by Porfle

ERNIE KOVACS: THE CENTENNIAL EDITION -- DVD Review by Porfle

Originally posted on 11/20/18

 

While he was always known as one of the great technical innovators of early television, one thing Shout! Factory's 9-disc DVD set ERNIE KOVACS: THE CENTENNIAL EDITION really brings home for me is the fact that it was just plain fun to hang out with the guy for awhile.

Early TV viewers had plenty of opportunity to do so, since Ernie had a number of different shows throughout the 50s and early 60s, several of which are sampled in this collection. 

Whether live via kinescope or recorded on early videotape, these shows glow with Ernie's childlike and often giddily enthusiastic attitude as he delights in spending time with us, entertaining with jokes, informal patter, bits of business, and, most of all, mindboggling bursts of surreal humor done on the fly with a shoestring budget.

The earliest examples of this are from a live morning series that resembles a "Howdy Doody"-type kids' show for grown-ups, the studio barely containing Ernie as he demolishes the fourth wall (as well as the other three) and shows us the cameras, the hallway outside the studio door, and every other aspect of TV production through which he can romp and play with us as his "peanut gallery."

Much of this helps lay the groundwork for just about every other television comedy show to follow.  His influence is unmistakable on, for example, "The Soupy Sales Show", "Pee Wee's Playhouse", comedy segments with talk show hosts such as Johnny Carson, Conan O'Brien, and David Letterman, "The Uncle Floyd Show", and even "Saturday Night Live" and "Monty Python's Flying Circus." 

All are touched in some way by Kovacs' groundbreaking and imaginative style even when they don't consciously realize it.  When Ernie goes up into the audience to interact with the people, or jokes around with his gregarious bandmembers and audibly guffawing crew, we're seeing the inspirations of practically every TV comic and talk show host to come.

Later shows would continue to serve as experiments for Ernie's innovative use of the television medium and, as in "Kovacs On the Corner", a delightful parody of the medium itself.  A "Mad Magazine" brand of satire (pre-dating "Mad Magazine") infuses much of his comedy and its witty jabs at commercials, movies, and other aspects of popular culture at the time.

Even when he hosts a game show, as in the episodes of "Take a Good Look" seen here, he can't help making it the most confusing and obtuse game show ever created.  Later network specials take advantage of video to present extended, intricately-conceived comedy pieces that boggle the mind while showing off Ernie's sweetly cockeyed sense of humor at every twist and turn.

Sight (and sound gags) abound.  He passes a statue of "The Thinker" and notices it humming to itself. He demonstrates how to adjust the horizontal and vertical dials (remember those?) on your TV by using his contorted facial expressions as a guide.  He interacts with his friend Howard, the world's strongest ant, who drives a tiny minature car and plays tiny miniature golf. 

He even puts on bad puppet shows such as "The Kapusta Kid In Outer Space" and helps his pet turtle cure its hiccups by feeding it sips of water.  Whatever tickles his childlike fancy at the time, he indulges in for our enjoyment. 

Ernie's characters are a joy, especially (my favorite) the endearingly prissy poet Percy Dovetonsils, whose poems boast such titles as "Ode to Stanley's Pussycat."  His hardluck character Eugene stars in Ernie's famous all-silent special, which consists of nothing but sight gags with sound effects and, of course, his own inimitable comedy style.  This one really uses the television medium with its tilted sets, weird optical illusions, and disorienting indulgence in undiluted surrealism. 

The supporting players are headed by Ernie's adorable and talented wife Edie Adams, who has her own stock characters as well as an operatic voice perfectly suited for the occasional serious musical segment (Kovacs loved music and often showcased it).  Edie is particularly adorable whether playing a dowdy housewife, vamping as Zsa Zsa Gabor, or doing a stunningly kittenish send-up of Marilyn Monroe as she shows off her knack for impressions.

My favorite moment is a bizarre sketch about a white-haired old conductor (Ernie) recording a commercial jingle with an orchestra and three difficult singers.  These include Edie Adams, Casey Adams (aka Max Showalter, one of my favorite actors), and, displaying a keen sense of off-the-wall comedy, Louis Jordan as an odd fellow whose pants lengths keep changing.  It's one of the most belly-laugh segments in the set if your mind's off-kilter enough to appreciate it.

The 9 discs in this set from Shout! Factory feature the following:

* Episodes From His Local And National Morning Shows
* Episodes From His NBC Prime-Time Show
* Kovacs On Music
* Five ABC TV Specials
* The Color Version of His Legendary Silent Show, "Eugene"
* His Award-Winning Commercials For Dutch Masters Cigars
* Short Films, Tributes, Rarities
* 18 Bonus Sketches Featuring Many Of His Most Beloved Characters
* 3 Complete Episodes Of His Offbeat Game Show Take A Good Look
* "A Pony For Chris" – His Rare TV Pilot For Medicine Man Co-Starring Buster Keaton
* The Lively Arts Featuring The Only Existing Filmed Solo Interview With Ernie Kovacs
* 2011 American Cinematheque Panel

The generous bonus menus include:

1987 ATAS Hall Of Fame Induction
Remembering Ernie With George Schlatter And Jolene Brand
"Baseball Film"
Making Of "Baseball Film"
"The Mysterious Knockwurst"
Andy McKay 8mm Home Movies
Percy Dovetonsils: "Ode To Stanley’s Pussycat"
Martin Krutch, Public Eye
Rock Mississippi In "Fingers Under Weskit"
Howard, The World's Strongest Ant
J. Burlington Gearshift
"Superclod" Test
"Take A Good Look" Clues
"Take A Good Look" Sales Film
"Silents Please"
"Our Man In Havana" Behind-The-Scenes Footage
Dutch Masters Commercials
Trailer For "Operation Mad Ball" – "It Happened To Ernie"
Muriel Cigars Commercials Featuring Edie Adams
Interview: Algernon Gerard, Archaeologist
Howard, The World's Strongest Ant: A Hot Date
Strangely Believe It: Writers To Blame
The Kapusta Kid In Outer Space Meets Olivia Scilloscope
Charlie Clod In Brazil
Ernie's Opening Monologue
Miklos Molnar's Glue
Percy Dovetonsils: "Ode To Electricity"
Interview: The World At Your Doorstep
Irving Wong: Tin Pan Alley Songwriter
Percy Dovetonsils : "Ode To A Housefly”
Introducing Coloratura Mimi Cosnowski
Howard, The World's Strongest Ant: Howard's Campground
Skodney Silsky, Hollywood Reporter
Ernie's Opening Monologue
Surprise Audience Member
Audio Lost
Matzoh Hepplewhite
Interview With Ernie Kovacs On The Lively Arts
"A Pony For Chris" – Pilot For Series Medicine Man
Ernie Kovacs Panel Discussion (August 27, 2011) At The American Cinematheque In Hollywood, CA
Home Movies: Golf With Edie And Ernie
Original Theatrical Trailers: "Wake Me When It's Over" And "Five Golden Hours"

Having only seen a smattering of his work in past years, I eagerly delved into ERNIE KOVACS: THE CENTENNIAL EDITION and binge-watched these delightful shows to my heart's content.  There's a wealth of wild comedy here, but even in its simplest moments, it's nice just to hang out with Ernie and listen to him chat as he puffs away on his ever-present cigar.  For a short, wonderful time before his tragic death, he was a fearless pioneer of television comedy and seemed to love every minute of it.

TECH SPECS
Discs 9
Run-time 22 hrs
Aspect Ratio 1.33:1
Color/Black & White
Language English
Region 1
Rating Various
Production Date Various
Closed-Captioned ? No
Subtitles None

ERNIE KOVACS: THE CENTENNIAL EDITION -- DVD Review by Porfle

Did Superman Really Duck When An Empty Gun Was Thrown At Him? (video)

In "The Mind Machine" (S1/E8) bullets don't faze Superman.

But when the bad guy throws his gun...he ducks!

Later, though, in "Czar of the Underworld" (S1/E22), not only does he NOT duck...

...he even seems to enjoy it!

 

Originally posted on 7/13/18

I neither own nor claim any rights to this material.  Just having some fun with it.  Thanks for watching!

Did Superman Really Duck When An Empty Gun Was Thrown At Him? (video)

COMBAT! FAN FAVORITES 50TH ANNIVERSARY -- DVD Review by Porfle

 

Originally posted on 9/30/12

 

During the initial TV run of the World War II drama series "Combat!" (1962-67) I couldn't get into it because it was too grown-up.  During its syndicated reruns, I was going through my "pacifist" phase and couldn't stand to watch anything war-related unless it was blatantly, even stridently anti-war.  Now, however, I'm blazing my way through Image Entertainment's 5-disc DVD set COMBAT! FAN FAVORITES 50th ANNIVERSARY like Patton making a beeline to Berlin.

Without a doubt, this is some of the best stuff ever done for series television.  Gritty, realistic (as far as I know, anyway), and unflinchingly adult, the adventures of Sgt. Saunders (Vic Morrow), Lt. Hanley (Rick Jason), and their battle-weary squad of American infantry veterans in post-Normandy Europe puts us right in the middle of all the action and lets us share some of the emotional and existential turmoil that haunts these soldiers every perilous step of the way.

No flag-waving here--these are simply stories about hot, tired, and, most of all, scared soldiers doing a grueling job and trying to stay alive on the front lines.  The streetwise Kirby (Jack Hogan), Lousiana bayou denizen Caje (Pierre Jalbert), gentle giant Littlejohn (Dick Peabody), and compassionate medic Doc (Conlan Carter) wade into the fray with guns blazing yet struggle to retain their humanity, always coming across as three-dimensional human beings and never simple action figures.

Moral quandaries and crises of the soul get just as much play in these well-written stories as gunfights and explosions.  The dialogue snaps, crackles, and pops, and so do the performances.  Method actor Morrow is terrific as the gruff but sensitive Sgt. Saunders, who always does the right thing no matter how painful it may be, and doesn't hesitate, when necessary, to bark out a speech such as the following: "Kirby, I'm only gonna say this once, and I'll say it to all of you.  Keep your mouths shut, your heads down, and your ears open.  Follow my orders and don't ask why.  Is that clear?" 

Saunders sometimes questions orders himself, but his commanding officer Lt. Hanley is equally terse: "Because we were told to."  Rick Jason's seldom-seen character may seem like weak stuff at first, but his depth comes through in less flamboyant but equally dramatic sequences such as in the flashback episode "A Day in June" which, on a TV budget and with generous amounts of stock footage, depicts the D-Day landing at Normandy.  Jason also gets to show his stuff in "The Enemy", a tense two-man conflict between him and a cunning German demolitions expert played by Robert Duvall.  (Anna Lee guest stars as a nun.)

These taut, riveting dramas are punctuated by explosive battle sequences blazing with some of the most thundrous and thrilling action ever filmed for television, often of feature film quality but without the big-money effects.  The beautiful black-and-white photography sometimes approximates the texture of a Joe Kubert-drawn war comic, and many episodes boast skillful direction by the likes of Robert Altman, Ted Post, Bernard McEveety, and Burt Kennedy.  (Morrow himself directs three titles in this set.)  Editing and other production elements are also first-rate.

A two part episode, "Hills Are for Heroes", holds its own with "Saving Private Ryan" or "Band of Brothers" for fierce non-stop battle action that's realistic, harrowing, and emotionally devastating.  Written by "Star Trek: The Original Series" veteran Gene L. Coon and directed by Morrow, it's the story of the squad's seemingly doomed effort to capture a hilltop bunker that's practically impregnable. 

Mutiny looms as the body count rises, with Kirby and the others threatening to disobey the relentless orders that a heartbroken Lt. Hanley is forced to convey from the top.  The awful burden of command is depicted in scenes of almost unbearable intensity, with Hanley privately lamenting to Saunders that the brass "with their maps and their lines...forget they're talking about flesh and blood...and men who die when bullets hit them."
 
Attack after harrowing attack is doomed to bloody failure as Vic Morrow's sometimes impressionistic direction puts us right in the middle of the action (the handheld camerawork of the series is outstanding for its time), even capturing the POV of a dying soldier whose world has just been shot out from under him. 

If you took the first twenty minutes of "Saving Private Ryan" and extended the sequence to feature length (albeit on a much smaller scale), you'd have something approximating "Hills Are for Heroes."  In my opinion this incredible two-part episode, taken as a whole, constitutes one of the finest low-budget war films ever made.  By any standard, it's absolutely phenomenal television.

Each of the five discs in this DVD set follows a specific theme illustrated by four well-chosen episodes.  The first three themes are "Espionage", "New Replacements", and "The Squad", followed by "The Best of Hanley" and "The Best of Saunders."  "Espionage" begins the set with James Coburn as a German spy pretending to be an American G.I. in "Masquerade."  James Whitmore portrays a German officer trapped into impersonating a priest in "The Cassock", an episode that achieves a genuine kind of dramatic fascination when one of Saunders' men prevails upon the faux priest to hear his confession. 

"New Replacements" tells the stories of raw recruits--some fearful, some arrogant, and some just pitifully out of place--who, for better or worse, become attached to Saunders' squad.  Among the guest stars are John Cassavetes ("S.I.W."), Nick Adams, John Considine, Tab Hunter, and Buck Taylor.  "The Squad" shows us the day to day struggles, heartbreaks, and occasional victories experienced by the men under Saunders' command, with Lee Marvin giving his usual hardbitten performance as an abrasively uncompromising demolitions expert in "The Leader." 

"The Best of Saunders" begins with the Robert Altman-directed "Survival", probably my least favorite episode in the bunch, and steadily improves with the aid of some great stories and guest stars such as Rip Torn ("A Gift of Hope") and James Caan as a young German officer ("Anatomy of a Patrol").  "The Best of Hanley" contains some of the set's finest episodes with "A Day in June", "The Enemy", and "Hills Are for Heroes" parts 1 and 2.  Guest stars include Harry Dean Stanton, Sheckey Greene, a blink-and-you'll-miss-him Tom Skerritt (unbilled), and the aformentioned Robert Duvall and Anna Lee.

Other episodes not previously mentioned are "The Little Jewel", "The Long Walk", "Bridgehead", "Bridge at Chalons", "The Glory Among Men", "Rear Echelon Commandos", "The Celebrity", "The First Day", and "The Little Carousel."

The DVD set from Image Entertainment is in full frame (1.33:1) with Dolby Digital mono sound.  No subtitles or closed-captioning.  No bonus features.  Picture quality looks great to me, but my copy seemed to have a problem with occasionally jittery-sounding audio, particularly in the background music.  Not a dealbreaker for me, but audiophiles may want to give the set a test-drive before buying.

Perfect for Veteran's Day or any other day, COMBAT! FAN FAVORITES 50th ANNIVERSARY is solid entertainment all the way.  If you're into war movies or you just like first-rate, hard-hitting action and drama, television rarely gets any better than this. 

COMBAT! FAN FAVORITES 50TH ANNIVERSARY -- DVD Review by Porfle

RIFFTRAX: NIGHT OF THE LIVING DEAD -- DVD Review by Porfle

 

 

Originally posted on 4/28/09

 

In case your TV has been living under a rock for the last couple of decades, there used to be this show on the Sci-Fi Channel called "Mystery Science Theater 3000", in which a human and two robots were forced to watch bad movies which they heckled mercilessly. It was a wonderful idea that generated many memorable episodes and lasted for eleven years, until it finally ran out of steam and got cancelled. Either that, or the show simply didn't get the appreciation it deserved from the Sci-Fi Channel, which is now known as "SyFy" because the people running it these days don't know their wormholes from their asteroids.

Anyway, when the show folded, Mike Nelson took the "making-fun-of-bad-movies" concept, shaved off all the sci-fi elements, characters, and the movies themselves, and started making downloadable "riffs" for people to play while watching their own DVDs. This has now evolved into Legend Films' new series of ten "RiffTrax" DVDs with which viewers may now watch the film with or without commentary by Nelson and former MST3K co-stars Kevin Murphy and Bill Corbett. I recently got to watch their take on George Romero's 1968 horror classic, NIGHT OF THE LIVING DEAD, and found it to be alternately hilarious, mildly amusing, and boring--much like the original MST3K.

If you're a serious fan of the film, the DVD gives you a nice-looking copy to look at even when you aren't in a laughing mood. The thing about NOTLD is that, for me, it's still so engrossing that I get caught up watching it and the riffers start sounding like those drunk high school guys who won't shut up in a movie theater. The parts of the movie that are still powerful, of which there are many, don't take that well to riffing, and often the guys are clearly looking for something to make fun of when there isn't anything.

For example, a shot of a fireplace elicits this remark: "A little product placement there from the Fireplace Council..." The opening titles sequence heralds a series of weak jokes about how empty the road is. And whenever Barbra cries "What's happening?" at Ben, then--you guessed it--we must hear the riffers warbling an eardrum-curdling rendition of the "What's Happening" theme. In the case of the burly police chief's celebrated ad-lib "They're dead...they're all messed up", the line is already so bent out of shape that they can only manage a weak "Death Be Not All Messed Up" in response.

All carping aside, though, there's still a lot of fun to be had with this film. My first big laugh came when Barbra's observation "They ought to make the day the time changes the first day of summer...it's 8 o'clock and its still light" was dubbed "Jerry Seinfeld's least-popular comedy routine." The sight of Ben barricading the farmhouse against the ghouls inspires a couple of clever cracks: "Now he knows how it feels to have a teenage daughter who's just started to date" and "Have to wonder how Macauley Culkin would've handled the situation." When Ben tells Barbra, "I know you're afraid...I'm afraid, too", the guys finish his sentence with "I'm the black guy in a horror movie! I might as well head straight to the morgue!"

During Barbra's screaming panic attack: "I imagine this is what it would be like to be stuck in an elevator with Kathy Griffin." After Harry Cooper throws a fit of his own and starts boarding himself in the cellar: "Cooper would be the greatest 'Real World' castmember of all time." Even Helen Cooper's creaking chair as she sits down is met with: "That's what it sounds like whenever Morley Safer stands up."

More exchanges between the movie and the riffers that tickled my funny bone--

BEN: "They're afraid of fire, I found that out."
"Mainly because they associate it with FIRESTORM, starring Howie Long."

NEWSCASTER: "So now let's go to that filmed report--"
"Taken by a drunk dog--"

NEWSCASTER: "...have been organized to search out and destroy the marauding ghouls."
"Marauding Ghouls? That was my high school football team!"

NEWSCASTER: "Kill the brain, and you kill the ghoul."
"That didn't work on Axl Rose!"

Okay, you had to be there for some of those. Like most of the films that have been made sport of by MST3K and RiffTrax over the years, NIGHT OF THE LIVING DEAD yields it's share of howlers, groaners, and everything in between. Trouble is, my vivid memories of terror while first watching the film during its initial run keep me from settling into the mocking mood necessary to fully enjoy something like this. I think I might have a much better time with some of the other features in the RiffTrax series, including REEFER MADNESS, PLAN 9 FROM OUTER SPACE, MISSILE TO THE MOON, HOUSE ON HAUNTED HILL, LITTLE SHOP OF HORRORS, CARNIVAL OF SOULS, and SWING PARADE.

Two more titles, RIFFTRAX SHORTS: VOL. 1 & 2, contain riffs on some of those achingly hilarious old educational films that are another brand of "bad" altogether. A sample disc that I received along with NOTLD contains the fifteen-minute short "Harm Hides at Home", about a woman who is not only both an architect and a school crossing guard, but also a safety-conscious superheroine known as Guardiana. After being given superpowers by some aliens who sound like the Lollipop Guild from THE WIZARD OF OZ, Guardiana leaps into action whenever a careless kid starts a fire on the stovetop or, better yet, finds Dad's gun. This kind of stuff fractures me by itself, and with Mike, Kevin, and Bill adding their own wisecracks, it's irresistibly entertaining.

The thing I miss most is seeing Mike and the robots in the corner of the screen (especially the familiar yakky silhouette of Crow T. Robot) and hearing the robots' character voices. Somehow Corbett and Murphy just aren't the same when they're regular-sounding offscreen guys. But that's a pretty small gripe considering that MST3K fans can now enjoy the closest thing available to the original show with these new "RiffTrax" DVDs and get decent-looking copies of each film in the bargain. It'll be interesting to see what the next batch of titles will be.

RIFFTRAX: NIGHT OF THE LIVING DEAD -- DVD Review by Porfle

THE OUTER LIMITS: SEASON TWO -- DVD Review by Porfle

 

Originally posted on 4/18/21

 

Currently watching: THE OUTER LIMITS: SEASON TWO (1964-65). This was one of the finest horror/sci-fi anthology series ever, produced by Leslie Stevens and "Psycho" screenplay author Joseph Stefano.

I remember watching these when I was a kid and more often than not being scared and/or profoundly intrigued by these mind-expanding episodes and their imaginative monsters.

Season two is said to be inferior to the first but so far I'm thoroughly enjoying it and finding that many of the episodes I remember most fondly come from this season. 

 

So far I've watched "Soldier", "Cold Hands, Warm Heart", "Behold Eck!", "Expanding Human", "Demon With A Glass Hand", "Cry of Silence", "Invisible Enemy", and "Wolf 359", with another old favorite "I, Robot" coming up next.

Sci-fi author Harlan Ellison wrote "Demon With A Glass Hand" and "Soldier", and won a settlement from James Cameron for the ideas Cameron lifted from them for his "Terminator" films. "Soldier" also greatly influenced the Kurt Russell movie of the same name.

Stories range from standard sci-fi (beleagured astronauts on Mars face an unseen killer in "The Invisible Enemy" with Adam West) to intense ethical crises (the intelligent robot on trial for murdering its creator in "I, Robot") to the just plain weird (Eddie Albert and June Havoc as a couple trapped in an isolated farmhouse by killer tumbleweeds in the horrific "Cry of Silence").

 

Lots of interesting actors pop up all over the place in these episodes (many would later appear on "Star Trek"). The special effects look a bit hokey at times but the technicians were working under the limitations of a rushed TV budget and, considering this, their work remains impressive, often frightening.

At its best, the show is both intellectually stimulating and nightmarish, the noirish black-and-white photography adding to its rich atmospheric quality. Even the lesser episodes are examples of a standard of television drama and production the likes of which have rarely been achieved.

THE OUTER LIMITS: SEASON TWO -- DVD Review by Porfle

SATURDAY NIGHT LIVE'S WORST SEASON EVER -- Recap by Porfle

 

(NOTE: This article, in slightly different form, originally appeared at Bumscorner.com in 2005.)

In 1961, former FCC chairman Newton Minnow described television as a "vast wasteland."  But rarely in the medium's history did this wasteland ever seem quite so vast, or quite as wasted, as it did when the unmitigated disaster known as "Saturday Night Live '80" polluted the airwaves.

"NBC's Saturday Night" premiered in 1975, and immediately became a hit with young people who had never seen anything this fresh, hip, and irreverent on television before.  The brainchild of Canadian producer and former "Laugh-In" writer Lorne Michaels, the show introduced the world to up-and-coming stars Dan Ackroyd, John Belushi, Gilda Radner, and Chevy Chase (Bill Murray later stepped in to replace the Hollywood-bound Chevy) and made household names of such unlikely characters as Belushi's Samurai ______ (fill in the blank), Radner's Baba Wawa, and Ackroyd's Beldar Conehead. 

The unpredictable subject matter encompassed uvula care, blender drinks made out of bass, wolverines, "puppy-uppers" and "doggy-downers", and a brand of jam called "Painful Rectal Itch."  ("With a name like 'Painful Rectal Itch', it's got to be good!")

 Although the series had its ups and downs, and was thought by many to be running out of steam as the decade drew to a close, the show (which was renamed "Saturday Night Live" as soon as ABC's Howard Cosell series of the same name was cancelled) maintained much of its quality and popularity until Lorne Michaels decided to leave, along with the original cast, at the end of the 1979-80 season.   

Michaels' choice to replace him as executive producer was SNL featured player and writer Al Franken, but Franken's relentless on-air bashing of NBC president Fred Silverman (culminating in his harsh "Limo For A Lamo" Weekend Update monologue) put the kibosh on that idea. 

Eventually show staffer and Woody Allen pal Jean Doumanian was appointed the task of rounding up a brand new cast and getting the show ready for the fall season in only two months, with less than half of the million-dollars-per-episode budget Michaels had been getting. 

The show began to fall apart long before the first new episode was aired.  Doumanian wasn't an experienced television producer, and she had little knowledge of how to deal or get along with comedy writers or network executives, resulting in bad relations with both.  And worst of all, she didn't really understand SNL-type humor all that well to begin with. 

But there was nothing else to do but forge ahead, assemble a group of untried performers, somehow get some sketches written and produced, and stick the results in front of a skeptical television audience, with critics already sharpening their knives in anticipation.



On November 15th, 1980, I was at a friend's apartment where several of us had been waiting for hours for the new show to appear.  As fans of SNL since its George Carlin-hosted premiere, and unable to imagine how it was going to be with none of its original cast on hand, we were intensely curious to see the results of the show's first major cast and staff overhaul. 

I was doubtful, but cautiously optimistic.  After all, NBC wouldn't allow such a successful and highly-rated staple in its late-night programming to go to the dogs, would they?

And then, finally, after all the months of build-up and anticipation, it was time.  "Saturday Night Live '80" was on the air.

The show opened with the entire cast in bed with host Elliott Gould.  If Elliott seemed a bit dazed, it was because he had shown up for rehearsals earlier that week with no knowledge of the cast change, completely unaware that he had just stepped into the hallowed halls of television infamy. 

The sketch was about -- well, I don't remember what it was about.  I know the very first sketch of the very first episode in '75 was about wolverines, because it was memorable.  But this one?  Not a clue.  All I remember is that it was lame.  Just a bunch of nobodies in bed with Elliott Gould.

After the familiar "Live!  From New York!  It's Saturday Night!", veteran announcer Don Pardo  introduced the new cast:  Charles Rocket, Denny Dillon, Joe Piscopo, Gail Matthias, Gilbert Gottfried, and Ann Risley. 

It wouldn't be until the next week's episode that an ambitious young comic named Eddie Murphy would make his first small (non-speaking!) appearance on the show, but not as part of the cast.  He would, of course, break out and become SNL's most popular player later on, after being allowed to fill in a few unexpected extra minutes at the end of one fateful episode with his audition stand-up routine, which, although not one of his best performances and delivered with understandable nervousness, qualified as a home-run with audiences and network executives. 

But that was later.  This particular night would see no break-out performances or home runs. 

The list of sketches included: "Jimmy Carter's Libido" (punchline: "It was either the erection or the election", ha-ha), "Billy-Gram," "Gail Matthius's Breast Exam," "Nose Wrestling," "The Accordian Killer," "Speed Listening," "The Rocket Report," and "Foot Fetish." 

Not a very encouraging line-up, and the sketches were about as funny as the titles.  The only thing I recall as being remotely of interest was Gail Matthias' "Vicky the Valley Girl" -- in fact, she's the first person I can remember ever doing such a character, and probably the best. 

But the rest of the show slid gradually downward into the abyss.  (I remember it mainly as a disorienting blur of unfunny.)  After slogging their way through it, the cast stood onstage for the traditional goodbye as Elliott Gould pronounced:  "We're gonna be around forever!"  I don't know what other startling predictions he's made during his career, but I hope they turned out more accurate than this one.

In the weeks to follow, viewers were treated to dubious delights such as:

Denny Dillon's S & M Weather Girl whipping a slave-outfitted Charles Rocket who was strapped across her map in the "Leather Weather Report"

Joe Piscopo's gratingly obnoxious "Paulie Herman" character ("I'm from Joisey!  Are you from Joisey?  Heh, heh, heh!")

More sketches with unfortunately descriptive titles such as "White Baby Salesman", "Stop-A-Nut", "Don't Look In The Refrigerator", and "Chapstick Celebrities"

And, perhaps most infamously, the "Who Shot C.R.?" episode (a spoof of the "Who Shot J.R.?" season finale of "Dallas") featuring a running gag in which various cast members are suspected of shooting Charles Rocket.  During the show-closing goodbye, Rocket is seen sitting in a wheelchair, and host Charlene Tilton (a "Dallas" regular) asks him what it's like to get shot.  "Oh, man," Rocket mumbles, "it's the first time I've ever been shot in my life.  I wish I knew who the f*** did it." 

Whoa, Charles!  This is live, network TV in the early 80s, remember?  Well, I guess for one brief, exciting moment, he didn't remember.
 

This ad-lib ended up costing Rocket his job, and it didn't set well at all with NBC executives who weren't pleased with Jean Doumanian or her stewardship of the show, which had gone steadily downhill in ratings and popularity since its inception. 

The Rocket incident, it turned out, was the excuse they needed to fire her as well -- and just like that, the worst era in the entire history of Saturday Night Live, from 1975 to the present, lurched to an ignominious end.

After that, former ABC producer Dick Ebersol -- who had originally hired Lorne Michaels -- took over, and the purge of the "Really, Really Not Ready For Prime-Time Players" began.  Charles Rocket (naturally), Gilbert Gottfried, Ann Risley, and, later, the rest of the cast with the exception of Eddie Murphy and Joe Piscopo -- bit the dust. 

Personally, I didn't care at all for most of their replacements, such as the annoying Tim Kasurinsky and the non-descript Robin Duke and Tony Rosato, and I actually thought Gilbert Gottfried and Gail Matthias had shown promise if only they'd been given better material to work with (Gottfried bounced back with a fairly successful solo career, while Matthias later showed up in a syndicated comedy series called "Laugh Trax", which, while no SNL, did indeed give her a chance to be funny at last). 

Jean Doumanian went on to produce a string of films including BULLETS OVER BROADWAY and SUNBURN.  Denny Dillon continued to make small appearances in movies (GARBO TALKS, HOUSE IV, the voice of "Glypto" in ICE AGE) and television (a regular role on HBO'S "Dream On"). 

Charles Rocket never achieved post-SNL stardom but managed to stay busy in the years to come, landing a number of roles in films such as WAGONS EAST, MURDER AT 1600, and DUMB AND DUMBER, as well as showing up on the small screen in "Moonlighting", "The X-Files", and "Law And Order."  He committed suicide near his Connecticut home in October 7, 2005.

Ann Risley appeared in about nine films after SNL, mostly made-for-TV.  Joe Piscopo had a fairly eventful career for awhile after leaving the show, but never emerged from the shadow of his SNL rival, Eddie Murphy, and today appears in movies that you'll probably never run across.  As for Eddie Murphy, well...

In the years since 1980 there have been several cast changes, with some groups coming close to rivalling the original line-up (especially when outstanding performers such as Phil Hartman, Dana Carvey, Mike Myers, Chris Farley, Will Farrell, Molly Shannon, and Cheri Oteri were involved), while others threatened to drag the show down to its lowest level once again (just name a few of your least-favorite performers). 

But there's little chance that there will ever be a season as hideously awful...as unremittingly unfunny...as just-plain BAD...as that rancid, maggot-ridden slice of TV history known as "Saturday Night Live '80."


 
(Thanks to Wikipedia, TV.com, and IMDb for some of the factual information used in this article.)

 

SATURDAY NIGHT LIVE'S WORST SEASON EVER -- Recap by Porfle