Showing posts with label Yoshiaki Kawajiri. Show all posts
Showing posts with label Yoshiaki Kawajiri. Show all posts

Tuesday, May 19, 2015

Lensman: Secret of the Lens (1984)



Lensman: Secret of the Lens (1984)

Director: Kazuyuki Hirokawa, Yoshiaki Kawajiri

You've probably never heard of Lensman: The Secret of the Lens because for whatever the reason, this film is very obscure, it’s not talked about a lot amongst anime fans, or even science fiction fans, which is strange to me because this movie is so damn entertaining, so well animated, that it’s a pity it isn't more popular. Even finding decent pics for this review was a small task! But whatever, I’m here to spread the goodness and inform you lovers of anime out there that this is one of those movies you've never heard of that you should give a chance to. Lensman was one of the first anime movies that I watched, along with Miyazaki’s Nausicaa of theValley of the Wind (1984), that taught me that animation could be so much more than what we got in Saturday morning cartoons; something far superior and complex than a 20 minute episode of He-Man and The Masters of the Universe. Speaking of which, the animation was fantastic on this film! You could see the filmmakers were going for something special, which is something I always look for in anime films, it has to be something special. So, what’s Lensman all about and why should you take your time to check it out?


Lensman is the story of a young boy named Kim, who lives a happy life farming with his father on the peaceful planet of Mqueie. One day, a spaceship is about to crash land on their corn field, but Kim, being the excellent pilot that he is, boards the ship before it crashes and lands it himself! He quickly explores the ship and comes upon a dying member of ‘The Galactic Patrol’, who hands him a magical Lens which immediately adheres to Kim’s hand. Kim doesn't know it yet, but the Lens will give him enhanced mental abilities and telepathic powers. Soon, Kim learns that the Boskones, an evil race of beings enemies to the human race, are after this particular lens because it holds the location of the ‘Devil Planet’, home planet to the Boskones. The film is a chase sequence, as the Boskones chase Kim and his friends across the galaxy, trying to destroy the Lens. Will Kim unite with the Galactic Patrol in order to hand them the location of the Devil Planet? Or will the Boskones destroy Kim and the Lens first?

The cover for 'Grey Lensman' one of the many Lensman novels written by Edward E. Smith

Basically Lensman is this amazing property which has been around since the 1930’s when its creator Edward Elmer Smith wrote the first Lensman story and published it in the legendary science fiction magazine ‘Amazing Stories’. Since then, there have been a whole series of novels, comics (from Eternity Comics) and manga. There was even an anime series entitled ‘Galactic Patrol Lensman’ and a couple of board games. At one point director Ron Howard was developing a film adaptation through Universal Studios and Imagine Entertainment, unfortunately the project fell apart because it was deemed too expensive by Universal. But of course, it’s a whole universe were talking about here. This is a story that spans planets and many alien races. We’re talking spaceships and wars in space, of course it’s going to be expensive. If you ask me, this whole property has an amazing potential to become a successful franchise, but Hollywood has famously backed out of many a good opportunity, so it doesn’t surprise me. I guess they won’t take a chance with it because it isn’t an ultra popular property like say Marvel comics and a film adaptation could go the way of the dodo like say for example Ender's Game (2013), a film based on a well established science fiction series of novels, that went nowhere. But then again, that movie kind of sucked anyways. But Lensman is all sorts of awesome! Well, at least this anime film version is. I loved every second of it.


The thing about this film is that it feels a lot like Star Wars. This film was released in 1984, so I think its safe to say that Star Wars fever was in full force back in those days (has it ever gone away?) so it doesn't surprise me that for every character in this movie we have a counterpart in Star Wars. Hell, even one of the characters has her hair made up like Princess Leia’s famous hair do. But whatever, Star Wars rip off or not, where this film excels is in its designs. The spaceships, the aliens, everything looks amazing! For example, the Boskones are all organic beings, so their spaceships, their armor, their everything looks organic and alive. This is a unique looking universe that I’d love to see translated into a live action film. Yet while live action films usually have to deal with budget limitations, the cool thing about anime films is that they don’t rely so much on a budget. Everything is done on paper, with traditional animation. There is no limit as to where the imagination of the filmmakers can take us because they don’t have to build sets or costumes, all they have to do is draw and animate whatever cool idea pops into their heads! And in this respect, the animators behind this film really out did themselves. What I loved about Lensman is that they focused a lot on doing these long takes of action where they don’t cut and the camera moves all over the place, following our heroes around. Best example of this would be the amazing escape sequence when they rescue Buskirk and the good guys escape on these hover cycles. Awesome action! Wonderful animation. So be ready for a movie that has some amazing animation techniques that were pushing what could be done in traditional animation.


Back in those days, computer generated images where giving their first baby steps and so animators kept trying to mix computer animation with their traditional animation often times with bad results. Examples of films that tried this are films like Rock and Rule (1983) and Disney’s The Black Cauldron (1985), not bad movies on their own right, but those computer animated sequences just stick out. I personally hate it when they do this, but whatever, lets chalk it up to experimentation. Lensman: Secret of the Lens opens with Boskonian ships that look like giant pulsating brains, but rendered in computer animation. There’s also some computer animation towards the end, but again, this sequence just doesn’t look as awesome as the rest of the traditional animation. Thankfully, these CGI sequences don’t last long and the film reverts back to the awesome traditional animation that Japanese are so good at. The traditional animation side of the film is what really makes it special for me. The computer images seem crude and less detailed then the awesome traditional stuff. Obviously, animators where trying the next hot thing in animation and this is probably why we get some bits of crappy computer animation, which was in diapers back in those days. Still, those scenes are a small hiccup in an awesome movie filled with fantastic moments of animation.  


Lensman: Secret of the Lens is none stop action from beginning to end. It never stops. It’s a huge chase sequence, we go from rescuing one character, to rescuing the next. From planet to planet, with all these crazy alien creatures! There’s this character who is also a Lensman that is just so cool, his name is Worsel, he looks like a man bat or something, cool character, again, this movie is all about the uniqueness in its design. The story for this film is all about the proverbial ‘chosen one’, the farmer boy who becomes a hero, so you see why I make the Star Wars connection. Still, the concept of the Lens and the Galactic Patrol is an awesome one with enough original elements to them to keep you entertained. If you feel like checking out some cool sci-fi anime, with fantastic animation and awesome action, give Lensman: Secret of the Lens a chance, you won’t be disappointed. Or bored.

Rating: 4 out of 5



Monday, April 13, 2015

Neo Tokyo (1987)


Title: Neo Tokyo (1987)

Directors: Rintaro, Yoshiaki Kawajiri, Katsuhiro Otomo

I’ve been doing some catching up with old anime movies I haven’t seen, because let’s face it, there’s so much cool stuff out there to see that sometimes movies just slip through the cracks. Just when you think you’ve seen it all, boom, there’s universes within universes to explore. Case in point: Japanese animation. As I mentioned on my review for Robot Carnival (1987), Japanese animators love to do anthology films because it gives them a chance to expose their talent to the world. I’ve come to really enjoy a lot of these Japanese animation anthologies…here’s another one I think you guys will dig. It’s called Neo Tokyo (1987) and it includes the work of some truly awesome animators! Let’s see, first we have Rintaro, the director behind The Dagger of Kamui (1985), Metropolis (2001) and X (1996). He directed the segment entitled ‘Labyrinth, Labyrinthos’. Yoshiaki Kawajiri the director behind Ninja Scroll (1993), Vampire Hunter D: Bloodlust (2000), Highlander: The Search for Vengeance (2007) and The Animatrix (2003) directed the short entitled ‘The Running Man’. And finally we have anime legend Katsuhiro Otomo, the mastermind behind Akira (1988), Steamboy (2004) and one of the shorts on Robot Carnival (1987). He directed the short entitled ‘Construction Cancellation Order’. So we have three masters of Japanese Animation working on this anthology, how did it turn out?


Wowzers is all I can say about this one. I mean, considering this was released the same year as Robot Carnival, the animation on Neo Tokyo is far superior in my book. I don’t know what it is; it just looks better, more modern somehow. Robot Carnival, though released on the same year, had an old school feel to it, even though it was about robots. I guess it just shows what a unique touch a director can give to their films. Without that vision, that idea, that feeling that a director wants to convey, a movie just isn’t the same. If you have an uninspired director behind the camera, then the film will be equally uninspiring. Which was not the case with Neo Tokyo, it’s quite evident from the first frames that we have a skilled and talented group of directors gathered for this anthology, each with their unique and voice.


First up we have the short entitled ‘The Running Man’ which is just an amazing short. It grabbed me from the first images and didn’t let me go. The control over sight and sound is so superior here…I mean, the visuals go so well with the sound, they create an otherworldly landscape of nightmares, and futuristic speed racing. Imagine mixing the world of Blade Runner (1982), with its neon lights and dark city landscapes and mix it with the podracing scenes from The Phantom Menace (1999) and you’ll get an idea of what to expect. Now mix in some ghosts…and you have your first ghost filled speed racing movie, with mind meld included in there for good measure. First off, stylistically speaking, this short is mind blowingly cool. The visuals will capture you, I mean, these race cars are so freaking cool looking! I want to drive one of these things! Second, it’s so much like Blade Runner, right down to having a detective investigating the whole thing. And a short film that appears to exist within Blade Runner is cool for me any day of the week. And third, it’s bat shit insane. I mean, what the hell? I had to watch this one a couple of times to fully understand it, but from what I could grasp, it was about this dude who controls the driver of a racing car with the power of his mind? The ghosts figure into the story somehow? Freaking crazy! Still, this is exactly what I enjoyed so much about the shorts presented on Neo Tokyo, they challenge your mind. And speaking of mind bending stories…


Then we get Rintaro’s collaboration to this anthology, a story entitled ‘Labyrinth, Labyrinthos’ a.k.a. ‘The Labyrinth Story’. And here’s where this anthology dives deeply into the surreal and dreamlike. So far, this is the most surreal anime short film I’ve seen. It is as if we were watching everything from the point of view of a child. We follow the child as he is playing inside his house….things are show from such strange angles that they seem different. It reminded of feelings I had when I was a child. You know how when you are a child, simple things can seem scary? This short harkens back to that, to when a childs imagination could transport him to a whole other world entirely. Mirrors are suddenly doors that can take us to another dimension filled with images that seem to make sense, yet they do at the same time when we look at the in a symbolic sort of way. You see all these crazy images which end up making sense when compared to your wildest craziest dreams. Feels like being a kid and seeing the world through eyes that get frightened easily. This short just blew me away as well. To me it felt like I was watching the film of a very distinctive filmmaker, one with a clear vision of what he wanted to convey; that weird, frightening, yet wonderful way in which a child looks at the world. This short was so amazing…obviously a master filmmaker at work here. One of the best things I can say about it is that it was an exercise in atmosphere, some scenes are spooky, they seem to come out of an old fashioned horror film. This short was one of the highlights of the anthology.


Finally, we move on to Katushiro Otomo’s ‘Construction Cancellation Order‘ which is all about this representative of an important development company who due to a change in government is now responsible for overseeing the cancellation of a construction project. The cancellation of this Project 444 presents its own set of challenges. First off, this development company was building a huge city in the middle of a dense jungle, so we have a futuristic city in ruins, being overtaken by nature. Second, the whole project was being constructed entirely by robots, with one robot overseeing everything. The problem is that the robots won’t stop working, since that’s all they were programmed to do and their one human supervisor has gone missing, they won’t follow any other order! So it becomes this gargantuan task to stop them. Again, same as in Robot Carnival (1987) the theme of man vs. machine pops up, but who will win? To me this short is amazing because of its design. You can see glimpses of the complex city designs that Otomo later uses in Akira (1988), also, it ends similar to Akira’s because it has its protagonist going up against a gigantic tentacled creature. While I enjoyed this short, I was disappointed with its ending, which feels unfinished. Just when you think you’re going to see this whole Man vs. Machine theme taken to its limits, poof, it’s fade to black and the short ends. What happened here? Did they purposely leave the audience hanging, or did something happen behind the scenes of the making of this short that didn’t allow them to follow through to the end? Whatever the case, the short is still amazing, and well worth watching. But if you ask me, the other two shorts are superior.  


After, Construction Cancellation Order, the anthology closes by going back to Rintaro’s Labyrinth Labyrintho’s and its back to surreal territory with the child still living out one of his horrible nightmares which involves circus clowns and black slimy monsters surrounding the child and his fat cat. But no worries, somehow, it all ends on a happy note and same as Robot Carnival, the short ends in a parade of fireworks, clowns and music, which brought to mind the final scenes in Federico Fellini’s 8 ½ (1963), which ends in a similar fashion. When the film ends, it feels like those last minutes in a circus, where all the characters from the circus reappear to say goodbye to us. The film dazzled and amazed us and it is now ending with some eye candy so you can leave happy. I know I did! Though this anthology film is short in running time (only 50 minutes long) its amazing every step of the way and well worth including in your anime/animation collection.

Rating:  5 out of 5 




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