Showing posts with label Nicolas Cage. Show all posts
Showing posts with label Nicolas Cage. Show all posts

Wednesday, August 3, 2011

Drive Angry (2011)




Title: Drive Angry (2011)

Director: Patrick Lussier

Cast: Nicolas Cage, Amber Heard, William Fichtner, Billy Burke, David Morse

Review:


Drive Angry is the title they gave this film because that’s exactly what the producers of this film expect everyone to do once they walk out of the theater: Drive Angry, very freaking angry! I guess with that title, they figured they might as well let audiences know what they can expect ahead of time. Wow, what a bad movie. That debt that Nicolas Cage has with the U.S. Government for millions of dollars in unpaid taxes must be a real bitch because the guy is taking every pay day he can get! No matter how crappy the movie is! Are you making a terrible film no one wants to be in? Contact Nicolas Cage’s agent, I’m sure he’ll have no problem squeezing you in to his continuously growing line up of bad films. Yes my friends, here we are once again talking about an extremely shitty Nicolas Cage film which he obviously did out of necessity. At least I hope he did! No self righteous actor would have agreed to be in this poor excuse for a movie. But alas, you might think I’m being overtly cruel with this picture, but I tell you I am not! As I watched it, I just couldn’t help seeing the words “tear this one a new asshole” flashing in my minds eye. And so here I am, poised and ready to tear this one shit stain of a movie a new one. 

This pic makes this film look cooler than it actually is

This film tells the tale of John Milton (get it?) a guy who has just escaped from hell itself! And what is his reason for escaping the fiery pits of Hades? To save his infant granddaughter from being sacrificed by a cult of inbred Satanists; so he has a noble cause at least. Along the way, he befriends an ex-waitress who has just quit her job. And guess what? She's in luck because Mr. Milton arrives just in time to save her from being killed by her abusive boyfriend. Of course, this is just a lame-o excuse so that she feels she like she owes her life to him, so that Cage can have a hot babe tagging along in his adventures. Funniest part of the whole film is that this girl has nothing to do with anything! She’s not related to Milton, the baby isn’t hers, and she has nothing to do with the Satanists, yet she insists in tagging along, risking her life for no reason whatsoever. A simply thank you would have been fine. Unbeknownst to this poor girl is the fact that Milton is being followed by a demon from hell who calls himself ‘The Accountant’. This demon is trying to recover Satan’s gun. You see,  Milton stole it from under Lucifer’s noses. And yes, you read that right kids, Satan has guns in this movie! Shouldnt be that weird, if you accept the fact that there are cars in hell as well, Milton actually escapes from hell in one! Ha! But anyways, Milton doesnt just steal any old gun, this is the gun with which Satan intends to kill God with on Judgment Day! The guns name is “The God Killer”! To be honest, I don’t know why Satan would want this gun; all it does is fire crappy looking CGI bullets that turn anything they hit into an even crappier CGI effect. Will The Accountant ever catch up with John Milton? Will Milton get to rescue his granddaughter from the clutches of the Satanists? 


When you watch Nicholas Cage acting in films like Drive Angry, The Wickerman (2006) or Season of the Witch (2011) you kind of have to wonder if he still gives a crap about acting. You also have to wonder if he’s sold his soul to the devil. I mean what is this, his fourth Satan related film? Let’s see, first there’s Ghost Rider (2006) where he sells his soul to the devil in order to save his fathers life. He then goes on to become the devil’s personal henchman. Then there’s Season of the Witch (2011) a terrible film in which Cage must go on a journey to destroy an evil witch who is possessed by a demon. Then there’s Drive Angry in which he steals Satan’s gun and escapes from Hell to stop a group of Satanists from sacrificing his granddaughter, and finally, there’s the upcoming Ghost Rider 2: Spirit of Vengeance a film that is going to be showing its ugly head sometime in 2012. Not exactly the best films to have on your resume, but then again, considering how much Cage gets paid per picture, the guy should be out of debt and making good movies in no time! Right? In fact, in a small glimmer of hope for Cage’s cinematic career, it was recently announced that Cage would re-unite with Charlie Kaufman and Spike Jonze on a new film project. Something good should come of that reunion, after all, these where the same three guys who brought us the critically acclaimed Adaptation (2002). I’m sure one day we’ll look back at Nicolas Cage’s filmography and think of this particular time in his career as his “tax paying films”; when you think about it, it comes as no surprise that the villain in Drive Angry is called ‘The Accountant’. 

Nicolas Cage's worst nightmare! The Accountant!

Drive Angry is the kind of film that is so badly made that your compulsion to burst out laughing wont be helped; it’ll just come out of you naturally. How bad is this film? Let me count the ways: first off, this film has some of the worst computer animated images I’ve seen since Dinocroc vs. Supergator (2010). I mean, the CGI on this film looked like something you’d expect to see on a Sci-Fi Channel movie of the week. How the hell could Patrick Lussier, this films director, look at this footage and be okay with it? How could he live with himself knowing he’d be responsible for this terrible film? Heres an example of how shitty the effects are: there is this one scene in which a truck hits a bunch of police cars and ends up flying through the air hovering above Cage’s car, and then falls back on the ground. This scene is a text book example of a badly constructed action sequence. The scene was not convincing at all. It had zero believability, zero tension, what it did have was the fakest looking computer effects! The truck was so obviously not there! You know how in some of the worst movies, when characters are talking inside of a moving car, the background looks fake and you can tell the actors are just sitting in front of a projection screen? That’s what happens on this film, you can tell they are sitting on a car with a green screen behind them! Ugh! I haven’t seen effects this bad since Ballistic: Eck Vs. Sever (2002). I clearly remember people laughing at that one in the theater, I’m sure Drive Angry had the same effect on many theater crowds. Just expect some of the worst CGI of your life. 

The worst special effect of all? Nicolas Cage's hair do! 

Patrick Lussier is the director orchestrating this attempted homage to Satanic films. It’s obvious Lussier and crew saw many Satanic classics before deciding to sit down to make this one, the most obvious influence being Race with the Devil (1975), even going as far as using the same car used in that film. Unfortunately, no matter how hard they tried, this isn’t a good film about Satanist. Then again, I really haven’t seen a film about Satanists that wasn’t funny or goofy to some extent. I mean, there are some good ones out there like for example Roman Polanski’s Satanic double whammy Rosemary’s Baby (1968) and The Ninth Gate (1999). It’s really difficult for me to see a film about Satan worshippers and not find it silly somehow, I guess adults dressed up in black hoods, thinking Satan is real is kind of silly to me. If you don’t believe me, then watch The Devils Rain (1975) where you can see Ernest Borgnine become Satan with a beer belly. If you want to laugh even harder check out Christopher Lee in To the Devil a Daughter (1976), and while your there, say hello to Christopher Lee’s ass while your at it, it makes a cameo during an embarrassingly bad orgy sequence. It’s not for nothing that this film ended up being the final nail on Hammer Film Studios coffin. I guess you can add Drive Angry to your list of silly Satanic films.

"Did I ever tell you this here skin jacket is a symbol of my individuality 
and my belief in personal freedom?"

Apparently, portraying a truly frightening Satanic cult isn’t quite as easy as we might think; the results are often times unintentionally funny. On Drive Angry we get the most pathetic group of Satanists ever! Some dance around naked, others don’t, I guess some are more into Satanism then others. The Satanists in Drive Angry are so pussy, that when they actually have a chance to sacrifice a baby and bring forth hell on earth, they think about it. Oh come on! You have the magical dagger, the moon is full and you have the baby in your hands, what are you waiting for?? Jeez. The most satanic thing they do is sit around drinking beers on the night hell is supposed to come to earth! But yeah, this movie is hilarious. I guess maybe in that way it can be enjoyed. To watch it and make fun of it with your buddies, at least thats what I did with my buddies. It does have on good thing going for it. The dialog made me laugh a couple of times. An example: “You know what this batch means? It means Federal Bureau of get the FUCK out of my way!” That’s right my friends, making a film about Satanist, and having it be good or frightening isn’t something that happens very often. I can count with the fingers on my hand how many films have achieved that. I just remembered another good thing that the film has going for it: it gave a small role to Tom Atkins doing what he does best: playing a tough as nails cop! 


Since the film is called Drive Angry, I was expecting it to at least have one memorable car chase sequence, something that really stands out. I was expecting something along the lines of a Fast and the Furious film but with a supernatural angle, or even better Mad Max with a supernatural angle.  And you know what? I bet if done correctly, this kind of film could actually work too. Unfortunately, the chase sequences are bland and filled with bad cgi, which proves to us two things: this movie not only got its supernatural/horror elements all wrong, it got it's car movie angle all wrong as well. Where were the good car chase sequences in this film? This proves my theory about putting guys who are on the technical side of filmmaking to direct, it doesn’t always work. Check out films like Virus (1999), Spawn (1997) and Blade Trinity (2004). All directed by writers, editors, and special effects technicians who thought they were directors. The results with those films where no less disastrous than Drive Angry a film directed by one Patrick Lussier, a guy who made a career out of editing Wes Craven films. In my book he isn’t a good storyteller or filmmaker, he might be a good editor which is what he’s supposed to be good at, but directing and telling a story with a film? Not his forte. You know what? Even his editing sucked on this one, some scenes just didn't match up; if you dont believe me check out this horrible sequence that takes place while The Accountant is chasing Cage down a bridge. Wow, logic, pacing, editing and everything else where entirely forsaken during that scene! If you ask me, My Bloody Valentine (2009) was as good as this director got. Surprisingly, Lussier will be directing yet again! Let’s see if he makes a worthy Halloween flick with his upcoming Halloween III slated for 2012. Buttom line with Drive Angry? This is yet another crap fest to add to Nicolas Cage’s ever declining filmography. Will Cage ever recover from this downward spiral in his career? Will he ever make a good film again? Or will the name Nicolas Cage continue being synonymous with bad films? Only time will tell with these questions. Let’s hope Cage will someday try to regain his dignity as an actor and do something that really cooks, instead of something like Drive Angry which fizzled. 

Rating: 1 out of 5

Friday, April 30, 2010

Kick Ass (2010)

Title: Kick Ass (2010)

Director: Matthew Vaughn

Writer: Matthew Vaughn, Jane Goldman based on the comic book by Mark Millar and John Romita Jr.

Cast: Aaron Johnson, Chloe Moretz, Nicolas Cage, Christopher Mintz Plasse

Review:

Here’s something you probably didn’t know about me: I'm a hardcore comic book collector. I used to buy every thing I could get my geek boy hands on, on a weekly basis! The latest issue, the latest special edition cover, the first appearance of this and that character. I stopped buying comics regularly because number one, it was getting expensive and number two, I was more interested in acquiring comics in which only the best comic book writers and artists worked on, I didn't want the weekly crap, I wanted the good stuff, the 'creme de la creme' as they say. If the art work and story weren’t exceptional, I just didn’t give a crap. Quality is #1 for me when it comes to reading comics. I like the good stuff. So now I just by the collected editions and graphic novels, and I only buy graphic novels from artists and writers that are worth a damn. As a result I have a massive collection of comics in boxes, waiting for the day when they will all suddenly sky rocket in value. Things are starting to look up, that first appearance of War Machine (Iron Man #282 ) is going up in price! But my love for reading comics has never died out. I know the excitement and joy of buying the latest issue of a comic you’ve been reading for a while. And that thrill of having that special edition that everyone else wants. Kick-Ass is a film whose storyline develops within this universe of comic book collectors and geeks. The kind of guys who love to hang out for hours and hours in a comic shop just talking comics.

Reading comics in a comic shop, comic book geek heaven

Kick-Ass is a film based on a comic book written by Mark Millar and drawn by the great John Romita Jr.; a comic book artist that I have always admired. His artwork has always had a style that I really enjoy. Romita Jr. has been working for Marvel Comics for years now, doing memorable runs on various Marvel comics. Amongst them The Amazing Spider-Man. But with Kick-Ass, Millar and Romita Jr. decided to take a stab at creating their own super-hero. This comic was released Marvel Comics Icon Imprint, a division of Marvel that produces creator owned titles. This means that Marvel prefers to produce comics which are still owned by their creators, as opposed to having these great artists and writers run off and self publish their own comics somewhere else. Kind of like what Todd McFarlane did with Spawn and Rob Liefeld did with Youngblood in the 90s. These two guys worked for Marvel Comics, got famous because of their splashy, stylish art then quit Marvel and went out on their own to print their own damn comics and subsequently, made millions while at it.

Issue #2 of Kick Ass. Prices have sky rocketed on back issues of this series!

Millar and Romita Jr. did their own take on a teenage superhero, and I got to hand it to them, they came up with something that is equal times familiar and equal times refreshingly original. I’m speaking only from what I saw in the film, because I have not had the pleasure of reading these comics. You can rest assured I will be searching out for that Kick Ass graphic novel as soon as I can!


Story for Kick-Ass concerns teenager Dave Lizewski, a dude who is fed up with being mugged and harassed by petty criminals. One day he decides he is going to make himself a superhero costume and go out and fight crime himself! The logic behind his actions is, why, if we watch so many super hero movies and read so many comics, does nobody ever actually dress up like a super hero and confront evil? The answer to that question is quickly handed to him when he confronts a pair of criminals trying to steal a car. He gets his ass handed to him for trying to stop them. But he doesn’t give up! After a quick recuperation period, he goes right back to the streets to fight crime. When his heroic escapades reach You Tube, he becomes an overnight sensation! He opens a MySpace page and suddenly requests for help start pouring in! Can Dave take on the responsibilities of being a hero? Or will it all prove to be a little too much for him?


Essentially, in its first few frames, this film feels a lot like Sam Raimi’s first Spider-Man movie. A nerdy teen (with glasses of course) decides he wants to be a superhero. He designs his own super suit on a little notebook, he goes to the roof tops to try and jump from one building to the other, he has a girl he likes but doesn’t dare tell her. He is poor. He lives with parents apparently oblivious to his super hero exploits. These similarities don’t surprise me since Romita has been working for marvel comics for years, and he himself has worked on a long run of Amazing Spider Man. But this movie takes one turn that makes everything else after that initial set-up completely original. It’s when our hero suddenly confronts brutal reality and gets his ass kicked by the criminals. His first adventure as a hero is a pretty brutal one! And that’s when the movie took me completely by surprise! I was like “no way did that just happen!” So the movie got me on its good side for surprising me like that.


What is most surprising about this movie is the blood and violence. The edginess it has, the profanity. The shits, fucks and cunts fly out of these kids’ mouths like there’s no tomorrow. Normally, this kind of super hero movie plays it really safe, I mean, just look at how squeaky clean the Spider Man movies are! There is not an ounce of blood in them. The violence is cartoonish, you never feel like the characters are in any real danger. But with Kick-Ass, characters bleed, they hurt, they end up in the hospital. They ache and pain.

Hit Girl, comic book version

One thing I always hated about comic book movies is the fear to show the “good guys” killing. This is normally a big no-no in comic book films because the target audience is almost always kids. That’s how Hollywood executives think. Comic book movie? Make it squeaky clean, and aim it at the kids. Look at Spider-Man and The Fantastic Four. How ‘safe’ were those movies? Super safe that’s how safe! Villains end up killing themselves most of the time, hero’s don’t kill the villains themselves. I’m guessing the logic behind that is that they are the good guys. They shouldn’t be doing any killing whatsoever. But not on Kick-Ass! Take the character of Hit Girl for example, she is twelve years old, her father is a vigilante called Big Daddy, a Batman of sorts. They both go villain hunting, and when villains are confronted, they get maimed in really gruesome ways. Hit Girl is a character that has gotten a lot of heat because she goes around with her daddy killing bad guys.


I see why this can be seen as ‘controversial’. Of course having a 12 year old girl chopping of arms and legs with a sword is controversial, but this is just a movie, not to be taken seriously. I had a blast, seeing this deadly little girl kicking so much ass. It was a complete thrill, simply because that’s not the type of thing we are used to seeing a twelve year old girl do. So it’s shocking that way. Hit Girl goes around on a first person shooting spree that was so freaking awesome! And in night vision no less! Anyhow; I think this controversy can only do the movie good. People will probably go see the movie just to see what the big deal is all about. I have to give kudos to this movie for being so ballsy. That edge is what makes this film interesting. Call it controversial or whatever you want, Hit Girl kicks ass! She handles guns, knives and swords like a real expert!


I did find something strange about it. The movie is called Kick Ass, yet you don’t really feel like it’s his journey. You kind of get the feeling that this movie should have been called “The Adventures of Hit Girl and Big Daddy, and their side kick Kick-Ass” Yeah, we do see Dave’s trip towards becoming a true hero, we do see him go from Zero to Hero, but I have to say that Hit Girl stole the show. I’m not bringing down Aaron Johnsons performance as Kick-Ass. I think he played nerdy and vulnerable very well, but the truth is the truth, the focus of the film is on Hit Girl and Big Daddy, Kick-Ass is just coming along for the ride, learning the ropes of becoming a hero.


The Nic Cage factor is underplayed here, by that I mean he doesnt get that much screen time because the movie focuses mostly on all the other characters. Cage plays Hit-Girl’s dad, Big Daddy. A Batman like character who has a burning rage for criminals. The idea that he has raised Hit-Girl in the ways of death and destruction is kind of crazy. Yeah, he is a hero, but he has essentially sabotaged Hit-Girls chance at a normal life, at a childhood. This wasn’t a big problem for me because this is one big comic book fantasy, its not reality, plus I found it funny and shocking at the same time, so I went with it. Plus, the villains in this movie were real villains; they deserved to get their asses kicked by Big Daddy and Hit Girl. Cage plays Big Daddy like a time bomb that’s just about to explode at any given second. You know how Cage can get when he gets into whacko mode.


One thing that I thought was peculiar was the inclusion of music from two of Danny Boyle’s films: 28 Days Later and Sunshine. I love both of those soundtracks, but couldn’t understand why this film couldn’t get its own musical score. But the music did fit in perfectly with the scenes. Speaking of the films director, Mathew Vaughn made the film interesting with his stylistic direction. The film plays with that idea that since this is a comic book movie, the colors should be vibrant and jump of the screen. I think he achieved it. The film also has some awesome shots like the first person shooter sequence in night vision.


All in all, Kick Ass was rather refreshing actually. While it doesn’t bring us anything remarkably original or anything (its similarities with Spider Man are many) the violence and cussing and Hit Girl made the movie that much more entertaining. Its characters do stuff normal superheroes would never be caught dead doing, like killing. If you don’t mind cartoonish violence and profanity doesn’t phase you, then you should be okay.

Rating: 4 out of 5

Kick-AssKick-Ass #1Kick-Ass: Creating the Comic, Making the Movie

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