Showing posts with label Mega. Show all posts
Showing posts with label Mega. Show all posts

Monday, March 10, 2014

2nd Chance: Sun Ra - Disco 3000 (1978) CD & LP


The quartet of Sun Ra, John Gilmore, Michael Ray and Luqman Ali performed at Teatro Cilak in Milan on January 23, 1978, apparently at the very end of their extended stay in Italy. While their exact movements are poorly documented during this period, they were certainly back in the states on or before January 29, where the Arkestra appeared at the Famous Ballroom in Baltimore (see Campbell & Trent pp.247-250). The Teatro Cilak concert was recorded and portions were released later in the year as Disco 3000 (Saturn LP CMIJ78) and reissued by Art Yard in 2009. Prior to this, though, Art Yard released the entire Milan performance on two compact discs as The Complete Disco 3000 Concert (CD 001) in 2007. As with Media Dreams, these welcome reissues not only make available some of the rarest of all Saturn LPs, but also provide additional material that puts these weird and wonderful recordings into a wider context.

The concert opens with “Disco 3000” and, right away, you can tell the small band has really started to gel after several weeks working together. While Media Dreams is dominated by Ra’s electronica (wonderful as it is), Disco 3000 is much more of a cohesive group effort. There’s still plenty of mad-scientist keyboard extravaganzas, with the Crumar Mainman organ and cheesy rhythm box establishing an uneasy, mutant disco vamp—but here, Ali locks in comfortably with the beat and the horns are given plenty of space across its epic twenty-six minutes. About five minutes in, they suddenly launch into “Space is the Place,” but, curiously, not in the re-arrangement found on Media Dreams. After a couple of minutes of chanting, things take off again, with some absolutely killer tenor saxophone from Gilmore and hypnotic, quasi-ambient keyboard effects from Ra. It’s tempting to just say “Disco 3000” is the crowning achievement of the quartet’s brief existence and leave it at that. A classic Sun Ra track.

Not that there isn’t more great music on these discs! After a short drum solo, “Sun of the Cosmos” continues in the guided improvisation vein, including more crazed keyboard work from Sonny and another outrageous tenor solo from Gilmore, where he explores the entire range of extended techniques from altissimo screams to impossible split-tone multiphonics. Whew! Ra then moves to the piano for “Echos [sic] of the World,” a pretty ballad with Gilmore in the lead. “Geminiology” picks up the tempo with some jaunty swing and a riff-based head arrangement but Ra takes it way out: thunderous low-register tone clusters and furious parallel runs, just a total assault on the piano. Then it’s suddenly back to the cheery jazz feel for Ray’s extended solo on warm-toned trumpet. “Sky Blues” is exactly as the title suggests, a swinging blues riff, with Gilmore delivering the sermon. Lord have mercy! This is another incredible Gilmore solo, a blues history lesson: from honking, hokey gutbucket to dizzying post-bop harmonic labyrinths to the most out-there avant garde wailing—all without losing the thread of tradition and ending with an emphatic flourish. Dammmnnn.

Disc one concludes with six minutes of “Friendly Galaxy,” given an angular and dissonant rearrangement, fading out on Ray’s muted trumpet solo. Disc two then fades up some time later (the reel flip evidenced by the increased wow-and-flutter at the beginning of the track) and, after about a minute of noodling on “Friendly Galaxy,” Ra signals “Third Planet.” The two horns sound super-tight and Gilmore once again plays a mind-bendingly great tenor solo, this time accompanied only by the drums. Ali is uncharacteristically aggressive here, swinging like a mo-fo while Gilmore blows the doors down. No wonder Sonny picked this track for release on the original Disco 3000 LP! “Dance of the Cosmo Aliens” was also included on the original LP and it’s another spaced-out electronica-fest, with Gilmore and Ray putting down the horns and picking up percussion instruments. Even so, the expanded rhythm section struggles a bit trying to follow along with the crude electric drum box. Even so, Ra’s keyboard playing is otherworldly and the crowd eats it up, bursting into rapturous applause at the end.

“Spontaneous Simplicity” is given an electrified rearrangement with lots of wild keyboard effects and some blasting trumpet work from Ray, but is perhaps overlong at fourteen-some minutes. This segues into “Images,” which is given a tighter reading than on Media Dreams. While Gilmore’s solo is probably not the equal of “Twigs at Twlight,” it’s still pretty freaking awesome. Although the packaging says this includes “Over the Rainbow,” it actually appears on the following track, “When There Is No Sun,” which is given a gentle, gospelized feel, with Gilmore and Ray sweetly singing and Ra accompanying the on churchy organ. Then Sonny erupts into another electronic frenzy before slipping over to the piano for a brief sketch of “Over the Rainbow.” Finally, the concert ends with a reprise of “Space is the Place,” with Ra vamping on piano for a while before joining in on the chant. Interestingly, this rendition shares the quickened phrasing of the unique rearrangement heard on Media Dreams, but lacks the horn parts and countermelodies.
(continue reading at NuVoid's Sun Ra Sunday)


Although The Complete Disco 3000 Concert (recorded at The Teatro Cilak in Milan, Italy) contains all of the music found on the original LP, Art Yard also released Disco 3000 (CD 101) as a straight reissue (with alternative artwork) in 2009. I’m glad they did because it is a classic—and very strange—Sun Ra album that deserves to be heard in its original form. Moreover, listening to the entire two-hour concert is a considerable time commitment, which, in some ways, dilutes the impact of the original Disco 3000 LP in my opinion.

The first side consists of the twenty-six minute title track while side two contains “Third Planet,” “Friendly Galaxy” and “Dance of the Cosmo Aliens.” While you can my descriptions on my review of The Complete Disco 3000 Concert, what is interesting to me is how much more effective “Dance of the Cosmo Aliens” is when it is shorn from its original context, the twisted electronica bookending the album with “Disco 3000.” Or maybe my ears got tired by the time it was played, over an hour into the original concert. Hardcore fans will want both, but Disco 3000 is essential.

In typically Saturnal fashion, Michael Ray’s liner notes (penned in 2007 and contained on both Art Yard CDs) are both enlightening and confusing. “It was here,” he says, “that most of my early dues were paid.”
Sun Ra would tell me “You playing your horn alright but try my way, unless you have some sort of mental block.” “Play that apple. Remember it is round so think of 360 degrees of sound and color. It’s red which means its energy deals with the first chakra, you have to be able to play the vibration.” We rehearsed like this from early in the morning to late at night for days. It was like having someone erase your mainframe and reboot your hard drive! Sunny always said expect the unexpected. “We might have a gig on Mars one day so you got to be swinging on your horn, because they don’t party like earthlings”
(continue reading at NuVoid's Sun Ra Sunday)





263. [216]  Sun Ra and his Arkestra
Disco 3000
Sun Ra (Crumar Mainman, keyb, p, voc); Michael Ray (tp, voc); John Gilmore (ts, timb, voc); Luqman Ali (d, voc).
Teatro Ciak, Milano, January 23, 1978

Disco 3000
(incl Space Is the Place) (Ra) [JG voc]
unidentified title (Ra) [p; balladic ts; p; tp; theme]
Sky Blues (Ra)
Friendly Galaxy (Ra)
Dance of the Cosmo-Aliens
(incl. Sometimes I Feel Like a Motherless Child) (Ra)
Spontaneous Simplicity (Ra)

There is an 88-minute audience tape from this concert.  Date and location from Hartmut Geerken.  Tunes identified by ct.

The concert tape picks up at 9:20 into the issued version of "Disco 3000" and continues for another 26:12.  It includes material (Ra, Crumar Mainman; Gilmore, outside ts; Ray, tp; concluding applause) past the end of the drum solo that concluded the issued version.  There is a performance of "Friendly Galaxy" that runs 7:50 on the audience tape only; the 1:13 reprise was, however, included on the LP just as it appeared during the concert.  But the applause between the reprise and "Dance of the Cosmo-Aliens" was edited out of the LP release.

The unidentified title resembles "An Unbeknowneth Love" (from Media Dream) but is not the same performance, according to ct.

The title track (with the ending edited out), "Third Planet," the reprise of "Friendly Galaxy," and "Dance of the Cosmo-Aliens" were released in 1978 on Saturn CMIJ 78, Disco 3000.  This LP also circulated in the early 1980s as Saturn Gemini CMIJ 78.

"Disco 3000" was also edited much further down to 2 1/2 minutes (just Ra and Ali, no horns or vocals) by Richard Wilkinson and retitled "Disco 2100."  (However, according to Terry Adams, some copies of the single still gave the title as "Disco 3000").  It was released in this form in 1978 as Side A of a 45-rpm single, Saturn 2100 (information from Wilkinson and Peter Roberts); the matrix number was DISCO 2100-A.  (The single version was reissued in September 1996 on The Singles, Evidence 22164 [2 CDs]).

"Sky Blues" (which is the first 2:35 of a 9-minute-plus concert performance by the quartet) appeared on Side B of a 45-rpm single, Saturn 2100, released in 1978 (the matrix number was DISCO 2100-B).  On some copies, the B side is untitled.  Information on this single from Richard Wilkinson and Peter Roberts.  This track was reissued in September 1996 as part of the two-CD Saturn singles collection, Evidence 22164, simply titled The Singles.

In the first edition of this discography, "Disco 3000" was taken to be from a studio session -- one rumor had Ra recording in a Rome hotel room.  The rest of Disco 3000 was attributed to miscellaneous live concerts in Italy, and so was "Sky Blues."  The same incorrect information was included in the Evidence singles set.  ct has now established that all of Disco 3000 came from this one live concert.  The surviving audience tape (not complete!) contains nothing from The Sound Mirror or Media Dream.

from Campbell / Trent  The Earthly Recordings 2nd ed.



Disco 3000 Complete Milan Concert 1978
Artyard stereo CD 001 (2007)

Disc 1
01. Disco 3000   26:16
02. Sun of The Cosmos   10:23
03. Echos of The World   6:00
04. Geminiology   7:41
05. Sky Blues   10:39
06. Friendly Galaxy   6:07

Disc 2
01. Third Planet incl, Friendly Galaxy   8:44
02. Dance of The Cosmo Aliens   11:07
03. Spontaneous Simplicity   14:09
04. Images incl, Over The Rainbow   8:35
05. When There is no Sun   13:25
06. We Travel The Spaceways   6:37





Disco 3000
Artyard stereo CD 101 (2009)


1. Disco 3000   26:19
2. Third Planet   6:24
3. Friendly Galaxy   1:17
4. Dance Of The Cosmo-Aliens   11:05





Disco 3000
Artyard Kindred Spirits LP KSAY-1 (2009)


1. Disco 3000   26:09
2. Third Planet   7:24
3. Friendly Galaxy   1:00
4. Dance Of The Cosmo-Aliens   11:05


Friday, February 14, 2014

2nd Chance: Sun Ra - Dance of Innocent Passion (1981)


Dance of Innocent Passion was recorded at the Squat Theater in New York in 1980. The title cut is another one of those gloriously uplifting tunes that Sun Ra builds from the simplest of parts, and features a soaring tenor solo from John Gilmore. "Omnisonicism" features a creepy theremin-like synth sound and could be put to good use on Halloween. "Intensity" is just a series of solo features, and the album ends with "Cosmo-Intensity," a battle between Richard Williams' bass and Ra's synth. After starting very strong, Dance of Innocent Passion loses a bit of momentum, but should still please fans. The lack of availability of many of these Saturn titles places them mostly in the province of collectors anyway.
AMG review by Sean Westergaard

Dance of Innocent Passion



331. [260]  Sun Ra

Dance of Innocent Passion

Sun Ra (org, syn); Walter Miller (tp); Michael Ray (tp); Ronnie Brown (tp); Vincent Chancey (Fr hn); Ray Draper (tuba); Marshall Allen (as, fl, ob, perc); John Gilmore (ts, timb); Danny Ray Thompson (bars, fl, perc); James Jacson (bsn, fl, Inf-d); Skeeter McFarland (eg); Taylor Richardson (eg); Richard "Radu" Williams (b); Harry Wilson (vib); Damon Choice (vib); Luqman Ali (d); Samarai Celestial [Eric Walker] (d); Atakatune (cga, perc).
Squat Theatre, NYC, 1980

Intensity (Ra)
Cosmo Energy (Ra)
Dance of Innocent Passion (Ra)
Omnisonicism (Ra)

Saturn Sun Ra 1981, Dance of Innocent Passion, was released in 1981.  Location and date courtesy of Michael Shore.  Personnel derived from Stahl's discography, with some changes.  Ray Draper was identified by Shore, as was Samarai Celestial on drums (Stahl has Reg McDonald instead).  Tommy Hunter says that Ray Draper worked with the Arkestra for about a year (Craig Haynes says that Draper was a regular at the Squat but did not tour with the band) and that Samarai was the main drummer around this time; Samarai confirmed his presence here.  Michael Shore recalls that on another occasion the brass section consisted of Michael Ray (tp); Al Evans (flg); Ray Draper (tuba) … and Bill Davis (tuba).  ct believes that the trumpet soloist on "Dance of Innocent Passion" is neither Ray nor Miller, and that the same trumpeter is present on the Brixton Fridge tape from November 1985; most likely this was Ronnie Brown.

from Campbell / Trent  The Earthly Recordings 2nd ed.



Sun Ra and his Arkestra
Dance of Innocent Passion
Saturn Sun Ra 1981 - LP

A1  Dance of Innocent Passion   12:15
A2  Omnisonicism   6:28
B1  Intensity   6:17
B2  Cosmo-Energy   19:04

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I absolutely love this album.  Thanks to Peaches and Black for requesting the 2nd Chance thereby giving me a chance to spend some more time with it!

Saturday, February 1, 2014

Sun Ra - Media Dream (1978)


Media Dream is a live recording of the Sun Ra Quartet, from January of 1978 in Italy (all the quartet recordings were done that month). It's a mostly free date, with "Constellation" and "Media Dreams" being the only tunes that seem to have been pre-composed (they are also the longest tracks on the album). The album starts with a keyboard showcase, with Ra supplying some super low tones along with some very queasy sounding organ. Then it's on to "Constellation" which has a great, really cheesy rhythm, courtesy of the Crumar Synthesizer/rhythm box, and excellent soloing from everyone, especially Gilmore. "Media Dreams" starts out really pretty, then gets progressively freakier. The rest of the tracks are basically soloing showcases for all the players.
AMG review by Sean Westergaard


 What is most notable about these live quartet recordings is how they transferred the Horo studio experiments to the stage. While he has been provided with decent pianos at these gigs, Sonny spends the bulk of his time with a variety of electronic keyboards, including a Moog synthesizer and a Crumar Mainmain organ. Media Dream opens up with “Saturn Research,” a three-minute blast of ominous, dissonant organ and synth, accompanied by dramatic drums and percussion—and Sonny is only just getting started. On “Constellation” (confusingly not the same composition found on Other Voices, Other Blues), Ra switches on the Mainman’s crude rhythm box, which plays a slowed-down cha-cha beat supplemented with a simple, synthesized bass line. Now, in anyone else’s hands, this would be unforgivably cheesy—yet Sonny somehow makes it work and the primitive Mainman organ gives these recordings a uniquely retro-futuristic feel. After a scribbly “Yera of the Sun” (whose Morse Code rhythms vaguely recall “Quest”), the Mainman gets another workout on “Media Dreams,” a thirteen minute tour de force. Starting out as a weirdly beautiful ballad form, with twittering organ, legato synth chords and all sorts of electronica effects, Michael Ray takes a long, warm-toned solo on trumpet, ably following Ra’s harmonic twists and turns. Then it devolves into Ra's wild, mad scientist display. At the ten-minute mark, John Gilmore comes in with a folk-like melody on tenor saxophone but just as Ra starts to heat things up again, the track quickly fades out. It sounds to me like this could have gone on forever.

Only the last two tracks on Media Dream... both feature Ra on acoustic piano. The curiously (mis)titled “Twigs at Twilight” is actually “Images,” but brutally edited, picking up about half-way through and beginning with Gilmore’s tenor solo. Although Gilmore takes many liberties with the tune, in retrospect, it is immediately recognizable as “Images.” Anyway, this is definitely another one of the all-time great Gilmore solos, not overly extended but still sublime. After a brief piano excursion and drum break, the track fades out before the return of the head, further obscuring its origins. Finally, “An Unbeknowneth Love” begins with rhapsodic piano and boom-chick trap-drumming from Luqman Ali – but someone (Gilmore?) is playing tympani, adding slippery and dramatic percussion effects: BOING! BOING! Ra gets into an aggressively dissonant, avant-garde mode before the drum solo, which fades out to end the album. Very interesting.

from NuVoid's Sun Ra Sunday review of Art Yard's 2-CD set Media Dreams

Twigs at Twilight

262. [215] Media Dream

Sun Ra (Crumar Mainman, keyb, org, p, voc); Michael Ray (tp, voc), John Gilmore (ts, timb, voc); Luqman Ali (d, voc).
Live in Italy, January 1978


The exact locations of the concerts are not known. 
Saturn LP 1978, Media Dream, was released in 1978.  It also has borne the title Saturn Research and the serial number 19783.  The matrix numbers are CMP 1978 C-A and CMP 1978 D-B.

The piece called "Constellation" here is completely different from the "Constellation" that was included in the previous entry (Other Voices, Other Blues).

from Campbell / Trent  The Earthly Recordings 2nd ed.



Sun Ra and his Arkestra
Media Dream (1978)

Recommended Records


1. Saturn Research   3:07
2. Constellation   13:33
3. Yera of the Sun   4:33
4. Media Dreams   13:36
5. Twigs at Twilight   7:20
6. An Unbeknowneth Love   4:37



Friday, January 3, 2014

Sun Ra - Friendly Galaxy (1991)


In 1993 Leo Records released this wonderful 1991 Arkestra performance recorded at the Banlieus Blues Festival in Montreuil, France, a suburb of Paris.  A very "jazzy" performance including Sun Ra classics and standards like "Prelude to a Kiss" by Duke Ellington and Edgar Sampson's swinging "Blue Lou."  I hope you enjoy this excursion into the history of jazz encouraged by an ecstatic crowd.




 Alabama


705. [485]  Sun Ra Arkestra

Friendly Galaxy

Sun Ra (p, syn); Michael Ray (tp, voc); Ahmed Abdullah (tp, voc); Jothan Callins (flg); Tyrone Hill (tb); Marshall Allen (as, fl, perc); Noël Scott (as, perc); John Gilmore (ts, cl, voc); Charles Davis (bars); James Jacson (bsn, fl, Inf-d); Bruce Edwards (eg); John Ore (b); Buster Smith (d); Clifford Barbaro (d, perc); Elson Dos Santos Nascimento (surdo grande, perc); June Tyson (voc); Mr. TCIII (voc).
Banlieues Bleues, Salle des Fêtes-Mairie,
Montreuil, France, April 11, 1991

Intro Percussion (Ra)
Prelude to a Kiss (Ellington) [TCIII voc]
Blue Lou (Sampson)
Lights on a Satellite (Ra)
Nameless One #2 (Ra)
East of the Sun (Bowman) [JG voc]
Alabama (Callins)
Fate in a Pleasant Mood (Ra) [MR, JT, ens voc]
We Travel the Spaceways (Ra) [ens voc]
Space Is the Place (Ra) [JT, ens voc]
Saturn Rings (Ra) [JT, TCIII voc]/
Friendly Galaxy (Ra)

encore:
Melody / They'll Come Back (Ra)

Leo LR-188[CD], Friendly Galaxy, was released in 1993.  Date and personnel from the CD liner notes (though the musicians' names are artfully concealed, and their instruments are not mentioned).  An 86-minute audience tape includes the two unissued tracks; "Melody/They'll Come Back" is not on the audience tape and presumably was an encore.  Some items were also broadcast over French radio ("Saturn Rings" was edited at the beginning); thanks to ct for this information.  Exact location (the Salle des Fêtes-Mairie was on Place Jean-Juarès) supplied by Urs Berger; Leo neglects to say where Banlieues Bleues was.  John Szwed says that "Alabama" was composed by Jothan Callins, not by Ra as credited on the CD. 
from Campbell / Trent  The Earthly Recordings 2nd ed.


Sun Ra Arkestra
Friendly Galaxy (Live at Banlieues Bleues)
Leo Records CD LR 188 (CD) 1993


1.  Intro Percussion   4:18
2.  Prelude to a Kiss   6:18
3.  Blue Lou   5:00
4.  Lights on a Satellite   5:41
5.  Alabama   9:06
6.  Fate in a Pleasant Mood   6:58
7.  We Travel the Spaceways   11:10
8.  Space Is the Place   9:53
9.  Saturn Rings / Friendly Galaxy   12:14
10. Melody / They Will Come Back   6:06


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Friday, November 29, 2013

Sun Ra - Mayan Temples (1990)




One of the finest Sun Ra recordings from his final years, this effort is particularly recommended due to the many Ra keyboard solos and John Gilmore features, the latter of which include a tenor showcase on "Opus In Springtime." Trumpeters Michael Ray and Ahmed Abdullah, altoist Marshall Allen and singer June Tyson also have their spots, and the repertoire consists of ten Ra originals (including a remake of "El Is the Sound of Joy") and three standard ballads. Overall, this is a fine all-around studio set. Recommended.
AMG review by Scott Yanow


677. [446]  Sun Ra Arkestra

Mayan Temples


Sun Ra (p, syn, voc); Michael Ray (tp, voc); Ahmed Abdullah (tp, voc); Tyrone Hill (tb, voc); Marshall Allen (as, fl, perc); Noël Scott (as, perc); John Gilmore (ts, timb, voc); James Jacson (bsn, Inf-d, voc); Jothan Callins (eb); Buster Smith (d); Clifford Barbaro (d); Jorge Silva (repinique, perc); Elson Nascimento (surdo grande, perc); Ron McBee (cga, perc); June Tyson (voc).
Mondial Sound, Milano, Italy
July 24-25, 1990

from Campbell / Trent  The Earthly Recordings 2nd ed.

I think Michael Ray did an amazing job of mixing this LP.  I can't remember hearing another studio album that sounds as detailed and carefully crafted yet fully maintains the feel and energy of a live performance.




 Sun Ra Arkestra
Mayan Temples (1990)
Black Saint CD Reissue 120121-OD

2009

1.  Dance of the Language Barrier   3:58
2.  Bygone   5:16
3.  Discipline No. 1   4:58
4.  Alone Together   7:02
5.  Prelude To Stargazers   5:17
6.  Mayan Temples   7:40
7.  I'll Never Be The Same   4:57
8.  Stardust From Tomorrow   3:39
9.  El Is The Sound Of Joy   5:26
10. Time After Time   4:21
11. Opus In Springtime   6:42
12. Theme On The Stargazers   14:10
13. Sunset On The River Nile   5:43

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Mega
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or

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RS
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FF



 
 Sun Ra Arkestra
Mayan Temples (1990)
Mo'Smog Records - 124020-1
2 x Vinyl, LP, Reissue
2002  Italy


 1.  A1 Sunset On The Night On The River Nile   5:42
2.  A2 Opus In Springtime   6:40
3.  A3 El Is The Sound Of Joy   5:23
4.  B1 Stardust From Tomorrow   3:39
5.  B2 Alone Together   7:01
6.  B3 Discipline No.1   4:54
7.  C1 Theme On The Stargazers   14:05
8.  C2 Time After Time   4:20
9.  D1 Dance Of The Language Barrier   3:57
10. D2 Mayan Temples   7:40
11. D3 Bygone   5:14


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Mega
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or

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RS
Mega
FF

Friday, November 22, 2013

2nd Chance: Sun Ra - Solo Piano Volume 1 (1977)


Just as his reputation on he synthesizer was growing, Sun Ra began to play more piano again, and in a style that reached back further in jazz tradition than most would have suspected.  But those who had known him for years understood that his origins were in the blues, and assumed that side of his playing: "Sun Ra could play the blues for twenty four hours without repeating a phrase," they claimed.  Though many recognized him as capable of playing bombastically, and of using the piano for color, few thought of him as a major player.  But Paul Bley, one of the two or three leading pianists of free jazz, believed that Sonny was a great piano player, so great that he didn't need a band.  If anything, he felt, the band was a cover for his insecurity.  Early in 1977 Bley convinced Sonny to do a series of piano duo performances with him in New York and Europe and to record for Bley's new audio and video company, Improvising Artists.  In Europe Bley was surprised to see that once he was alone on stage, "Sonny was a ham who liked to clown and surprise the audience -- as at Lake Como, where he shocked them by playing a cake walk!"  On May 20 Sun Ra went into the studio to record Solo Piano, and played a mixture of his own compositions and some unusually conceived standards, such as a very freely played "Sometimes I Feel Like A Motherless Child," or "Yesterdays" done in a brisk stride.  On July 3 he was recorded solo (St. Louis Blues) while playing at Axis-in-Soho as part of the Newport Jazz Festival, and again there were surprises: his "St. Louis Blues" aluded to Earl Hines's famous boogie-woogie version and a cheerful little love song like "Three Little Words" got turned into a melodrama.  But there were modest experiments in keyboard resources as well, such as "Sky and Sun," which stayed almost entirely within a small range at the top of the keyboard.
from Szwed - Space Is The Place p. 342-343




Without his Intergalactic Space Research Arkestra to hide behind, Sun Ra recorded Solo Piano, Vol. 1, revealing a tender, gentle side always lingering but never entirely present in his days leading his large ensemble. Cutting a pair of standards -- the traditional "Sometimes I Feel Like a Motherless Child" and Duke Ellington's "Yesterday" -- and filling the rest of the disc out with original compositions, Ra extemporizes with a surprising mix of restraint and abandon, often sounding as if he is going to play it straight before launching into a key thrashing salvo that would ordinarily be accompanied by a burst of horns. Here, though, with the use of pedaling, Ra lets the notes drift off to space by themselves, lonely and floating in the void. Unfortunately, the production is far below par and Ra's piano sounds flat and lifeless throughout. [I guess Jesse and I will have to agree to disagree on this last point -yotte].
AMG Review  by Jesse Jarnow


 247. [203]  Sun Ra

Solo Piano Volume 1

Sun Ra (p.).
Generation Sound Studio, NYC,
May 20, 1977

Sometimes I Feel Like a Motherless Child (trade.)
Cosmo Rhythmatic (Ra)
Yesterdays (Kern-Harbach)
Romance of Two Planets (Ra)
Irregular Galaxy (Ra)
To a Friend (Ra)

Released in 1977 on Improvising Artists Inc. 37.38.50, Solo Piano Volume 1.  Another LP release was Japanese IAI RJ-7419.  All tracks reissued in 1992 on Improvising Artists Inc. 123850 [CD].  A video on IAI V003 was previously thought to have come from this concert, but in fact is from Sun Ra's second solo session for Improvising Artists.
from Campbell / Trent  The Earthly Recordings 2nd ed.

 
Sun Ra - Solo Piano vol. 1
Generation Sound Studio, NYC, May 20, 1977
 
1. Sometimes I feel like a motherless child    7:30
2. Cosmo rhythmatic    7:15
3. Yesterdays    4:14
4. Romance of two planets    5:14
5. Irregular galaxy    5:18
6. To a friend  7:39

-FLAC-
RS
Mega
FF
or
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RS
Mega
FF

Thanks to Paul W. for his CD rip of this fine album.



Sun Ra
Solo Piano volume 1
IAI 37.38.50 (1977) (LP)


1. A1 Sometimes I Feel Like a Motherless Child   7:29
2. A2 Cosmo Rhythmatic   7:13
3. A3 Yesterdays   4:17
4. B1 Romance of Two Planets   5:16
5. B2 Irregular Galaxy   5:19
6. B3 To a Friend   7:40


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Saturday, November 16, 2013

2nd Chance: Sun Ra - Live in Paris at the "Gibus" (1975)


I believe most everyone agrees that this is an absolutely amazing album - stunning performances and great sound.

 Sun Ra (organ/electric vibraphone/space instruments/synthesizer/vocals) and his Intergalactic Space Research Arkestra are captured live in October of 1973 on this essential disc.  Not only are the sides uniformly inspired, but the track list bears a few interesting diversions, including seminal examples of Ra as both a performer and unequaled arranger. The mid-tempo dreamy and languid opener, "Spontaneous Simplicity," evolves around Ra's sublime organ and electric vibe runs. He places those against an unforced and otherwise limber wash of hand percussion as well as the understated yet solid pulse of Ronnie Boykins' bass. Ra's emphatic electric organ inflections herald the introduction to what is arguably the most haunting and poignant reading of "Lights on a Satellite" readily available. The flute section -- featuring Marshall Allen (alto sax/oboe/flute/piccolo), Danny Davis (alto sax/flute/alto clarinet), Danny Ray Thompson (baritone sax/flute), James Jacson (bassoon/flute/percussion), and Eloe Omoe (bass clarinet/flute) -- reel an edgy and trance-inducing melody into their sinuous lines. The entire affair simmers just below some glistens from Ra and a sax solo by John Gilmore (tenor sax/percussion). "Ombre Monde" (aka "Shadow World") dates back to the mid-'60s and allows Allen a platform for an extended lead that is sonically spurred on by Ra's motivated electric piano. Akh Tal Ebah's trumpet aggressions also make this version stand out. The truly phenomenal cover of Jelly Roll Morton's "King Porter Stomp" is a progressive score that builds on work done by Fletcher Henderson's definitive version. The Arkestra's compact presentation is stunning and Ra's complex score makes this flawless rendering all the more improbable. The bandleader offers up a vocal cosmic greeting on "Salutations From the Universe" which is swirled in an onslaught from the full ensemble. Ra's forceful keyboards are countered by some sharp and incisive contributions from the Arkestra. This segues into the benedictory "Calling Planet Earth" chant that is free jazz madness at its most effective. June Tyson's (vocals) voice can be picked out among the participants before Ra's brief solo conclusion. Although initially only pressed as a hard-to-find French import, Live in Paris at the Gibus was issued on CD in 2003 and is a highly recommended title for inclined parties.
AMG Review by Lindsay Planer



Sun Ra: Live In Paris at the “Gibus” (Atlantic—France/Universe CD)

Unlike the previous European tour (an extended sojourn which ranged widely across the continent, culminating in an impromptu trip to Egypt), the 1973 visit seems to have consisted of barely a handful of gigs in and around Paris. Also unlike the well-documented 1971 excursion, there were no high-profile radio broadcasts and very few amateur recordings survive. The tour likely began with the ill-fated Fête de l’Humanité at the end of September (possibly found on Transparency’s Lost Reel Collection Vol.5) and while Prof. Campbell mentions a 180-minute audience tape from the Nancy Jazz Festival on October 14, that’s about it (p.203) (and I haven't heard this tape). Otherwise, it seems the Arkestra settled into a multi-night stand at the famed Gibus Discotèque in Paris until their return to the states sometime in mid-to-late-October. Fortunately, the French division of Atlantic Records recorded a portion of this gig and released it as Live In Paris at the “Gibus” (Atlantic 40540) in 1975—but only in France (Id.). It remained an obscure collector’s item until 2003, when the Italian Comet label reissued it on CD on their Universe imprint in a deluxe, gatefold mini-LP package with excellent sound quality. Finally! This is one of the essential Sun Ra albums: an impeccable performance, well-recorded, documenting a crucial period in the Arkestra’s development.

It helps that the repertoire and sequencing is particularly inspired, possibly assembled by Sonny himself from several night’s recordings (he was, after all, a master of the razor blade and splicing tape). Who knows?—the liner notes are deliberately vague. The album begins with two of Ra’s most whimsically captivating compositions, both of which had been out of the setlists for a while and are now radically rearranged. “Spontaneous Simplicity” dispenses with the horn statements altogether and becomes a feature for Ra’s chiming organ and the “space-rhumba” groove is a bit looser, with Boykins leaning heavily on the riff. Suddenly, Ra goes into a frenetic double-time feel but the rhythm section keeps right with him to the end. An interesting re-imagining of this piece. The beautiful and tranquil “Lights On a Satellite” which follows is intricately through-composed, from the flute and trumpet harmonizations right down to the arco bass pedals and pitter-pattering percussion figures—and it is taken at a glacially slow tempo. The Arkestra sounds a little restrained but they deliver a note-perfect performance of this chamber-jazz masterpiece, one of my very favorite Sun Ra compositions.

A deft edit (indicative of Sun Ra’s hand) puts us smack in the middle of “The Shadow World” (mysteriously re-titled “Ombre Monde #2”), with Danny Ray Thompson’s baritone sax riffing just tailing off. John Gilmore comes in with another spine-tingling tenor solo, made all the more intense by Sun Ra’s insistently busy organ figuration. Kwami Hadi then solos on trumpet, easily holding his own against the rumbling thunderclouds and lightning flashes of electric organ but Sonny finally takes over with an apocalyptic fury before another surgically precise edit dramatically brings the track to an end. Wow! It would be nice to have the whole thing, but this is a powerfully edited fragment that stands alone as a coherent piece of music. Whether constructed by Ra or unknown French engineers, this is a bravura bit of record making.
(Continue reading at NuVoid: Sun Ra Sunday Album Review)


211. [185]  Sun Ra and his Intergalactic Research Arkestra

Live at the Gibus

Sun Ra (p, org, e-vib, space instruments, Mini-Moog syn, voc); Akh Tal Ebah (tp, flg); Kwame Hadi (tp, flg); Marshall Allen (as, fl, ob, picc, perc); Danny Davis (as, fl, acl); John Gilmore (ts, d); Danny Ray Thompson (bars, fl, perc); James Jacson (bsn, fl, Inf-d); Eloe Omoe (bcl, fl, perc); Ronnie Boykins (b); Alzo Wright (clo, vla, perc); Thomas Hunter (d); Odun [Russell Branch] (perc, cga); Roger Aralamon Hazoumé (perc, balafon, dance); Shahib (perc, cga); Math Samba (perc, dance); June Tyson (voc, dance); Space Ethnic Voices: Judith Holton, Cheryl Banks, Ruth Wright (voc, dance).
The Gibus, Paris, October 1973
Spontaneous Simplicity (RA)
Lights on a Satellite (Ra)
Ombre Monde #2 [The Shadow World] (Ra)
King Porter Stomp (Morton)
Salutation from the Universe (Ra) [Mini-Moog only]
Calling Planet Earth (Ra) [ens voc]

All tracks on Atlantic 40540, Live at the Gibus, which was released in 1975 in France only (release date from Geerken and Hefele).  Information from the jacket.
from Campbell / Trent  The Earthly Recordings 2nd ed.

Sun Ra L'Intergalactic Research Arkestra
Live in Paris at the "Gibus"
Universe UV 079 (1975) LP

1. A1 Spontaneous Simplicity   4:02
2. A2 Lights on a Satellite   5:30
3. A3 Ombre Monde #2   12:13

4. B1 King Porter Stomp   2:53
5. B2 Salutations from the Universe   14:50
6. B3 Calling Planet Earth   1:30


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or


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Sun Ra L'Intergalactic Research Arkestra
Live in Paris at the "Gibus"
(Atlantic—France/Universe CD)
 
 1. Spontaneous Simplicity     4:05 
2. Lights On A Satellite     5:32 
3. Ombre Monde #2     12:18 
4. King Porter Stomp     2:53 
5. Salutations From The Universe     14:55 
6. Calling Planet Earth     1:29

-FLAC-


or


-320-

 

Wednesday, November 6, 2013

2nd Chance: Sun Ra - Out Beyond the Kingdom Of (1974)


By 1974, the Impulse! deal was starting to bear fruit, with almost a dozen LPs coming out during the course of the year, including several reissues from the old Saturn catalog. In addition, the Saturn label had been resurrected and new releases were being pressed in tiny editions for sale at gigs and at select record stores. Given the fact that all this product was suddenly flooding the marketplace, it is not surprising very few new recordings were made during the year. Much like 1973, 1974 is rather sparsely documented (relatively speaking), but most of what’s there is worth a listen.

In Feburary, shortly before Sonny’s sixtieth birthday, the Arkestra travelled to Mexico for an extended tour at the invitation of the Ministry of Culture—an invitation which dated back to the Fête de l’Humanité fiasco in September 1973, where Sun Ra’s music quelled a near riot and allowed for a triumphant performance of Ballet Folklórico de Mexico. While the musicians were given “plush accommodations,” by the grateful Mexican government, the musician’s union protested and prohibited them from performing—as musicians. The Actors Union interceded and the shows went on as “Sun Ra and His Cosmo Drama.” Szwed writes: “Sun Ra told the band that an earthquake would even the score, and later it was said that the Union’s office building had been leveled [in 1985]” (p.338). The Arkestra stayed in Mexico two or three months, playing two concerts at the Pallacio de Bellas Artes, a two-week stand at the Teatro Hidalgo, as well as concerts at Chapultepec Park (“where they played on a little island while people rowed around them in boats”) (Id.), the University of Mexico, and in front of the Pyramid of the Sun at Teotihuacán. The Arkestra also appeared on TV in Mexico City on Siempre en Domingo, “a variety show rather like Ed Sullivan’s” (Campbell & Trent, p.206). According to Francisco “Ali” Mora, a Mexican drummer who joined the band during the tour, concert tapes probably exist (Id.) but no recordings have surfaced to date.

On June 16, the Arkestra performed at Hunter College in New York City and the concert was recorded, possibly by the college itself (the sound quality is remarkably good). Portions were compiled by Ra for release as Out Beyond The Kingdom Of (Saturn 61674) later in the year (although some copies are titled Discipline 99) (Id.). The first thing you notice is the school has provided Sonny with a decent grand piano, and he relishes in the opportunity to tickle the ivories. “Discipline 99” is given a stately, confident reading by the band and features a long piano solo, alternating pretty harmonies with flurries of dissonant tone clusters. The following medley of old standards (an impossibly romantic ballad, “How Am I To Know?” and the up-tempo, “(Keep Your) Sunnyside Up”) allows Ra to show off his inimitable, inside/outside comping skills behind John Gilmore’s big-hearted, languorously swinging tenor solos. “How Am I To Know?” is a thing of rare beauty and the presence of Ronnie Boykins on bass and Clifford Jarvis on trap drums gives new life and humor to the old-fashioned rhythms of “(Keep Your) Sunnyside Up.” Good stuff!—and a harbinger of things to come: a mini-set of jazz standards would increasingly become a fixture of the Arkestra’s live sets as the ‘70s rolled on.

Side two shifts gears, with an emphasis on space chants and ensemble freak-outs and is, frankly, a lot less interesting to my jaded ears. But to be fair, this record must be considered in context, as a historical artifact. An obsessive collector in the year 2011 will have heard these routines many times before, but in 1974, live recordings were scarce. Sonny was shrewdly filling the gap, documenting the Arkestra’s current show for eager fans. Considered in that light, Out Beyond The Kingdom Of was exactly what it needed to be: a souvenir you could take home with you from the Cosmo Drama. As such, side two is fun, with June Tyson and Ankh Tal Ebah at their soulful, hortatory best and Boykins and Jarvis keep things grooving nicely. The highlight is “Cosmos Synthesis,” a wild group improvisation for horns and free-bashing rhythm section which stays heavy longer than usual. But Sun Ra himself is inaudible for most of the side until the very end of “Journey To Saturn,” when some spooky organ chords fade up and fade down.
(continue reading at NuVoid's Sun Ra Sunday)



215. [188]  Sun Ra and his Outer Space Arkestra

Out Beyond the Kingdom Of

Sun Ra (p, org, Mini-Moog syn, recitation); Akh Tal Ebah (tp, flg, mell, voc); Kwame Hadi (tp, perc); Marshall Allen (as, fl, picc, ob, perc); Dany Davis (as, fl, acl, perc); John Gilmore (ts, perc, voc); Danny Ray Thompson (brs, fl, libf, perc); Pat Patrick (bars, eb); James Jacson (bsn, Inf-d, voc); Ronnie Boykins (b); Clifford Jarvis (d); unidentified (d); June Tyson (voc, dance).
Hunter College, NYC, June 16, 1974

1st set:
unidentified improvisation [freakout ens; d]    audience tape 1
Outer Space (Is Such a Pleasant Place) (Ra)
[JT voc]
Astro Black (Ra) [JT voc]
Tapestry from an Asteroid (Ra) [JT voc]
untitled improvisation [freakout ens; Allen, as]
Discipline 27 (Ra)
untitled improvisation [syn; ens]
Enlightenment (Dotson-Ra) [JG, JT voc]
Love in Outer Space (Ra)
The Satellites Are Spinning (Ra) [JT, ATE, ens voc]
The Shadow World (Ra) [inc]

2nd set:
Solar Ship (Ra)                   
unidentified title [Gilmore, ts,
with p accompaniment; inc]
What Planet Is This? (Ra) [SR, ATE, ens voc]
Discipline 27-II (Ra) [dirge tempo] /
I Roam the Cosmos (Ra) [SR, JT, ens voc]
If You're the Truth, You're a Bad Truth (Ra) /
Right Road, Wrong Direction (Ra) /
Take Me to Your Leader (Ra) /
This Is Not Life (Ra) /
I Use Planets for Stepping Stones (Ra) /
Where'd You Come From? (Ra) /
Immeasurable (Ra) [SR, JT, ens voc] /
Out Beyond the Kingdom Of (Ra)
[SR, JT, ATE declamation;
incl. You've Lost Your Right and
It's After the End of the World]
Cosmos Synthesis (Ra) /
Outer Space Employment Agency (Ra)
[SR, JT, ATE voc] /
Why Go to the Moon? (Ra) [SR, ATE, JT voc] /
Neptune (Ra) [JT, ens voc; inc]
Journey to Saturn (Ra) [JT, ens voc]
Rocket Number Nine (Ra) [ens voc] /
Second Stop is Jupiter (Ra) [ens voc]
Angels and Demons at Play (Boykins-Allen)
[inc]
How Am I to Know? (King-Parker)
(Keep Your) Sunnyside Up (DeSylva-Brown)
unidentified title (Ra)
[bars riff; p; ts; Hadi, tp]
Sun Ra and his Band from Outer Space (Ra)
[ens voc]
closing announcement       

Saturn LP 61674, Out Beyond the Kingdom Of, was released on the Philadelphia label in 1974.  Some copies are titled Discipline 99.  Location courtesy of Glenn Jones.




At least three different Saturn labels were used on Out Beyond the Kingdom Of.  There is a Purplish Chicago Saturn label with a 1974 copyright date; these were sold in a generic "Acropolis" cover (Peter Roberts).  There is a  photocopied Chicago label (black on white) with typed-in titles; on this label, "Outer Space Employment Agency" has been truncated to "Outer Space Em."  These recycled Chicago labels are probably of Philadelphia origin!  In later years the prevailing label was a yellow Philadelphia with titles typed in a script typeface (see Geerken and Hefele's book for photos of the second and third labels).

There is a 95-minute audience tape that includes most of the first set, then (as we now realize) jumps to the end of the second set.  This is referred to as "tape 1" above.  A second audience tape ("tape 2"; this one is 105 minutes long and was obviously taped by a different person) was brought to our attention by Roy Morris after the first edition was published.  It reveals that "Angels and Demons at Play" through "Sun Ra and his Band from Outer Space" come from the end of the second set, not the first set.

"Solar Ship" was the introduction to the second set (it includes the emcee announcing the band's reappearance), but, as it appears only on the Saturn release, our placement of the untitled number and "Discipline 99" immediately after it, at the beginning of the second set, is somewhat conjectural.  They could have been from the end of the first set.  By contrast, the long sequence that begins with "What Planet Is This?" and "Discipline 27-II" is material that was almost always used at the beginning of a set.

Tape 2 shows that "Cosmos Synthesis" was edited on the Saturn release.  Both tapes reveal that "(Keep Your) Sunnyside Up" was faded at the end of John Gilmore's solo (solos by Kwame Hadi, Pat Patrick, Ra on piano, and Ronnie Boykins, plus the final ensemble, were cut, probably because Hadi was off-mike during his solo).  We previously identified the baritone sax soloist on this number as Charles Davis, but the electric bass line on "Angels and Demons" would indicate Pat Patrick.  A long, bowed bass solo on "Discipline 27" is the work of Ronnie Boykins, and Danny Thompson can be heard on the Neptunian libflecto during "The Shadow World."  A second trap drummer is audible on "Angels and Demons."  All unissued titles identified by rlc and ct; personnel rlc and ct.

"Angels and Demons at Play" (an arrangement called "Pre-Egyptian March" at several other points in the first edition) was incorrectly identified in the first edition as "Watusi."  Thanks to Ahmed Abdullah for correcting us.

from Campbell / Trent  The Earthly Recordings 2nd ed.

Sun Ra and his Outer Space Arkestra
Out Beyond the Kingdom Of
(Discipline 99)

Saturn 61674 (1974)


1. Discipline 99   12:12
2. How Am I to Know? - Sunnyside Up   9:35
3. Solar Ship   1:50
4. Out Beyond the Kingdom Of ...   4:32
5. Cosmos Synthesis   5:40
6. Outer Space Employment Agency   4:27
7. Journey to Saturn   10:26


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or


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HF

Many Thanks to Paul W for sharing his rip of this rare album.

Sunday, November 3, 2013

Sun Ra on WNYC and at Old Waldorf, San Francisco, October 11, 1980


Great mention of Ra on Halloween by WNYC archivist John Passmore.  Check it out.  It includes a short interview segment and this performance from Whitney Hall on January 7, 1981.




Will anyone with a copy of the January 7, 1981 show please share?  I would love to hear the entire broadcast.  Seeing the Waldorf poster in the article reminded me that Nikos shared a recording of the October 11, 1980 Old Waldorf concert with us back in 2011.


329. [258a]  Sun Ra Omniverse Arkestra

Sun Ra (p, syn, voc); Michael Ray (tp); Craig Harris (tb); Marshall Allen (as, fl, perc); Noël Scott (as, perc); John Gilmore (ts, cl, timb); James Jacson (bsn, fl, Inf-d, voc); Amo Chip (eb); June Tyson (voc); others unidentified.
Old Waldorf, San Francisco,
October 11, 1980

radio broadcast
untitled improvisation [tb]
Tapestry from an Asteroid (Ra) [JT voc]
untitled improvisation
[Scott, as; tbs and perc; Ray, tp]
The Sun Has Something to Say (Ra) [JT, ens voc]
The Sound Mirror (Ra) [SR, ens voc]
I, Pharaoh (Ra) [SR, ens voc]
Keep Your Sunnyside Up (Ra) [ens voc]
The Space Age Is Here to Stay (Ra) [ens voc]
unidentified title (Ra) [syn only]
Big John's Special (H. Henderson)
Limehouse Blues (Braham-Furber)
unidentified Swing tune
Why Don't You Do Me Right? (McCoy) [JJ, MR voc]
'Round Midnight (Hanighen-Monk-Williams)
Lady Bird (Dameron) / Half Nelson (Davis)
We'll Be Together Again (Fischer-Laine)
The Shadow World (Ra)

According to Graham Connah, an audience tape of excerpts from this concert was subsequently broadcast by KZSC-FM in Santa Cruz.  The audience tape is 75 minutes long; the whole concert lasted two to three hours.  All information from Connah.  Amo Chip (formerly Amo Dabney) states in the April 1995 issue of Cadence that he sat in on several of Ra's 1980 Bay Area concerts.  He has confirmed that he played electric bass at this concert.

"Why Don't You Do Right?" presumably comes from the repertoire of Lil Green; Sunny was in her band in 1946 and 1947. 
from Campbell / Trent  The Earthly Recordings 2nd ed. 



Sun Ra Omniverse Arkestra

Old Waldorf, SF
1980-10-11


audience recording

(NOT complete show, but all that is in circulation. Earthly book states
this was subsequently broadcast on KZSC-FM, Santa Cruz)

aud > ? > cdr in trade > EAC > FLAC

disc one:
01.  untitled improv
02.  untitled improv
03.  Tapestry From An Asteroid > improv
04.  The Sun has Something to Say
05.  The Sound Mirror
06.  I, Pharoah
07.  Keep Your Sunny Side Up
08.  The Space Age is Here To Stay
09.  untitled improv (SR syn solo)

disc two:
01.  Big John's Special
02.  Limehouse Blues
03.  Why Don't You Do Right ?
04.  'Round Midnight
05.  Lady Bird/Half Nelson
06.  We'll Be Together Again
07.  unidentified title
08.  The Shadow World


 
-FLAC-
Mega
RS