Just Breathe...

This week's challenge from I am the Diva: "Breathe." 

A little back story... 

In April 2010, I fell in love with Zentangle. It was, indeed 'love at first sight' for me... exploring the world of tangles: because of the infinite possibilities; because it was truly about what is Reality in any given Moment; and because it narrowed my focus down to a 3.5" square of reality. 

Meditation – being still, grounded, centred, and (imagine me using Nigella Lawson's voice to say this last bit), "deep, deep contentment." Zentangle improved my focus, concentration, mindfulness, and – an added bonus – all my other artistic endeavours benefited from time spent tangling.

At times I have found I'm almost watching my pen to see what will emerge from my creative subconscious. Not directing the design but, one pen stroke at a time, waiting to see what happens... and then developing that idea (a great way to avoid rules!). This is something I learned many years back, when I first started studying Chinese Brush painting. That art form never really clicked for me until I just 'allowed' the brush to make the marks it was designed to make and stopped trying so hard to produce a specific effect.

I haven't felt, these last ten months, any hint of hard slog practice with Zentangle – only Play! And the more I play, the more I want to. I breathe, relax, let go and I allow the Zentangle or ZIA to happen – not stifling it with any rules that it 'ought' to follow, or preconceived ideas of what it 'should' look like when complete. I believe that, once an idea (artistic, or in any walk of Life) becomes a dogma it ceases to grow. So I push at the boundaries constantly. 

Back to the topic of breathing... these last few months I have also made new discoveries about the way I draw. For example, my pen will draw more flowing, 'dancing' lines on an exhaled breath (it's true!) than on an inhaled breath. So, by becoming aware of my breathing as I create each stroke, the way I draw has been transformed. Here is the Zentangle (traditional format) that I created for the "Breathe" Challenge. 

(Click on image to enlarge.)

Being reminded (once again) to observe my breath, I found that I was creating a very playful design (some elements of which weren't really 'proper' tangles!). Once I'd finished, I finally coloured the Laced blue, as it ran through, across, and around the tile. This brought all the various elements together, to create a linked harmony to the finished piece – and I (yet again) changed the orientation of my tile.


A little more on my philosophical wanderings through Zentangle land?

I've also studied what I watch when I am drawing. For example, if I'm drawing a line parallel to another, I look at the line I'm following (not the line my pen is making). What else do I watch? When I was speaking with a wonderful Chinese calligrapher (a Master of his art), William Lai, he asked me, "What is the most important thing about a beautiful vase?" The answer seemed obvious to me, so I answered, "The empty space within." He smiled his unique and twinkly, wise smile and I knew I'd said the right thing (I was rewarded with a Chinese candy!). So, when making pen strokes, I'm nearly always watching the white space I am drawing 'around'. This, of course affects not only the way that I draw, but also the way I think about the way I draw. (How very existential that is!)

As I contemplated this week's challenge, my mind kept coming back to the chorus of this song by Anna Nalick, "Just Breathe." Of course, while actually tangling, the song in my head was replaced with beautiful, tranquil, silence (tangling being one of the few activities capable of stilling my mind!).

Just Breathe

Because I have received a great deal of feedback about my inclusion in this blog of all the tangles I use, I have included a digitally edited version of this week's Zentangle, naming each of the tangles (if I have any of them incorrectly labelled, CZTs, please let me know!). They are: Laced, Verdigogh, Printemps, Jonqal, Ennies, Pokeleaf, Pokeroot, Fescu, Betweed, W2, Huggins, Cadent (those last three used the same grid, and flowed from one to the next).

(Click on image to enlarge.)

Now that I've bent your ear... I'll go back to my drawing board. For, as much as I love keeping up with what others are creating and sharing inspiration and encouragement (the reason I'm on the Internet so often), I am not able to resist the siren call of my first love for very long — tangling with paper and pen.

Coffee with Michele!

Yesterday I met Michele (Shelly Beauch) & Paul for coffee at a cafe called Jam Packed, in the old IXL building on Hobart's waterfront. What a beautiful place to meet a tangler face to face, for the first time! I sat with my Zentangle kit, working on a tile... so Michele had no difficulty in spotting the right person.

Right next door to Jam Packed there is a lovely gallery called Art Mob (specialising in Tasmanian Aboriginal art). Michele, Paul and I were admiring the spectacular painting on the sandstone wall behind us and, of course, noticing that it was an enormous, wall-sized 'tangle'.

I spoke to Euan Hills, director of Art Mob, and he told me that the artist's name is George Tjungurrayi. I would like to honour his talent by sharing George Tjungurrayi's page at Art Mob with you. The painting we saw was huge (3.9 x 2.05 metres, or 12.792 feet wide x 6.724 feet tall). Click through to that link and you'll see it - though at full size it's a different experience altogether. A magical painting that you 'fall into' as you look at it, mesmerised. To see a similar version of that same pattern, click through to his painting, number eight. It is such a privilege to live in Tasmania, and have the opportunity to see, and be inspired by, these beautiful, ancient patterns.

Though I have seen Michele's Zentangles on my screen many times before, the tactile nature and immediacy of being able to hold them in my hand, turning them this way and that, and falling into her tangles, was a far richer experience. I realised anew the value of the 'appreciation' experience in Zentangle. And, looking at Michele's work yesterday I was particularly inspired by the beauty, freedom and playfulness of her spiral, rope and swirled tangles. Even on her coffee mug!

Michele did a beautiful tile to mark the occasion. And I also have a wonderful new refrigerator magnet - a Shelly Beauch original!

Thank you, Shelly!

Next time we'll meet at your end of the State.
(And I'm playing with spirals and rope tangles today [grin].)