This technique is very similar to the Bleach techniques I taught back in 2008 and 2010; however, only water is used this time to remove the colour from inside the embossed images instead of bleach. The trick is choosing the right type of stamp, as it needs to be open enough to be able to remove the colour to obtain the desired effect. A simple style that relies on a strong enough focal stamp and colours that pop from the background. The skull stamp shows that you don't have to just do florals either.
"Make it work"
Monday, September 8, 2025
GHOST STAMPING
Tuesday, July 16, 2024
OXIDES & PHOTO PAPER TECHNIQUES
Photo paper is such a versatile product and depending on what other items you are using, both sides of the photo paper have specific properties that will work for various techniques. For this particular one, we'll be using the shiny side of the glossy photo paper.
When Oxide Inks come into contact with the gloss side of the photo paper they absorb immediately into the coating on the paper and when the ink has dried after a few seconds, you can usually see the chalky residue of the Oxide ink sitting on top of the photo paper. You can use a damp paper towel or a baby wipe and remove this chalkiness revealing a much deeper colour, and often a surprisingly different colour, has adhered to the emulsion on the photo paper. For some of my samples, I used a stencil to apply the first layer of Oxide ink, then applied another layer of a different colour over the top of the stencilled section. When you remove it, the first stencilled layer remains vibrant and if you've used a contrasting colour, it can look really amazing.
You can also use a white crayon to scribble first on the photo paper to create a resist effect before applying the Oxide ink. This leaves the white of the photo paper showing through after removing the chalky residue as before.
"Wild mind"
(The blue leaf is an actual leaf that was left over
from a previous Gelli printing class that I coated
with a matte medium before attaching it to the
background. The blue colour of the leaf is from
the paint that was used on the Gelli plate. I
loved the colour and the residual brown on it
just worked so well with the background.)
(I used a die-cut to cut the jagged rectangular
section and raised it with foam tape before
slightly off-setting it back into position to
create a nice focal position for the vase &
"Old"
(The white lines are the white crayon that was
drawn onto the photo paper before colouring
with the Distress Oxide which creates this
resist effect.)
"Make it work"
(I've used a scoreboard to mark the back of the
photo paper after colouring to create the
scorelines, then swiped over some metallic
wax to show them up even more.)
"Light is fleeting"
(Vellum is notoriously difficult to stick down
without the adhesive showing but these ghosts
have had double-sided adhesive paper stuck to
the vellum before die-cutting.Consequently, the
whole of the ghost has adhesive on it so
doesn't stand out like it would if it was just a
a couple of bits of adhesive tape.)
"A busy life"
(A honeycomb stencil was used with Rusty Hinge
Oxide Ink before going over the whole background
stamped with Black Stazon Ink as that sticks
really well on the photo paper with no smudging).
Tuesday, July 4, 2023
DISTRESS OXIDE INKS & SPRAYS ON PHOTO PAPER
Distress Oxide Inks and Sprays are always water-reactive unless you fix them in some way, eg: Microglaze or Fixing Spray. However, if you use the Oxide Inks or Sprays on the shiny side of photo paper, the emulsion coating the photo paper grips onto the Oxide Inks and Sprays and leaves beautifully bright colours when the ink is washed off the photo paper. I have tried this technique with the regular Distress Inks and Sprays and while it works to some extent, the hybrid combination of the pigment and dye ink in the Oxide Inks and Sprays just works so much better. First up below is the cover for this Technique Book and I can't believe it's book #30!
The size of this book cover is 20cm x 15cm
(or 8" x 6")
"Be in love"
(This is one of the stamps from the Tim Holtz
Bold Botanicals)
"Live simply"
(Another stamp from Tim's Bold Botanicals
stamp set)
"Bone appétit"
"Cougar"
(This is one of Dina Wakley Half Faces stamp set)
"Cooler"
(Another of Dina Wakley Half Faces stamps)
"Crazy ideas"
Wednesday, March 15, 2023
STENCILS & STAMPING
Stencils and stamping work so well together and it doesn't matter if you want to use your more open-style stamps or the solid silhouette stamps, both look great. The ink I've found works the best for stamping the black focal images is the Versafine Clair in Nocturne (black). It is a pigment-based ink and is extremely black and juicy which means it covers the stencilled design really well. I chose to use Distress Oxide Inks for the stencil colours as these are very opaque in colour so show up perfectly on the Bristol Smooth card. Of course, Oxides and the black Versafine Clair will both stay wet for quite some time and on some of my atc's I was worried about smearing the inks so I used super fine clear embossing powder after the stencilling and stamping part of this technique. It may not stick to all of the stencilled areas but that doesn't matter as imperfections in embossing are not an issue as far as I'm concerned, particularly when it is clear embossing powder!
Tuesday, February 28, 2023
LIQUID LATEX MASKING
Masking with masking fluid is something I've been meaning to try for a long time. I read up a fair bit before deciding to do this class and have opted to use Liquid Latex instead of masking fluid. It works just as well though it is a little thicker than a lot of the masking fluids that are available on the market. You can thin it down with a little distilled or bottled water but never shake masking fluid (or liquid latex) as it will cause bubbles, stir only. For all of my samples below I used the liquid latex on 300gsm watercolour paper, waited for the latex to dry (about 5-10 minutes), and then smooshed it into Distress Oxide Inks on a craft sheet to add the colour. Once again, wait for it to dry, then the big reveal.... rub off the liquid latex to show your white areas that you can colour or leave white. It's actually a lot of fun to do this technique but you need to have an idea of what you want to do and what will be left white before putting the latex down. Hope the girls like doing it!
"Ghost"
(my favourite!)
Tuesday, May 10, 2022
WATERCOLOUR WICKING
figures in the forest on the bottom left.
the words directly on the background
as you don't know how much they will
wick out, and black is super-strong!)
"Get busy living"
(The Frayed Burlap tumbleweed stamps
wicked out really well but I found the
Hickory Smoke on the top of the twiggy
tree didn't want to wick.)
"WTF"
(This one has some added shading under the hyenas.)
"Live everyday"
(The floral stamps lost their definition a fair bit
so I used my Unipin fine liner to redraw the
shapes of the flowers.)
"Sea the positive"
(This one wicked out a lot!)
"Enjoy today"
Finally, a card that I made using my left-over atc that wasn't required for the class. I've started to make sure I turn these excess atc's into cards to add to my card stash for when they could be needed.
Tuesday, December 7, 2021
STENCILLED OXIDES
You'll find my updated ATC Techniques List on a separate page at the top of my page
directly under my banner, "ATC Technique List - Current & Previous".
I have a lot of stencils and I decided they are a very underutilised resource, at least as far as I'm concerned. So I decided to remedy that in the final class for the year, which is always a Christmas theme. I used various stencils and Distress Oxide Inks with a blending brush (like the make-up style ones) and I found the colour went on very smoothly and easily on my Neenah white card stock. Cleaning the stencils is a breeze with a little spritz of water and dabbing off with a paper towel, which led to the amazing background that is on the first atc, Poe Ho Ho. I need to be mindful of my time limit in a class situation so I didn't use any pastes, gels or paints in this class, though it is also a great way to get even more out of your stencil collection. Who has only 1 or 2 stencils? No-one, that's who.
"Poe Ho Ho"
When I teach, I always demo the technique during
the class so I decided to make some cards from the samples
from the previous class, Alcohol Inked Vellum. The
"Seniorita" card was what inspired me to do the stencil
backgrounds for this current class.
"Seniorita"
"Happiness"