Showing posts with label The Eiger Sanction. Show all posts
Showing posts with label The Eiger Sanction. Show all posts

Saturday, December 08, 2012

Mountains Out of Molehills


My partner and I have a recurring joke. Sometimes, when I'm in our living room watching a movie, she'll randomly chime in from somewhere else in the house: "So do you like Steel Magnolias yet?" "No," I'll answer. "The estrogen isn't working," she'll snipe. Hilarious, eh? Here's the thing about switching genders: it doesn't really change one's tastes a whole lot. If you like dumb action films before transitioning, you'll probably still like them afterward. You won't magically start liking chick flicks if you didn't like them to start unless you're hellbent on really "performing" your gender. I still watch a ridiculous number of horror films, after all. I had this go-around with my therapist once. She recommended that I start reading certain types of books to "socialize" me. I was kind of resistant to this idea because the first book she recommended was horrible. I didn't even bother with a second. My preferred beach reading is still hard boiled crime novels.


But that's not to say that there's not an influence. There is, and it's subtle.


One of the bitterly funny things about joining an oppressed minority is that things that didn't bother you before really start to bother you after, whether it's because you shed the blinders of privilege or you feel the pinch of overt aggressions from the dominant culture. It's a hard pill to swallow, sometimes. I didn't grow up as a queer feminist. I was a middle class white kid who barely knew what feminism even was. My awakening came once I discovered to my sorrow that all of that stuff you hear feminists complaining about is very, very real and applied to me directly. I'm not proud of this, but late to the party is better than not showing up at all.


I got to thinking about all of this while watching Clint Eastwood's 1975 mountain climbing thriller, The Eiger Sanction, which, to be charitable, is not among Eastwood's more laudable films. It's a horrible brew of racism, sexism, heterosexism, and ableism, all packaged together in a way that would likely have resonated with a Men's Rights movement, had such a thing existed in 1975. Have you ever visited a comment thread when the topic was feminism? This film seems to have the same spirit of lashing out against the encroaching matriarchy feminism is obviously seeking to foist upon poor, put-upon, disenfranchised menfolk. But I'll get to all of this.