Mutatis Mutandis

Way back in 2003, writing about X-Men 2, I wrote the following: "A more subversive queer subtext can be derived from Mystique, whose character suggests a polymorphous transgender sexual revolution. She's the ultimate genderbending mind-fuck; the perfect sexual object, one that can take the shape of your heart's desire. Furthermore, she likes it and is unrepentant about it." I'm kind of surprised to be resurrecting this line of thought concerning X-Men: First Class (2011, directed by Matthew Vaughn), but this theme isn't even subtextual anymore. I mean, it's true that the X-Men have always been a vehicle for examining the oppression of any given "other," but what Mystique articulates in this movie, and how it relates to both Charles Xavier and Erik Lehnsherr seems to me to be unmistakable. It causes some serious problems for the movie itself--as was the case with X-Men: Last Stand, the villains have the moral high ground in this movie--but, damn, it makes the movie more fun to watch than any other dumb tentpole movie this year.

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