Original title: 粉骷髏
Siu Fong (Wai Pak) is a bit of a local hero in a Chinese town ever since he fought off the bandits once lording it over the place. Because he’s also as pretty as he is boring, every single one of the town’s single ladies is swooning after him. Siu, however, has only eyes for the equally boring Sin Sin (Lee Yuen-Wa).
While Siu Fong’s gallivanting around the country probably doing something heroic, boringly, a series of murders of young women strikes our town. Curiously enough, all the victims were particular fans of Siu Fong; even more curiously, once he is back in town, the victims seem to be killed shortly after having cornered him to flirt with him.
At first, the chief of the local guard, Captain Chiu (Eddy Ko Hung), suspects Siu Fong. But various plot developments soon dissuade him from that theory. Why, perhaps the killer might be a woman trying to get rid of her rivals for that perfect man’s attentions, perhaps even a crazed Sin Sin?
I do have a place in my heart for films that mix wuxia and tales of detection, even more so when they, as Stanley Fung Sui-Fan’s The Phantom Killer does, add pleasant flourishes of the macabre to proceedings. The titular killer dresses up like a skeletal monk to commit their crimes – and their true nature is even more beautifully improbable – and there’s a whole line of inquiry about a corpse deposited in a statue, a worker in clay who sleeps in a coffin, and other elements of that nature.
Unfortunately, the macabre elements, as well as the mystery plot, suffer from the same syndrome as the film’s protagonist – they sound a lot more interesting than they turn out to be in practice.
Siu Fong’s just too bland to be interesting, and while he’s certainly physically attractive, Wai Pak projects all the personality of a freshly whitened wall. This even continues on into his kung fu style, that’s also technically flawless yet also – in a bizarre turn of events for one of the Venoms (Brother Snake) – lacking in any personality.
The macabre elements aren’t quite as struck with mediocrity as the protagonist – you can only make a skeletal monk piloted by a SPOILER so uninteresting – but director Fung certainly doesn’t use them as well as they deserve. Again, there’s nothing actively bad about the direction – it just lacks personality to a nearly improbable degree.
All of this does not mean The Phantom Killer is unwatchable, it’s just wasting some great ideas on boring competence.