Artfest 2011 Part IV ~ Drawing Pretty Girls

Sunny Carvalho is such a delight and sweet as can be. She welcomed me like a sister and even procured me a name badge when one was not included in my welcome packet. This may have been due to the fact that I signed up for the event so late.

smiling Sunny just before class began

 On Friday Sunny taught us how to draw beautiful girl faces. I am impressed that Sunny can draw her faces so accurately without the use of rulers or a grid, something I have taken to an almost painstaking level.

original drawing from Sunny's journal

I think the most helpful technique I learned has to do with how to get that marvelous almond shape to my eyes. The solution was so simple I had to slap my forehead and say "of course, why didn't I think of that."

Sunny demonstrates a painted background technique

Sunny explained two of her approaches to faces. One approach has a more realistic look while still being folk art and the other results in a more whimsical look to the doll. The second approach is one that has eluded me until now.

a very cute student drawing

I'll be applying what I learned in Sunny's classes and move forward with my art in eager anticipation of what I'll create next.

a few more beautiful student drawings

Some of the photos shared in this post are examples of the work created by my fellow classmates. Although we learned from the same instructor, all represent a wonderfully diverse range of styles.

Artfest 2011 Part I

Artfest 2011 happened the week of April 6 - 10 this year out at Fort Worden in Port Townsend, WA. Imagine an old military base, 500 creative people and nothing but time to play with paint, clay, wood, wire, fibers and just about any other medium you can imagine. Ahhh! This is what I was meant for!

New Beginnings 5x7 Matted Print on Etsy

I spent Friday and Saturday learning to draw and paint pretty girl faces with Sunny Carvalho. If you aren't familiar with her work she does absolutely phenomenal eyes which is what originally drew me to her beautiful paintings.

Kell Belle Studio Original Drawing

I was amazed at how much my drawings could change with only a few minor changes to what I was already doing plus I learned a few other nifty tricks with the facial features that I will continue to incorporate into my work.

Kell Belle Studio Pretty Girl Original Drawing

Who would have thought that whimsical was only a matter of changing a few lines? Haha! I can't help but smile every time I look at this little girl. I want to thank Sunny for her generosity in sharing her knowledge with us at Artfest. She truly made my experience special not to mention fun, and informative.

Becoming Comfortable Painting Faces with Acrylic

The greatest challenge to painting faces with acrylic is the quick drying time of the paint which can make it difficult to get the nice blended look that oils produce. I am, discovering that the effect can indeed be achieved by working smaller areas of the painting and blending your colors that way rather than trying to tackle the piece as a whole. Genius!

Mixed Media Face Painting

I am delighted with how fast my progress has been with these mixed media faces. Looking back at some of my earlier posts there is a remarkable difference between faces painted as a whole rather that being worked and blended one small area at a time as in this example. My work is actually taking on a more life like quality. Yes!

Fear of Mixed Media Painting

Is there a such thing as a painting phobia? What would the fear of mixed media painting be called? Artistaphobia? Painterphobia? Whatever it's called I'm positively, steadfastly gripped by it! The side effects of said disorder include severe procrastination and justification of sitting like a lump watching others create under the pretense that I am "observing for learning purposes." Who am I kidding? It's certainly not my aware self. It hears my pleas yet chooses to remain passive.

shading exercise in graphite - where's the paint!!

Just how deep does the rabbit hole go? I'm afraid I'll never know the answer to that question because so far, I haven't landed anywhere. The fall just seems to go on with no end in sight. How do I stop? Where's the magical "release your phobia" potion or did I miss it on my way in? Come on awareness! Where's my 12-step program to releasing fear? I guess I could start by making a list of the pros and cons of remaining in my current state. Yes! Good idea, I think I'll start with that.

Drawing with Colored Pencil

I have so far attempted 4 versions of face drawing with colored pencil and none of them have been taken to what I would consider a finished state but that's okay. The important thing is what I've learned so far. It pays to take my time and build my pencil color in layers. I am going for a peachy, porcelain like finish in warm tones and want my features to resemble something like my graphite drawings.  In the version below I was in too much of a hurry to get finished and added the pupils with black marker. Mistake!

color version #3

In the version below I spent more time but I could go further with the blending and it wouldn't hurt to apply some paint glazes and a little more pink and yellow ochre. I approached the shading in the same way I did with my graphite drawings, something I didn't do in the first 3 versions simply because I wanted to experiment. The features look good. The red-purple color used to outline the eyes and nose gave her a bruised look when I burnished so perhaps a warm brown would work better in the next version.

color version #4

I painted over her with clear gesso and lightly sanded after it dried then applied more pencil. The pencil does not seem to burnish as well after the gesso goes on but it sure does take that pencil quite nicely. It's good for going back over darker areas or adding texture. I shall keep practicing but I think I'm on the right track. Note to self, there's no better time than now, you can do it! Be fearless.

How to Draw Pretty Faces

I have recently learned how to draw pretty faces with the help of artist Suzi Blu. So what is it that we humans find beautiful about the human face? I believe the answer lies in symmetry. Symmetry is comfortable, makes us feel safe, and has a calming effect. In one of her tutorials Suzi introduces a grid as a way to set up your drawing for symmetry and beauty, which has become the most invaluable tool in my face drawing arsenal.

previously posted - shown here for comparison

Different artists line the face up in different ways for different mediums but the concept is universally the same. The key is to figure out which method speaks the most to your inner artist and simply begin. While I can't offer you the grid here, you can visit how to draw faces.org for a quick tutorial on how to line up a face. In the meantime, I can tell you what I've learned from my pencil sketches.

graphite pencil eye study

Teaching myself how to draw eyes was challenging at first so I began doing some sketches of just eyes. It might be surprising to know that the eyes pictured above all have the same width from left to right and the irises all have the same diameter. How do I know this? I used a ruler and circle templates to help me out. What I varied in these examples was the height of the eye from top to bottom and the iris placement.

iris too small but still works - relaxed sexy eyes

Eye color made some difference as to the aesthetic quality as did slight variations in the placement of the fold of skin over the upper lid. A wider eye height from top to bottom gave me a more awake and younger look to my girls. The iris touches the bottom lid and the pupil is close to the upper lid giving her a more relaxed look.

youthful, alert - wider eye height

Narrower eye heights combined with lighter eye colors look mysterious, beautiful and a little more mature. For a sexy, sleepy look, place the fold of skin over the upper lid a little higher and do the same with the iris placement.

mysterious, sexy eyes - narrower eye height

My drawings have come a long way in two weeks as evidenced by the first drawing at the beginning of this post. While these are not the first face drawings I've done, they are the first drawings I've created using a grid with pupil placement in the center of the eye where it belongs. My advice if you want to draw pretty faces, set up your drawing right and practice, practice, practice.

The Face of the Coraline Mermaid

1 week and 12 faces later, I've done it! I have finally drawn a face that is exactly what I want it to be and here she is. Perceptually, she doesn't look much different from the last two but there are some subtle differences. The pupil placement is more true to life in the center of the eye than off center even though the latter works in illustration. I narrowed the eye shape just a little and brought the bottom lid up. Lastly, her nose isn't quite so flared, a detail that was bugging me a bit in some of the other renditions.

The face of the Coraline Mermaid

I now find myself ready to progress to the next phase which will be to draw a color versions of the Coraline mermaid using colored pencil. This should not take me too long since most of the leg work was done with the graphite to get the composition and placement right without color getting in the way. I'm so excited! Follow this Kell Belle Studio mermaid journey and watch the evolution and transformation into my first significant mixed media paper sculpture with charm.