Behind the Scenes Awesomeness: The Rocky Horror Picture Show (1975)

The Shadow (1994)

Title: The Shadow (1994)

Director: Russell Mulcahy

Cast: Alec Baldwin, Penelope Ann Miller, Peter Boyle, Ian McKellen, Tim Curry, James Hong

The Shadow came out during the 90’s, at a time when Hollywood was producing comic book movies trying to duplicate the success that Warner Bros. had with Tim Burton’s Batman (1989). I guess its part of what you’d call the 90’s comic book movie revival? So anyhow’s Hollywood’s idea of making a successful comic book movie at that time was reviving the oldest comic book heroes; the tried and true characters from the golden days. I guess they thought these old characters would still be in the public’s collective mind, but boy where they wrong. While The Shadow is a character with lots of background and history, it is a hero that comes out of the 30’s; out of the depression era and well, that was a long time ago. People don’t want old heroes like The Phantom or The Shadow, they want contemporary heroes like The X-Men and Spiderman. And so, films like The Phantom (1995) and The Shadow didn’t exactly grow legs at the box office when they were released. The Rocketeer (1991) also failed because it was also a period comic book film that took place during the 30’s. So apparently, any comic book film that takes place in the old days is doomed to failure. But if you ask me, The Shadow didn’t deserve to fail at all, it’s a very fun film, a well produced comic book adaptation that is quite faithful to its source material. The Shadow you knew from the comics, novels and the radio shows is The Shadow you get on this film.

The Shadow tells the story of ‘Ying-Ko’ a ruthless opium dealer from Malaysia who is suddenly abducted by these monks, not sure if they are Tibetan or not so don’t ask. But they do have this cool looking temple in the shape of a Snake! So anyways, the leader of these monks is a holy man known as ‘The Tulku’ and he tells Ying-Ko that he will be given a chance to redeem himself. He will live amongst the monks for seven years and learn to “cloud mans minds”. Fast forward seven years and now Ying-Ko is living in New York City, is reformed and calls himself by his real name, Lamont Cranston. During the day, he is a wealthy “man about town” but at night, he roams the city streets using his new acquired powers to fight crime and protect the innocent. He is “The Shadow”, a mysterious figure that has the ability to make himself invisible to others, and hypnotize evil doers. What evil lurks in the hearts of man? The Shadow knows!  

So in my book, this is an excellent movie that didn’t deserve to fail at all. In fact, out of the these three old timey comic book movies of the 90’s, The Shadow is the one I like the most. The production values where high on this one, it had a lot of style, a lot of class and to top things off an amazing cast! I think it’s sad that modern audiences just can’t connect with a period comic book film. I guess this proves that it’s true, the grand majority of movie going audiences are young kids who don’t really care for anything remotely related to the past. The most recent example I can think of right now is The Lone Ranger (2013), a film with huge production values (above the 200 million dollar mark), a good director, a huge star and great visual effects. Unfortunately it is also a cowboy movie and kids just don’t connect with those anymore either, so I guess, the lesson to Hollywood is, if you want to make a movie that takes place in the old days, you better either make it hip and cool (for example The Great Gatsby (2013)) or make it an indie with a low budget, for the art house crowd because if you don’t, you risk having a turkey and loosing your precious millions. My cry out to modern audiences is, give these types of movies a chance because you just might be missing out on a good movie! Case in point: The Shadow.

What I love about The Shadow is the character itself, the whole set up behind him, the premise. The character looks so cool with his black hat and trench coat, with his twin guns! The red scarf, the mysterious eyes, it’s a great visual in my book. But back in the 30’s, fans of The Shadow could only imagine him, you have to remember, this is a character that comes out of an era when people heard radio shows! Back in the 30’s comic book movies didn’t multiply like rabbits the way they do today, in fact, comic book super heroes hadn’t made the leap to the silver screen yet, that wouldn’t happen until The Adventures of Captain Marvel debuted in 1941, yes my friends, Captain Marvel (a.k.a. Shazam!) was the first super hero to get his very own feature film! So until that day would come along, all comic book fans had during the 30’s were radio shows. They’d have to snuggle up next to their radios and hear their comic book heroes fight crime! Comic book fans had to imagine everything back in those days, which is quite cool when you think about it! I remember when The Shadow hit theaters back in ’94, they re-issued a couple of these old radio shows and I bought a couple of them because I wanted to experience what it was like to listen and imagine these old Shadow stories. I can’t tell you how much fun I had listening to these old radio shows! I remember one of the stories was called “The Man Who Wasn’t There”. There was this aura of mystery to these old radio shows that was just awesome, they were very atmospheric, very spooky. And this is something that this film effectively translated to the silver screen.

On this film The Shadow inhabits a dark, seedy New York City filled with art deco buildings and big band dance clubs. Russell Mulcahy, this film’s director, turned The Shadow into a nourish event, a film noir in every sense of the word. What’s film noir you ask? Well, these are films that usually take place in urban settings (a city), at night and crime, sex and violence usually figure into the story one way or another. The wind is always blowing in the city streets; the lighting on these films is purposely dark, thunder is clapping, there’s always an aura of mystery to these films, and I just love the hell out of all that ambiance, that atmosphere. So The Shadow brings all that mystical mystery from old film noir back to the silver screen. Keeping in line with one of the requirements of a film noir, the hero is doomed somehow, he has a dark side, and The Shadow most certainly has that in spades. The Shadow knows what evil lurks in the hearts of man because he himself has to keep that evil side of him under control, he was once ruthless, once cold, he has a constant battle with his inner demons. One wonderfully awesome dream sequence has Lamont Cranston actually ripping his face off and revealing the villains face underneath! So we got a character that’s tormented by his dark past, constantly trying to forgive himself, redeem himself. Speaking of The Shadow himself, what a wonderfully spot on casting decision it was to put Alec Baldwin in this role! This was before he went into the “Fat Elvis” stage he is now. Back in ’94 Alec Baldwin still had some of those dashing good looks to him, plus that voice is perfect for The Shadow.

The rest of the cast is equally great. I don’t know what happened to Penelope Anne Miller, but man, I wish she was still around making movies. She looks amazing playing Margo Lane. She wears these silky dresses that look amazing on her, especially in dream sequences! The best part about Margo Lane is that she’s is never, for one second portrayed as a helpless damsel in distress. In fact, if we get down to it she plays an important part in saving the day, I liked that about this movie. The damsel actually becomes something of a threat to The Shadow! Then we have the great Tim Curry playing a mad scientist and Ian McKellen playing a goofy one. John Lone plays Shiwan Kan, the last living descendent of Genghis Kan! The villain in this film has the traditional villainous desire to “conquer the world” by destroying it first; which brings to mind that the film isn’t all that original in terms of story. But so what, this movie is more about the look and feel then the brains behind it. There’s tons of style and atmosphere here, not to mention fun. The film was written by David Koep and I have to admit, his dialog was interesting, funny, it kept me entertained. Koep wisely keeps things light by spreading jokes in the dialog to liven things up, so be alert for a lot of word play.  There’s this hilarious scene where hero and villain are discussing the fate of the world and suddenly it turns into this: “Lovely tie, by the way. May I ask where you acquired it?” “Brooks Brothers” “Is that Mid-town?” “45^th and Madison; you are a Barbarian.” “Thank You!” So you should have fun with the script which is very witty and clever.

Russell Mulcahy brings a visual flare to the film by adding lots of interesting camera angles and gimmicks to keep things visually interesting, the production has a lush quality to it as well. I think he was an excellent choice to direct this film. For example, Russell’s visual trickery involves scenes like this inspired moment in which we follow a canister with a message in it as the canister travels through a series of funnels, spread out through the city…awesome sequence! Speaking of visually interesting directors, Sam Raimi expressed interest at one point to direct yet another Shadow film, in fact he stated that he owns the rights to the character, unfortunately, the last he said on that subject was that a good script had not been produced yet, and so, as far as I know, that idea has been shelved. Maybe one day, a hip young director will find a way to make a Shadow film that can connect with modern audiences by somehow bringing The Shadow into the modern age. But if you ask me, I like The Shadow just the way he was portrayed on this film, living in the 30’s New York City, going to dance clubs, moving around in taxi cabs, romancing the ladies. The Shadow works best in that era, working the dark, seedy city streets, hiding in the shadows, cackling away at the bad guys from the nothingness…around every corner, in every empty room, as inevitable as your guilty conscience.

Rating:  4 ½ out of 5 

Alice (2009)

Title: Alice (2009)

Writer/Director: Nick Willing

Cast: Caterina Scorsone, Andrew Lee Potts, Kathy Bates, Harry Dean Stanton, Tim Curry, Matt Frewer

Review:

When you are a kid and you see Alice in Wonderland, you really have no idea what it’s about. At least that is what happened to me. As a child, I had seen countless versions of Lewis Carroll’s story on both television and film. But I never really knew what the hell the story was talking about. To me the story was just a fantasy tale that took place in a totally freaky world filled with talking cats, smoking caterpillars, and drinks and food that turned you big and small. Never did I go further than that. Watching Alice in Wonderland as an adult is a whole other story!

The version of Alice in Wonderland that I will be reviewing today is one that aired on the Syfy channel, it is called simply Alice. And essentially, it is an updated version of Lewis Carroll’s classic. Its more then just a facelift in special effects and story, this film turns wonderland into a futuristic wasteland that looks like it would fit better inside of a post apocalyptic film. On this version, Alice is a black belt in karate; she even has her own martial arts school. She is going out with this guy, and has invited him over for dinner so she could present him to her mom. But there’s something weird about this guy! He is hiding something, somebody is after him. But who? Before Alice knows it, her new boyfriend is kidnapped by a group of guys in white shirts and black suits, and taken away in a van. Soon, they drive up to a building and walk inside of a room that holds a special mirror. They jump into the mirror and disappear! Alice follows! From their on in, the film is about Alice trying to find her boyfriend, and her long lost father in wonderland. Will she ever escape this crazy post apocalyptic wonderland? Will she find her love, and her father?

This film, which was released as a two episode mini-series type of deal over the Syfi channel, comes to us from director Nick Willing. Nick Willing is not a house hold name as a director, but he has directed a few movies that you’ve probably seen like for example, Tin Man (2007), which was a modern take on L. Frank Baum’s The Wonderful Wizard of Oz. It was also released through the Syfy channel to rave reviews and ultra high raitings. The success of Tin Man was probably what propelled this new take on Alice in Wonderland. Willing even directed a version of Alice in Wonderland that was also a made for t.v. thing, it was released in 1999on NBC. So I guess the guy has done Alice in Wonderland twice! He was more than qualified to direct this new one.

But I welcome it, just as I welcome every new version of The Christmas Carol that comes out. I was pumped to see Burtons take on wonderland, thought I was ultimately disappointed. I’m looking forward to that new take on The Wizard of Oz that’s just around the corner. I love seeing new versions of old tales. Every Christmas, I watch a different version of The Christmas Carol. There’s enough of them for me to be doing that for a while. Some versions are good, some suck, but its always interesting to see how each new voice and vision sees the story. On this version, Wonderland has been devastated by the tyranny of evil rulers. The Evil Queen of Hearts is bleeding the land dry. On Alice, wonderland looks dreadful, lifeless, void of color and happiness. Except of course for the castle on which The Queen lives in which looks modern, clean and livable. The rebels live underground. Plotting a way to dethrone the evil queen and her army of Agent Smith’s. Surviving on whatever scraps they can find.

And that’s the thing about Alice in Wonderland. As a child, I never picked up on the rebellious/subversive nature of the story. It’s all about the rebels vs. the evil government that needs to be replaced. Why does it need to be replaced? Well, because the queen kidnaps people from our world, keeps them entertained in a casino, making them think they are winning the games. Unbeknownst (big word!) to the people, the floor of the casino is siphoning what ever emotions they are feeling, and bottling them all up in a factory below the casino, so these emotions can be consumed by the queen, and also sold on the black market. It’s an interesting idea, and a symbolism for how the powerful feed on the emotions of the masses and the control they have over them. Sucking the people dry, keeping them in a hypnotic state with hollow entertainment and drugs.

Like many subversive films, this one lets us know about the dangers of going against the big old powerful system. The moment you become conscious, and start thinking on your own they whisk you away to a mysterious psychiatric ward, where they then attempt to brainwash you all over again. The Queen has no sympathy for the people. No gratitude for being allowed to be up there governing. She only has that thirst for power. Of course the movie is all about going against that, fighting to recover our minds, freeing the people and bringing justice and peace to wonderland. They captured very well that feeling of paranoia, that you are being watched, that you must obey. That you must playball with the rules or its “off with his head” with you.

The White Rabbitt is a killer android on this version

Alice also has the science fiction element to it that I don’t think we had seen on any Alice in Wonderland film before. On this one, the white rabbit is a murderous gangster type robot that functions as The Queens own personal bounty hunter. There is this whole chase sequence in the film that takes place with Alice flying on these flying scooters that that look like flamingo’s. The men who work for The Queen look like Agent Smith from the Matrix movies. Wonderland looks like something out of I am Legend or something. Buildings upon buildings abandoned and destroyed. I enjoyed the sci-fi angle the series had. It gave this version its own unique look and feel.

The Mad Hatter and Alice fall in love on this one, and parts of the series are about them developing feelings for each other little by little, this love affair is what gives the film one of its worst sequences, the tacked on mega happy ending. But we have to remember that this series was made for T.V., and as such, it has to comply with a few things. Most important among them is having a happy ending. And stretching things out so you can have a two part mini-series. It’s really the only thing I didn’t like about this one, at times it felt like it was just streeetching things out. Still, in spite of these shortcomings, the movie proved to be entertaining for me. I’m curious for that other version of Alice in Wonderland that this director made way back in 1999, I never got around to seeing it. I’m also planning on seeing Tin Man soon, so expect a review of it. This was not the best Alice in Wonderland film ever made, but it was an entertaining and different take on the old tale. Certainly far more entertaining than Tim Burton’s recent 3-D abortion, sorry, I was really dissapointed by it.

Rating: 3 ½ out of 5