Saturday Showcase -- Seth Apter's Baked Velvet Powders and Tim Holtz New 3D Embossing

Hello and welcome! It's Sara Emily here to bring you this week's Saturday Showcase. This week, I will be sharing a tutorial for a pair of distinctly different cards featuring a couple of Tim Holtz newest 3D embossing folders along with Seth Apter's silky Baked Velvet embossing powders from the Neutrals Kit. Here's the pair; please click on any image to enlarge.

Let's get started! For the vintage portrait card, I began by embossing a water color paper panel with the Elegant 3D Texture Fade and then spread a layer of Wendy Vecchi Crackled Texture Paste in varied thicknesses over the panel. While the paste was still wet, I poured Eclipse Baked Velvet on one side of the card and tipped the card to allow the powder to flow down over the surface. I set this aside to dry and returned the remaining powder to it's jar.

After the crackle paste dried, I heat the panel to allow the embossing powder to melt. I love this crackled surface, and I could see this used to alter a frame. In fact, that was my original plan, but I instead decided to go another route.

I sprayed the panel with Cracked Pistachio Distress Oxide Spray and allowed it to dry. I blotted up the spray from the embossed areas, being careful not to smear the ink. I love how this single spray takes on so many beautiful hues and how it settles into the cracks. I blend some of the raised areas with Mowed Lawn Distress Oxide ink and spritz lightly with water to blend the inks. After drying with a heat tool, I blend the edges with Vintage Photo Distress Crayon.

I make a panel to frame the embossed panel out of design paper from my stash. In the photo below, I did a comparison of regular black embossing powder to Eclipse Baked Velvet. As you can see in the photo, after heating, Eclipse is matte in appearance compared to the other which is shiny. It has a wonderful velvety creamy texture, too. This is ground breaking for someone like me who does not care for the shine that most embossing powders provide.

Now, I work on the embellishments. I cut the frame using Tim Holtz Stacked Archway Thinlits and Metallic 2 Kraft Stock and sprayed it with Ground Espresso Distress Spray Stain. I sprinkled with Desert powder and heated to melt the powder. I was surprised not only by the amazing texture, but that the color changed from taupe to almost white as I heated it. To highlight the texture, I scribbled and blended with Vintage Photo crayon. In the end, I decided to tap on just a bit of Cracked Pistachio oxide spray (not shown).

I sanded one of the small Found Relatives cards and used the remaining Vintage Photo on my craft mat and on my fingers to shade her. I trimmed her to fit the frame and cut a second archway from craft foam and adhered it to the back to give some dimension. The pack of Found Relatives is very generous and includes 15 each of 3 sizes of fabulous vintage portraits. I don't think it comes as any surprise these fit perfectly in Tim's Lace Baseboard Frames.

I die cut my favorite of the Wildflower Stems #2 and some of Tim's old Wildflowers Thinlits from cream card and colored them with Cracked Pistachio Oxide ink and Vintage Photo crayon. While the ink was still wet, I dipped the ends into White Cloud Baked Velvet and heated to melt. I love how it pulled some of the color from beneath it as it heated. Sorry for the blurry shots--my Iphone wanted to focus on the frame.

Finally, I embossed and cut a pair of the smaller leaves using the 3D Impresslits Leaf and cream card stock.  Impresslits are embossing folders with a built in die, and the Leaf Impresslit has two sizes on the one folder. I painted the leaves with Cracked Pistachio Oxide ink, embossed them  a second time and when dry, slightly brushed them with Vintage Photo crayon. When I first saw the 3D Leaf  Impresslit last fall, of course my mind turned to fall foliage. I was a bit disappointed we would have to wait for April for it to be released. But good things come to those that wait, and I think they are perfect for all of my spring makes and they'll carry over to fall, too! If you are a fan of roses, then you know they make the perfect rose foliage.

Here is the finished card and some close ups for you to enjoy.

Now let's see how the shabby Easter card came together.

I started with a die cut of Tim Holtz Bigz Cottontail--this one happened to come in the sweet thank you gift in my last order from The Funkie Junkie Boutique. Thank you, Linda! I colored it with Distress Oxide inks, dried it, and gave it a coat of Distress Crazing Medium. While the medium was still wet, I sprinkled randomly with White Cloud Baked Velvet. I waited for the Crazing to dry before heating the powder to melt. Lastly, I used Distress crayons to add more color.

To make the crackled background, I spread crackle paste over a panel of Distress Mixed Media Heavystock and allowed it to dry. I spread the dried crackle with a good coat of collage medium. When dry to touch, I sprayed with oxide spray and blotted with a paper towel to remove most of the ink, leaving it in the cracks. I then embossed the panel with the Elegant folder and sanded the raised areas.

I blended the sanded panel with oxide inks in two shades of green and edged the panel by blending with Distress ink.

Then it was time to assemble the card, using a Stitched Oval cut from burlap covered card, some Wildflower Stems water colored with Distress markers and a water pen, and a trio of the 3D embossed leaves sprayed with Peeled Paint oxide and blended with Bundled Sage oxide ink.

Here's the finished card and a couple close-ups.

Don't you love that Crazing with the White Cloud powder? Not shiny, but soft and smooth like a bunnies fur. A double dip into the powder makes for even more texture on the tail.

I hope you've been inspired to add these new embossing folders to your crafty stash or possibly give one of the new Seth Apter Baked Texture Powder kits a try. These powders are a perfect way to alter that item you've been saving in your stash -- there's still plenty of time to enter our current  Frilly and Funkie challenge,  'Re-purpose, Re-use, Recycle'.

Happy crafting!

Sara Emily

Links to the products used on this project and available from The Funkie Junkie Boutique:

Sizzix 3-D Texture Fades Embossing Folder - Elegant
Sizzix 3-D Impresslits Chapter 2 Embossing Folder - Leaf
Tim Holtz Sizzix Bigz Die - Cottontail
Seth Apter Baked Velvet - 3 Piece Neutrals Kit
Tim Holtz Sizzix Thinlits - Wildflower Stems #2
Tim Holtz Idea-ology Ephemera Pack, Keepsakes
Tim Holtz Idea-ology Found Relatives
Distress Oxide Sprays
Tim Holtz Idea-ology 8 x 8 Metallic Confections Kraft Stock

Sizzix Thinlits Die Set - Wildflowers by Tim Holtz 661190	Sizzix Thinlits Set - Stacked Archway by Tim Holtz	Sizzix Thinlits Die Set - Stitched Ovals by Tim Holtz 661188	Studio 490 Wendy Vecchi Texture Paste - Crackled WVPASTECRA	Ranger Tim Holtz Distress Ink Pad - Ground Espresso TIM43270
Ranger Tim Holtz Distress Oxide Pad - Mowed Lawn	Ranger Tim Holtz Distress Oxide Pad - Cracked Pistachio	Ranger Tim Holtz Distress Oxide Pad - Bundled Sage	Ranger Tim Holtz Distress Oxide Pad - Peeled Paint	Ranger Tim Holtz Distress Oxide Pad - Antique Linen
Ranger Tim Holtz Distress Oxide Pad - Frayed Burlap	Ranger Tim Holtz Distress Crayon - Vintage Photo	Ranger Tim Holtz Distress Markers - Full Set	Ranger Tim Holtz Distress Collage Medium Matte TDA47933	Ranger Tim Holtz Distress Collage Medium Crazing TDA47957
Tim Holtz Ranger Distress Mixed Media Heavystock 8.5x11 inches - TDA53842	Tim Holtz Idea-ology Chitchat Stickers TH92998	Seam Binding

Saturday Showcase -- Tim Holtz Tattered Butterfly, Alcohol Pearls and Distress Oxide Sprays Tutorial

Welcome to our Saturday Showcase, where we focus on a product or product range available at The Funkie Junkie Boutique. It's Sara Emily here, and today I'm shining the spotlight on Tim Holtz Tattered Butterfly Bigz die released at Creativation 2019, along with some of his new Distress Oxide Sprays and Alcohol Pearls. Grab a snack and beverage; we've got a lot of ground to cover!

There are two different sized butterflies on the die, and they are meant to be layered or they can be used each on their own. I love the size variation, allowing them to be used on just about any sort of project from home decor to something as small as an ATC. I'm starting with the larger of the butterflies.  I used mixed media paper to cut from, but because this is a Bigz steel rule die, you can cut just about any substrate, including cardstock, felt, fabric, foam, magnet, leather, craft aluminum and many other materials.

I die cut the butterfly and sprayed it with Distress Oxide sprays in Fossilized Amber and Spiced Marmalade and Distress Spray Stain in Rusty Hinge. I did not dry between colors, but just kept spraying each color.  I set it aside to dry on it's own. After it was dried, I spritzed with water and dryed with a heat tool. Then I flicked on watered down Ground Espresso ink. Sadly, the water from that oxidized the colors even more, and a bit more than I would have liked. The trick to Oxides is knowing when to stop throwing water on them! I wasn't totally bothered by the chalky look in the end, so I decided to embrace imperfection.

I dripped Mineral Alcohol Pearl on the body. It leaves a beautiful sheen, but when I flipped it over, the other side was darker and matte. Just to see what would happen, I dripped more of the Pearl on this side. The result was a variegated rusty look, which is the body you see in place in the right photo above. I cannot express how much I love these Pearls; they are a game changer for me.

I decided to 'fill' the holes in the wings with this same rusty look. I used the Mineral Pearls on some scraps, the same way I did the body and adhered them in place on the back side. Pretty nasty looking at this point. I cut another butterfly from watercolor paper and inked the edges with Antique Linen Distress ink.

I adhered the two butterflies, off setting a bit and gave him a set of antenna fashioned from copper wire brushed with Black Soot Distress paint.

I colored 4 Hex Fasteners in pewter with Mineral and Black Soot paint, and used this same combination to color the edges of a sanded panel and a scrap (not shown) of Metallic 2 Kraft Stock. I love the authentic copper-patina-before-it-oxides look. I adhered a Clippings Sticker to the scrap for my quote.

I cut and sanded a panel of Classic Kraft Stock, blended edges with Ground Espresso and gave it a couple spritzes of Iced Spruce Oxide Spray.

I chose a panel I had in my stash that I considered a failed mixed media attempt, but might come in handy for a die cut. I'm pretty certain it was a stencil monoprint with gold embossing  powder sprinkled on the wet Fired Brick Distress Oxide. It looks like I also stamped and embossed in gold. More recently, I added Floral Collage paper and blended with Frayed Burlap. I still didn't like it, so back in the bin it went. For this project, I saw it's potential as a background and gave it a spritz of Iced Spruce Oxide spray in opposing corners. After assembling the panels, I splattered it with Black Soot paint. I adhered strings pulled from a scrap of canvas, and layered the butterfly over them. A scrap of vintage cotton lace from my stash backs the quote. Linda carries a wide variety of beautiful lace trims in her shop that can easily be made to look vintage with Antique Linen or any of the brown inks or sprays.

Following are some photos of the completed card and closeups.

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Next, I wanted to try out Celestial Alcohol Pearl that comes in Kit 4 along with Mineral shown above and Smolder.

I cut just the small butterfly from a scrap of Wendy Vecchi's Clearly for Art Modeling Film. I splashed it with Mermaid and Wild Plum alcohol inks. In the second photo, you see a puddle of 'run off', which can be used again. I wasn't happy with how the butterfly looked at this point, so I sprayed it with rubbing alcohol to mix and lighten the colors.  I quickly blotted it with a paper towel, and this is my result. The great thing about alcohol inks is they are very fluid and forgiving on nonporous surfaces such as Yupo, metal or plastics. You never know what you're going to get and you can always start over.

While I liked my result, I just couldn't resist that puddle. I dropped on a bit of alcohol to reactivate it and placed my butterfly face down into the puddle. Next, I poured a couple of drops of Celestial Pearl onto my glass surface. I picked up some of the ink on the dumb end of a paint brush and used it to make dots on the wings. Lastly, I just dropped some Celestial directly on the wing tips and used a pipette to drop tiny drops of alcohol into the Pearls while they were still wet.

 I do have Alcohol Blending Solution (linked below), and I do use it, but I also like to use 91% rubbing alcohol in a spray bottle to work my inks. It has similar effects, and I can get really cool effects by just spritzing it onto my alcohol inked panels.

I heated the butterfly with my heat tool and shaped the wings. I love how Clearly For Art goes limp and is totally pliable when it's heated. If you don't like the result, simply heat again and re-shape. In the first photo, I'm showing the reverse side, because it's so pretty. The inks and alcohol traveled through the holes and around the edges.  I adhered black paper to the back  using Distress Collage Medium after heating and shaping the butterfly. I colored a black body with Celestial and blended the edges of both pieces with Black Soot ink.

I cut the larger butterfly from white and black card and layered them, adhering at just the center. I layered the inked butterfly and body and adhered a thread bundle to the back side and set it aside to work on my background. Look how shimmery those Pearls are!

I cut a 140 lb. watercolor paper panel using the new Organic's Thinlit die. I just got the Chrome Precision Base Plate for Thinlits (linked below) recommended by Stacy of Tattered Nest Designs. It cuts these intricate designs like a dream, even through these heavier papers. Thanks, Stacy! I trimmed the edges and adhered the die cut to a second panel of watercolor paper using Collage Medium. I made sure it was completely covered in medium and allowed it to dry just til it was dry to touch.

I sprayed the panel with Mermaid Lagoon and Cracked Pistachio Oxide sprays. I let it sit for a couple of minutes and then gave it a spritz with water. I blotted with a paper towel to remove some of the ink until I was pleased, and allow the panel to dry on it's own.

 I cut a black frame using Stitched Rectangles Thinlits die, and an additional watercolor paper panel to provide yet another frame.  The sentiment is a Metallic Quotations sticker layered over a scrap of black card colored with Celestial. When everything was assembled, I masked the butterfly and quote and splattered with watered down Black Soot paint.

Following are some photos of the completed card and closeups.

* * * * *

While I had the butterfly die out, I played a little more. I made this one on a black card scrap early on in my play with my new Oxide Sprays, but didn't take any photos to document the process. I could not for the life of me duplicate it to use it in my tutorial (and you can see in the first photo below I tried numerous times). I used up a lot of spray trying to duplicate the look, but thankfully that didn't go to waste -- I used the spray remaining on my mat on a masterboard to make my Artist Trading Coins and booklet HERE.

So, I got to thinking maybe the scrap of black card I cut this butterfly from had some sort of coating on it. Perhaps if I gave the butterfly a coat of collage medium before I sprayed it. Well, you can see that didn't give the result I was looking for. But I kind of liked the way Fossilized Amber looks on the butterfly with a splash of Antique Linen Spray stain and drips of Smolder Alcohol Pearls and layered it with one of my failed attempts. By the way, I purposefully left the bits in the wings, because I wanted to see how the sprays would pool in the cracks.

For my final play, I did not take process photos, but perhaps I can talk my way through it. To make this grungy steampunk butterfly I cut a set of butterflies from Metallic 2 Kraft Stock. The small butterfly is embossed with Kaleidoscope 3D Texture Fade and both were sanded after cutting. I painted both with Black Soot paint, dried it somewhat and wiped off the remainder. I dripped the large butterfly with Smolder and the small one with Celestial Pearls. The body was cut with black card and colored with Smolder. Now that I see the photos, I think this would even look better with a squirt of Mineral, and I would have like to have used it on the monoprint background above. But I made this after that card was complete, and I wanted to give Smolder a try on it's own. There's always another time.  I'm sure both of these will end end up on a project sometime, but for now, I've set them free in my garden.

 The sun finally poked out, and this one was able to show off his shimmery spots.

  The steampunk butterfly was initially attracted to rusted garden ornaments, but found his way to the ferns.

Thanks for hanging in there with me! I hope you're inspired to play with Distress Oxide Sprays and Alcohol Pearls and picked some ideas for using the Tattered Butterfly die. A list of the products I've used is listed below, all available from The Funkie Junkie Boutique. And remember you still have a few more days to enter our current  Frilly and Funkie Artist Trading Coins challenge.

Happy Crafting!

Sara Emily

Tim Holtz Sizzix Bigz Die - Tattered Butterfly 20% off - use coupon code DIEDISCOUNT
Tim Holtz Sizzix Thinlits Die - Organic 20% off - use coupon code DIEDISCOUNT
Distress Oxide Sprays
Ranger Tim Holtz Alcohol Pearls - Kit #4
Ranger Tim Holtz Alcohol Blending Solution

Sizzix Thinlits Die Set - Stitched Rectangles by Tim Holtz 661189	Sizzix 3-D Impresslits Embossing Folder - Kaleidoscope 663296	(LATE NOVEMBER PRE-ORDER) Tim Holtz Idea-ology 8 x 8 Metallic 2 Kraft Stock	Tim Holtz Idea-ology 8 x 8 Classic Kraft Stock	Studio 490 Wendy Vecchi Art Parts Clearly for Art Modeling Film WVAPCLEARLY
Ranger Embossing Powder - Princess Gold EPJ37477	Ranger Tim Holtz Alcohol Ink - Wild Plum	Ranger Adirondack Alcohol Ink - Mermaid AL40729	Tim Holtz Idea-ology Quotations Metallic Stickers	Tim Holtz Idea-ology Clippings Stickers
Tim Holtz Idea-ology Collage Paper Floral	Ranger Tim Holtz Distress Collage Medium Matte TDA47933	Sizzix Accessory - Chrome Precision Base Plate for Thinlits	Tim Holtz Ranger Distress Paint - Black Soot TDF52937	Tim Holtz Ranger Distress Stain Spray - Rusty Hinge TSS42440
Ranger Tim Holtz Distress Oxide Pad - Aged Mahogany	Ranger Tim Holtz Distress Ink Pad - Frayed Burlap TIM21469	Ranger Tim Holtz Distress Ink Pad - Black Soot TIM19541	Ranger Tim Holtz Distress Ink Pad - Antique Linen TIM19497	Ranger Tim Holtz Distress Ink Pad - Ground Espresso TIM43270
Tim Holtz Ranger Distress Spray Stain- Antique Linen TSS42136